Gilbert Keith Chesterton Part 11

I have always understood that in some sense Chesterton was a journalist of the kind who is rather hard on journalism, but I did not know until I read this book on divorce that he so little understood newspapers and their writers. Commenting on the fact that the Press is sensible enough to use divorce as a news item, he says: 'The newspapers are full of an astonis.h.i.+ng hilarity about the rapidity with which hundreds of thousands of human families are being broken up by the lawyers; and about the undisguised haste of the "hustling" judges who carry on the work.' I wonder if Mr. Chesterton ever reads the leaders of certain papers, leaders which never fail to regret the enormous amount of divorce there is. If it be true that there is a great deal of news of divorce in the Press, it is because the Press does not give news of an imaginary world that is a Utopia, but of the dear old muddle-headed world as it is. Does Chesterton fail to see that if the newspapers did not report the Divorce Courts, the numbers of cases would increase from thousands to millions.

It is useless Chesterton sighing that lawyers have become breakers of families; they have also become restrainers of suicide. If the judges hustle, it is because they are sensible enough to see that most of the divorces are justifiable; when they have not been, they have not been slow to say so.

Yet again Chesterton repeats the somewhat superficial argument against divorce that its obvious effect would be frivolous marriage. The normal person on his or her wedding day luckily does not think about anything beyond the supreme happiness they have found at least at the time. It is lightly said that the modern Adam and Eve think of the chances of divorce before marriage whatever may be the cause of divorce afterwards; at least it will be agreed that it is a failure of a particular two people who thought that their lives together would be a mutual happiness. Therefore, when Chesterton says that divorce is likely to make frivolous marriages he is saying that couples about to marry do so expecting it to be a failure. If this be so, then the young men and women of to-day are more hopeless than they are commonly made to appear by correspondence about them in the papers. If, on the other hand, every couple on marriage knew for a certainty that it was 'till death us do part,' it is more than likely that marriage would be a thing that was abnormal, not normal. It might even be that the Church would have to listen to reason, and be disturbed over worse things than divorce, and whether she should endeavour to take a Christian att.i.tude to those who had been unfortunate or indiscreet.

Chesterton is very concerned that the time will come when 'there will be a distinction between those who are married and those who are really married.' This is precisely to state what is Utopia. At present many people who are really married are in the chains of slavery; the more who get out of it the better. As the number of those whose marriages are a farce will gradually diminish, thus will divorce be a G.o.dsend. Divorce is, in certain cases, a G.o.dsend, but the priests refuse to listen to the Divine revelation.

Chesterton sketches at some length the nature of a vow. He considers that Henry the VIII broke the civilization of vows when he wished to have done with his wife. It is quite possible that he did, but it is also possible that she did precisely the same thing. The question in regard to our inquiry is: Is the marriage vow entirely binding even when the other party to the contract has broken it? The opponents of divorce, amongst whom are Chesterton, will quite easily say that it is, yet they cheerfully ignore the fact that in a marriage two persons make a contract, and if one breaks it there is quite a good reason that the vow made is no longer one at all. It is a very interesting question whether a vow should ever be broken. Should Jephthah have broken the vow that sacrificed his daughter? Should Herod have broken his vow that laid the head of John the Baptist on a charger? Should two people remain together when (if they have not broken their actual vows) they have lost the spirit of them? The opponents of divorce, who are so eager over the keeping of the marriage vow, are they as eager that it shall be but a miserable skeleton?

Chesterton does not see any particular reason why the exponents should be anxious to secure easier divorce for the poor man. It is, he thinks, 'encouraging him to look for a new wife.' If he has a wife who isn't one at all, the best thing for him is to look for another who will prove to be so, otherwise he will search for the nearest public-house and a cheap prost.i.tute. Surely it is better that it be granted his first marriage was a failure and let him try decently for a better.

Of course, the most sensible plan would be to give divorce for all sorts of small things; people would soon then tire of it. Chesterton tells us that already in America there is demand for less divorce consequent on the increased facilities over there. In England there is demand for more. Let it be given freely and the demand will soon cease. Why should our policy be dictated by a celibate priesthood? Does Chesterton think that people who hate one another are going to live together as though they were the most ardent lovers? Does he consider that it would be better to have no divorce and no marriage as a consequence? Does he consider that ill-a.s.sorted couples will make happy nations? Does he really consider that divorce can destroy marriage? Does he consider that the newspapers print the divorce cases because they have no other copy?

Chesterton's book is, I think, unfair on some points. He considers divorce is a superst.i.tion; he holds that it is pernicious from a social standpoint; he considers that it encourages adultery; he considers that it is the breaking of a vow; but has he ever seriously considered that if all divorce is wrong, that marriage very often is the most miserable caricature of Divinity possible? Has he thought what the state of the country would be if no marriage could ever be broken or a fresh matrimonial start made? If such a thing happened it might make him write a book on the 'Superst.i.tion of Non-Divorce.'

