On the Stairs Part 1

On the Stairs.

by Henry B. Fuller.

PART I

I

In the year 1873--

No, do not turn away from such an opening; I shall reach our own day within a paragraph or so.

In the year 1873, then, Johnny McComas was perfectly willing to stand to one side while Raymond Prince, surrounded by several of the fellows, came down, in his own negligent and self-a.s.sured way, the main stairway of Grant's Private Academy. For Johnny was newer there; Johnny was younger in this world by a year or two, at an age when a year or two makes a difference; and Johnny had but lately left behind what might be described as a condition of servitude. So Johnny yielded the right of way. He lowered his little snub nose by a few degrees, took some of the gay smile out of his twinkling blue eyes, and waited with an upward glance of friendly yet deferential sobriety until Raymond should have pa.s.sed.

"How are you, Johnny?" asked Raymond carelessly.

"I'm pretty well," replied Johnny, in all modesty.

In the year 1916--

Yes, I told you we should reach our own times presently.

In the year 1916, then, Raymond Prince was standing to one side, whether willing or not, while John W. McComas, attended by several men who would make their cares his own, came down the big marble stairway of the Mid-Continent National Bank. Raymond, who had his cares too, would gladly have been included in the company (or, rather, have replaced it altogether); but he saw clearly that the time was not propitious.

McComas looked out through this swarm of lesser people, half-saw Prince as in a mist, and gave him unsmilingly an abstracted half-bow.

"How do you do?" he mumbled impersonally.

"I'm pretty well," returned Prince, in a toneless voice. But he was far from that, whether in mind or estate.

Between these two dates and these two incidents lies most of my story.

Be quite sure that I shall tell it in my own fas.h.i.+on.

II

First, however, this: I do not intend to magnify the Academy and its stairway. The Academy did very well in its day, and it happened to be within easy distance of James Prince's residence. If its big green doors were flanked on one side by a grocery and on the other by a laundry, and if its stairway was worn untidily by other feet than those of Dr.

Grant's boys, I shall simply point out that this was all in the day of small things and that Fastidiousness was still upon her way. Should this not satisfy you, I will state that, in the year following, the Academy moved into other quarters: it lodged itself in a near-by private residence whose owner, in real estate, sensed down-heeled Decadence stealing that way a few years before any of his neighbors felt it, and who made his s.h.i.+fts accordingly. If even this does not satisfy you, I might sketch the entrance and stairway, somewhere in Ma.s.sachusetts, which are to know the footfalls of Lawrence D. McComas, aged ten, grandson of Johnny; but such a step would perhaps take us too far afield as well as slightly into the future. One does not pa.s.s a lad through _that_ gateway on the spur of the moment.

Nor ought I to magnify, on the other hand, the marble stairway of the Mid-Continent. This was not one of the town's greater banks; and the stairway was at the disposal not only of the bank's clientele, but at that of sixteen tiers of tenants. However, it represented some advanced architect's ideal of grandeur, and it served to make the bank's president seem haughty when in truth he was only preoccupied.

As you may now surmise, this story, even at its highest, will not throw millions on the habituated and indifferent air; nor, at its most distended, will it push the pride of life too far. That has been done already in sufficing measure by many others. Let us ride here an even keel and keep well within rule and reason.

I am simply to tell you how, as the years moved on, John McComas climbed the stairs of life from the bottom to the top--or so, at least, he was commonly considered to have done; and how, through the same years, Raymond Prince pa.s.sed slowly and reluctantly along the same stairs from top to bottom--or so his critics usually regarded his course. Nor without some color of justice, I presume that they will pa.s.s each other somewhere near the middle of my volume.

III

In 1873 James Prince was living in a small, choice residential district near the Lake. Its choiceness was great, but was not duly guarded. The very smallness of the neighborhood--a triumphant record of early fortunes--put it upon a precarious basis: there was all too slight a margin against encroachments. And, besides, the discovery came to be made, some years later, that it was upon the wrong side of the river altogether. But it held up well in 1873; and it continued to do so through the eighties. Perhaps it was not until the middle or later nineties that the real exodus began. Some of the early magnates had died; some had evaporated financially; others had come to perceive, either for themselves or through their children, that the road to social consideration now ran another way. In due course a congeries of bulky and grandiose edifices, built lavishly in the best taste of their own day, remained to stare vacantly at the infrequent pa.s.ser-by, or to tremble before the imminent prospect of sinking to unworthy uses: odd, old-time megatheriums stranded ineptly in their mortgage-mud. But through the seventies the neighborhood held up its head and people came from far to see it.

