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"When I say too late, I mean that if you had said as much to me after the death of Prince Sabaroff I should have accepted your hand, and I should have spent the whole remainder of my existence in repenting that I had done so; for I should soon have fathomed the shallowness of your character, the artificiality and poverty of your sentiments, the falseness of your mind, and I should speedily have hated both myself and you."
"You are not merciful, madame!"
He is bitterly humbled and pa.s.sionately incensed.
"Were you merciful?" she asks him, with the sound of a great anger, carefully controlled, vibrating in her voice. "I was a child, taken out of a country convent, and married as ignorantly as a bird is trapped. I had rank, and I was burdened by it. I was in a great world, a great court, and I was terrified by them. The man I had been given to was a gambler, a drunkard, and a brute. He treated me in private as he had treated the women captured in Turkestan or sold as slaves in Persia. You knew that: you were his intimate a.s.sociate. You used your opportunities to interest me and win your way into my confidence. I had no one in the whole world that I could trust. I did trust you."
She pauses a moment.
Gervase does not dare reply.
"You were so gentle, so considerate, so full of sympathy; I thought you a very angel. A girl of sixteen or seventeen sees the face of St. John in the first Faust who finds his way into her shut soul! You made me care for you; I do not deny it. But why did I care? Because I saw in you the image of a thousand things you were not. Because I imagined that my own fanciful ideal existed in you, and you had the ability to foster the illusion."
"But why recall all this?" he says, entreatingly. "Perhaps I was unworthy of your innocent attachment, of your exalted imaginations; I dare not say that I was not; but now that I meet you again, now that I care for you ten thousand--ten million times more----"
"What is that to me?" she says, with almost insolent coldness. "It was not I who loved you, but a child who knew no better, and whose heart was so bleeding from the tortures of another man that the first hand which soothed it could take it as one takes a wounded bird! But when my eyes opened to your drift and your desires, when I saw that you were no better than other men, that you tried to tempt me to the lowest forms of intrigue under cover of your friends.h.i.+p with my husband, then, child though I was, I saw you as you were, and I hid myself from you! You thought that Sabaroff exiled me from his jealousy of you to the northern estates; but it was not so. I entreated him to let me leave Petersburg, and he had grown tired of torturing me and let me go."
"You blame me for being merely human. I loved you not better but not worse than men do love."
"I blame you for having been insincere, treacherous, dishonest. You approached me under cover of the most delicate and forbearing sympathy and reverence, and you only wore those masks to cover the vulgar designs of a most commonplace Lothario. Of course, now I know that one must not play with fire unless one is willing to be burned. I did not know it then. I was a stupid, unhappy, trembling child, full of poetic fancies, and alone in a dissolute crowd. When you could not make me what you wished to make me, I seemed very tame and useless to you. You turned to more facile women, no doubt, and you left Russia."
"I left Russia under orders; and I wrote to you. I wrote to you repeatedly. You never answered."
"No; I had no wish to answer you. I had seen you as you were, and the veil had fallen from my eyes. I burnt your letters as they came to me.
But after the death of Prince Sabaroff you were careful to write no more."
Gervase colors hotly; there is an accent in the words which makes them strike him like whips.
"If you had written to me after that," she continues, "perhaps I should have answered you; perhaps not: I cannot tell. When you knew that I was set free you were silent; you stayed away, I know not where. I never saw you again; I never heard from you again. Now I thank you for your neglect and oblivion, but at the time I confess that it made me suffer.
I was very young still, and romantic. For a while I expected every month which melted the snow would bring you back. So much I admit, though it will flatter you."
It does not flatter him as she says it; rather it wounds him. He has a hateful sense of his own impotency to stir her one hand's breadth, to breathe one spark of warmth into those ashes gone cold forever.
"I do not think," she continues, "that I ever loved you in the sense that women can love; but you had the power to make me suffer, to feel your oblivion, to remember you when you had forgotten me. When I went into the world again I heard of your successes with others, and gradually I came to see you in your true light, and, almost, the drunken brutality of Prince Sabaroff seemed to me a manlier thing than your half-hearted and shallow erotics had been. Now, when we meet again by pure hazard in the same country house, you do me the honor to offer me your hand after eight years. I can only say, as I have said before, that it is seven years too late!"
"Too late, only because Lord Brandolin now is everything to you."
"Lord Brandolin may possibly be something to me in the future. But, if Lord Brandolin did not exist, if no other living man existed, be sure that it would make no difference to me--or to you."
"Is that your last word?"
"Yes."
Pale and agitated as no other woman had ever seen him, Gervase bows low and leaves her abruptly, pus.h.i.+ng open one of the gla.s.s doors on to the garden and closing it with a clash behind him.
Xenia Sabaroff goes towards the large library, her silvery train catching the lights and shadows as she goes.
Brandolin meets her with his hands outstretched.
"You are content, then?" she asks.
"I am more than content,--if I may be allowed to atone to you for all that you have suffered."
His own eyes are dim as he speaks.
"But you know that the world will always say that he was my lover?"
"I do not think that the world will say it--of my wife; but, if it do, I, at least, shall not be troubled."
"You have a great nature," she says, with deep emotion.
Brandolin smiles. "Oh, I cannot claim so much as that; but I have a great love."
"I'm awfully glad that prig's got spun," says George Usk, as Gervase receives a telegram from the Foreign Office which requires his departure from Surrenden at four o'clock that afternoon.
"Spun! What imagination!" says his wife, very angrily. "Who should have spun him, pray will you tell me?"
"We shall never hear it in so many words," says Usk, with a grim complacency, "but I'll swear, if I die for it, that he's asked your Russian friend to marry him and that she's said she won't. Very wise of her, too. Especially if, as you imply, they carried on together years ago: he'd be eternally throwing it in her teeth: he's what the Yanks call a 'tarnation mean cuss.'"
"I never implied anything of the sort," answers the lady of Surrenden, with great decorum and dignity. "I never suppose that all my friends are all they ought to be, whatever _yours_ may leave to be desired. If he were attached long ago to Madame Sabaroff, it is neither your affair nor mine. It may possibly concern Lord Brandolin, if he have the intentions which you attribute to him."
"Brandolin can take care of himself," says Usk, carelessly. "He knows the time of day as well as anybody, and I don't know why you should be rough on it, my lady: it will be positively refres.h.i.+ng if anybody marries after one of your house-parties; they generally only get divorced after them."
"The Waverleys are very good friends still, I believe," says Dorothy Usk, coldly.
The reply seems irrelevant, but to the ear of George Usk it carries considerable relevancy.
He laughs a little nervously. "Oh, yes: so are we, aren't we?"
"Certainly," says the mistress of Surrenden.
At the first Drawing-room this year, the admired of all eyes, and the centre of all comment, is the Lady Brandolin.
DON GESUALDO.
CHAPTER I.