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She sat down quite indifferently, but graciously, and spread out her pretty hands. Joan's hands were lovely--Raymond was susceptible to hands. To him they indicated fineness or the reverse. Art could do much for hands, but Nature could do more.
Quite as graciously and simply as Joan had done Raymond spread his own hands forth with the remark: "At your mercy, Sibyl."
Now Joan, through much study of books and with a certain intuition that stood her in good stead, had cleverly conquered her tricks. For what they were worth, she offered them charmingly, seriously, and with impressiveness.
Then, too, from much guessing, with astonis.h.i.+ng results, she had grown to half believe in what she was doing. Patricia aided her in this.
Patricia had a superst.i.tious streak and took to fads as she took to her verse--on her flying trips.
"You are a business man," Joan began, fixing her splendid eyes on the frankly upturned hands--she was comparing them with the hands of the Third s.e.x, those studio-haunting men whose hands, like their linen and morals, were too often off-colour.
"An honest business man!" Joan thought that, but did not voice it.
"You will succeed--if----" This she spoke aloud and then looked up. She was ready now to punish her prey for that look of doubt in his eyes.
"If--what?" Raymond was conscious of the "feel" of the hand which held his--Joan's other hand was lying open beside his on the table.
"If----" and now Joan traced delicately a line in his palm--a faint, wavering line running hither and thither among the more strongly marked ones; "if you strengthen this line," she said. "You are too sure of--of your inherited traits. This line indicates individuality; it will rule in the end, but you are making personality your G.o.d now. That is unwise.
As a well-trained servant it is wonderful, but as a master it will run you off your best course."
How Patricia would have gloried could she have heard her words mouthed by Joan!
Raymond stared. He felt Mrs. Tweksbury's foot on his and, mentally, clung to it as a familiar and safe landmark.
"Just what difference lies between individuality and personality?" he asked so seriously that Joan's mouth twitched under her life-saving veil. She brought Patricia's philosophy into more active action.
"The difference is the meaning of life. One comes into this consciousness with his individuality--or soul, or whatever one cares to call it--intact. It accepts or repudiates what the personality--that is intellect--learns through the five senses. If it is _truth_, then it becomes part of the individuality--if it is untruth, it is discarded.
Individuality is never in doubt--it _knows_. It is not bound by foolish laws evolved from the five-sensed personality; it will, in the end, have its way. You will have to listen more to your individuality; be controlled less by your personality. The latter is too fully developed"--at this broad slash Raymond coloured in spite of himself--"the former has been pitifully ignored."
The pause that followed was made normal only by the pressure on Raymond's foot.
Presently he said, boldly:
"You have the same line in your own hand, Sibyl!"
Joan started and looked down. She had not considered a home thrust possible. Instinctively her long, slim fingers clutched the secret of her palm.
"I am not reading my own lines," she said, quietly; "I am learning from them, however!"
Then she rose with dignity and pa.s.sed to another table where a broad, flat, commonplace hand lay ready.
"Well?" Mrs. Tweksbury pounced into the arena like a released gladiator.
"What do you make of it, Ken?"
Raymond laughed. He saw that Mrs. Tweksbury was more impressed than she cared to acknowledge.
"I don't know what she told you, Aunt Emily," he said, taking up the check beside his plate, "but it was rather cleverly concealed rot, as far as I am concerned. Drivel; faddy drivel, but the girl's a lady, or whatever that word stands for. I half believe the child takes herself seriously--she has wonderful eyes. She should wear blinders--it isn't fair to leave them outside the veil. Comical little beggar!"
"But, Ken," Emily Tweksbury followed her companion from the room, "you are like that--you really are! You just take life by the throat and you are sure of yourself in a way that frightens me."
"Oh, come, Aunt Emily, that girl has caught you by her nonsense. See here, let us do a bit of sleuthing! I bet the sibyl often is at dinners where we go--and I'm not so sure but what I would know those hands of hers anywhere--they were not ordinary hands. Two can play at her little game."
This seemed to offer some inducement to Mrs. Tweksbury and she brightened.
"Her walk, too, Ken. Did you notice that?"
"Yes--I did, by Jove! Longer strides than most girls take and a swing from the hips like a graceful dance motion. Yes, that walk should be a dead give-away."
"And her eyes, Ken, she _has_ eyes!"
"Yes," rather musingly, "she has eyes!"
"Ken, we mustn't give further countenance to this silly, faddy place."
This with conviction.
"Why should we, Aunt Emily? I only went at your request, you know."
"Of course. The girl got on my nerves." Mrs. Tweksbury could smile now.
"Well, I'm going to get on hers!" Raymond set his jaw.
Two days later Kenneth Raymond went to the Brier Bush again for luncheon. This time Mrs. Tweksbury did not accompany him.
He took a table at the far end of the room near the windows--he wanted light. He ordered his luncheon, read his paper, and to all intents and purposes gave the impression of a business man who, having discovered a place of good food, repaired to it with confidence. Of course Elspeth Gordon did not remember him--why should she? But Joan did--and why should she? She was reading the palms of a hilarious group near the table at which Raymond sat reading the stock reports; she was in a gale of high spirits but, when she was aware of Raymond's glance, she paused and caught her breath.
"Anything bad in my hand?" asked the girl whose palm Joan was scanning.
"Oh, no! Something splendid. You are never to make mistakes, because your caution is stronger than your desire," Joan murmured.
"I think _that_ is stupid," the girl returned; "no fun in that kind of thing."
Joan prolonged each reading at the safe, jolly table; she planned, when she was done, to ignore the man near her and go in the opposite direction, but while she planned she was aware that she would do no such thing. The bird and the snake know this force, so do the moon and the tides.
And at last Joan got up and turned toward Raymond. As she pa.s.sed his table--he was busy with his soup then--her head was high and her eyes fixed upon Miss Gordon at the other end of the room. She was estimating her chances of reaching Elspeth with the limited self-control at her command. Then she heard words and paused without turning her head.
"I wish you would stop a moment. I have a question to ask you."
Joan had a sudden fear that if she did not stop the question would be shouted.
"Very well," she said, quietly, and sat down opposite Raymond.
She clasped her pretty hands before her and--waited.
It is not easy to laugh away the moments in life that we cannot account for--they often seem the only moments of tremendous import; they are the channels which, once entered, give access to wide experiences. Joan felt her breath coming hard; she was frightened. Raymond pushed his plate aside and, leaning forward a bit over his clasped hands, said casually:
"Just how much of this rot do you believe?"
"None of it."