Hugo Part 12

'I can't get wind of any coffin, sir.'

'And that's all you've learnt?'

'That's the hang of it, sir--up to now. But I can wire you to-night or to-morrow, with further particulars.'

Hugo glanced at the carriage-clock in front of him, and thought of the famine of porters at Waterloo Station in August, and invented several other plausible excuses for a resolution which he foresaw that he was about to arrive at.

'You've made me miss my train,' he said, pretending to be annoyed.

'Sorry, sir. Simon, the governor isn't going.'

Simon descended from the box for confirmation, a fratricide in all but deed.

'Have the luggage taken upstairs,' Hugo commanded.

He sat for seven hours in the dome, scarcely moving.

At nine o'clock Albert was announced.

'Coffin just come up, sir,' he said, 'from railway-station.'

But that was the limit of his news.

Within an hour Hugo went to bed. He could not sleep; he had known that he could not sleep. The wild and savage threat of Louis Ravengar, and the question, 'Which?' haunted his brain. At one o'clock in the morning he switched on all the lights, rose out of bed, and walked aimlessly about the chamber. Something, some morbid impulse, prompted him to take up the General Catalogue, which lay next to a priceless copy of the 1603 edition of Florio's 'Montaigne.' There were pages and pages about funerals in the General Catalogue, and forty fine photographic specimens of tombstones and monuments.

'Funerals conducted in town or country.... Cremations and embalmments undertaken.... Special stress is laid on the appearance and efficiency of the attendants, and on the reverent manner in which they perform all their duties.... A sh.e.l.l finished with satin, with robe, etc.... All necessary service.... A hea.r.s.e (or open car, as preferred) and four horses, three mourning coaches, with two horses each. Coachmen and attendants in mourning, with gloves. Superintendent, 38.... Estimates for cremation on application.... Broken column, in marble, 70. The same, with less carving, 48.' And so on, and so on; and at the top of every page: 'Hugo, Sloane Street, London. Telegraphic address: "Complete, London." Hugo, Sloane Street, London. Telegraphic address: "Complete, London." Hugo--'

Whom was he going to bury the day after to-morrow--he, Hugo, undertaker, with his reverent attendants of appearance guaranteed respectable?

The great catalogue slipped to the floor with a terrible noise, and Simon Shawn sprang out from his lair, and stopped at the sight of his master in pyjamas under the full-blazing electric chandelier.

'All serene,' said Hugo; 'I only dropped a book. Go to sleep. Perhaps we may reach Devons.h.i.+re to-morrow,' he added kindly.

He sympathized with Simon.

'Yes, sir.'

He thought he would take a stroll on the roof; it might calm his nerves.... Foolishness! How much wiser to take a sedative!

Then he turned to the Montaigne, and after he had glanced at various pages, his eye encountered a sentence in italics: _'Wisdome hath hir excesses, and no lesse need of moderation, than follie.'_

'True,' he murmured.

He dressed, and went out.

CHAPTER X

THE COFFIN

He was in that mental condition, familiar to every genuine man of action, in which, though the mind divides against itself, and there is an apparently even conflict between two impulses, the battle is lost and won before it is fought, and the fight is nothing but a sham fight. He wandered about the roofs; he went as far as the restaurant garden, and turned on all the electric festoons and standards by the secret switch, and sat down solitary at a table before an empty gla.s.s which a waiter had forgotten to remove. He extinguished the lights, wandered back to the dome, climbed to the topmost gallery, and saw the moon rising over St. Paul's Cathedral. He said he would go to bed again at once, well knowing that he would not go to bed again at once. He swore that he would conquer the overmastering impulse, well knowing that it would conquer him. He cursed, as men only curse themselves. And then, suddenly, he yielded, gladly, with relief.

He hastened out, and did not pause till he reached the balcony of flat No. 7 in the further quadrangle. He admitted frankly now that the dominant impulse which controlled his mind would force him to enter the flat during that night, by means lawful or unlawful, and he perceived with satisfaction that the great French window of the drawing-room was not quite shut. The blinds, however, had been carefully lowered, and nothing of the interior was revealed save the fact that a light burned within. In the entire quadrangle, round which, tier above tier, hundreds of people were silent in sleep or in vigil, this was the sole illumination. Hugo leaned over the balcony, and tried to pierce the depths of the vast pit below, and those thoughts came to him which come to watchers by night in the presence of sleeping armies, or on the high sea. The eternal and insoluble question troubled and teased him, and would not be put aside. In imagination, he felt the very swish of the planet as it whirled through s.p.a.ce with its cargo of pitiful humanity.

What, after all, were life, love, ambition, grief, death? What, in the incessant march of suns, could be the value of a few restless specks of vitality clinging with desperation to a minor orb?

And then he fancied he could hear a sound within the flat, and he forgot these transcendental speculations, and for him the secret of the universe lay behind the blinds of Francis Tudor's drawing-room. Yes, he could hear a sound. It was the distant sound of a man talking--loudly, slowly, and distinctly--but too far off for him to catch even one word.

