The New Jerusalem Part 8

For Rembrandt the Rabbi was, in a special and double sense, a distinguished figure. He was something distinct from the world of the artist, who drew a Rabbi as he would a Brahmin. But Sargent had to treat his sitters as solid citizens of England or America; and consequently his pictures are direct provocations to a pogrom.

But the light that Rembrandt loved falls not irreverently on the strange hairy haloes that can still be seen on the shaven heads of the Jews of Jerusalem. And I should be sorry for any pogrom that brought down any of their grey wisps or whiskers in sorrow to the grave.

The whole scene indeed, seriousness apart, might be regarded as a fantasia for barbers; for the different ways of dressing the hair would alone serve as symbols of different races and religions.

Thus the Greek priests of the Orthodox Church, bearded and robed in black with black towers upon their heads, have for some strange reason their hair bound up behind like a woman's. In any case they have in their pomp a touch of the bearded bulls of a.s.syrian sculpture; and this strange fas.h.i.+on of curling if not oiling the a.s.syrian bull gives the newcomer an indescribable and illogical impression of the unnatural sublimity of archaic art.

In the Apocalypse somewhere there is an inspiringly unintelligible allusion to men coming on the earth, whose hair is like the hair of women and their teeth like the teeth of lions. I have never been bitten by an Orthodox clergyman, and cannot say whether his teeth are at all leonine; though I have seen seven of them together enjoying their lunch at an hotel with decorum and dispatch.

But the twisting of the hair in the womanish fas.h.i.+on does for us touch that note of the abnormal which the mystic meant to convey in his poetry, and which others feel rather as a recoil into humour.

The best and last touch to this topsy-turvydom was given when a lady, observing one of these reverend gentlemen who for some reason did not carry this curious coiffure, exclaimed, in a tone of heartrending surprise and distress, "Oh, he's bobbed his hair!"

Here again of course even a superficial glance at the pageant of the street should not be content with its comedy. There is an intellectual interest in the external pomp and air of placid power in these ordinary Orthodox parish priests; especially if we compare them with the comparatively prosaic and jog-trot good nature of the Roman monks, called in this country the Latins. Mingling in the same crowd with these black-robed pontiffs can be seen shaven men in brown habits who seem in comparison to be both busy and obscure.

These are the sons of St. Francis, who came to the East with a grand simplicity and thought to finish the Crusades with a smile.

The spectator will be wise to accept this first contrast that strikes the eye with an impartial intellectual interest; it has nothing to do with personal character, of course, and many Greek priests are as simple in their tastes as they are charming in their manners; while any Roman priests can find as much ritual as they may happen to want in other aspects of their own religion. But it is broadly true that Roman and Greek Catholicism are contrasted in this way in this country; and the contrast is the flat contrary to all our customary a.s.sociations in the West. In the East it is Roman Catholicism that stands for much that we a.s.sociate with Protestantism.

It is Roman Catholicism that is by comparison plain and practical and scornful of superst.i.tion and concerned for social work.

It is Greek Catholicism that is stiff with gold and gorgeous with ceremonial, with its hold on ancient history and its inheritance of imperial tradition. In the cant of our own society, we may say it is the Roman who rationalises and the Greek who Romanises.

It is the Roman Catholic who is impatient with Russian and Greek childishness, and perpetually appealing for common sense.

It is the Greek who defends such childishness as childlike faith and would rebuke such common sense as common scepticism. I do not speak of the theological tenets or even the deeper emotions involved, but only, as I have said, of contrasts visible even in the street.

And the whole difference is sufficiently suggested in two phrases I heard within a few days. A distinguished Anglo-Catholic, who has himself much sympathy with the Greek Orthodox traditions, said to me, "After all, the Romans were the first Puritans."

And I heard that a Franciscan, being told that this Englishman and perhaps the English generally were disposed to make an alliance with the Greek Church, had only said by way of comment, "And a good thing too, the Greeks might do something at last."

Anyhow the first impression is that the Greek is more gorgeous in black than the Roman in colours. But the Greek of course can also appear in colours, especially in those eternal forms of frozen yet fiery colours which we call jewels.

