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Exasperated, I drew my sword.
"I resign, sir," I said. "The career I can no longer follow honourably and independently, I shall follow no more."
With a half-broken heart and faltering step, I regained my quarters; the whole dream of life was over. Broken in spirit, I made my way slowly back through Germany to Paris, and back to Ireland.
_IV.--The Call of the Sword_
On reaching my native country I found that my brother had died, and that I had inherited an income of 4,000 a year. I sought to forget the past.
But a time came when I could resist the temptation no longer, and the first fact I read of was the burning of Moscow. As misfortune followed misfortune, an impulse came to me that it was useless to resist. My heart was among the glittering squadrons of France. I thought suddenly, was this madness? And the thought was followed by a resolve as sudden. I wrote some lines to my agent, saddled my horse, and rode away. At Verviers I offered my sword to the emperor as an old officer, and went forward in charge of a squadron to Brienne. This place was held by the Prussians, and Blucher and his Prussians were near at hand. Once more I beheld the terrific spectacle of an attack by the army of Napoleon. But alas! the attack was vain; I heard the trumpet sound a retreat. And as I turned, I saw the body of an aged general officer among a heap of slain.
With a shriek of horror, I recognized the friend of my heart, General d'Auvergne. Round his neck he wore a locket with a portrait of his wife--Marie de Meudon. I detached the locket, and bade the dead a last adieu.
Why should I dwell on a career of disaster? Retreat followed retreat, until the fate of Napoleon's empire depended on the capture of the bridge of Montereau. Regiment after regiment strove to cross, only to be shattered and mangled by the tremendous fire of the enemy. Four sappers at length laid a petard beneath the gate at the other side of the bridge. But the fuse went out.
"This to the man who lights the fuse!" cried Napoleon, holding up his great Cross of the Legion.
I s.n.a.t.c.hed a burning match from a gunner beside me, and rushed across the bridge. Partly protected by the high projecting parapet, I lit the fuse, and then fell, shot in the chest. My senses reeled; for a time I knew nothing; then I felt a flask pressed to my lips. I looked up, and saw Minette. "Dear, dear girl, what a brave heart is thine!" said I, as she pressed her handkerchief to my wound.
Her fingers became entangled in the ribbon of the general's locket that I had tied round my neck, and by accident the locket opened. She became deathly pale as she saw its contents; then, springing to her feet, she gave me one glance--fleeting, but how full of sorrow!--and ran to the middle of the bridge. The petard had done its work. She beckoned to the column to come on; they answered with a cheer. Presently four grenadiers fell to the rear, carrying between them the body of Minette.
They gave her a military funeral; and I was told that a giant soldier, a corporal it was thought, kneeled down to kiss her before she was covered with the earth, then lay quietly down in the gra.s.s. When they sought to move him, he was stone dead.
When I had recovered from my wound, it was nothing to me that Napoleon, besides giving me his Grand Cross, had made me general of brigade. For Napoleon was no longer emperor, and I would not serve the king who succeeded him. But ere I left France I saw Marie de Meudon, it might be, I thought, for the last time. At the sight of her my old pa.s.sion returned, and I dared to utter it. I know not how incoherently the tale was told; I can but remember the bursting feeling of my bosom, as she placed her hand in mine, and said, "It is yours."
M.G. LEWIS
Ambrosio, or the Monk
There was a time--of no great duration--when Lewis' "Monk" was the most popular book in England. At the end of the eighteenth century the vogue of the "Gothic" romance of ghosts and mysteries was at its height; and this work, written in ten weeks by a young man of nineteen, caught the public fancy tremendously, and Matthew Gregory Lewis was straightway accepted as an adept at making the flesh creep. Taste changes in horrors, as in other things, and "Ambrosio, or The Monk,"
would give nightmares to few modern readers. Its author, who was born in London on July 9, 1775, and published "The Monk"
in 1795, wrote many supernatural tales and poems, and also several plays--one of which, "The Castle Spectre," caused the hair of Drury Lane audiences to stand on end for sixty successive nights, a long run in those days. Lewis, who was a wealthy man, sat for some years in Parliament; he had many distinguished friends among men of letters--Scott and Southey contributed largely to the first volume of his "Tales of Wonder." He died on May 13, 1818.
