The Lives of the Poets of Great Britain and Ireland (1753) Volume III Part 27

A Discourse on Ancient and Modern Learning; the time when it was written is uncertain, but probably as early as the former. It was preserved amongst the ma.n.u.scripts of lord Somers, which, after the death of Sir Joseph Jekyl, being publickly sold, this little piece came to be printed 1739, and was well received. To these we must add the Old Whig, No. 1 and 2. Pamphlets written in Defence of the Peerage Bill: The scope of the Bill was this, that in place of 16 Peers sitting in Parliament, as Representatives of the Peerage of Scotland, there were for the future to be twenty five hereditary Peers, by the junction of nine out of the body of the Scotch n.o.bility, to the then 16 sitting Peers; that six English Peers should be added, and the peerage then remain fixed; the crown being restrained from making any new lords, but upon the extinction of families. This gave a great alarm to the nation, and many papers were wrote with spirit against it; amongst the rest, one called the Plebeian, now known to have been Sir Richard Steele's. In answer to this came out the Old Whig N. 1. on the State of the Peerage, with some Remarks on the Plebeian. This controversy was carried on between the two friends, Addison and Steele, at first without any knowledge of one another, but before it was ended, it appears, from several expressions, that the author of the Old Whig was acquainted with his antagonist.

Thus we have gone through the most remarkable pa.s.sages of the life of this great man, in admiration of whom, it is but natural to be an Enthusiast, and whose very enemies expressed their dislike with diffidence; nor indeed were his enemies, Mr. Pope excepted, (if it be proper to reckon Mr. Pope Mr. Addison's enemy) in one particular case, of any consequence. It is a true, and an old observation, that the greatest men have sometimes failings, that, of all other human weaknesses, one would not suspect them to be subject to. It is said of Mr. Addison, that he was a slave to flattery, that he was jealous, and suspicious in his temper, and, as Pope keenly expresses it,

Bore, like the Turk, no rival near the throne.

That he was jealous of the fame of Pope, many have believed, and perhaps not altogether without ground. He preferred Tickel's translation of the first Book of Homer, to Pope's. His words are,

'the other has more of Homer',

when, at the same time, in a letter to Pope, he strenuously advises him to undertake it, and tells him, there is none but he equal to it; which circ.u.mstance has made some people conjecture, that Addison was himself the author of the translation, imputed to Mr. Tickell: Be this as it may, it is unpleasing to dwell upon the failings, and quarrels of great men; let us rather draw a veil over all their errors, and only admire their virtues, and their genius; of both which the author, the incidents of whose life we have now been tracing, had a large possession. He added much to the purity of the English stile in prose; his rhime is not so flowing, nervous, or manly as some of his cotemporaries, but his prose has an original excellence, a smoothness and dignity peculiar to it. His poetry, as well as sentiments, in Cato, cannot be praised enough.

Mr. Addison was stedfast to his principles, faithful to his friends, a zealous patriot, honourable in public stations, amiable in private life, and as he lived, he died, a good man, and a pious Christian.

[Footnote 1: Tickell's Preface to Addison's works.]

[Footnote 2: Tickell. Ubi supra.]

[Footnote 3: Budgel's Memoirs of the Boyles.]

[Footnote 4: Tickell's Preface.]

ANNE, Countess of WINCHELSEA.

This lady, deservedly celebrated for her poetic genius, was daughter of Sir William Kingsmill of Sidmonton, in the county of Southampton. She was Maid of Honour to the d.u.c.h.ess of York, second wife to King James II.

and was afterwards married to Heneage earl of Winchelsea, who was in his father's life-time Gentleman of the Bed-chamber to the Duke of York.

One of the most considerable of this lady's poems, is that upon the Spleen, published by Mr. Charles Gildon, 1701, in 8vo. That poem occasioned another of Mr. Nicholas Rowe's, ent.i.tled an Epistle to Flavia, on the sight of two Pindaric Odes on the Spleen and Vanity, written by a Lady to her Friend. This poem of the Spleen is written in stanzas, after the manner of Cowley, and contains many thoughts naturally expressed, and poetically conceived; there is seldom to be found any thing more excellently picturesque than this poem, and it justly ent.i.tles the amiable countess to hold a very high station amongst the inspired tribe. Nothing can be more happily imagined than the following description of the pretended influence of Spleen upon surly Husbands, and gay Coquetes.