_Chapter Ten_

'THE NEW JERUSALEM'

There are four ways of going to Jerusalem--the one is to go as a pilgrim would go to Mecca; another is to go as a tourist in much the way that an American staying in Russell Square might start for a trip round London.

Again, it is possible to go to Jerusalem for yet a third reason, that of wis.h.i.+ng quite humbly to be in some way a modern Crusader. There is yet a fourth way, which is to be made to go for reasons that are called military and are really political.

'The New Jerusalem' is, above all, a ma.s.sive book. It is the record of a tour, and it is something more, it is an appreciation of the Sacred City on a Hill. It is, in a limited sense, a philosophy of the Holy Land; it deals in a masterly way with problems connected with the Jews; it is so unscholarly as to insist that the scholars who refuse to call the Mosque of Omar that at all are pedantic; it has a fine chapter on Zionism; it describes Jerusalem, not so much as a city, but as an impression that fastened itself on the mind of Mr. Chesterton.

There are some very fine pa.s.sages in the book that deal with the curious question of Demonology, that peculiar belief which finds a place in the New Testament in the story of the Gadarene swine, and who, Chesterton felt, might still be found at the bottom of the Dead Sea--'sea swine or four-legged fishes swollen over with evil eyes, grown over with sea gra.s.s for bristles, the ghosts of Gadara.'

One of the most interesting chapters of this book is that which is ent.i.tled 'The Philosophy of Sightseeing.' There is, of course, a philosophy of everything, of boiling eggs, of race-horses, of the relations of s.p.a.ce and time--in fact, Philosophy is a sort of Harrods, that sums up anything from a Rolls Royce to a packet of pins.

To some people there must be almost something incongruous in the idea of sightseeing in the Holy Land, yet it is probable that of the crowds round the foot of the Cross, on which was enacted the world's greatest blessing, a great part were idle sightseers who, twenty centuries later, might have been a bank holiday crowd on Hampstead Heath. Chesterton found that there was a philosophy in sightseeing; he had been warned that he would find Jerusalem disappointing, but he did not. He could be interested in the guide who 'made it very clear that Jesus Christ was crucified in case any one should suppose that He was beheaded.' He could see that the 'Christianity of Jerusalem, after a thousand years of Turkish tyranny, survived even in the sense of dying daily'; fascinating as Chesterton found Jerusalem, much as he insists that the 'sights' of the city must be seen in their right perspective, yet he has sympathy with the man who only 'sees in the distance Jerusalem sitting on the hill and keeping that vision' lest going further he might understand the city and weep over it.

Chesterton devotes a long and careful chapter to the question of the Jews, of whom Christ was the chief; but, notwithstanding, thousands of His so-called followers quite forget this, and scarcely will admit that the Jew has a right to live. The reason is, no doubt, that the Fourth Gospel uses the word [Greek: ioudaios] in the sense of those who were hostile, consequently many entirely orthodox Christians are anti-Jewists, quite oblivious of the very reasonable request of St. Paul that in Christ are neither Jew nor Gentile. This is, in brief, the theological side of the vexed question of Zionism. Chesterton makes it quite clear that he thinks it desirable that 'Jews should be represented by Jews, should live in a society of Jews, should be judged by Jews and ruled by Jews,' which is of course to say that the Jews should be a nation. But the fact remains, do they wish to be so, and, if they do, is it necessary to them, or even congenial, that it shall be in Palestine?

It is no way the province of this book to go into this question; it has been enough to say that it is perfectly evident that Chesterton desires for the Jew the dignity of being a separate nation.

Is there any particular characteristic in this record of Chesterton's visit to Jerusalem? Is it anything more than an impression of a wonderful experience, when a great writer left his home in Buckinghams.h.i.+re and pa.s.sed over the sea and the desert to the city that is older than history and is now new? I do not think that the book can be called more than a Chestertonian impression of Jerusalem, with an appreciation of the vexed history of that strange city which is Holy. It does not forget the problems in connection with Palestine, but it has no particular claim to having said very much that was new about the New Jerusalem. Yet it has avoided the obvious: it is not of the type of book that is read at drawing-room missionary meetings, which are more often than not written in a surprised style, that the places mentioned in the Bible are really somewhere.

I almost feel as if this book is something of a guide-book--in fact, it was inevitable that it should be so. I rather fancy that descriptive writing is for Chesterton difficult; it is a little bit too descriptive, which is to say it is not always easy to imagine the scene he is trying to describe. I am not sure that the Jews will be flattered to be told that Chesterton thinks they are worthy of being a nation; it is slightly patronizing.

