Looking for Jake Part 3

My torch beam swayed over the climbing frame and out the window on the other side, sending shadows into the corridors. I directed it down into those bouncy b.a.l.l.s, and just before the beam hit them, while they were still in darkness, they s.h.i.+vered and slid away from each other in a tiny little trail. As if something was burrowing underneath.

My teeth were clenched. The light was on the b.a.l.l.s now, and nothing was moving.

I kept that little room lit for a long time, until the torchlight stopped trembling. I moved it carefully up and down the walls, over every part, until I let out a big dumb hiss of relief because I saw that there were b.a.l.l.s on the top of the climbing frame, right on its edge, and I realised that one or two of them must have fallen off, bouncing softly among the others.

I shook my head and my hand swung down, the torchlight going with it, and the ball room went back into darkness. And as it did, in the moment when the shadows rushed back in, I felt a brutal cold, and I stared at the little girl in the Wendy house, and she stared up at me.

The other two guys couldn't calm me down.

They found me in the ball room, yelling for help. I'd opened both doors and I was hurling b.a.l.l.s Looking for Jake, By China Mieville out into the creche and the corridors, where they rolled and bounced in all directions, down the stairs to the entrance, under the tables in the cafe.

At first I'd forced myself to be slow. I knew that the most important thing was not to scare the girl any more than she must have been already. I'd croaked out some daft, would-be cheerful greeting, come inside, s.h.i.+ning the torch gradually towards the Wendy house, so I wouldn't dazzle her, and I'd kept talking, whatever nonsense I could muster.

When I realised she'd sunk down again beneath the b.a.l.l.s, I became all jokey, trying to pretend we were playing hide-and-seek. I was horribly aware of how I might seem to her, with my build and my uniform, and my accent.

But when I got to the Wendy house, there was nothing there.

"She's been left behind!" I kept screaming, and when they understood they dived in with me and scooped up handfuls of the b.a.l.l.s and threw them aside, but the two of them stopped long before me. When I turned to throw more of the b.a.l.l.s away, I realised they were just watching me.

They wouldn't believe she'd been in there, or that she'd got out. They told me they would have seen her, that she'd have had to come past them. They kept telling me I was being crazy, but they didn't try to stop me, and eventually I cleared the room of all the b.a.l.l.s, while they stood and waited for the police I'd made them call.

The ball room was empty. There was a damp patch under the Wendy house, which the a.s.sistants must have missed.

* * * For a few days, I was in no state to come in to work. I was fevered. I kept thinking about her.

I'd only seen her for a moment, till the darkness covered her. She was five or six years old. She looked washed out, grubby and bleached of colour, and cold, as if I saw her through water. She wore a stained T-s.h.i.+rt, with the picture of a cartoon princess on it.

She'd stared at me with her eyes wide, her face clamped shut. Her grey, fat little fingers had gripped the edge of the Wendy house.

The police had found no one. They'd helped us clear up the b.a.l.l.s and put them back in the ball room, and then they'd taken me home.

I can't stop wondering if it would have made any difference to how things turned out, if anyone had believed me. I can't see how it would. When I came back to work, days later, everything had already happened.

After you've been in this job a while, there are two kinds of situations you dread.

Looking for Jake, By China Mieville The first one is when you arrive to find a ma.s.s of people, tense and excited, arguing and yelling and trying to push each other out of the way and calm each other down. You can't see past them, but you know they're reacting ineptly to something bad.

The second one is when there's a crowd of people you can't see past, but they're hardly moving, and nearly silent. That's rarer, and invariably worse.

The woman and her daughter had already been taken away. I saw the whole thing later on security tape.

It had been the little girl's second time in the ball room in a matter of hours. Like the first time, she'd sat alone, perfectly happy, singing and talking to herself. Her minutes were up, her mother had loaded her new garden furniture into the car and come to take her home. She'd knocked on the gla.s.s and smiled, and the little girl had waded over happily enough, until she realised that she was being summoned.

On the tape you can see her whole body language change. She starts sulking and moaning, then suddenly turns and runs back to the Wendy house, plonking herself among the b.a.l.l.s. Her mother looks fairly patient, standing at the door and calling for her, while the a.s.sistant stands with her.

