Albert Durer Part 3

... desired. So the old wife helped him up, and the night-cap on his head had suddenly become wet with drops of sweat. Then he asked to drink, so she gave him a little Reinfell wine. He took a very little of it, and then desired to get into bed again and thanked her. And when he had got into bed he fell at once into his last agony. The old wife quickly kindled the candle for him and repeated to him S. Bernard's verses, and ere she had said the third he was gone. G.o.d be merciful to him! And the young maid, when she saw the change, ran quickly to my chamber and woke me, but before I came down he was gone. I saw the dead with great sorrow, because I had not been worthy to be with him at his end.

And thus in the night before S. Matthew's eve my father pa.s.sed away, in the year above mentioned (Sept. 20, 1502) --the merciful G.o.d help me also to a happy end--and he left my mother an afflicted widow behind him. He was ever wont to praise her highly to me, saying what a good wife she was, wherefore I intend never to forsake her. I pray you for G.o.d's sake, all ye my friends, when you read of the death of my father, to remember his soul with an "Our Father" and an "Ave Maria"; and also for your own sake, that we may so serve G.o.d as to attain a happy life and the blessing of a good end. For it is not possible for one who has lived well to depart ill from this world, for G.o.d is full of compa.s.sion. Through which may He grant us, after this pitiful life, the joy of everlasting salvation--in the name of the Father, the Son, and the Holy Ghost, at the beginning and at the end, one Eternal Governor. Amen.

The last sentences of this may seem to share in the character of the vain repet.i.tions of words with which professed believers are only too apt to weary and disgust others. They are in any case commonplaces: the image has taken the place of the object; the Father in heaven is not considered so much as the paternal governor of the inner life as the ruler of a future life and of this world. The use of such phrases is as much idolatry as the wors.h.i.+p of statue and picture, or as little, if the words are repeated, as I think in this case they were, out of a feeling of awe and reverence for preceding mental impressions and experiences, and not because their repet.i.tion in itself was counted for righteousness. Their use, if this was so, is no more to be found fault with than the contemplation of pictures or statues of holy personages in order to help the mind to attend to their ensample, or the reading of a poem, to fill the mind with enn.o.bling emotions. Idolatry is natural and right in children and other simple souls among primitive peoples or elsewhere. It is a stage in mental development. Lovers pa.s.s through the idolatrous stage of their pa.s.sion just as children cut their teeth. It is a pity to see individuals or nations remain childish in this respect just as much as in any other, or to see them return to it in their decrepitude. But a temper, a spirit, an influence cannot easily be apprehended apart from examples and images; and perhaps the clearest reason is only the exercise of an infinitely elastic idolatry, which with sprightly efficiency finds and wors.h.i.+ps good in everything, just as the devout, in Durer's youth, found sermons in stones, carved stones representing saint, bishop, or Virgin. And Durer all his life long continued to produce pictures and engravings which were intended to preach such sermons.

Goethe admirably remarks:

"_Superst.i.tion_ is the poetry of life; the poet therefore suffers no harm from being _superst.i.tious_." (Aberglaube.)

Superst.i.tion and idolatry are an expenditure of emotion of a kind and degree which the true facts would not warrant; poetry when least superst.i.tious is a like exercise of the emotions in order to raise and enhance them; superst.i.tion when most poetical unconsciously effects the same thing.

This glimpse he gives of the way in which death visited his home, and how the visitation impressed him, is coloured and glows with that temper of docility which made Colet school himself so severely, and was the source of Michael Angelo's so fervent outpourings. And all through the accounts which remain of his life, we may trace the same spirit ever anew setting him to school, and renewing his resolution to learn both from his feelings and from his senses.

XI

As I took a sentence from Michael Angelo, I will now take a sentence from Durer, one showing strongly that evangelical strain so characteristic of him, born of his intuitive sense for human solidarity.

