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Henry Gregg sat down slowly. Then he wet his lips slightly and smiled.
"Oh, bos.h.!.+" he said. "This--this is the twentieth century and we're Americans, and it's broad daylight. Why, I'll lick the--"
"This is Rome," interrupted Mary Gowd quietly, "and you will do nothing of the kind, because he would make you pay for that too, and it would be in all the papers; and your pretty daughter would hang her head in shame forever." She put one hand on Henry Gregg's sleeve. "You do not know!
You do not! Promise me you will go." The tears sprang suddenly to her English blue eyes. "Promise me! Promise me!"
"Henry!" cried Mamma Gregg, very grey-faced. "Promise, Henry!"
"I promise," said Henry Gregg, and he turned away.
Mary Gowd sank back in her seat and shut her eyes for a moment.
"_Presto!_" she said to the half-sleeping driver. Then she waved a gay hand at the carriage in the rear. "_Presto!_" she called, smiling.
"_Presto!_"
At six o'clock Mary Gowd entered the little room in the Via Babbuino.
She went first to the window, drew the heavy curtains. The roar of Rome was hushed to a humming. She lighted a candle that stood on the table.
Its dim light emphasized the gloom. She took off the battered black velvet hat and sank into the chintz-covered English chair. Tina stood in the doorway. Mary Gowd sat up with a jerk.
"Letters, Tina?"
Tina thought deeply, fumbled at the bosom of her gown and drew out a sealed envelope grudgingly.
Mary Gowd broke the seal, glanced at the letter. Then, under Tina's startled gaze, she held it to the flaming candle and watched it burn.
"What is it that you do?" demanded Tina.
Mary Gowd smiled.
"You have heard of America?"
"America! A thousand--a million time! My brother Luigi--"
"Naturally! This, then"--Mary Gowd deliberately gathered up the ashes into a neat pile and held them in her hand, a crumpled heap--"this then, Tina, is my trip to America."
X
SOPHY-AS-SHE-MIGHT-HAVE-BEEN
The key to the heart of Paris is love. He whose key-ring lacks that open sesame never really sees the city, even though he dwell in the shadow of the Sorbonne and comprehend the _fiacre_ French of the Paris cabman.
Some there are who craftily open the door with a skeleton key; some who ruthlessly batter the panels; some who achieve only a wax impression, which proves to be useless. There are many who travel no farther than the outer gates. You will find them staring blankly at the stone walls; and their plaint is:
"What do they find to rave about in this town?"
Sophy Gold had been eight days in Paris and she had not so much as peeked through the key-hole. In a vague way she realised that she was seeing Paris as a blind man sees the sun--feeling its warmth, conscious of its white light beating on the eyeb.a.l.l.s, but never actually beholding its golden glory.
This was Sophy Gold's first trip to Paris, and her heart and soul and business brain were intent on buying the shrewdest possible bill of lingerie and infants' wear for her department at Schiff Brothers', Chicago; but Sophy under-estimated the powers of those three guiding parts. While heart, soul, and brain were bent dutifully and indefatigably on the lingerie and infants'-wear job they also were registering a series of kaleidoscopic outside impressions.
As she drove from her hotel to the wholesale district, and from the wholesale district to her hotel, there had flashed across her consciousness the picture of the chic little modistes' models and _ouvrieres_ slipping out at noon to meet their lovers on the corner, to sit over their _sirop_ or wine at some little near-by cafe, hands clasped, eyes glowing.
Stepping out of the lift to ask for her room key, she had come on the black-gowned floor clerk, deep in murmured conversation with the valet, and she had seemed not to see Sophy at all as she groped subconsciously for the key along the rows of keyboxes. She had seen the workmen in their absurdly baggy corduroy trousers and grimy s.h.i.+rts strolling along arm in arm with the women of their cla.s.s--those untidy women with the tidy hair. Bareheaded and happy, they strolled along, a strange contrast to the glitter of the fas.h.i.+onable boulevard, stopping now and then to gaze wide-eyed at a million-franc necklace in a jeweller's window; then on again with a laugh and a shrug and a caress. She had seen the silent couples in the Tuileries Gardens at twilight.