Yet the New Jerusalem is a book to read, but it is not of the Holy City that St. John saw in the Revelation; it is of the New Jerusalem of the twentieth century, which is very imperfect, yet is Holy. It is a book of a city that was visited by G.o.d, Who did not deem Himself too important to walk in its streets; it is of a city teeming with difficulties; it is of a city that has felt the iron hand of the conqueror; it is finally Jerusalem made into a symbol by the hand of Mr. Chesterton.

_Chapter Eleven_

MR. CHESTERTON AT HOME

There is a very remarkable fascination about the home life of a great man whatever branch of activity he may adorn. If he is an archbishop, it is interesting to know what he looks like when he has exchanged his leggings for a human dress; if he is a pork millionaire, we like to see whether he enjoys Chopin; if he is a great writer, the interest of his home life is intensified. For the tens of thousands who know an author by his books, the number who know him at home may quite well be measured by the score.

There is always an idea that a great man is not as others; that he may quite conceivably eat mustard with mutton, or peas with a spoon; that his conversation will be of things the ordinary man knows nothing about; that he is unapproachable; that he is, in short, on a glorified pedestal. This love of the personal is demonstrated in the absurd wish people have to know about the private doings of Royalty, it is shown in the remarkable fact that thousands will hang about a church door to see the wedding of some one who is of no particular interest beyond the fact that they are in some way well known; it is again seen in the interest that people display in those parts of a biography that deal with the life of the public man in his private surroundings.

When I first knew Chesterton he was living in a flat in Battersea, a charming place overlooking a green park in front and a ma.s.s of black roofs behind. Here Chesterton lived in the days when he was becoming famous, when the inhabitants of that part of London began to realize that they had a great man in their midst, and grew accustomed to seeing a romantic figure in a cloak and slouch hat hail a hansom and drive off to Fleet Street.

Later, Chesterton moved to Beaconsfield, a delightful country town, built in the shape of a cross, on the road from London to Oxford. He has here a queer kind of house that is mostly doors and pa.s.sages, and looks like a very elaborate dolls'-house; it is rather like one of the Four Beasts, who had eyes all round, except that instead of having eyes all round it has doors all round; and I have never yet discovered which is really the front door, for the very good reason that either of the sides may be the front.

In a very charming essay, Max Beerhobm, one of the best essayists of the day, gives warning to very eminent men that if they wish to please their admirers a great deal depends on how they receive those who would pay them homage. He tells us of how Coventry Patmore paid a visit to Leigh Hunt and was so overcome by the poet's greeting--'This is a beautiful world, Mr. Patmore'--that he remembered nothing else of that interview.

I remember one day it so happened that I had to pay a visit to Anthony Hope. I knocked tremblingly at his door in Gower Street and followed the trim housemaid into the dining-room. Here I found an oldish man with his back to me. Turning round at my entrance he said, without any asking who I was, 'Have a cigarette?' And this is all that I remembered of this visit.

The best way, according to Max Beerbohm, is for the visitor to be already seated, and for the very eminent man to enter, for 'Let the hero remember that his coming will seem supernatural to the young man.'

I cannot remember the first time I saw Chesterton, whether he was seated or whether I was; whether his entrance was like a G.o.d or whether he was sitting on the floor drawing pirates of foreign climes or whether he was wandering up and down the pa.s.sage. Chesterton is so remarkable-looking that any one seeing him cannot fail to be impressed by his splendid head, his shapely forehead, his eyes that seem to look back over the forgotten centuries or forward to those yet to come.

If there is one thing that is characteristic of Chesterton, it is that he always seems genuinely pleased to see you. Many people say they are pleased to see you, yet at the same time there is the uncomfortable feeling that they would be much more pleased to see you leaving. This is not the case with Chesterton: he has the happy advantage of making you feel that he really is glad that you have come to his house. This is not so with all great writers. Carlyle, if he liked to see a person, did not say so; Tennyson did not always trouble to be polite; Swift would receive his guests with a gloomy moroseness; d.i.c.kens was a man of moods; conversation with Browning was not always easy. Great men do not always trouble to be polite to smaller ones.

What a wonderful laugh Chesterton has. It is like a clap of thunder that suddenly startles the echoes in the valley; it is the very soul of geniality. There is nothing that so lays bare a man's character as his laugh--it cannot pretend. We can pretend to like; we can pretend to be pleased; we can pretend to listen; we can't pretend to laugh. Chesterton laughs because he is amused; he is amused at all the small things, but he seldom laughs at a thing.

I have often and often sat at his table. He talks incessantly. There is no subject upon which he has not something worth while to say. His memory is remarkable; he can quote poet after poet, or compose a poem on anything that crops up at the table. I do not think it can be said that Chesterton is a good listener. This is not in any way conceit or boredom, but is rather that he is always thinking out some new story or article or poem. Yet he is a good host in the niceties of the table; he knows if you want salt; he does not forget that wine is the symbol of hospitality.