James Prince lived in one of these houses; and, around the corner, old Jehiel Prince lingered on in another.

James was, of course, Raymond's father. Jehiel was his grandfather.

Raymond, when we take him up, was at the age of thirteen. And Johnny McComas, if you care to know, was close on twelve.

Jehiel Prince was of remote New England origin, and had come West by way of York State. He had been born somewhere between Utica and Rochester.

He put up his house on no basis of domestic sociability; it was designed as a sort of monument to his personal success. He had not left the East to be a failure, or to remain inconspicuous. His contractor--or his architect, if one had been employed--had imagined a heavy, square affair of dull-red brick, with brown-stone tr.i.m.m.i.n.gs in heavy courses. Items: a high bas.e.m.e.nt, an undecorated mansard in slate; a big, clumsy pair of doors, set in the middle of all, at the top of a heavily bal.u.s.traded flight of brown-stone steps; one vast window on the right of the doors to light the "parlor," and another like it, on the left, to light the "library": a facade reared before any allegiance to "periods," and in a style best denominated local or indigenous. Jehiel was called a capitalist and had a supplementary office in the high front bas.e.m.e.nt; and here he was fretting by himself, off and on, in 1873; and here he continued to fret by himself, off and on, until 1880, when he fretted himself from earth. He was an unhappy man, with no essential mastery of life. His wife existed somewhere upstairs. They seldom spoke--indeed seldom met--unless papers to s.h.i.+ft the units of a perplexed estate were up for consideration. Sometimes her relatives stole into the house to see her and hoped, with fearfulness, not to meet her husband in some pa.s.sageway. He himself had plenty of relatives, by blood as well as by marriage; too many of these were rascals, and they kept him busy. The town, in the seventies, was at the adventurous, formative stage; almost everybody was leaving the gravel walks of Probity to take a short cut across the fair lawns of Success, and the social landscape was a good deal cut up and disfigured.

"Poor relations!"--such was Jehiel's brief, scornful rating of the less capable among these supernumeraries. A poor relation represented, to him, the lowest form of animal life.

And when the chicane and intrigue of the more clever among them roused his indignation he would exclaim: "They're putting me through the s.m.u.t-machine!"--an ignominious, exasperating treatment which he refused to undergo without loud protests. These protests often reduced his wife to trembling and to tears. At such times she might hide an elder sister--one on the pursuit of some slight dole--in a small back bedroom, far from sight and hearing.

An ugly house, inhabited by unhappy people. Perhaps I should brighten things by bringing forward, just here, Elsie, Jehiel's beautiful granddaughter. But he had no granddaughter. We must let Elsie pa.s.s.

Yet a fresh young shoot budding from a gnarled old trunk would afford a piquant contrast--has done so hundreds of times. Jehiel Prince undoubtedly _was_ gnarled and old and tough; a charming granddaughter to cajole or wheedle him in the library, or to relax his indignant tension over young men during their summer attendance on swing or hammock, would have her uses. Yet a swing or a hammock would suggest, rather than the bleak stateliness of Jehiel's urban environment, some fair, remote domain with lawns and gardens; and Jehiel was far from possessing--or from wanting to possess--a country-house. Elsie may be revived, if necessary; but I can promise nothing. I rather think you have heard the last of her.

James lived a few hundred yards from his father; his house bulked to much the same effect. It was another symmetrical, indigenous box--in stone, however, and not in brick. It had its mortgage. If this mortgage was ever paid up, another came later--a mortgage which pa.s.sed through various renewals and which, as values were falling, was always renewed for a lesser amount and was always demanding ready money to meet the difference. In later years Raymond, with this formidable weight still pressing upon him, received finally an offer of relief and liberation; some prosperous upstart, with plans of his own, said he would chance the property, mortgage and all, if paid a substantial bonus for doing so.