I have seen the Greek Patriarch, that magnificent old gentleman, walking down the street like an emperor in the _Arabian Nights_, hung all over with historic jewels as thick as beads or b.u.t.tons, with a gigantic cross of solid emeralds that might have been given him by the green genii of the sea, if any of the genii are Christians.

These things are toys, but I am entirely in favour of toys; and rubies and emeralds are almost as intoxicating as that sort of l.u.s.trous coloured paper they put inside Christmas crackers.

This beauty has been best achieved in the North in the glory of coloured gla.s.s; and I have seen great Gothic windows in which one could really believe that the robes of martyrs were giant rubies or the starry sky a single enormous sapphire.

But the colours of the West are transparent, the colours of the East opaque. I have spoken of the _Arabian Nights_, and there is really a touch of them even in the Christian churches, perhaps increased with a tradition of early Christian secrecy.

There are glimpses of gorgeously tiled walls, of blue curtains and green doors and golden inner chambers, that are just like the entrance to an Eastern tale. The Orthodox are at least more oriental in the sense of being more ornamental; more flat and decorative.

The Romans are more Western, I might even say more modern, in the sense of having more realism even in their ritualism.

The Greek cross is a cross; the Roman cross is a crucifix.

But these are deeper matters; I am only trying to suggest a sort of silhouette of the crowd like the similar silhouette of the city, a profile or outline of the heads and hats, like the profile of the towers and spires. The tower that makes the Greek priest look like a walking catafalque is by no means alone among the horns thus fantastically exalted. There is the peaked hood of the Armenian priest, for instance; the stately survival of that strange Monophysite heresy which perpetuated itself in pomp and pride mainly through the sublime accident of the Crusades. That black cone also rises above the crowd with something of the immemorial majesty of a pyramid; and rightly so, for it is typical of the prehistoric poetry by which these places live that some say it is a surviving memory of Ararat and the Ark.

Again the high white headgear of the Bethlehem women, or to speak more strictly of the Bethlehem wives, has already been noted in another connection; but it is well to remark it again among the colours of the crowd, because this at least has a significance essential to all criticism of such a crowd.

Most travellers from the West regard such an Eastern city far too much as a Moslem city, like the lady whom Mr. Maurice Baring met who travelled all over Russia, and thought all the churches were mosques.

But in truth it is very hard to generalise about Jerusalem, precisely because it contains everything, and its contrasts are real contrasts.

And anybody who doubts that its Christianity is Christian, a thing fighting for our own culture and morals on the borders of Asia, need only consider the concrete fact of these women of Bethlehem and their costume. There is no need to sneer in any unsympathetic fas.h.i.+on at all the domestic inst.i.tutions of Islam; the s.e.xes are never quite so stupid as some feminists represent; and I dare say a woman often has her own way in a harem as well as in a household.

But the broad difference does remain. And if there be one thing, I think, that can safely be said about all Asia and all oriental tribes, it is this; that if a married woman wears any distinctive mark, it is always meant to prevent her from receiving the admiration or even the notice of strange men. Often it is only made to disguise her; sometimes it is made to disfigure her. It may be the masking of the face as among the Moslems; it may be the shaving of the head as among the Jews; it may, I believe, be the blackening of the teeth and other queer expedients among the people of the Far East.

But is never meant to make her look magnificent in public; and the Bethlehem wife is made to look magnificent in public. She not only shows all the beauty of her face; and she is often very beautiful.

She also wears a towering erection which is as unmistakably meant to give her consequence as the triple tiara of the Pope.

A woman wearing such a crown, and wearing it without a veil, does stand, and can only conceivably stand, for what we call the Western view of women, but should rather call the Christian view of women.

This is the sort of dignity which must of necessity come from some vague memory of chivalry. The woman may or may not be, as the legend says, a lineal descendant of a Crusader.

But whether or no she is his daughter, she is certainly his heiress.

She may be put last among the local figures I have here described, for the special reason that her case has this rather deeper significance.

For it is not possible to remain content with the fact that the crowd offers such varied shapes and colours to the eye, when it also offers much deeper divisions and even dilemmas to the intelligence.

The black dress of the Moslem woman and the white dress of the Christian woman are in sober truth as different as black and white.

They stand for real principles in a real opposition; and the black and white will not easily disappear in the dull grey of our own compromises.

