Craphound Part 2

"'Fraid not," I said, and the cas.h.i.+er picked it up and started wrapping it in newspaper.

"Ah," he said, and he looked like a little kid who'd just been told that he couldn't have a puppy. "I don't suppose you'd want to sell it, would you?"

I held up a hand and waited while the cas.h.i.+er bagged it with the rest of my stuff, a few old clothbound novels I thought I could sell at a used book-store, and a Grease belt-buckle with Olivia Newton John on it. I led him out the door by the elbow of his expensive suit.

"How much?" I had paid a dollar.

"Ten bucks?"

I nearly said, "Sold!" but I caught myself. "Twenty."

"Twenty dollars?"

"That's what they'd charge at a boutique on Queen Street."

He took out a slim leather wallet and produced a twenty. I handed him the uke.

His face lit up like a lightbulb.

It's not that my adulthood is particularly unhappy. Likewise, it's not that my childhood was particularly happy.

There are memories I have, though, that are like a cool drink of water. My grandfather's place near Milton, an old Victorian farmhouse, where the cat drank out of a milk-gla.s.s bowl; and where we sat around a rough pine table as big as my whole apartment; and where my playroom was the draughty barn with hay-filled lofts bulging with farm junk and Tarzan-ropes.

There was Grampa's friend Fyodor, and we spent every evening at his wrecking-yard, he and Grampa talking and smoking while I scampered in the twilight, scaling mountains of auto-junk. The glove-boxes yielded treasures: crumpled photos of college boys mugging in front of signs, roadmaps of far-away places. I found a guidebook from the 1964 New York World's Fair once, and a lipstick like a chrome bullet, and a pair of white leather ladies' gloves.

Fyodor dealt in sc.r.a.p, too, and once, he had half of a carny carousel, a few horses and part of the canopy, paint flaking and sharp torn edges protruding; next to it, a Korean-war tank minus its turret and treads, and inside the tank were peeling old pinup girls and a rotation schedule and a crude Kilroy. The control-room in the middle of the carousel had a stack of paperback sci-fi novels, Ace Doubles that had two books bound back-to-back, and when you finished the first, you turned it over and read the other. Fyodor let me keep them, and there was a p.a.w.n-ticket in one from Macon, Georgia, for a transistor radio.

My parents started leaving me alone when I was fourteen and I couldn't keep from sneaking into their room and snooping. Mom's jewelry box had books of matches from their honeymoon in Acapulco, printed with bad palm-trees. My Dad kept an old photo in his sock drawer, of himself on muscle-beach, s.h.i.+rtless, flexing his biceps.

My grandmother saved every sc.r.a.p of my mother's life in her bas.e.m.e.nt, in dusty Army trunks. I entertained myself by pulling it out and taking it in: her Mouse Ears from the big family train-trip to Disneyland in '57, and her records, and the glittery pasteboard sign from her sweet sixteen. There were well-chewed stuffed animals, and school exercise books in which she'd practiced variations on her signature for page after page.

It all told a story. The penciled Kilroy in the tank made me see one of those Canadian soldiers in Korea, unshaven and crew-cut like an extra on M*A*S*H, sitting for bored hour after hour, staring at the pinup girls, fiddling with a crossword, finally laying it down and sketching his Kilroy quickly, before anyone saw.

The photo of my Dad posing sent me whirling through time to Toronto's Muscle Beach in the east end, and hearing the tinny AM radios playing weird psychedelic rock while teenagers lounged on their Mustangs and the girls sunbathed in bikinis that made their t.i.ts into torpedoes.

It all made poems. The old pulp novels and the p.a.w.n ticket, when I spread them out in front of the TV, and arranged them just so, they made up a poem that took my breath away.

After the cowboy trunk episode, I didn't run into c.r.a.phound again until the annual Rotary Club charity rummage sale at the Upper Canada Brewing Company. He was wearing the cowboy hat, sixguns and the silver star from the cowboy trunk.

It should have looked ridiculous, but the net effect was naive and somehow charming, like he was a little boy whose hair you wanted to muss.

I found a box of nice old melamine dishes, in various shades of green -- four square plates, bowls, salad-plates, and a serving tray. I threw them in the duffel-bag I'd brought and kept browsing, ignoring c.r.a.phound as he charmed a salty old Rotarian while fondling a box of leather-bound books.

I browsed a stack of old Ministry of Labour licenses -- barber, chiropodist, bartender, watchmaker. They all had pretty seals and were framed in stark green inst.i.tutional metal. They all had different names, but all from one family, and I made up a little story to entertain myself, about the proud mother saving her sons' accreditations and framing hanging them in the spare room with their diplomas. "Oh, George Junior's just opened his own barbershop, and little Jimmy's still fixing watches. . ."

I bought them.

In a box of c.r.a.ppy plastic Little Ponies and Barbies and Care Bears, I found a leather Indian headdress, a wooden bow-and-arrow set, and a fringed buckskin vest. c.r.a.phound was still b.u.t.tering up the leather books' owner. I bought them quick, for five bucks.

"Those are beautiful," a voice said at my elbow. I turned around and smiled at the snappy dresser who'd bought the uke at the Secret Boutique. He'd gone casual for the weekend, in an expensive, L.L. Bean b.u.t.ton-down way.

"Aren't they, though."

"You sell them on Queen Street? Your finds, I mean?"

"Sometimes. Sometimes at auction. How's the uke?"

"Oh, I got it all tuned up," he said, and smiled the same smile he'd given me when he'd taken hold of it at Goodwill. "I can play 'Don't Fence Me In' on it."

He looked at his feet. "Silly, huh?"

"Not at all. You're into cowboy things, huh?" As I said it, I was overcome with the knowledge that this was "Billy the Kid," the original owner of the cowboy trunk. I don't know why I felt that way, but I did, with utter certainty.

"Just trying to re-live a piece of my childhood, I guess. I'm Scott," he said, extending his hand.

_Scott?_ I thought wildly. _Maybe it's his middle name?_ "I'm Jerry."

The Upper Canada Brewery sale has many things going for it, including a beer garden where you can sample their wares and get a good BBQ burger. We gently gravitated to it, looking over the tables as we went.

"You're a pro, right?" he asked after we had plastic cups of beer.

"You could say that."

"I'm an amateur. A rank amateur. Any words of wisdom?"

I laughed and drank some beer, lit a cigarette. "There's no secret to it, I think. Just diligence: you've got to go out every chance you get, or you'll miss the big score."

He chuckled. "I hear that. Sometimes, I'll be sitting in my office, and I'll just _know_ that they're putting out a piece of pure gold at the Goodwill and that someone else will get to it before my lunch. I get so wound up, I'm no good until I go down there and hunt for it. I guess I'm hooked, eh?"

"Cheaper than some other kinds of addictions."

"I guess so. About that Indian stuff -- what do you figure you'd get for it at a Queen Street boutique?"

I looked him in the eye. He may have been something high-powered and cool and collected in his natural environment, but just then, he was as eager and nervous as a kitchen-table poker-player at a high-stakes game.

"Maybe fifty bucks," I said.

"Fifty, huh?" he asked.

"About that," I said.

"Once it sold," he said.

"There is that," I said.

"Might take a month, might take a year," he said.