Patron thou art of every gross abuse; The sullen husband's feign'd excuse, When the ill humours with his wife he spends, And bears recruited wit, and spirits to his friends The son of Bacchus pleads thy pow'r As to the gla.s.s he still repairs Pretends but to remove thy cares, s.n.a.t.c.h from thy shades, one gay, and smiling hour, And drown thy kingdom in a purple show'r.

When the coquette (whom ev'ry fool admires) Would in variety be fair; And changing hastily the scene, From light, impertinent, and vain, a.s.sumes a soft, a melancholy air And of her eyes rebates the wand'ring fires, The careless posture, and the head reclin'd (Proclaiming the withdrawn, the absent mind) Allows the fop more liberty to gaze; Who gently for the tender cause enquires; The cause indeed is a defect of sense, Yet is the Spleen alledged, and still the dull pretence.

The influence which Spleen has over religious minds, is admirably painted in the next stanza.

By spleen, religion, all we know; That should enlighten here below, Is veiled in darkness, and perplext With anxious doubts, with endless scruples vext And some restraint imply'd from each perverted text; Whilst touch not, taste not what is freely given, Is but thy n.i.g.g.ard voice disgracing bounteous Heaven.

From speech restrain'd, by the deceits abus'd, To desarts banish'd; or in cells reclus'd, Mistaken vot'ries, to the powers divine, Whilst they a purer sacrifice design, Do but the spleen obey, and wors.h.i.+p at thy shrine.

A collection of this lady's poems was published at London 1713 in 8vo.

containing likewise a Tragedy never acted, ent.i.tled Aristomenes, or the Royal Shepherd. The general scenes are in Aristomenes's camp, near the walls of Phaerea, sometimes the plains among the Shepherds. A great number of our auth.o.r.ess's poems still continue unpublished, in the hands of the rev. Mr. Creake, and some were in possession of the right hon.

the countess of Hertford.

The countess of Winchelsea died August 9, 1720, without issue. She was happy in the friends.h.i.+p of Mr. Pope, who addresses a copy of verses to her, occasioned by eight lines in the Rape of the Lock: they contain a very elegant compliment.

In vain you boast poetic names of yore, And cite those Saphoes we admire no more: Fate doom'd the fall of ev'ry female wit, But doom'd it then, when first Ardelia writ.

Of all examples by the world confest, I knew Ardelia could not quote the best, Who like her mistress on Britannia's throne Fights and subdues in quarrels not her own.

To write their praise, you but in vain essay; E'en while you write, you take that praise away: Light to the stars, the sun does thus restore, And s.h.i.+nes himself 'till they are seen no more.

The answer which the countess makes to the above, is rather more exquisite than the lines of Mr. Pope; he is foil'd at his own weapons, and outdone in the elegance of compliment.

Disarm'd with so genteel an air, The contest I give o'er; Yet Alexander have a care, And shock the s.e.x no more.

We rule the world our life's whole race, Men but a.s.sume that right; First slaves to ev'ry tempting face, Then martyrs to our spite.

You of one Orpheus sure have read, Who would like you have writ Had he in London-town been bred, And polish'd too his wit; But he poor soul, thought all was well And great should be his fame, When he had left his wife in h.e.l.l And birds, and beasts could tame.

Yet venturing then with scoffing rhimes The women to incense, Resenting heroines of those times Soon punished his offence.

And as the Hebrus roll'd his skull, And Harp besmeared with blood, They clas.h.i.+ng as the waves grew full Still harmoniz'd the flood.

But you our follies gently treat, And spin so fine the thread, You need not fear his awkward fate, The lock won't cost the head.

Our admiration you command For all that's gone before; What next we look for at your hand Can only raise it more.

Yet sooth the ladies, I advise (As me too pride has wrought) We're born to wit, but to be wise By admonitions taught.

The other pieces of this lady are,

An Epilogue to Jane Sh.o.r.e, to be spoken by Mrs. Oldfield the night before the Poet's day.

To the Countess of Hertford with her Volume of Poems.