After an argument, which will be found on page 306, he concludes: "It is right, therefore, for one man to teach another. He that doeth so joyfully, upon him shall much be bestowed by G.o.d."[14] These last words, like the last phrases of my former quotation from him, may stand perhaps in the way of some, as nowadays they may easily sound glib or irreverent. But are we less convinced that only tasks done joyfully, as labours of love, deserve the reward of fuller and finer powers, and obtain it? When Durer thought of G.o.d, he did not only think of a mythological personage resembling an old king; he thought of a mind, an intention, "for G.o.d is perfect in goodness." Words so easily come to obscure what they were meant to reveal; and if we think how the notion of perfect goodness rules and sways such a man's mind, we shall not wonder that he did not stumble at the omnipotency which revolts us, cowed as we are by the presence of evil. The old gentleman dressed like a king;--this was not the part of his ideas about G.o.d which occupied Durer's mind. He accepted it, but did not think about it: it filled what would otherwise have been a blank in his mind and in the minds of those about him. But he was constantly anxious about what he ought to do and study in order to fulfil the best in himself, and about what ought to be done by his town, his nation, and the civilisation that then was, in order to turn man's nature and the world to an account answerable to the beauty of their fairer aspects. G.o.d was the will that commanded that "consummation devoutly to be wished." Obedience to His law revealed in the Bible was the means by which this command could be carried out; and to a man turning from the Church as it then existed to the newly translated Bible texts, the commands of G.o.d as declared in those texts seemed of necessity reason itself compared with the commands of the Popes; were, in fact, infinitely more reasonable, infinitely more akin to a good man's mind and will. Luther's revolt is for us now characterised by those elements in it which proved inadequate--were irrational; but then these were insignificant in comparison with the light which his downright honesty shed on the monstrous and amazingly irrational Church. This huge closed society of bigots and worldlings which arrogated to itself all powers human and divine, and used them according to the l.u.s.ts and intemperance of an Alexander Borgia, a Julius II., and a Leo X., was that farce perception of which made Rabelais shake the world with laughter, and which roused such consuming indignation in Luther and Calvin that they created the gloomy puritanical asylums in which millions of Germans, English, and Americans were shut up for two hundred years, as Matthew Arnold puts it. But Durer was not so immured: even Luther at heart neither was himself, nor desired that others should be, prevented from enjoying the free use of their intellectual powers. It was because he was less perspicacious than Erasmus that he did not see that this was what he was inevitably doing in his wrath and in his haste.

XII

Erasmus was, perhaps, the man in Europe who at that time displayed most docility; the man whom neither sickness, the desire for wealth and honour, the hope to conquer, the l.u.s.t to engage in disputes, nor the adverse chances that held him half his life in debt and necessitous straits, and kept him all his life long a vagrant, constantly upon the road--the man in whom none of these things could weaken a marvellous a.s.siduity to learn and help others to learn. He it was who had most kins.h.i.+p with Durer among the artists then alive; for Durer is very eminent among them for this temper of docility. It is interesting to see how he once turned to Erasmus in a devout meditation, written in the journal he kept during his journey to the Netherlands. His voice comes to us from an atmosphere charged with the electric influence of the greatest Reformer, Martin Luther, who had just disappeared, no man knew why or whither; though all men suspected foul play. In his daily life, by sweetness of manner, by gentle dignity and modesty, Durer showed his religion, the admiration and love that bound his life, in a way that at all times and in all places commands applause. The burning indignation of the following pa.s.sage may in times of spiritual peace or somnolence appear over-wrought and uncouth. We must remember that all that Durer loved had been bound by his religion to the teaching and inspiration of Jesus, and had become inseparable from it. All that he loved--learning, clear and orderly thought, honesty, freedom to express the wors.h.i.+p of his heart without its being turned to a mockery by cynical monk, priest, or prelate;--these things directly, and indirectly art itself, seemed to him threatened by the corruption of the Papal power. We must remember this; for we shall naturally feel, as Erasmus did, that the path of martyrdom was really a short cut, which a wider view of the surrounding country would have shown him to be likely to prove the longest way in the end. Indeed the world is not altogether yet arrived where he thought Erasmus could bring it in less than two years. And Luther himself returned to the scene and was active, without any such result, a dozen years and more.