You can see them chatting.

The little girl sits by herself, talking into the empty doorway of the Wendy house, with her back to the adults, playing some obstinate, solitary final game. The other kids carry on doing their thing. Some are watching to see what happens.

Eventually, her mother yells at her to come. The girl stands and turns round, facing her across the sea of b.a.l.l.s. She has one in each hand, her arms down by her sides, and she brings them up and stares at them, and at her mother. I won't, she's saying, I heard later. I want to stay. We'replaying.

She backs into the Wendy house. Her mother strides over to her and bends in the doorway for a moment. She has to get down on all fours to get inside. Her feet stick out.

There's no sound on the tape. It's when you see all the children jerk, and the a.s.sistant run, that you know the woman has started to scream.

The a.s.sistant later told me that when she tried to rush forward, it seemed as if she couldn't get through the b.a.l.l.s, as if they'd become heavy. The children were all getting in her way. It was bizarrely, stupidly difficult to cross the few feet to the Wendy house, with other adults in her wake.

They couldn't get the mother out of the way, so between them they lifted the house into the air over her, tearing its toy walls apart.

The child was choking.

Looking for Jake, By China Mieville Of course, of course the b.a.l.l.s are designed to be too big for anything like this to happen, but somehow she had shoved one far inside her mouth. It should have been impossible. It was too far, wedged too hard to prise out. The little girl's eyes were huge, and her feet and knees kept turning inward towards each other.

You see her mother lift her up and beat her upon the back, very hard. The children are lined against the wall, watching.

One of the men manages to get the mother aside, and raises the girl for the Heimlich manoeuvre. You can't see her face too clearly on the tape, but you can tell that it is very dark now, the colour of a bruise, and her head is lolling.

Just as he has his arms about her, something happens at the man's feet, and he slips on the b.a.l.l.s, still hugging her to him. They sink together.

They got the children into another room. Word went through the store, of course, and all the absent parents came running. When the first arrived she found the man who had intervened screaming at the children while the a.s.sistant tried desperately to quiet him. He was demanding they tell him where the other little girl was, who'd come close and chattered to him as he tried to help, who'd been getting in his way.

That's one of the reasons we had to keep going over the tape, to see where this girl had come from, and gone. But there was no sign of her.

Of course, I tried to get transferred, but it wasn't a good time in the industry, or in any industry.

It was made pretty clear to me that the best way of holding on to my job was to stay put.

The ball room was closed, initially during the inquest, then for "renovation," and then for longer while discussions went on about its future. The closure became unofficially indefinite, and then officially so.

Those adults who knew what had happened (and it always surprised me, how few did) strode past the room with their toddlers strapped into pushchairs and their eyes grimly on the showroom trail, but their children still missed the room. You could see it when they came up the stairs with their parents. They'd think they were going to the ball room, and they'd start talking about it, and shouting about the climbing frame and the colours, and when they realised it was closed, the big window covered in brown paper, there were always tears.

Like most adults I turned the locked-up room into a blind spot. Even on night s.h.i.+fts when it was still marked on my route I'd turn away. It was sealed up, so why would I check it?

Particularly when it still felt so terrible in there, a bad atmosphere as tenacious as stink. There are little card swipe units we have to use to show that we've covered each area, and I'd do the one by the ball room door without looking, staring at the stacks of new catalogues at the top of the stairs. Sometimes I'd imagine I could hear noises behind me, soft little pudda-thudda s, but I knew it was impossible so there was no point even checking.

Looking for Jake, By China Mieville It was strange to think of the ball room closed for good. To think that those were the last kids who'd ever get to play there.

One day I was offered a big bonus to stay on late. The store manager introduced me to Mr.

Gainsburg from head office. It turned out she didn't just mean the UK operation, but the corporate parent. Mr. Gainsburg wanted to work late in the store that night, and he needed someone to look after him.

He didn't reappear until well past eleven, just as I was beginning to a.s.sume that he'd given in to jet lag and I was in for an easy night. He was tanned and well dressed. He kept using my Christian name while he lectured me about the company. A couple of times I wanted to tell him what my profession had been where I come from, but I could see he wasn't trying to patronise me. In any case I needed the job.

