The Loudwater Mystery Part 18

Then he said: "By the way, do you know Colonel Grey?"

"Oh, yes. He was here a lot up to a little while ago. Then he had a row, the inevitable row, with Lord Loudwater, and he hasn't been here since.

He dropped on to Lord Loudwater for bullying Lady Loudwater, and he didn't drop on him lightly either. h.e.l.l, I fancy, was what he gave him."

"Yes; I gathered that something of the kind had taken place. What kind of a man is the Colonel?" said Mr. Flexen carelessly.

"The best man in the world not to have a row with. He's a cold terror,"

said Mr. Manley, in a tone of enthusiastic conviction. "He always seems rather cooler than a cuc.u.mber. But my belief is that that coolness is just the mask of really violent emotions. I saw them working once. I came in on the end of his row with Loudwater--just the end of it--my goodness!

From my point of view, the dramatist's, you know, he's the most interesting person in the county--bar Lady Loudwater, of course."

"I should never have thought him a terror," said Mr. Flexen, in a tone of somewhat incredulous surprise. "I had a talk with him this evening about Lord Loudwater's death, and he seemed to me to be a pleasant enough fellow and an excellent soldier. I take it that he's very keen on his career in the Army?"

"Not a bit of it. The war is merely a side issue with him," said Mr.

Manley in an a.s.sured tone. "I know from what he told me himself. We were talking over our experiences."

"But, hang it all! he's a V. C.!" cried Mr. Flexen.

"Yes, he's a V. C. all right. But that's because he's one of those men who have the knack of taking an interest in everything they turn their hands to, and doing it well. But his two pa.s.sions are Chinese art and women," said Mr. Manley.

"Women?" said Mr. Flexen. "He didn't strike me as being that kind of man at all. He seemed a quite simple, straightforward soldier."

"Simplicity and a pa.s.sion for Chinese art don't go together--at least, not what is usually called simplicity," said Mr. Manley dryly. "A friend of mine, who knows all about him, told me that he had had more really serious love affairs than any other man in London. He seems to be one of those men who fall in love hard every time they fall in love. He said that it was one of the mysteries of the polite world how he had kept out of the Divorce Court."

"Sounds an odd type," said Mr. Flexen, storing up the information, and marking how little it agreed with his own observation of Colonel Grey.

"And you say that Lady Loudwater is interesting too?"

"Oh, come! Are you pumping me or merely pulling my leg?" said Mr. Manley.

"Surely you can see that Lady Loudwater is pure Italian Renaissance. She is one of those subtle, mysterious creatures that Leonardo and Luini were always painting, compact of emotion."

"It's so long since I was at Balliol, and then I was doing Indian Civil work--the languages, you know. I've forgotten all I knew about the Renaissance in Italy, and I don't look at many pictures. All the same, I think you're wrong--your dramatic imagination, you know. My own idea is that Lady Loudwater, at any rate, is a quite simple creature."

"It isn't mine," said Mr. Manley firmly. "She's a great deal too intelligent to be simple, and she comes of far too intelligent a family."

"What family?" said Mr. Flexen.

"She's a Quainton, with Italian blood in her veins."

"The deuce she is!" cried Mr. Flexen, and half a dozen stories of the Quaintons rose in his mind.

He must amend his impressions of Lady Loudwater.

"And she has a keener sense of humour than any woman I ever came across,"

said Mr. Manley, driving his contention home.

"Has she?" said Mr. Flexen.

There was a pause. Then Mr. Manley said in a musing tone: "Do you suppose that Colonel Grey finds her simple?"

"What? You don't think that there is really anything serious between them?" said Mr. Flexen quickly.

"No, not really serious--at any rate, on Colonel Grey's part. You can hardly expect a man, recovering very slowly from three bad wounds and still crocked up, to fall in love, can you? Especially a man who, when he does fall in love, falls in love with the violence with which Grey is charged," said Mr. Manley.

"There is that," said Mr. Flexen. "But that wouldn't prevent Lady Loudwater from falling in love with Colonel Grey. And after the way her husband treated her, she must have needed something in the way of affection--badly."

"It's no good a woman falling in love with a man unless he falls in love with her," said Mr. Manley, in the tone of a philosopher. "Besides, women don't fall in love with men who are so feeble from illness as the Colonel seems to be. How can there be the attraction? She might, of course, want to mother him very keenly. But that's quite a different thing." He paused, then added in a tone of some anxiety: "I say, you're not trying to mix her up with the murder--if it was a murder?"

"I'm not trying to mix anybody up in it," said Mr. Flexen slowly. "But I don't mind telling you that it is growing quite a pretty problem, and to solve a problem you must have every factor in it. You see that the strong point about both Lady Loudwater and Colonel Grey is, on your own showing, that they are uncommonly clever; and only stupid people commit murder--except, of course, once in a blue moon."

"But what about these gangs of criminals we sometimes read about, with extraordinarily clever men at the head of them? Don't they exist?" said Mr. Manley, in a tone of surprise.

"They exist; but they don't commit murders--not in Europe, at any rate,"

said Mr. Flexen. "In the East and in the United States it's different perhaps. Murder is always as much of a blunder as a crime. It makes people so keen after the criminal. No: no really intelligent criminal commits murder."

"Of course, that's true," said Mr. Manley readily. He paused, then added in a thoughtful tone: "I wonder whether the war has weakened our conception of the sanct.i.ty of human life?"

"I shouldn't wonder," said Mr. Flexen; and their talk drifted into a discussion of generalities.

He was glad that he was staying at the Castle. His talk with Mr. Manley had been illuminating.