Oh all ye pious Christian men, help me deeply to bewail this man, inspired of G.o.d, and to pray Him yet again to send us an enlightened man. Oh Erasmus of Rotterdam, where wilt thou stop? Behold how the wicked tyranny of worldly power, the might of darkness, prevails. Hear, thou knight of Christ! Ride on by the side of the Lord Jesus. Guard the truth. Attain the martyr's crown. Already indeed art thou a little old man, and myself have heard thee say that thou givest thyself but two years more wherein thou mayest still be fit to accomplish somewhat. Lay out the same well for the good of the Gospel, and of the true Christian faith, and make thyself heard. So, as Christ says, shall the Gates of h.e.l.l in no wise prevail against thee. And if here below thou wert to be like thy master Christ, and sufferest infamy at the hands of the liars of this time, and didst die a little sooner, then wouldst thou the sooner pa.s.s from death unto life and be glorified in Christ. For if thou drinkest of the cup which He drank of, _with Him shalt thou reign and judge with justice those who_ HAVE _dealt unrighteously_. Oh! Erasmus!

cleave to this, that G.o.d Himself may be thy praise, even as it is written of David. For thou mayest, yea, verily thou mayest overthrow Goliath. Because G.o.d stands by the Holy Christian Church, even as He alone upholds the Roman Church, according to His G.o.dly will. May He help us to everlasting salvation, who is G.o.d the Father, the Son, and Holy Ghost, one eternal G.o.d! Amen!!

"With Him shalt thou reign and judge with justice those that have dealt unrighteously." This will seem to many a mere cry for revenge; and so perhaps it was. Still it may have been, as it seems to me to have been, uttered rather in the spirit of Moses' "Forgive their sin--and if not, blot me, I pray Thee, out of Thy book"; or the "Heaven and earth shall pa.s.s away, but my words shall not pa.s.s away" of Jesus. If the necessity for victory was uppermost, the opportunity for revenge may scarcely have been present to Durer's mind.

It is now more generally recognised than in Luther's day that however sweet vengeance may be, it is not admirable, either in G.o.d or man.

The total impression produced by Durer's life and work must help each to decide for himself which sense he considers most likely. The truth, as in most questions of history, remains for ever in the balance, and cannot be ascertained.

XIII

I have called docility the necessary midwife of Genius, for so it is; and religion is a discipline that constrains us to learn. The religion of Jesus constrains us to learn the most difficult things, binds us to the most arduous tasks that the mind of man sets itself, as a lover is bound by his affection to accomplish difficult feats for his mistress'

sake. Such tasks as Michael Angelo and Durer set themselves require that the lover's eagerness and zest shall not be exhausted; and to keep them fresh and abundant, in spite of cross circ.u.mstances, a discipline of the mind and will is required. This is what they found in the wors.h.i.+p of Jesus. The influence of this religious hopefulness and self-discipline on the creative power prevents its being exhausted, perverted, or embittered; and in order that it may effect this perfectly, that influence must be abundant not only within the artist, as it was in Michael Angelo and Durer, but in the world about them.

This, then, is the value of religious influence to creative art: and though we to-day necessarily regard the personages, localities, and events of the creed as coming under the category of "things that are not," we may still as fervently hope and expect that the things of that category may "bring to nought the things that are," including the superst.i.tious reverence for the creed and its unprovable statements; for has not the victory in human things often been with the things that were not, but which were thus ardently desired and expected? To inquire which of those things are best calculated to advance and nourish creative power, and in what manner, should engage the artist's attention far more than it has of late years. For what he loves, what he hopes, and what he expects would seem, if we study past examples, to exercise as important an influence on a man's creative power as his knowledge of, and respect for, the materials and instruments which he controls do upon his executive capacity.