He asked me to take him to the ball room.

"Got to sort out problems as early as you can," he said. "It's the number one thing I've learned, John, and I've been doing this a while. One problem will always create another. If you leave one little thing, think you can just ride it out, then before you know it you've got two. And so on.

"You've been here a while, right John? You saw this place before it closed. These crazy little rooms are a fantastic hit with kids. We have them in all our stores now. You'd think it would be an extra, right? A nice-to-have. But I tell you, John, kids love these places, and kids . . . well, kids are really, really important to this company."

The doors were propped open by now and he had me help him carry a portable desk from the show floor into the ball room.

"Kids make us, John. Nearly forty percent of our customers have young children, and most of those cite the kid-friendliness of our stores as one of the top two or three reasons they come here. Above quality of product. Above price. You drive here, you eat, it's a day out for the family.

"Okay, so that's one thing. Plus, it turns out that people who are shopping for their kids are much more aware of issues like safety and quality. They spend way more per item, on average, than singles and childless couples, because they want to know they've done the best for their kids. And our margins on the big-ticket items are way healthier than on entry-level product.

Even low-income couples, John, the proportion of their income that goes on furniture and household goods just rockets up at pregnancy."

He was looking around him at the b.a.l.l.s, bright in the ceiling lights that hadn't been on for months, at the ruined skeleton of the Wendy house.

"So what's the first thing we look at when a store begins to go wrong? The facilities. The Looking for Jake, By China Mieville creche, the childcare. Okay, tick. But the results here have been badly off-kilter recently. All the stores have shown a dip, of course, but this one, I don't know if you've noticed, it's not just revenues are down, but traffic has sunk in a way that's completely out of line. Usually, traffic is actually surprisingly resilient in a downturn. People buy less, but they keep coming. Sometimes, John, we even see numbers go up.

"But here? Visits are down overall. Proportionally, traffic from couples with children is down even more. And repeat traffic from couples with children has dropped through the floor. That's what's unusual with this store.

"So why aren't they coming back as often? What's different here? What's changed?" He gave a little smile and looked ostentatiously around, then back at me. "Okay? Parents can still leave their kids in the creche, but the kids aren't asking their parents for repeat visits like they used to. Something's missing. Ergo. Therefore. We need it back."

He laid his briefcase on the desk and gave me a wry smile.

"You know how it is. You tell them and tell them to fix things as they happen, but do they listen? Because it isn't them who have to patch it up, right? So then you end up with not one problem but two. Twice as much trouble to bring under control." He shook his head ruefully.

He was looking around the room, into all the corners, narrowing his eyes. He took a couple of deep breaths.

"Okay, John, listen, thanks for all your help. I'm going to need a few minutes here. Why don't you go watch some TV, get yourself a coffee or something? I'll come find you in a while."

I told him I'd be in the staff room. I turned away and heard him open his case. As I left I peered through the gla.s.s wall and tried to see what he was laying out on the desk. A candle, a flask, a dark book. A little bell.

Visitor numbers are back up. We're weathering the recession remarkably well. We've dropped some of the deluxe product and introduced a back-to-basic raw pine range. The store has actually taken on more staff recently than it's let go.

The kids are happy again. Their obsession with the ball room refuses to die. There's a little arrow outside it, a bit more than three feet off the ground, which is the maximum height you can be to come in. I've seen children come tearing up the stairs to get in and find out that they've grown in the months since their last visit, that they're too big to come in and play. I've seen them raging that they'll never be allowed in again, that they've had their lot, forever. You know they'd give anything at all, right then, to go back. And the other children watching them, those who are just a little bit smaller, would do anything to stop and stay as they are.

Something in the way they play makes me think that Mr. Gainsburg's intervention may not have had the exact effect everyone was hoping for. Seeing how eager they are to rejoin their friends in the ball room, I wonder sometimes if it was intended to.