Olivia dined in her sitting-room, and with a poor appet.i.te. Away from Grey, she had fallen back into her anxiety and fearfulness. Wilkins was waiting on her, an insensible block of a fellow; but even he perceived that she was very little aware of what she was eating, and now and again paused, and in some worrying train of thought forgot that she was dining at all.

After dinner, however, her mood changed. The fearfulness and anxiety at times vanished from her face, and a pleasant, eager expectancy took their place.

At a quarter to nine she took a dark wrap from her wardrobe, went quietly down the stairs, and slipped out of the side door, across the east lawn, and into the path through the shrubbery, unseen. Grey had suggested that he should come to the Castle after dinner to spend the evening with her; but they had decided that it would be wiser to meet in the pavilion.

There would be talk if he spent the evening with her so soon after her husband's death, with his body still unburied in the house. This was the only mention they made of him all the time they spent together. Besides, both of them found the pavilion in the wood a far more delightful meeting-place than the Castle. In the pavilion they felt that they were out of the world.

Grey, too anxious and restless to await her at the pavilion, had come down the wood and into the end of the path through the shrubbery. It startled her to come upon him so suddenly. But when they came out of the shrubbery into the moonlit aisle of the wood, the fearfulness and anxiety and restlessness had vanished utterly from their faces; both of them were smiling.

They walked slowly, saying little, touching now and again as they swayed in their walk along the turf. It seemed wiser not to light the candles in the pavilion. The moonlight, s.h.i.+ning through the high windows, gave them light enough to see one another's eyes. It was all they needed. The time pa.s.sed quickly in the ineffable confidences of lovers. They had a hundred things to tell one another, a hundred things to ask one another, in their effort to attain that oneness which is the aim of all true love. But in their joy in being together, in the joy of both of them, there was a feverishness, a sense that it was a menaced joy which must needs be brief. Again they were striving to wring the most out of the hour which was so swiftly pa.s.sing. At times the sense of danger which hung over them was so strong, that they clung to one another like frightened children in the dark.

Though Mr. Flexen had at the time shown himself somewhat unbelieving in the matter of Mr. Manley's conclusions about the character and temperament of Grey and Olivia, the impression they had made on him grew stronger. He was too good a judge of men not to perceive that the budding dramatist had the intelligent imagination which makes for real shrewdness, and he was not disposed to underrate the value of the imagination in forming judgments of men and women. Probably Colonel Grey was a man of less intensity of emotion than Mr. Manley had declared, and Lady Loudwater less subtile and intelligent. But, after making these reductions, he had here possible actors in a drama of pa.s.sion; and though it was his experience that money, not pa.s.sion, is the most frequent motive of murder, he must take the probability of Lord Loudwater's murder being a crime of pa.s.sion into account, though, of course, the violent Hutchings, threatened with ruin, would undoubtedly benefit from a monetary point of view by the murder. At the same time, Hutchings had just had an interview, which had gone better probably than he had expected, with an uncommonly pretty girl.

Mr. Carrington arrived soon after breakfast next morning, and Mr. Flexen at once discussed the matter of the inquest with him and the Coroner. He found the lawyer chiefly eager to have as little scandal as possible, and the Coroner took his cue from the lawyer. This suited Mr. Flexen admirably. He had no wish to show his hand so early. He foresaw that if the story of William Roper were told, and the story of Lord Loudwater's quarrel with Colonel Grey at the "Cart and Horses," there would be a painful scandal. The majority of the people of the neighbourhood would at once believe and declare that Lady Loudwater, or Colonel Grey, or both, had murdered Lord Loudwater. Such a scandal would in no way serve his purpose. It might rather hamper him. Pressure might be put on him which might force him to take steps before the time was ripe for them.

There was no difficulty in their having exactly the kind of inquest they wanted, for it was wholly in the hands of Mr. Flexen and the Coroner.

After careful discussion they decided to limit it to Dr. Thornhill's evidence, and that of the servants with regard to the dead n.o.bleman's mood on the night of his death. Mr. Carrington urged strongly that full prominence should be given to the fact that the wound might have been self-inflicted, and the Coroner promised that this should be done.

When the Coroner had left them the lawyer said to Mr. Flexen: "In the case of a man like the late Lord Loudwater, you can't be too careful, you know. Really, it would be better if the jury brought in a verdict of suicide. A suicide in a family is always better than a murder."

"H'm! You could hardly expect me to rest content with such a verdict,"

said Mr. Flexen. "Not, I mean, on the evidence."

"Oh, no; I shouldn't," said Mr. Carrington. "All I want to avoid is a lot of quite unnecessary painful scandal, which won't lead to anything of use to you, about innocent people connected with my late client. You won't act without something pretty definite to go upon, while the scandalmongers will talk on no grounds at all. Lord Loudwater was a queer customer, and goodness knows what will come to light, for, of course, you'll investigate the affair thoroughly."

The inquest accordingly was conducted on these lines. Only Dr. Thornhill, Wilkins and Holloway were called as witnesses; and the Coroner directed the jury to bring in a verdict to the effect that Lord Loudwater had died of a knife-wound, and that there was no evidence to show whether it was self-inflicted or not.

But in this he failed. The jury, muddle-headed, obstinate country folk, had made up their minds that Lord Loudwater was the kind of man to be murdered, and that, therefore, he had been murdered. They brought in the verdict that Lord Loudwater had been murdered by some person or persons unknown.

Mr. Flexen, Mr. Carrington and the Coroner were annoyed, but they had had too wide an experience of juries to be surprised.