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52. _The Picture_, V., 3, 11:
Befre he ges to spper. Ha! Is my huse^trnd.
(The fourth foot is u u u .)
53. _The Picture_, V., 3, 40:
And ned no ttor. Ths is the grat^kng.
It will be noted that the rhythm often occurs in a broken line_i.e._, a line divided between two speakers. _Cf._ Nos. 7, 20, 36, 44, 50, 51, 52, 53. (_Cf._ also _The Emperor of the East_, I., 1, 342.)
_Cf._ _The False One_, I., 1:
What narer pldges chllenge: rsign^rther.
_The False One_, V., 4:
The stry f a suprme^mnarch.
_The Prophetess_, I., 3:
Cherful and grteful tkers the gds^lve.
_The Prophetess_, I., 3:
Nor mst I reval^frther, till you clar it.
_The Prophetess_, III., 1:
For ldies of high^mrk, for divne^beuties.
_The Lovers Progress_, I., 1:
To Cpid aginst^Hmen! h, mine hnour.
_The Fair Maid of the Inn_, I., 1:
A complte^curtier! my I liv to se him.
_Thierry and Theodoret_, IV., 2:
Thou dst throw chrms upn me, aginst^whch.
_Thierry and Theodoret_, IV., 2:
A?d the place whre, the place, aginst,^ll.
_Jew of Malta_, I., 2:
And extrme^trtures f the fery dep.
_Dr. Faustus_, I., 1:
And that hve with concse^sllogsms.
_Nero_, I., 4:
O sevre^nger f the highest gds.
_Rule a Wife_, I., 1:
For thre I dre be bld to appar^ften.
_The Maid in the Mill_, I., 3:
Now by the sul of lve, a divne^crature.
