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Mollie and the Unwiseman Part 13

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"It takes them a long time to learn things, and they can't whistle."

"That they haven't," came a voice from behind Whistlebinkie. "That little beast has destroyed eight lines of my poem with his horrid paws."

Mollie turned about quickly and there was the house of the Unwiseman, and sitting on the door-step was no less a person than the old gentleman himself, gazing ruefully at some rough, irregular lines which he had traced in the snow with a stick, and which were punctuated here and there by what were unmistakably the paw-marks of Gyp.

"Why--hullo!" said Mollie; "moved your house over here, have you?"

"Yes," replied the Unwiseman. "There is so much snow on the ground that I was afraid it would prevent your coming to see me if I let the house stay where it was, and I wanted to see you very much."



"It was very thoughtful of you," said Mollie.

"Yes; but I can't help that, you know," said the Unwiseman. "I've got to be thoughtful in my new business. Thoughts and snow and a stick are things I can't get along without, seeing that I haven't a slate or pen, ink and paper, in the house."

"You've got a new business, then, have you?" said Mollie.

"Yes," the Unwiseman answered. "I had to have. When the Christmas toy business failed I cast about to find some other that would pay for my eclaires. My friend the hatter wanted me to go in with him, but when I found out what he wanted me to do I gave it up."

"What did he want you to do?" asked Mollie.

"Why, there is a restaurant next door to his place where two or three hundred men went to get their lunch every day," said the Unwiseman. "He wanted me to go in there and carelessly knock their hats off the pegs and step on them and spoil them, so that they'd have to call in at his shop and buy new ones. My salary was to be fifteen a week."

"Fifteen dollars?" whistled Whistlebinkie in amazement, for to him fifteen dollars was a princely sum.

"No," returned the Unwiseman. "Fifteen eclaires, and I was to do my own fighting with the ones whose hats were spoiled. That wouldn't pay, because before the end of the week I'd be in the hospital, and I am told that people in hospitals are not allowed to eat eclaires."

"And so you declined to go into that business?" asked Mollie.

"Exactly," returned the Unwiseman. "I felt very badly on my way back home, too. I had hoped that the hatter wanted to employ me as a demonstrator."

"A what?" cried Whistlebinkie.

[Ill.u.s.tration: "A demonstrator."]

"A demonstrator," repeated the Unwiseman. "A demonstrator is one who demonstrates--a sort of a show-man. In the hat business he would be a man who should put on new styles of hats so as to show people how people looked in them. I suggested that to the hatter, but he said no, it wouldn't do. It would make customers hopeless. They couldn't hope to look as well in his hats as I would, and so they wouldn't buy them; and as he wasn't in the hat trade for pleasure, he didn't feel that he could afford a demonstrator like me."

"And what did you do then?" asked Mollie.

"I was so upset that I got on board of a horse-car to ride home, forgetting that the horse-cars all ran the other way and that I hadn't five cents in my pocket. That came out all right though. I didn't have to walk any further," said the Unwiseman. "The conductor was so mad when he found out that I couldn't pay my fare that he turned the car around and took me back to the hatter's again, where I'd got on. It was a great joke, but he never saw it."

And the Unwiseman roared with laughter as he thought of the joke on the conductor, and between you and me, I don't blame him.

"Well, I got home finally, and was just about to throw myself down with my head out of the window to weep when I had an idea," continued the Unwiseman.

"With your head out of the window?" echoed Mollie. "What on earth was that for?"

[Ill.u.s.tration: "I always weep out of the window."]

"So that my tears wouldn't fall on the carpet, of course," returned the Unwiseman. "What else? I always weep out of the window. There isn't any use of my dampening the house up and getting rheumatism just because it happens to be easier to weep indoors. When you're as old as I am, you have to be careful how you expose yourself to dampness. Rheumatism might be fun for you, because you can stay home from school, and be petted while you have it, but for me it's a very serious matter. I had it so bad once I couldn't lean my elbow on the dinner-table, and it spoiled all the pleasure of dining."

"Well--go on and tell us what your idea was," said Mollie, with difficulty repressing a smile. "Are you going to patent your scheme of weeping through a window?"

