The Chinese Nightingale and Other Poems - LightNovelsOnl.com
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'The Century Magazine': "America's Golden Age in Poetry", March, 1916.
'Harper's Monthly Magazine': "The Easy Chair", William Dean Howells, September, 1915.
'The Craftsman': "Has America a National Poetry?" Amy Lowell, July, 1916.
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Biographical Note:
Nicholas Vachel Lindsay (1879-1931): (Vachel is p.r.o.nounced Vay-chul, that is, it rhymes with 'Rachel').
"The Eagle that is Forgotten" and "The Congo" are two of his best-known poems, and appear in his first two volumes of verse, "General William Booth Enters into Heaven" (1913) and "The Congo" (1914).
As a sidenote, he became close friends with the poet Sara Teasdale and his third volume of verse, "The Chinese Nightingale" (1917), is dedicated to her. In turn, she wrote a memorial verse for him after he committed suicide in 1931.
From an anthology of verse by Jessie B. Rittenhouse (1913, 1917):
"Lindsay, Vachel. Born November 10, 1879. Educated at Hiram College, Ohio. He took up the study of art and studied at the Art Inst.i.tute, Chicago, 1900-03 and at the New York School of Art, 1904-05. For a time after his technical study, he lectured upon art in its practical relation to the community, and returning to his home in Springfield, Illinois, issued what one might term his manifesto in the shape of "The Village Magazine", divided about equally between prose articles, pertaining to beautifying his native city, and poems, ill.u.s.trated by his own drawings.
Soon after this, Mr. Lindsay, taking as scrip for the journey, "Rhymes to be Traded for Bread", made a pilgrimage on foot through several Western States going as far afield as New Mexico. The story of this journey is given in his volume, "Adventures while Preaching the Gospel of Beauty". Mr. Lindsay first attracted attention in poetry by "General William Booth Enters into Heaven", a poem which became the t.i.tle of his first volume, in 1913. His second volume was "The Congo", published in 1914. He is attempting to restore to poetry its early appeal as a spoken art, and his later work differs greatly from the selections contained in this anthology."
