The Music Master Part 19

Jenny was thinking hard. What could she say or do; how could she help him?

A knock at the door broke the stillness, which had become almost oppressive.

Chapter Fourteen

"Come in," said Von Barwig wearily. He barely looked at the door as it opened. In the ordinary course of events it was likely to be the laundry boy, or Thurza with coal, or one of the musicians who lived in the house, or perhaps a collector. It might have been almost any one but the liveried footman who now stood at the door, hat in hand, with a look of inquiry upon his face. Von Barwig stared at the man in astonishment. Liveries in Houston Street were most uncommon.

"Excuse me, sir, I am looking for a Mr. Von Barwig," he said. "I was directed to come here. Is this the right place, sir?" The man's manner was polite enough, but there was a decided att.i.tude of superiority in his somewhat supercilious tone. Jenny made her escape hastily.

Von Barwig could not collect his thoughts. He simply looked at the man and made no reply.

"He's a music master in the neighbourhood, I believe, sir," went on the servant. "A music master," he repeated.

"Yes, he was; but he is no more," said Von Barwig, who now realised that the man wanted to find him.

"Dead, sir?"

"No, I am Mr. Von Barwig. I teach, but I give up. You hear? I have finished; I give up, I give up!" he repeated in a voice quivering with emotion as he walked up to the window. There was such utter pathos in the old man's bearing that it caused even the footman to turn and look at the speaker more closely. There was a pause; the servant appeared uncertain what to do.

"Did you find him, Joles?" asked some one coming into the room. The voice was that of a young lady, who was accompanied by a little boy carrying a violin case. At the sound of her voice Von Barwig started as if he had been shot, and with a half articulate cry he turned and gazed in the direction from whence the voice came. He saw in the dim twilight, for the sun had now nearly gone down, the half-blurred vision of a young lady dressed in the height of fas.h.i.+on. Her features he could not distinguish, as her back was to the window, but he could see that she was a handsome young woman of about twenty years of age. As Von Barwig turned toward her she looked at her note-book and asked if he were Herr Von Barwig.

The old man bowed, tried to speak, but could not. His tongue cleaved to the roof of his mouth. He pointed to a chair, and indicated that she should be seated. She noticed his embarra.s.sment and addressed the servant.

"You had better wait for me downstairs, Joles," she said quickly. Then as the man closed the door behind him she turned to Von Barwig, and spoke in a rich, warm, contralto voice that vibrated with youth and health. "You teach music, do you not? At least they said you did!"

Von Barwig swallowed a huge lump in his throat. "I did, but--not now; I have given up." She looked at him but did not seem to understand.

"Lieber Gott, Lieber Gott!" broke from him in spite of his efforts to suppress himself. "Elene, Elene!" Then he looked more closely at her and shook his head.

"So you are not teaching any longer? Ah, what a pity!" she said.

"They speak so well of you in the neighbourhood. Perhaps I may be able to induce you to change your mind!"

Von Barwig was now slowly gaining mastery over himself.

"Perhaps," he said, with a great effort at self-control.

"You do not know me, Herr Von Barwig?"

The old man's eyes glowed like live coals. "Elene, Elene!" he murmured. "The living image! Lieber Gott, the living image!"

"I am Miss Helene Stanton," she said with unconscious dignity. "You may have heard of me," she added with a smile.

Miss Stanton's name was a household word in New York, especially in that quarter of the city where her large charities had done so much to alleviate the sufferings of the poor. Von Barwig had heard the name many times, but at that moment he did not recognise it, although it was the name of the greatest heiress in New York.

His ear caught the word "Helene" and he could only repeat it over and over again.

"Elene, Elene!"

"Helene," corrected Miss Stanton.

"Ah, in my language it is Elene; yes, Elene!" Then a great hope took possession of him. "Some one has sent you to me?" he asked. "Some one has sent you?"

"Not exactly," she replied, "but you were well recommended." The old man's manner, his emotion, his earnestness, somewhat embarra.s.sed her.

"Why does he look at me so earnestly?" she thought. Perhaps it was a mannerism peculiar to a man of his years.

Then she went on: "I am connected with mission work in the neighbourhood here. I go among the poor a great deal--"

"Ah, charity!" he said. "Yes." And then he went up to the window and pulled up the blinds as far as they would go that he might get more of the fast-fading light.

"I saw you a few days ago at Schumein's, the music publishers, and your name was suggested to me by one of the young ladies at the mission as music master."

"Ah, you desire to take lessons?" he asked eagerly.

Miss Stanton smiled. "No, the child. Come here, Danny," and the boy came toward her.

Von Barwig had seen no one but her. The little boy had remained in the corner of the room, where the shadow of evening made it too dark to distinguish the outline of his form.

"Ah, the boy?" he said with a tone or disappointment in his voice.

"Not you, the boy? He needs instruction?" Then he looked at her again. It was too dark for him to see the colour of her eyes. He went to the door. "Jenny," he called, only he p.r.o.nounced it "Chenny"; "a lamp if you please."

"How courteous and dignified his manner is!" thought Miss Stanton, "even in the most commonplace and trivial details of life a man's breeding shows itself."

"We think the boy is a genius," she said aloud, "but his parents are very poor and cannot afford to pay for his tuition."

"It is a poor neighbourhood," said Von Barwig, "but there will be no charge. I will teach him for--for you!" He had already forgotten that he had decided to take no more pupils.

"I have taken charge of his future," said Miss Stanton pointedly; "and of course shall defray all the expense of his tuition myself. I have the consent of his parents----"

Jenny came in with a large lamp and placed it on the piano. Von Barwig could now see his visitor's face, and his heart beat rapidly.

"Tell me," he said, forcing himself to be calm, "your father and mother? Are they----?"

Miss Stanton drew herself up slightly. "I am speaking of his parents,"

she said.

"Yes, his parents, of course! Yes, but your father--your mother," he asked insistently. "Is she--is she--living?"

The deep earnestness and anxiety with which Von Barwig put this question made it clear to Miss Stanton that it was not merely idle curiosity that prompted him to ask, so stifling her first impulse to ignore the question altogether she replied rather abruptly:

"No, she is not living." Then she added formally, "but that is quite apart from the subject we are discussing."

Von Barwig did not hear the latter part of her answer. His eyes were riveted on her. He could only repeat, "Dead--dead." Then he looked at her and slowly shook his head in mournful tenderness, repeating the words, "Dead--dead."

To her own surprise Miss Stanton did not resent this sympathy.

"I take an especial interest in this boy because his sister is one of the maids in my father's home," she began.