"No, indeed," said the Unwiseman. "I'm willing to let the world have the benefit of my discoveries, and, besides, patenting things costs money, and you have to send in a model of your invention. I can't afford to build a house and employ a man to cry through a window just to supply the government with a model. My idea was this. As my tears fell to the ground my ears and nose got very cold--almost froze, in fact. There was the scheme in a nutsh.e.l.l. Tears rhyme with ears, nose with froze. Why not write rhymes for the comic papers?"

"Oho!" said Mollie; "I see. You are going to be a poet."

"That's the idea," said the Unwiseman. "There's heaps of money in it. I know a man who gets a dollar a yard for writing poetry. If I can write ten yards of it a week I shall make eight dollars anyhow, and maybe ten.

All shop-keepers calculate to have remnants of their stock left over, and I've allowed two yards out of every ten for remnants. The chief trouble I have is in finding writing materials. I haven't any pen and ink; I don't own any slates; the only paper I have in the house is the wall paper and a newspaper, and I can't use them, because the wall paper is covered with flowers and the newspaper is where I get my ideas--besides, it's all the library I've got. I didn't know what to do until this morning when I got up and found the ground all covered with snow. Then it came to me all of a sudden, why not get a stick and write your poems on the snow, and then maybe, if you have luck, you call sell them before the thaw. I dressed hurriedly and hastened downstairs, moved the house up near yours, so that I'd be near you and be sure to see you, feeling confident that you could get your papa to come out and see the poems and maybe buy them for his paper. Before long I had written thirty yards of poetry, and just as I had finished what I thought was a fair day's work, up comes that horrid Gyp and prances the whole thing into nothing."

"Dear me!" said Whistlebinkie. "That was too bad."

"Wasn't it!" sighed the Unwiseman. "It was such a beautifully long poem--and what's more, it isn't easy work. It's almost as hard as shoveling snow, only, of course, you get better pay for it."

"You can rewrite it, can't you?" asked Mollie, gazing sadly at the havoc Gyp had wrought in the Unwiseman's work.

"I am afraid not," said the Unwiseman. "My disappointment has driven it quite out of my head. I can only remember the t.i.tle."

"What did you call it?" asked Mollie.

[Ill.u.s.tration: "A Poem, by Me."]

"It was a simple little t.i.tle," replied the Unwiseman. "It was called 'A Poem, by Me.'"

"And what was it about?" asked Mollie.

"About six hundred verses," said the Unwiseman; "and not one of 'em has escaped that dog. Those that he hasn't spoiled with his paws he has wagged his tail on, and he chose the best one of the lot to lie on his back and wiggle on. It's very discouraging."

"I'm very sorry," said Mollie; "and if you want me to I'll punish Gyp."

"What good would that do me?" queried the Unwiseman. "If chaining him up would restore even half the poem, I'd say go ahead and chain him up; but it won't. The poem's gone, and there's nothing left for me to do but go in the house and stick my head out of the window and cry."

"Perhaps you can write another poem," said Mollie.

"That's true--I hadn't thought of that," said the Unwiseman. "But I don't think I'd better to-day. I've lost more money by the destruction of that first poem than I can afford. If I should have another ruined to-day, I'd be bankrupt."

"Well, I'll tell you what I'll do," said Mollie. "I'll ask papa to let me give you a lead-pencil and a pad to write your next poem on. How will that do?"

"I should be very grateful," said the Unwiseman; "and if with these he could give me a few dozen ideas and a rhyming dictionary it would be a great help."

"I'll ask him," said Mollie. "I'll ask him right away, and I haven't any doubt that he'll say yes, because he always gives me things I want if they aren't harmful."

"Very well," said the Unwiseman. "And you may tell him for me, Miss Whistlebinkie, that I'll show him how grateful I am to him and to you for your kind a.s.sistance by letting him have the first thousand yards of poetry I write for his paper at fifty cents a yard, which is just half what I shall make other people pay for them."

And so Mollie and Whistlebinkie bade the Unwiseman good-by for the time being, and went home. As Mollie had predicted, her father was very glad to give her the pencil and the pad and a rhyming dictionary; but as he had no ideas to spare at the moment he had to deny the little maid that part of the request.

[Ill.u.s.tration: The Unwiseman becomes a poet.]

What the Unwiseman did with the pad and the pencil and the dictionary I shall tell you in the next chapter.

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