The Prodigy, a Poem, written at Tunbridge-Wells 1706, on the Admiration that many expressed on a Gentleman's being in love, and their Endeavours to dissuade him from it, with some Advice to the young Ladies how to maintain their natural Prerogative. If all her other poetical compositions are executed with as much spirit and elegance as these, the lovers of poetry have some reason to be sorry that her station was such, as to exempt her from the necessity of more frequently exercising a genius so furnished by nature, to have made a great figure in that divine art.

CHARLES GILDON.

This gentleman was born at Gillingham near Shaftsbury, in the county of Dorset. His parents, and family were all of the Romish persuasion, but they could not instil their principles into our author, who, as soon as he began to reason, was able to discover the errors, and foppery of that church. His father was a member of the society of Grays-Inn, and suffered much for the Royal cause. The first rudiments of learning Mr.

Gildon had at the place of his nativity; thence his relations sent him to the English college of secular priests at Doway in Hainault, with a design of making him a priest; but after five years study there, he found his inclination direct him to a quite different course of life.

When he was nineteen years old he returned to England, and as soon as he was of age, and capable of enjoying the pleasures of gaiety, he came to London, where he spent the greatest part of his paternal estate.

At about the age of twenty-three, to crown his other imprudences, he married, without improving his reduced circ.u.mstances thereby.

During the reign of King James II. he dedicated his time to the study of the prevailing controversies, and he somewhere declares, it cost him above seven years close application to books, before he could entirely overcome the prejudices of his education. He never believed the absurd tenets of the church of Rome; nor could he embrace the ridiculous doctrine of her infallibility: But as he had been taught an early reverence to the priesthood, and a submissive obedience to their authority, it was a long while before he a.s.sumed courage to think freely for himself, or declare what he thought.

His first attempt in the drama, was not till he had arrived at his 32d year; and he himself in his essays tells us, that necessity (the general inducement) was his first motive of venturing to be an author.

He is the author of three plays, viz.

1. The Roman Bride's Revenge, a Tragedy; acted at the Theatre-Royal 1697. This play was written in a month, and had the usual success of hasty productions, though the first and second acts are well written, and the catastrophe beautiful; the moral being to give us an example, in the punishment of Martian, that no consideration ought to make us delay the service of our country.

2. Phaeton, or the Fatal Divorce; a Tragedy, acted at the Theatre-Royal 1698, dedicated to Charles Montague, Esq; This play is written in imitation of the ancients, with some reflexions on a book called a Short View of the Immorality of the English Stage, written by Mr. Collier, a Non-juring Clergyman, who combated in the cause of virtue, with success, against Dryden, Congreve, Dennis, and our author. The plot of this play, and a great many of the beauties, Mr. Gildon owns in his preface, he has taken from the Medea of Euripides.

3. Love's. Victim, or the Queen of Wales; a Tragedy, acted at the Theatre in Lincoln's-Inn-Fields.

He introduced the Play called the Younger Brother, or the Amorous Jilt; written by Mrs. Behn, but not brought upon the stage 'till after her decease. He made very little alteration in it. Our author's plays have not his name to them; and his fault lies generally in the stile, which is too near an imitation of Lee's.

He wrote a piece called the New Rehearsal, or Bays the Younger; containing an Examen of the Ambitious Step-mother, Tamerlane, The Biter, Fair Penitent, The Royal Convert, Ulysses, and Jane Sh.o.r.e, all written by Mr. Rowe; also a Word or Two on Mr. Pope's Rape of the Lock, to which is prefixed a Preface concerning Criticism in general, by the Earl of Shaftsbury, Author of the Characteristics, 8vo. 1714. Scene the Rose Tavern. The freedom he used with Mr. Pope in remarking upon the Rape of the Lock, it seems was sufficient to raise that gentleman's resentment, who was never celebrated for forgiving. Many years after, Mr. Pope took his revenge, by stigmatizing him as a dunce, in his usual keen spirit of satire: There had arisen some quarrel between Gildon and Dennis, upon which, Mr. Pope in his Dunciad, B. iii. has the following lines,

Ah Dennis! Gildon ah! what ill-starr'd rage Divides a friends.h.i.+p long confirm'd by age?

Blockheads with reason wicked wits abhor, But fool with fool is barb'rous civil war.

Embrace; embrace my sons! be foes no more, Nor glad vile poets with true critics gore.