The universe in which man finds himself may be evil, but not everything it contains is so: then it must for ever remain our only wisdom to labour to transform those parts which we judge to be evil into likeness or conformity to those we judge to be good: and surely he who neglects the forces of hope and adoration in that effort, neglects the better half of his practical strength? The central proposition of Christianity, that this end can only be attained by contemplation and imitation of an example, is, we shall in another place (pp. [305-312]) find, maintained as true in regard to art by Durer, and by Reynolds, our greatest writer on aesthetics. These great artists, so dissimilar in the outward aspects of their creations, agree in considering that the only way of advancement open to the aspirant is the attempt to form himself on the example of others, by imitating them not slavishly or mechanically, but in the same spirit in which they imitated their forerunners: even as the Christian is bound to seek union with Christ in the same spirit or way in which Jesus had achieved union with his Father--that is, by laying down life to take it again, in meekness and lowliness of heart. Docility is the sovran help to perfection for Durer and Reynolds, and more or less explicitly for all other great artists who have treated of these questions.

FOOTNOTES:

[Footnote 11: Of course all that may have been meant by the phrase "the Evangelist of Art" is that Durer ill.u.s.trated the narrative of the Pa.s.sion; but by this he is not distinguished from many others, and the phrase is suggestive of far more.]

[Footnote 12: Froude's "Life of Erasmus," Lecture vi.]

[Footnote 13: Wordsworth's Translation,]

[Footnote 14: "Literary Remains of Albrecht Durer," p. 176.]

PART II

DuRER'S LIFE IN RELATION TO THE TIMES IN WHICH HE LIVED

[Ill.u.s.tration]

CHAPTER I

DuRER'S ORIGIN, YOUTH AND EDUCATION

I

Who was Durer? He has told us himself very simply, and more fully than men of his type generally do; for he was not, like Montaigne, one whose chief study was himself. Yet, though he has done this, it is not easy for us to fully understand him. It is perhaps impossible to place oneself in the centre of that horizon which was of necessity his and belonged to his day, a vast circle from which men could no more escape than we from ours; this cage of iron ignorance in which every human soul is trapped, and to widen and enlarge which every heroic soul lives and dies. This cage appeared to his eyes very different from what it does to ours; yet it has always been a cage, and is only lost sight of at times when the light from within seems to flow forth, and with its radiant sapphire heaven of buoyancy and desire to veil the eternal bars. It is well to remind ourselves that ignorance was the most momentous, the most cruel condition of his life, as of our own; and that the effort to relieve himself of its pressure, either by the pursuit of knowledge, or by giving spur and bridle to the imagination that it might course round him dragging the great woof of illusion, and tent him in the ethereal dream of the soul's desire, was the constant effort and resource of his days.

II

At the age of fifty-three he took the pen and commenced:

In the year 1524, I, Albrecht Durer the younger, have put together from my father's papers the facts as to whence he was, how he came hither, lived here, and drew to a happy end. G.o.d be gracious to him and us! Amen.

Like his relatives, Albrecht Durer the elder was born in the kingdom of Hungary, in a little village named Eytas, situated not far from a little town called Gyula, eight miles below Grosswardein; and his kindred made their living from horses and cattle. My father's father was called Anton Durer; he came as a lad to a goldsmith in the said little town and learnt the craft under him. He afterwards married a girl named Elizabeth, who bare him a daughter, Katharina, and three sons. The first son he named Albrecht; he was my dear father. He too became a goldsmith, a pure and skilful man. The second son he called Ladislaus; he was a saddler. His son is my cousin Niklas Durer, called Niklas the Hungarian, who is settled at Koln. He also is a goldsmith, and learnt the craft here in Nurnberg with my father. The third son he called John. Him he set to study, and he afterwards became a parson at Grosswardein, and continued there thirty years.

So Albrecht Durer, my dear father, came to Germany. He had been a long time with the great artists in the Netherlands. At last he came hither to Nurnberg in the year, as reckoned from the birth of Christ, 1455, on S. Elogius' day (June 25). And on the same day Philip Pirkheimer had his marriage feast at the Veste, and there was a great dance under the big lime tree. For a long time after that my dear father, Albrecht Durer, served my grandfather, old Hieronymus Holper, till the year reckoned 1467 after the birth of Christ. My grandfather then gave him his daughter, a pretty upright girl, fifteen years old, named Barbara; and he was wedded to her eight days before S. Vitus (June 8). It may also be mentioned that my grandmother, my mother's mother, was the daughter of Oellinger of Weissenburg, and her name was Kunigunde.