The one tradition will defend what it regards as modesty, and the other what it regards as dignity, with pa.s.sions far deeper than most of our paltry political appet.i.tes. Nor do I see how we can deny such a right of defence, even in the case we consider the less enlightened.

It is made all the more difficult by the fact that those who consider themselves the pioneers of enlightenment generally also consider themselves the protectors of native races and aboriginal rights.

Whatever view we take of the Moslem Arab, we must at least admit that the greater includes the less. It is manifestly absurd to say we have no right to interfere in his country, but have a right to interfere in his home.

It is the intense interest of Jerusalem that there can thus be two universes in the same street. Indeed there are ten rather than two; and it is a proverb that the fight is not only between Christian and Moslem, but between Christian and Christian.

At this moment, it must be admitted, it is almost entirely a fight of Christian and Moslem allied against Jew. But of that I shall have to speak later; the point for the moment is that the varied colours of the streets are a true symbol of the varied colours of the souls.

It is perhaps the only modern place where the war waged between ideas has such a visible and vivid heraldry.

And that fact alone may well leave the spectator with one final reflection; for it is a matter in which the modern world may well have to learn something from the motley rabble of this remote Eastern town.

It may be an odd thing to suggest that a crowd in Bond Street or Piccadilly should model itself on this masquerade of religions.

It would be facile and fascinating to turn it into a satire or an extravaganza. Every good and innocent mind would be gratified with the image of a bowler hat in the precise proportions of the Dome of St. Paul's, and surmounted with a little ball and cross, symbolising the loyalty of some Anglican to his mother church.

It might even be pleasing to see the street dominated with a more graceful top-hat modelled on the Eiffel Tower, and signifying the wearer's faith in scientific enterprise, or perhaps in its frequent concomitant of political corruption.

These would be fair Western parallels to the head-dresses of Jerusalem; modelled on Mount Ararat or Solomon's Temple, and some may insinuate that we are not very likely ever to meet them in the Strand.

A man wearing whiskers is not even compelled to plead some sort of excuse or authority for wearing whiskers, as the Jew can for wearing ringlets; and though the Anglican clergyman may indeed be very loyal to his mother church, there might be considerable hesitation if his mother bade him bind his hair. Nevertheless a more historical view of the London and Jerusalem crowds will show as far from impossible to domesticate such symbols; that some day a lady's jewels might mean something like the sacred jewels of the Patriarch, or a lady's furs mean something like the furred turban of the Rabbi.

History indeed will show us that we are not so much superior to them as inferior to ourselves.

When the Crusaders came to Palestine, and came riding up that road from Jaffa where the orange plantations glow on either side, they came with motives which may have been mixed and are certainly disputed.

There may have been different theories among the Crusaders; there are certainly different theories among the critics of the Crusaders.

Many sought G.o.d, some gold, some perhaps black magic. But whatever else they were in search of, they were not in search of the picturesque.

They were not drawn from a drab civilisation by that mere thirst for colour that draws so many modern artists to the bazaars of the East.

In those days there were colours in the West as well as in the East; and a glow in the sunset as well as in the sunrise. Many of the men who rode up that road were dressed to match the most glorious orange garden and to rival the most magnificent oriental king.

King Richard cannot have been considered dowdy, even by comparison, when he rode on that high red saddle graven with golden lions, with his great scarlet hat and his vest of silver crescents.

That squire of the comparatively un.o.btrusive household of Joinville, who was clad in scarlet striped with yellow, must surely have been capable (if I may be allowed the expression) of knocking them in the most magnificent Asiatic bazaar.

Nor were these external symbols less significant, but rather more significant than the corresponding symbols of the Eastern civilisation.

It is true that heraldry began beautifully as an art and afterwards degenerated into a science. But even in being a science it had to possess a significance; and the Western colours were often allegorical where the Eastern were only accidental. To a certain extent this more philosophical ornament was doubtless imitated; and I have remarked elsewhere on the highly heraldic lions which even the Saracens carved over the gate of St. Stephen.

But it is the extraordinary and even exasperating fact that it was not imitated as the most meaningless sort of modern vulgarity is imitated.

King Richard's great red hat embroidered with beasts and birds has not overshadowed the earth so much as the billyc.o.c.k, which no one has yet thought of embroidering with any such natural and universal imagery.