_I.--The Recluse_
The Church of the Capuchins in Madrid had never witnessed a more numerous a.s.sembly than that which gathered to hear the sermon of Ambrosio, the abbot. All Madrid rang with his praises. Brought mysteriously to the abbey door while yet an infant, he had remained for all the thirty years of his life within its precincts. All his days had been spent in seclusion, study, and mortification of the flesh; his knowledge was profound, his eloquence most persuasive; his only fault was an excess of severity in judging the human feelings from which he himself was exempted.
Among the crowd that pressed into the church were two women--one elderly, the other young--who had seats offered them by two richly habited cavaliers. The younger cavalier, Don Lorenzo, discovered such exquisite beauty and sweetness in the maiden to whom he had given his seat--her name was Antonia--that when she left the church he was desperately in love with her.
He had promised to see his sister Agnes, a nun in the Convent of St.
Clare; so he remained in the church, whither the nuns were presently to come to confess to the Abbot Ambrosio. As he waited he observed a man wrapped up in a cloak hurriedly place a letter beneath a statue of St.
Francis, and then retire.
The nuns entered, and removed their veils out of respect to the saint to whom the building was dedicated. One of the nuns dropped her rosary beside the statue, and, as she stooped to pick it up, she dexterously removed the letter and placed it in her bosom. As she did so, the light flashed full in her face.
"Agnes, by Heaven!" cried Lorenzo.
He hastened after the cloaked stranger, and overtook him with drawn sword. Suddenly the cloaked man turned and exclaimed, "Is it possible?
Lorenzo, have you forgotten Raymond de las Cisternas?"
"You here, marquis?" said the astonished Lorenzo. "You engaged in a clandestine correspondence with my sister?"
"Her affections have ever been mine, and not the Church's. She entered the convent tricked into a belief that I had been false to her; but I have proved to her that it is otherwise. She had agreed to fly with me, and my uncle, the cardinal, is securing for her a dispensation from her vows."
Raymond told at length the story of his love, and at the end Lorenzo said, "Raymond, there is no one on whom I would bestow Agnes more willingly than on yourself. Pursue your design, and I will accompany you."
Meanwhile, Agnes tremblingly advanced toward the abbot, and in her nervousness let fall the precious letter. She turned to pick it up. The abbot claimed and read it; it was the proposal of Agnes's escape with her lover that very night.
"This letter must to the prioress!" said he sternly.
"Hold father, hold!" cried Agnes, flinging herself at his feet. "Be merciful! Do not doom me to destruction!"
"Hence, unworthy wretch! Where is the prioress?"
The prioress, when she came, gazed upon Agnes with fury. "Away with her to the convent!" she exclaimed.
"Oh, Raymond, save me, save me!" shrieked the distracted Agnes. Then, casting upon the abbot a frantic look, "Hear me," she continued, "man of a hard heart! Insolent in your yet unshaken virtue, your day of trial will arrive. Think then upon your cruelty; and despair of pardon!"
_II.--The Abbot's Infatuation_
Leaving the church, Ambros...o...b..nt his steps towards a grotto in the abbey garden, formed in imitation of a hermitage. On reaching the grotto, he found it already occupied. Extended upon one of the seats, lay a man in a melancholy posture, lost in meditation. Ambrosio recognised him; it was Rosario, his favourite novice, a youth of whose origin none knew anything, save that his bearing, and such of his features as accident had discovered--for he seemed fearful of being recognised, and was continually m.u.f.fled up in his cowl--proved him to be of n.o.ble birth.
"You must not indulge this disposition to melancholy, Rosario," said Ambrosio tenderly.
The youth flung himself at Ambrosio's feet.
"Oh, pity me!" he cried. "How willingly would I unveil to you my heart!
But I fear------"
"How shall I rea.s.sure you? Reveal to me what afflicts you, and I swear that your secret shall be safe in my keeping."
"Father," said Rosario, in faltering accents, "I am a woman!"
The abbot stood still for a moment in astonishment, then turned hastily to go. But the suppliant clasped his knees.
"Do not fly me!" she cried. "You are my beloved; but far is it from Matilda's wish to draw you from the paths of virtue. All I ask is to see you, to converse with you, to adore you!"