Madame Chrysantheme Part 14

The whole wainscoting of the interior is of the same wood, of a pale yellow color joinered with extreme nicety, without the least ornament, the least carving; everything seems new and unused, as though it had never been touched by human hand. At distant intervals in this studied bareness, costly little stools, marvelously inlaid, uphold some antique bronze monster or a vase of flowers; on the walls hang a few masterly sketches, vaguely tinted in Indian ink, drawn upon strips of gray paper most accurately cut but without the slightest attempt at a frame; this is all: not a seat, not a cus.h.i.+on, not a sc.r.a.p of furniture. It is the very acme of studied simplicity, of elegance made out of nothing, of the most immaculate and incredible cleanliness. And while following the bonzes through this long suite of empty halls, we are struck by their contrast with the overflow of knick-knacks scattered about our rooms in France, and we take a sudden dislike to the profusion and crowding delighted in at home.

The spot where this silent march of barefooted folk comes to an end, the spot where we are to seat ourselves in the delightful coolness of a semi-darkness, is an interior verandah opening upon an artificial site; we might suppose it were the bottom of a well; it is a miniature garden no bigger than the opening of an _oubliette_, overhung on all sides by the crus.h.i.+ng height of the mountain and receiving from on high but the dim light of dream-land. Nevertheless here is simulated a great natural ravine in all its wild grandeur: here are caverns, abrupt rocks, a torrent, a cascade, islands. The trees, dwarfed by a j.a.panese process of which we have not the secret, have tiny little leaves on their decrepit and knotty branches. A pervading hue of the mossy green of antiquity harmonizes all this medley, which is undoubtedly centuries old.

Families of gold-fish swim round and round in the clear water, and tiny tortoises (_jumpers_ probably) sleep upon the granite islands which are of the same color as their own gray sh.e.l.l.

There are even blue dragon-flies which have ventured to descend, heaven knows from whence, and alight with quivering wings upon the miniature water-lilies.

Our friends the bonzes, notwithstanding an unctuousness of manner thoroughly ecclesiastical, are very ready to laugh,--a simple, pleased, childish laughter; plump, chubby, shaven and shorn, they dearly love our French liqueurs and know how to take a joke.

We talk first of one thing and then another. To the tranquil music of their little cascade, I launch out before them with phrases of the most erudite j.a.panese, I try the effect of a few tenses of verbs: _desideratives, concessives, hypothetics in ba_. Whilst they chat they dispatch the affairs of the church, the order of services sealed with complicated seals for inferior paG.o.das situated in the neighborhood; or trace little prayers with a cunning paint-brush as medical remedies to be swallowed as pills by invalids at a distance. With their white and dimpled hands they play with a fan as cleverly as any woman, and when we have tasted different native drinks flavored with essences of flowers, they bring up as a finish a battle of _Benedictine_ or _Chartreuse_, for they appreciate the liqueurs composed by their Western colleagues.

When they come on board to return our visits, they by no means disdain to fasten their great round spectacles on their flat noses in order to inspect the profane drawings in our ill.u.s.trated papers, the _Vie Parisienne_ for instance. And it is even with a certain complacency that they let their fingers linger upon the pictures which represent the ladies.

The religious ceremonies in their great temple are magnificent, and to one of these we are now invited. At the sound of the gong they make their entrance before the idols with a stately ritual; twenty or thirty priests officiate in gala costumes, with genuflections, clapping of hands and movements to and fro, which look like the figures of some mystic quadrille.

But for all that, let the sanctuary be ever so immense and imposing in its somber gloom, the idols ever so superb, all seems in j.a.pan but a mere semblance of grandeur. A hopeless pettiness, an irresistible feeling of the ludicrous, lies at the bottom of all things.

And then the congregation is not conducive to thoughtful contemplation, for among it we generally discover some acquaintance: my mother-in-law, or a cousin, or the woman from the china-shop who sold us a vase only yesterday. Charming little mousmes, monkeyish-looking old ladies enter with their smoking-boxes, their gayly-daubed parasols, their curtsies, their little cries and exclamations; prattling, complimenting each other, full of restless movement, and having the greatest difficulty in maintaining a serious demeanor.