Looking for Jake, By China Mieville To the children, the ball room is the best place in the world. You can see that they think about it when they're not there, that they dream about it. It's where they want to stay. If they ever got lost, it's the place they'd want to find their way back to. To play in the Wendy house and on the climbing frame, and to fall all soft and safe on the plastic b.a.l.l.s, to scoop them up over each other, without hurting, to play in the ball room forever, like in a fairy tale, alone, or with a friend.

On the 27th of November 2000, a package was delivered to my house. This happens all the time - since becoming a professional writer the amount of mail I get has increased enormously. The flap of the envelope had been torn open a strip, allowing someone to look inside. This also isn't unusual: because, I think, of my political life (I am a varyingly active member of a left-wing group, and once stood in an election for the Socialist Alliance), I regularly find, to my continuing outrage, that my mail has been peered into.

I mention this to explain why it was that I opened something not addressed to me. I, China Mieville, live on -ley Road. This package was addressed to a Charles Melville, of the same house-number -ford Road. No postcode was given, and it had found its way, slowly, to me.

Seeing a large packet torn half-open by some cavalier spy, I simply a.s.sumed it was mine and opened it.

It took me a good few minutes to realise my mistake: the covering note contained no greeting by name to alert me. I read it along with the first few of the enclosed papers with growing bewilderment, convinced (absurd as this must sound) that this was to do with some project or other I had got involved with and then forgotten. When finally I looked again at the name on the envelope, I was wholly surprised.

That was the point at which I was morally culpable, rather than simply foolish. By then I was too fascinated by what I had read to stop.

I've reproduced the content of the papers below, with explanatory notes. Unless otherwise stated they're photocopies, some stapled together, some attached with paper clips, many with pages missing. I've tried to keep them in the order they came in; they are not always chronological.

Before I had a sense of what was in front of me, I was casual about how I put the papers down.

I can't vouch that this was how they were originally organised.

Looking for Jake, By China Mieville [ Cover note. This is written on a postcard, in a dark blue ink, a cursive hand. The photographis of a wet kitten emerging from a sink full of water and suds. The kitten wears a comedicexpression of anxiety. ]

Where are you? Here as requested. What do you want this for anyway? I scribbled thoughts onsome. Can'tfind half the stuff. I don't think anyone's noticed me rummaging through thearchives, and I managed to get into your old place for the rest (thank G.o.d you file) but come tonext meeting. You can get people on your side but box clever. In haste. Are you taking sides?

Talk soon. Will you get this? Come to next meeting. More as I find it.

* * * [ This page was originally produced on an old manual typewriter. ]

BWVF Meeting, 6 September 1976 Agenda.

1. Minutes of the last meeting.

2. Nomenclature.

3. Funds.

4. Research notes.

5. Field reports.

6. AOB.

1. Last minutes: Motion to approve JH, Second FR. Vote: unanimous.

2. Nomenclature: FR proposes namechange. 'BWVF' dated. CT reminds FR of tradition. FR insists 'BWVF'

exclusive, proposes 'S (Society) WVF' or 'G (Gathering) WVF'. CT remonstrates. EN suggests 'C (Coven) WVF', to laughter. Meeting growing impatient. FR moves to vote on change, DY Looking for Jake, By China Mieville seconds. Vote: 4 for, 13 against. Motion denied.

[ Someone has added by hand: 'Again! Silly Cow.']

3. Funds/Treasury report.

EN reports this quarter several payments made, totalling -. [ The sum is effaced with blackink. ] Agreed to keep this up-to-date to avoid repeat of Gouldy-Statten debacle. Subscriptions are mostly current and with [ This is the end of a page and the last I have of these minutes. ]

* * * [ The next piece is a single sheet that looks word-processed. ]

1 September 1992 M E M O.

Members are kindly asked to show more care when handling items in the collection. Standards have become unacceptably lax. Despite their vigilant presence, curators have reported various soilings, including: fingerprints on recovered wood and gla.s.s; ink spots on cornices; caliper marks on guttering and ironwork; waxy residue on keys.

Of course research necessitates handling but if members cannot respect these unique items conditions of access may have to become even more stringent.

Before entering, remember: *Be careful with your instruments.

*Always wash your hands.

* * * [ The next page is numbered '2' and begins halfway through a paragraph. Luckily it contains aheader. ]