The Best Short Stories of 1915 Part 12

"I wouldn't just laugh and laugh, and put my lunch money on my back instead of eggs and milk inside of me, and run round all hours to dance halls with every sporty Charley-boy that comes along."

"You leave him alone! You just cut that! Don't you begin on him!"

"I wouldn't get overheated, and not sleep enough; and--"

"For Pete's sake, Hat! Hire a hall!"

"I should worry! It ain't my grave you're digging."

"Aw, Hat."

"I ain't got your dolly face and your dolly ways with the boys; but I got enough sense to live along decent."

"You're right pretty, I think, Hat."

"Oh, I could daub up, too, and gad with some of that fast gang if I didn't know it don't lead nowheres. It ain't no cinch for a girl to keep her health down here, even when she does live along decent like me, eating regular and sleeping regular, and spending quiet evenings in the room, was.h.i.+ng-out and mending and pressing and all. It ain't no cinch even then, lemme tell you. Do you think I'd have ever asked a gay bird like you to come over and room with me if I hadn't seen you begin to fade like a piece of calico, just like my sister Lizzie did?"

"I'm taking that iron-tonic stuff like you want and spoiling my teeth--ain't I, Hat? I know you been swell to me and all."

"You ain't going to let up until somebody whispers T.B. in your sh.e.l.l-pink ear; and maybe them two letters will bring you to your senses."

"T.B.?"

"Yes--T.B."

"Who's he?"

"Gee, you're as smart as a fish on a hook! You oughtta bought a velvet dunce cap with your lunch money instead of that brown poke bonnet. T.B.

was what I said--T.B."

"Honest, Hat, I dunno--"

"For heaven's sake! _Too Berculosis_ is the way the exhibits and the newspapers say it. L-u-n-g-s is another way to spell it. T.B."

"Too Berculosis!" Sara Juke's hand flew to her little breast. "Too Berculosis! Hat, you--you don't--"

"Sure I don't. I ain't saying it's that--only I wanna scare you up a little. I ain't saying it's that; but a girl that lets a cold hang on like you do and runs round half the night, and don't eat right, can make friends with almost anything, from measles to T.B."

Stars came out once more in Sara Juke's eyes, and her lips warmed and curved to their smile. She moistened with her forefinger a yellow spit curl that lay like a caress on her cheek. "Gee, you oughtta be writing scare heads for the _Evening Gazette_!"

Hattie Krakow ran her hand over her smooth salt-and-pepper hair and sold a marked-down flannellette petticoat.

"I can't throw no scare into you so long as you got him on your mind.

Oh, lud! There he starts now--that quickstep dance again!"

A quick red ran up into Miss Juke's hair and she inclined forward in the att.i.tude of listening as the lively air continued.

"The silly! Honest, ain't he the silly? He said he was going to play that for me the first thing this morning. We dance it so swell together and all. Aw, I thought he'd forget. Ain't he the silly--remembering me?"

The red flowed persistently higher.

"Silly ain't no name for him, with his square, Charley-boy face and polished hair; and--"

"You let him alone, Hattie Krakow! What's it to you if--"

"Nothing--except I always say October is my unlucky month, because it was just a year ago that they moved him and the sheet music down to the bas.e.m.e.nt. Honest, I'm going to buy me a pair of earm.u.f.fs! I'd hate to tell you how unpopular popular music is with me."

"Huh! You couldn't play on a side comb, much less play on the piano like Charley does. If I didn't have no more brains than some people--honest, I'd go out and kill a calf for some!"

"You oughtta talk! A girl that ain't got no more brains than to gad round every night and every Sunday in foul-smelling, low-ceilinged dance halls, and wear paper-soled slippers when she oughtta be wearing galoshes, and cheesecloth waists that ain't even decent instead of wool unders.h.i.+rts! You oughtta talk about brains--you and Charley Chubb!"

"Yes, I oughtta talk! If you don't like my doings, Hattie Krakow, there ain't no law says we gotta room together. I been s.h.i.+fting for myself ever since I was cash-girl down at Tracy's, and I ain't going to begin being bossed now. If you don't like my keeping steady with Charley Chubb--if you don't like his sheet-music playing--you gotta lump it! I'm a good girl, I am; and if you got anything to in-sinuate; if--"

"Sara Juke, ain't you ashamed!"

"I'm a good girl, I am; and there ain't n.o.body can cast a reflection on--on--"

Tears trembled in her voice and she coughed from the deep recesses of her chest, and turned her head away, so that her profile was quivering and her throat swelling with sobs.

"I--I'm a good girl, I am."

"Aw, Sara, don't I know it? Ain't that just where the rub comes? Don't I know it? If you wasn't a good girl would I be caring?"

"I'm a good girl, I am!"

"It's your health, Sara, I'm kicking about. You're getting as pale and skinny as a goop; and for a month already you've been coughing, and never a single evening home to stick your feet in hot water and a mustard plaster on your chest."

"Didn't I take the iron tonic and spoil my teeth?"

"My sister Lizzie--that's the way she started, Sara; right down here in this bas.e.m.e.nt. There never was a prettier little queen down here.

Ask any of the old girls. Like you in looks and all; full of vim too.

That's the way she started, Sara. She wouldn't get out in the country on Sundays or get any air in her lungs walking with me evenings. She was all for dance halls, too, Sara. She--she--Ain't I told you about her over and over again? Ain't I?"

"Sh-h-h! Don't cry, Hat. Yes, yes; I know. She was a swell little kid; all the old girls say so. Sh-h-h!"

"The--the night she died I--I died too; I--"

"Sh-h-h, dearie!"

"I ain't crying, only--only I can't help remembering."

"Listen! That's the new hit Charley's playin'--Up to Snuff! Say, ain't that got some little swing to it? Dum-dum-tum-tee-tum-m-m! Some little quick-step, ain't it? How that boy reads off by sight! Looka, will you?

They got them left-over ribbed undervests we sold last season for forty-nine cents out on the grab table for seventy-four. Looka the mob fighting for 'em! Dum-dum-tum-tee-tum-m-m!"

The day's tide came in. Slowly at first, but toward noon surging through aisles and round bins, upstairs and downstairs--in, round and out. Voices straining to be heard; feet shuffling in an agglomeration of discords--the indescribable roar of humanity, which is like an army that approaches but never arrives. And above it all, insistent as a bugle note, reaching the bas.e.m.e.nt's breadth, from hardware to candy, from human hair to white goods, the tinny voice of the piano--gay, rollicking.

At five o'clock the patch of daylight above the red-lighted exit door turned taupe, as though a gray curtain had been flung across it; and the girls, with shooting pains in their limbs, braced themselves for the last hour. Shoppers, their bags bulging and their shawls awry, fumbled in bins for a last remnant; hatless, sway-backed women, carrying children, fought for mill ends. Sara Juke stood first on one foot and then on the other to alternate the strain; her hands were hot and dry as flannel, but her cheeks were pink--very pink.