XLI.

_September 3rd_.

Chrysantheme, for the first time, paid me a visit on board s.h.i.+p to-day, chaperoned by Madame Prune, and followed by my youngest sister-in-law, Mdlle. La Neige. These ladies had the tranquil manners of the highest gentility.

In my cabin is a great Buddha on his throne, and before him a lacquer tray, on which my faithful sailor servant places any small change he may find lying loose in the pockets of my clothes. Madame Prune, whose mind is much swayed by mysticism, at once supposed herself before a regular altar; in the gravest manner possible she addressed a brief prayer to the G.o.d; then, drawing out her purse (which, according to custom, was attached to her sash behind her back, along with her little pipe and tobacco-pouch), placed a pious offering in the tray, while executing a low curtsey.

They remained on their best behavior all through the visit. But when the moment of departure came, Chrysantheme, who would not go away without seeing Yves, asked for him with a thinly-veiled persistency which was remarkable. Yves, for whom I then sent, made himself particularly charming to her, so much so, that this time I felt a shade of more serious annoyance; I even asked myself whether the laughably pitiable ending, which I had hitherto vaguely foreseen, might not, after all, soon break upon us.

XLII.

_September 4th_.

I met yesterday, in an old and ruined quarter of the town, a perfectly exquisite mousme, charmingly dressed; a fresh note of color against the dark background of decayed buildings.

It was quite at the farthest end of Nagasaki, in the most ancient part of the town. In this region are trees centuries old, ancient temples of Buddha, of Amiddah, of Benten, or Kwanon, with steep and pompous roofs; monsters carved in granite sit there in courtyards silent as the grave, where the gra.s.s grows between the paving-stones. This deserted quarter is traversed by a narrow torrent running in a deep channel, across which are thrown little curved bridges with granite bal.u.s.trades eaten away by lichen. All the objects there wear the strange grimace, the quaint arrangement familiar to us in the most antique j.a.panese drawings.

I walked through it all at the burning hour of midday, and saw not a soul, unless indeed, through the open windows of the bonze-houses, I caught sight of some priests, guardians of tombs or sanctuaries, taking their siesta under their dark-blue gauze nets.

All at once this little mousme appeared, a little above me, just at the point of the arch of one of these bridges carpeted with gray moss; she was in full light, in full suns.h.i.+ne, and stood out in brilliant clearness, like a fairy vision, against the background of old black temples and deep shadows. She was holding her dress together with one hand, gathering it close round her ankles to give herself an air of greater slimness. Over her quaint little head, her round umbrella with its thousand ribs threw a great halo of blue and red, edged with black, and an oleander full of flowers growing among the stones of the bridge spread its glory beside her, bathed, like herself, in the suns.h.i.+ne. Behind this youthful figure and this flowering shrub all was blackness. Upon the pretty red and blue parasol great white letters formed this inscription, much used among the mousmes, and which I have learned to recognize: _Stop! clouds, to see her pa.s.s by_. And it was really worth the trouble to stop and look at this exquisite little person, of a type so ideally j.a.panese.

However, it will not do to stop too long and be ensnared,--it would only be another take-in. A doll like the rest, evidently, an ornament for a china shelf, and nothing more. While I gaze at her, I say to myself that Chrysantheme, appearing in this same place, with this dress, this play of light, and this aureole of suns.h.i.+ne, would produce just as delightful an effect.

For Chrysantheme is pretty, there can be no doubt about it. Yesterday evening, in fact, I positively admired her. It was quite night; we were returning with the usual escort of little married couples like our own, from the inevitable tour of the tea-houses and bazaars. While the other mousmes walked along hand in hand, adorned with new silver top-knots which they had succeeded in having presented to them, and amusing themselves with playthings, she, pleading fatigue, followed, half reclining, in a djin carriage. We had placed beside her great bunches of flowers destined to fill our vases, late iris and long-stemmed lotus, the last of the season, already smelling of autumn. And it was really very pretty to see this j.a.panese girl in her little car, lying carelessly among all these water-flowers, lighted by gleams of ever-changing colors, as they chanced from the lanterns we met or pa.s.sed. If, on the evening of my arrival in j.a.pan, any one had pointed her out to me, and said: "That shall be your mousme," there cannot be a doubt I should have been charmed. In reality, however, no, I am not charmed; it is only Chrysantheme, always Chrysantheme, nothing but Chrysantheme: a mere plaything to laugh at, a little creature of finical forms and thoughts, that the agency of M.