Once, in the Bois de Boulogne, a slim, sallow _elegant_ had bent for what seemed an interminable time over a white hand that was stretched from the window of a motor car. He was standing at the curb; in either greeting or parting, and his eyes were fastened on other eyes within the car even while his lips pressed the white hand.
Then one evening--Sophy reddened now at memory of it--she had turned a quiet corner and come on a boy and a girl. The girl was shabby and sixteen; the boy pale, voluble, smiling.
Evidently they were just parting. Suddenly, as she pa.s.sed, the boy had caught the girl in his arms there on the street corner in the daylight, and had kissed her--not the quick, resounding smack of casual leave-taking, but a long, silent kiss that left the girl limp.
Sophy stood rooted to the spot, between horror and fascination. The boy's arm brought the girl upright and set her on her feet.
She took a long breath, straightened her hat, and ran on to rejoin her girl friend awaiting her calmly up the street. She was not even flushed; but Sophy was. Sophy was blus.h.i.+ng hotly and burning uncomfortably, so that her eyes smarted.
Just after her late dinner on the eighth day of her Paris stay, Sophy Gold was seated in the hotel lobby. Paris thronged with American business buyers--those clever, capable, shrewd-eyed women who swarm on the city in June and strip it of its choicest flowers, from ball gowns to back combs. Sophy tried to pick them from the mult.i.tude that swept past her. It was not difficult. The women visitors to Paris in June drop easily into their proper slots.
There were the pretty American girls and their marvellously young-looking mammas, both out-Frenching the French in their efforts to look Parisian; there were rows of fat, placid, jewel-laden Argentine mothers, each with a watchful eye on her black-eyed, volcanically calm, be-powdered daughter; and there were the buyers, miraculously dressy in next week's styles in suits and hats--of the old-girl type most of them, alert, self-confident, capable.
They usually returned to their hotels at six, limping a little, dog-tired; but at sight of the brightly lighted, gay hotel foyer they would straighten up like war-horses scenting battle and achieve an effective entrance from the doorway to the lift.
In all that big, busy foyer Sophy Gold herself was the one person distinctly out of the picture. One did not know where to place her. To begin with, a woman as irrevocably, irredeemably ugly as Sophy was an anachronism in Paris. She belonged to the gargoyle period. You found yourself speculating on whether it was her mouth or her nose that made her so devastatingly plain, only to bring up at her eyes and find that they alone were enough to wreck any ambitions toward beauty. You knew before you saw it that her hair would be limp and straggling.
You sensed without a glance at them that her hands would be bony, with unlovely knuckles.
The Fates, grinning, had done all that. Her Chicago tailor and milliner had completed the work. Sophy had not been in Paris ten minutes before she noticed that they were wearing 'em long and full. Her coat was short and her skirt scant. Her hat was small. The Paris windows were full of large and graceful black velvets of the Lillian Russell school.
"May I sit here?"
Sophy looked up into the plump, pink, smiling face of one of those very women of the buyer type on whom she had speculated ten minutes before--a good-natured face with shrewd, twinkling eyes. At sight of it you forgave her her skittish white-kid-topped shoes.
"Certainly," smiled Sophy, and moved over a bit on the little French settee.
The plump woman sat down heavily. In five minutes Sophy was conscious she was being stared at surrept.i.tiously. In ten minutes she was uncomfortably conscious of it. In eleven minutes she turned her head suddenly and caught the stout woman's eyes fixed on her, with just the baffled, speculative expression she had expected to find in them. Sophy Gold had caught that look in many women's eyes. She smiled grimly now.
"Don't try it," she said, "It's no use."
The pink, plump face flushed pinker.
"Don't try--"
"Don't try to convince yourself that if I wore my hair differently, or my collar tighter, or my hat larger, it would make a difference in my looks. It wouldn't. It's hard to believe that I'm as homely as I look, but I am. I've watched women try to dress me in as many as eleven mental changes of costume before they gave me up."
"But I didn't mean--I beg your pardon--you mustn't think--"