The c.o.c.kney tourist is not only more likely to set out with the intention of knocking them, but he has actually knocked them; and Orientals are imitating the tweeds of the tourist more than they imitated the stripes of the squire. It is a curious and perhaps melancholy truth that the world is imitating our worst, our weariness and our dingy decline, when it did not imitate our best and the high moment of our morning.

Perhaps it is only when civilisation becomes a disease that it becomes an infection. Possibly it is only when it becomes a very virulent disease that it becomes an epidemic. Possibly again that is the meaning both of cosmopolitanism and imperialism.

Anyhow the tribes sitting by Afric's sunny fountains did not take up the song when Francis of a.s.sisi stood on the very mountain of the Middle Ages, singing the Canticle of the Sun.

When Michael Angelo carved a statue in snow, Eskimos did not copy him, despite their large natural quarries or resources.

Laplanders never made a model of the Elgin Marbles, with a frieze of reindeers instead of horses; nor did Hottentots try to paint Mumbo Jumbo as Raphael had painted Madonnas. But many a savage king has worn a top-hat, and the barbarian has sometimes been so debased as to add to it a pair of trousers. Explosive bullets and the brutal factory system numbers of advanced natives are anxious to possess.

And it was this reflection, arising out of the mere pleasure of the eye in the parti-coloured crowd before me, that brought back my mind to the chief problem and peril of our position in Palestine, on which I touched earlier in this chapter; the peril which is largely at the back both of the just and of the unjust objections to Zionism.

It is the fear that the West, in its modern mercantile mood, will send not its best but its worst. The artisan way of putting it, from the point of view of the Arab, is that it will mean not so much the English merchant as the Jewish money-lender. I shall write elsewhere of better types of Jew and the truths they really represent; but the Jewish money-lender is in a curious and complex sense the representative of this unfortunate paradox.

He is not only unpopular both in the East and West, but he is unpopular in the West for being Eastern and in the East for being Western.

He is accused in Europe of Asiatic crookedness and secrecy, and in Asia of European vulgarity and bounce. I have said _a propos_ of the Arab that the dignity of the oriental is in his long robe; the merely mercantile Jew is the oriental who has lost his long robe, which leads to a dangerous liveliness in the legs. He bustles and hustles too much; and in Palestine some of the unpopularity even of the better sort of Jew is simply due to his restlessness.

But there remains a fear that it will not be a question of the better sort of Jew, or of the better sort of British influence.

The same ignominious inversion which reproduces everywhere the factory chimney without the church tower, which spreads a c.o.c.kney commerce but not a Christian culture, has given many men a vague feeling that the influence of modern civilisation will surround these ragged but coloured groups with something as dreary and discoloured, as unnatural and as desolate as the unfamiliar snow in which they were s.h.i.+vering as I watched them. There seemed a sort of sinister omen in this strange visitation that the north had sent them; in the fact that when the north wind blew at last, it had only scattered on them this silver dust of death.

It may be that this more melancholy mood was intensified by that pale landscape and those impa.s.sable ways. I do not dislike snow; on the contrary I delight in it; and if it had drifted as deep in my own country against my own door I should have thought it the triumph of Christmas, and a thing as comic as my own dog and donkey.

But the people in the coloured rags did dislike it; and the effects of it were not comic but tragic. The news that came in seemed in that little lonely town like the news of a great war, or even of a great defeat.

Men fell to regarding it, as they have fallen too much to regarding the war, merely as an unmixed misery, and here the misery was really unmixed. As the snow began to melt corpses were found in it, homes were hopelessly buried, and even the gradual clearing of the roads only brought him stories of the lonely hamlets lost in the hills.

It seemed as if a breath of the aimless destruction that wanders in the world had drifted across us; and no task remained for men but the weary rebuilding of ruins and the numbering of the dead.

Only as I went out of the Jaffa Gate, a man told me that the tree of the hundred deaths, that was the type of the eternal Caliphate of the Crescent, was cast down and lying broken in the snow.

CHAPTER VI

THE GROUPS OF THE CITY

Palestine is a striped country; that is the first effect of landscape on the eye. It runs in great parallel lines wavering into vast hills and valleys, but preserving the parallel pattern; as if drawn boldly but accurately with gigantic chalks of green and grey and red and yellow.