Kangourou has supplied me with.

XLIII.

In our house, the water used for drinking, making tea, and lesser was.h.i.+ng purposes, is kept in large white china tubs, decorated with paintings representing blue fish borne along by a swift current through distorted rushes. In order to keep them cool, the tubs are placed out of doors on Madame Prune's roof, at a place where we can, from the top of our projecting balcony, easily reach them by stretching out the arm. A real G.o.dsend for all the thirsty cats in the neighborhood on the fine summer nights is this corner of the roof with our bedaubed tubs, and it proves a delightful trysting-place for them, after all their caterwauling and long solitary rambles on the top of the walls.

I had thought it my duty to warn Yves the first time he wished to drink this water.

"Oh!" he replied, rather surprised, "cats do you say? they are not dirty!"

On this point Chrysantheme and I agree with him: we do not consider cats as unclean animals, and we do not object to drink after them.

Yves considers Chrysantheme much in the same light. "She is not dirty, either," he says; and he willingly drinks after her, out of the same cup, putting her in the same category with the cats.

Well, these china tubs are one of the daily preoccupations of our household: in the evening, when we return from our walk, after the clamber up which makes us thirsty, and Madame L'Heure's waffles, which we have been eating to beguile the way, we always find them empty. It seems impossible for Madame Prune, or Mdlle. Oyouki, or their young servant Mdlle. Dede,[J] to have forethought enough to fill them while it is still daylight. And when we are late in returning home, these three ladies are asleep, so we are obliged to attend to the business ourselves.

[Footnote J: _Dede-San_ means "Miss Young Girl," a very common name.]

We must therefore open all the closed doors, put on our boots, and go down into the garden to draw water.

As Chrysantheme would die of fright all alone in the dark, in the midst of the trees and buzzing of the insects, I am obliged to accompany her to the well. For this expedition we require a light, and must seek among the quant.i.ty of lanterns purchased at Madame Tres-Propre's booth, which have been thrown night after night into the bottom of one of our little paper closets; but alas, all the candles are burnt down; I thought as much! Well, we must resolutely take the first lantern to hand, and stick a fresh candle on the iron point at the bottom; Chrysantheme puts forth all her strength, the candle splits, breaks; the mousme p.r.i.c.ks her fingers, pouts and whimpers.

Such is the inevitable scene that takes place every evening, and delays our retiring to rest under the dark blue gauze net for a good quarter of an hour; while the cicalas on the roof seem to mock us with their ceaseless song.

All this, which I should find amusing in any one else,--any one I loved--provokes me in her.

XLIV.

_September 11th_.

A week has pa.s.sed by peacefully enough, during which I have written down nothing.

Little by little I am becoming accustomed to my j.a.panese household, to the strangeness of the language, costumes, and faces. For the last three weeks, no letters have arrived from Europe; they have no doubt miscarried, and their absence contributes, as is usually the case, to throw a veil of oblivion over the past.

Every day, therefore, I faithfully climb up to my villa, sometimes by beautiful star-lit nights, sometimes through stormy downpours of rain.

Every morning as the sound of Madame Prune's chanted prayer rises through the reverberating air, I awake and go down towards the sea, by the gra.s.sy pathways full of dew.

The chief occupation of this j.a.panese country, seems to be a perpetual hunt after curios. We sit down on the mattings, in the antique-sellers' little booths, take a cup of tea with the salesmen, and rummage with our own hands in the cupboards and chests, where many a fantastic piece of old rubbish is huddled away. The bargaining, much discussed, is laughingly carried on for several days, as though we were trying to play off some excellent little practical joke upon each other.