And my dear father had by his marriage with my dear mother the following children born--which I set down here word for word as he wrote it in his book:

Here follow eighteen items, only one of which, the third, is of interest.

3. Item, in the year 1471 after the birth of Christ, in the sixth hour of the day, on S. Prudentia's day, a Tuesday in Rogation Week (May 21), my wife bare me my second son. His G.o.dfather was Anton Koburger, and he named him Albrecht after me, &c. &c.

All these, my brothers and sisters, my dear father's children, are now dead, some in their childhood, others as they were growing up; only we three brothers still live, so long as G.o.d will, namely: I, Albrecht, and my brother Andreas and my brother Hans, the third of the name, my father's children.

This Albrecht Durer the elder pa.s.sed his life in great toil and stern hard labour, having nothing for his support save what he earned with his hand for himself, his wife and his children, so that he had little enough. He underwent moreover manifold afflictions, trials, and adversities. But he won just praise from all who knew him, for he lived an honourable, Christian life, was a man of patient spirit, mild and peaceable to all, and very thankful towards G.o.d. For himself he had little need of company and worldly pleasures; he was also of few words, and was a G.o.d-fearing man.

III

We shall, I think, often do well, when considering the superb ostentation of Durer's workmans.h.i.+p, with its superabundance of curve and flourish, its delight in its own ease and grace, to think of those young men among his ancestors who made their living from horses on the wind-swept plains of Hungary. The perfect control which it is the delight of lads brought up and developing under such conditions to obtain over the galloping steed, is similar to the control which it gratified Durer to perfect over the das.h.i.+ng stroke of pen or brush, which, however swift and impulsive, is yet brought round and performs to a nicety a predetermined evolution. And the way he puts a little portrait of himself, finely dressed, into his most important pictures, may also carry our thoughts away to the banks of the Danube where it winds and straggles over the steppes, to picture some young horse-breeder, whose costume and harness are his only wealth; who rides out in the morning as the c.o.c.k-bustard that, having preened himself, paces before the hen birds on the plains that he can scour when his wings, which are slow in the air, join with his strong legs to make nothing of gra.s.sy leagues on leagues. And first, this life with its free sweeping horizon, and the swallow-like curves of its gallops for the sake of galloping, or those which the long lashes of its whips trace in deploying, and which remind us of the lithe tendrils in which terminate Durer's ornamental flourishes; this life in which the eye is trained to watch the la.s.so, as with well-calculated address it swirls out and drops over the frighted head of an unbroken colt;--this life is first pent up in a little goldsmith's shop, in a country even to-day famous for the beauty and originality of its peasant jewelry: and here it is trained to follow and answer the desire of the bright dark eyes of girls in love;--in love, where love and the beauty that inspires it are the gifts of nature most guarded and most honoured, from which are expected the utmost that is conceived of delicacy in delight by a virile and healthy race. "A pure and skilful man." Patient already has this life become, for a jeweller can scarcely be made of impatient stuff; patient even before the admixture of German blood when Albert the elder married his Barbara Holper. The two eldest sons were made jewellers; but the third, John, is set to study and becomes a parson, as if already learning and piety stood next in the estimation of this life after thrift, skill and the creation of ornament. And Germany boasts of this life beyond that of any of her sons; but her blood was probably of small importance to the efficiency that it attained to in the great Albert Durer. The German name of Durer or Thurer, a door, is quite as likely to be the translation, correct or otherwise, of some Hungarian name, as it is an indication that the family had originally emigrated from Germany. In any case, a large admixture by intermarriage of Slavonic blood would correspond to the unique distinction among Germans, attained in the dignity, sweetness and fineness which signalised Durer. Of course, in such matters no sane man looks for proof; but neither will he reject a probable suggestion which may help us to understand the nature of an exceptional man.