It has been said that Chesterton is one of the best conversationalists of the day. Conversation is a queer thing; so many people talk without having anything to say; others have a great deal to say and never say it. Chesterton can undoubtedly talk well; he has a knack of finding subjects suitable to the company; though he does not talk very much of things of the day; he is naturally mostly interested in books. Given a kindred soul the two will talk and laugh by the hour.

Naturally, Chesterton has to pay the price of greatness: he has visitors who will make any pretence to get into his presence. But many are the interesting people to be found at his home. I remember one day, some years ago, when Sir Herbert Tree called to see him. I do not recollect what they talked about, but the time came for the famous actor to go.

The last I saw of him was the sight of his motor-car disappearing and Sir Herbert waving a great hat, while Chesterton waved a great stick. I never saw Tree again. Not long after, the world waved farewell to him for ever.

One of the most frequent visitors to his home is Mr. Belloc, and it is said that he always demands beer and bacon. One day it so happened that Mr. Wells came in about tea-time. He seemed, it is said, gloomy during the meal, and finally the cause was discovered! Mr. Wells also wanted beer and bacon. It was forthcoming, and the great novelist was satisfied. It is at least interesting to know that on one point at least Belloc and Wells are agreed--that beer and bacon are very excellent things.

No word of Chesterton's home life would be complete without reference to his dog Winkle. Winkle was more than a dog, he was an inst.i.tution; he had the most polished manners--the more you hurt him the more he wagged his tail; if you trod on his tail he would almost apologize for being in the way. He knew his master was a great man; he had a certain dignity, but was never a sn.o.b. But the day came that Winkle died, and was, I am sure, translated into Abraham's Bosom. Chesterton has now another dog, but he will never get another Winkle. Such dogs are not found twice. I am not sure, but I think one day Winkle will greet Chesterton in the Land that lies the other side of the grave.

It is, I think, well known that Chesterton has a great liking for children. He is often to be seen playing games with them or telling them fairy stories; he is an optimist, and no optimist can dislike children.

He probably likes children for the very good reason that he is quite grown up; it is no uncommon thing to see him sitting on the floor drawing pictures to ill.u.s.trate his stories. Which reminds me that Chesterton is a remarkably clever artist. I would solemnly warn any one who does not like his books defaced not to lend them to Chesterton. He will not cut them, he will not leave them out in the sun, he will not scorch them in front of the fire, but he will draw pictures on them. I have looked through many books at his home--nearly all of them have sketches in them. I have not the qualifications to speak of his art; I do not know whether he can be considered a great artist; I do not know whether it is a pity that he does not do more drawing; I do not know whether he can really be called an artist in the modern sense at all--but I do know that at his home there are many indications that he likes drawing, especially sketches of a fantastic nature.

Chesterton does nearly all his work in his little study, a sanctum littered with innumerable ma.n.u.scripts. He, like most authors of the day, dictates to a secretary, who types what he says. It is, I think, in many ways a pity that so many authors type their ma.n.u.scripts; for not only are they machine-made, they have not the interest that they should have for posterity. What would the British Museum have lost if all the ma.n.u.scripts had been typewritten! Chesterton's written hand is extremely elegant. At one time I believe he used to write his own ma.n.u.scripts. The typewriter is, after all, but one more indication that we live in times when nothing is done except by some kind of machinery; all the same, I could wish that even if typewriters are used famous authors would keep one copy of their writings in their own hand.

It is remarkable the amount of work that Chesterton gets through. He has ma.s.ses of correspondence, he has articles to write, books to get ready for press, and yet he finds time to help in local theatricals, to give lectures in places as wide apart as Oxford and America (and what is wider in every way than those two places?), that mean all that is best in the ancient world and all that is best in the modern. He can also find time to take a long tour to Palestine to find the New Jerusalem, that city that Christ wept over, not because it was to be razed to the ground, but because its inhabitants were fools.

What are the general impressions that a stranger visiting Chesterton would get? He would, I think, be impressed by his genial kindliness; he would be amazed by his extraordinary powers of memory and the depths of his reading; he would be gratified by the interest that Chesterton displays in him; he would be charmed by the quaintness of his home. That Chesterton has humour is abundant by his conversation; that he has pathos is not so apparent. I am not perfectly sure that he can appreciate the things that make ordinary men sad. It has been said that he is not concerned with the facts of everyday life; if he is not, it is because he can see beyond them--he can see that this is a good world, which makes him a good host; he can look forward across the ages to the glorious stars that s.h.i.+ne in the night sky for those who are optimists, as Chesterton is, and are great men in their own homes.