The premises included a stable. I mention the stable on account of Johnny McComas. He lived in it. Downstairs, the landau and the two horses, and another horse, and a buggy and phaeton, and sometimes a cow; upstairs, Johnny and his father and mother. Johnny could look out through a crumpled dimity curtain across the back yard and could see his father freezing ice-cream on a Sunday forenoon on the back kitchen porch; and he could also look into one of Raymond's windows on the floor above.

Every so often he would beg:--

"Oh, father, let me do it,--please!"

Then he would lose the double prospect and get, instead, a plate of vanilla with a tin spoon in it.

Raymond, who had no mastering pa.s.sion for games, sat a good deal in his room, sometimes at one of the side windows; occasionally at the back one, in which case Johnny was quite welcome to look. Raymond had more desks than one, and books everywhere on the walls between them. He had a strong bent toward study, and was even beginning to dip into literary composition. He studied when he might better have been at play, and he kept up his diary under a student lamp into all hours of the night. He had been reading lately about Paris, and he was piecing out the elementary instruction of the Academy by getting together a collection of French grammars and dictionaries. He had about decided that sometime he would go to live on that island in the Seine near Notre Dame.

His father told him he was working too hard and too late--that it would hurt his health and probably injure his eyes. His mother made no comment and gave no advice. She was an invalid and thus had absorbing interests of her own. Raymond kept on reading and writing.

Perhaps I should begin to sketch, just about here, his awakening regard for some Gertrude or Adele, and his young rivalry with Johnny McComas for her favor; telling how Johnny won over Raymond the privilege of carrying her books to school, and how, in the end, he won Gertrude or Adele herself from Raymond, and married her. Fiddlesticks! Please put all such conventional procedures out of your head, and take what I am prepared to give you. The school was a boys' school. There was no Gertrude or Adele--as yet--any more than there was an Elsie. Raymond kept to his books and indulged in no juvenile philanderings. Forget all such foolish stereotypings of fancy.

As for the romance and the rivalry: when that came, it came with a vast difference.

IV

Jehiel Prince was a capitalist. So was James: a capitalist, and the son of a capitalist. They had some interests in common, and others apart.

There was a bank, and there were several large downtown business-blocks whose tenants required a lot of bookkeeping, and there was a horse-car line. There was a bus-line, too, between the railroad depots and the hotels. James destined Raymond for the bank. He would hardly go to college, but at seventeen or so would begin on the collection-register or some such matter; later he might come to be a receiving-teller; pretty soon he might rise to an apprehension of banking as a science and have a line as an official in the _Bankers' Gazette_. Beyond that he might go as far as he was able. James thought that, thus favored in early years, the boy might go far.

But Raymond had just taken on Rome, and was finding it even more interesting than Paris. The Academy's professor of ancient history began to regard him as a prodigy. Then, somehow or other, Raymond got hold of Gregorovius, with his "City of Rome in the Middle Ages"--though his teacher did not know of this, and would have been sure to consider it an undesirable deviation from the straight and necessary path; and thenceforth the dozens of ordinary boys about him counted, I feel sure, for less than ever.

Do you know what I'm going to do? I'm going to put myself into the story as one of the characters. Then the many I's will no longer refer to the author named on the t.i.tle-page, but will represent the direct partic.i.p.ation--direct, even though inconspicuous--of a person whose name, status, and general nature will be made manifest, incidentally and gradually, as we proceed. You object that though one's status and general nature may be revealed "gradually," such can scarcely be the case as regards one's name? But if I tell you that my Christian name is, let us say, Oliver, and then intimate in some succeeding section that my surname is Ormsby, and then do not disclose my middle initial--which may be W--until the middle of the book (in some doc.u.mentary connection, perhaps), shall I not be doing the thing "gradually"?

Oliver W. Ormsby. H'm! I'm not so sure that I like it. Well, my name may turn out, after all, to be something quite different. And possibly I may be found to be without any middle initial whatever.

But to return to the method itself. You will find it pursued in many good novels and in many bad ones; with admirable discretion--to make an instance--in "The Way of All Flesh"; and the procedure may be humbly copied here. It will involve, of course, a rather close attendance on both Raymond and Johnny through a long term of years; but perhaps the difficulties involved--or, rather, the awkwardnesses--can be got round in one way or another.

At the Academy we like Raymond well enough, on the whole--