He guessed, as he pushed the window a little wider open, and bent his ear to the aperture, that the voice must be in a room beyond the drawing-room. It continued monotonously for a long time, with little breaks at rare intervals; it was rather like a parson reading a sermon in an empty church. Then it ceased. And there were footsteps, which approached the window, and retired. He noticed that the light within the room was being moved, but it cast no human shadow on the blind. The light came finally to a standstill, and then there followed sounds which Hugo could not diagnose--short, regular sounds, broken occasionally by a sharp clash, as of an instrument falling. And when these had come to an end, there were more footsteps--a precise, quick walking to and fro, which continued for ages of time. Lastly, the footsteps receded; something dropped, not heavily, but rather in a manner gently subsiding, and a groan (or was it a moan, a tired suspiration?) wakened in Hugo's spinal column a curious, strange thrill. Then silence, complete, definitive, terrifying.

By merely pus.h.i.+ng the window against the blind, he could enter and know the secret of the universe.

'Why am I doing this?' he asked himself, while he pushed the window.

'Why have I done this?' he asked himself, as he stood within the immense and luxurious room.

He gazed round with a swift and timid glance, as a man would who expects to see that which ought not to be seen. To his left was the fireplace, with a magnificent mirror over it. On the mantelpiece burned a movable electric table--lamp, with twin branched lights. He observed the silk-covered cord lying across the mantelpiece and disappearing over the further edge; by the side of the lamp was a screwdriver. Exactly in front of the lamp, on a couple of trestles such as undertakers use, lay an elm coffin, its head towards the mantelpiece. At the opposite end of the room was another fireplace and another mirror, with the result that Hugo saw an endless succession of coffins and corpse-lights, repeated and repeated, till they were lost in a vague crystal blur, and by every pair of corpse-lights was a screwdriver.

He stood moveless, and listened, and could detect no faintest sound.

Across the room from the princ.i.p.al window there was a doorway with a heavy portiere; not a fold of the portiere stirred. To his right, near the other window, was a door--the door by which Camilla had entered that night a month ago; it was shut. His glance searched among the rich confusion of furniture--fauteuils, occasional tables, sofas, statuary, vases, cabinets. He peered into every corner of the silent chamber, and saw nothing that gave a sign of life. He even gazed up guiltily at the decorated ceiling, as though some Freemason's Eye might be scanning him from above.

The coffin reigned in the room; all else was subservient to its ma.s.sive and sinister presence, and the bright twin-lamps watched over its majesty with dazzling orbs.

Hugo went near the coffin, stepping on tip-toe over the thick-piled rugs, and examined it. There was no name-plate. He looked at himself in the mirror, and again he murmured a question: 'Why am I here?' Then he listened attentively, fearfully. No sound. His hands travelled to the screwdriver on the mantelpiece, and then fifty of his hands picked up fifty screwdrivers. And he listened once more. No sound.

'I must do it. I must,' he thought.

The next moment he was uns.c.r.e.w.i.n.g the screws in the lid of the coffin, and scarcely had he begun the task when he realized that what he had heard from the balcony was the s.c.r.e.w.i.n.g of these same screws. There were twelve, and some of them were difficult to start, but in due course he had removed them all, and they stood in a row on their heads on the mantelpiece. He listened yet again. No sound. He had only to push the lid of the coffin to the left or to the right, or to lift it up. He spent several seconds in deciding whether he should push or lift, and then at length fifty Hugos lifted bodily the lids of fifty coffins. And after a dreadful hesitation he lowered his gaze and looked.

Yes, it was Camilla! He had known always that it would be Camilla.

The pale repose of death only emphasized the proud and splendid beauty of that head, with its shut eyes, its mouth firmly closed in a faint smile, and its glorious hair surrounded by all the white frippery of the shroud. Here lay the mortal part of the incomparable creature who had been coveted by three men and won by one--for a few brief days'

possession. Here lay the repository of Ravengar's secrets, the grave of Hugo's happiness, the dead mate of Tudor's desire. Here lay the eternal woman, symbol of all beauty and all charm, victimized by her own loveliness. For if she had not been lovely, thought Hugo, if the curves of her cheek and her nostrils and the colour of her skin had been ever so slightly different, the world might have contained one widower, one ruined heart, and one murderer the less that night.

He did not doubt, he could not doubt, after Ravengar's threats, that she had been murdered. And yet he was not angry then. He did not feel a great grief. He was conscious of no sensation save a numbed and desolate awe. He had not begun to feel. Ledging the lid crossways on the coffin, he placed his hand gently upon Camilla's brow. It was colder than he had expected, and it had the peculiar hard, inelastic touch of incipient decay--that touch which communicates a shudder even to the most impa.s.sive.

'I must go,' he whispered, staring spell-bound at her face.

He was surprised to find drops of moisture falling on the shroud. They were his tears, and yet he had not known that he was crying.

He hid her again beneath the elm plank, and, taking the screws one by one from the mantel-piece, shut her up for ever from any human gaze. And then, nearly collapsing under a nervous tension such as he had never before experienced, he turned to leave the apartment as he had entered it, like a thief. But the mystery of the heavy velvet portiere invincibly attracted him. His steps wavered towards it. He fancied he saw something dark protruding under the curtain, and he pulled the curtain aside with a movement almost hysteric. A man lay extended at full length on his chest in the pa.s.sage beyond--what Hugo had noticed was his boot.

'Tudor!' he exclaimed, kneeling to examine the half-concealed face.

At the same moment a figure came quietly down the pa.s.sage. Hugo looked up, and saw a sallow-featured man of about thirty-five in a tourist suit, with light beard and hair, and long thin hands.

'What is this?' asked the stranger evenly. 'Who are you?'