The Old Wives' Tale Part 57

"Brute!" murmured Chirac, and shrugged his shoulders, as the carriage drove off, leaving them foolish on the kerb.

By this time all the other cabs had been seized. They walked to the Hotel de l'Epee, jostled by the crowd, Sophia and Chirac in front, and Gerald following with the valise, whose weight caused him to lean over to the right and his left arm to rise. The avenue was long, straight, and misty with a floating dust. Sophia had a vivid sense of the romantic. They saw towers and spires, and Chirac talked to her slowly and carefully of the cathedral and the famous churches. He said that the stained gla.s.s was marvellous, and with much care he catalogued for her all the things she must visit. They crossed a river. She felt as though she was stepping into the middle age. At intervals Gerald changed the valise from hand to hand; obstinately, he would not let Chirac touch it. They struggled upwards, through narrow curving streets.

"Voila!" said Chirac.

They were in front of the Hotel de l'Epee. Across the street was a cafe crammed with people. Several carriages stood in front. The Hotel de l'Epee had a rea.s.suring air of mellow respectability, such as Chirac had claimed for it. He had suggested this hotel for Madame Scales because it was not near the place of execution. Gerald had said, "Of course! Of course!" Chirac, who did not mean to go to bed, required no room for himself.

The Hotel de l'Epee had one room to offer, at the price of twenty-five francs.

Gerald revolted at the attempted imposition. "A nice thing!" he grumbled, "that ordinary travellers can't get a decent room at a decent price just because some one's going to be guillotined to-morrow! We'll try elsewhere!"

His features expressed disgust, but Sophia fancied that he was secretly pleased.

They swaggered out of the busy stir of the hotel, as those must who, having declined to be swindled, wish to preserve their importance in the face of the world. In the street a cabman solicited them, and filled them with hope by saying that he knew of a hotel that might suit them and would drive them there for five francs. He furiously lashed his horse. The mere fact of being in a swiftly moving carriage which wayfarers had to avoid nimbly, maintained their spirits. They had a near glimpse of the cathedral. The cab halted with a b.u.mp, in a small square, in front of a repellent building which bore the sign, 'Hotel de Vezelay.' The horse was bleeding. Gerald instructed Sophia to remain where she was, and he and Chirac went up four stone steps into the hotel. Sophia, stared at by loose crowds that were promenading, gazed about her, and saw that all the windows of the square were open and most of them occupied by people who laughed and chattered. Then there was a shout: Gerald's voice. He had appeared at a window on the second floor of the hotel with Chirac and a very fat woman. Chirac saluted, and Gerald laughed carelessly, and nodded.

"It's all right," said Gerald, having descended.

"How much do they ask?" Sophia inquired indiscreetly.

Gerald hesitated, and looked self-conscious. "Thirty-five francs," he said. "But I've had enough of driving about. It seems we're lucky to get it even at that."

And Chirac shrugged his shoulders as if to indicate that the situation and the price ought to be accepted philosophically. Gerald gave the driver five francs. He examined the piece and demanded a pourboire.

"Oh! d.a.m.n!" said Gerald, and, because he had no smaller change, parted with another two francs.

"Is any one coming out for this d.a.m.ned valise?" Gerald demanded, like a tyrant whose wrath would presently fall if the populace did not instantly set about minding their p's and q's.

But n.o.body emerged, and he was compelled to carry the bag himself.

The hotel was dark and malodorous, and every room seemed to be crowded with giggling groups of drinkers.

"We can't both sleep in this bed, surely," said Sophia when, Chirac having remained downstairs, she faced Gerald in a small, mean bedroom.

"You don't suppose I shall go to bed, do you?" said Gerald, rather brusquely. "It's for you. We're going to eat now. Look sharp."

III

It was night. She lay in the narrow, crimson-draped bed. The heavy crimson curtains had been drawn across the dirty lace curtains of the window, but the lights of the little square faintly penetrated through c.h.i.n.ks into the room. The sounds of the square also penetrated, extraordinarily loud and clear, for the unabated heat had compelled her to leave the window open. She could not sleep. Exhausted though she was, there was no hope of her being able to sleep.

Once again she was profoundly depressed. She remembered the dinner with horror. The long, crowded table, with semi-circular ends, in the oppressive and reeking dining-room lighted by oil-lamps! There must have been at least forty people at that table. Most of them ate disgustingly, as noisily as pigs, with the ends of the large coa.r.s.e napkins tucked in at their necks. All the service was done by the fat woman whom she had seen at the window with Gerald, and a young girl whose demeanour was candidly brazen. Both these creatures were slatterns. Everything was dirty. But the food was good. Chirac and Gerald were agreed that the food was good, as well as the wine.

"Remarquable!" Chirac had said, of the wine. Sophia, however, could neither eat nor drink with relish. She was afraid. The company shocked her by its gestures alone. It was very heterogeneous in appearance, some of the diners being well dressed, approaching elegance, and others shabby. But all the faces, to the youngest, were brutalized, corrupt, and shameless. The juxtaposition of old men and young women was odious to her, especially when those pairs kissed, as they did frequently towards the end of the meal. Happily she was placed between Chirac and Gerald. That situation seemed to shelter her even from the conversation. She would have comprehended nothing of the conversation, had it not been for the presence of a middle-aged Englishman who sat at the opposite end of the table with a youngish, stylish Frenchwoman whom she had seen at Sylvain's on the previous night. The Englishman was evidently under a promise to teach English to the Frenchwoman. He kept translating for her into English, slowly and distinctly, and she would repeat the phrases after him, with strange contortions of the mouth.

Thus Sophia gathered that the talk was exclusively about a.s.sa.s.sinations, executions, criminals, and executioners. Some of the people there made a practice of attending every execution. They were fountains of interesting gossip, and the lions of the meal. There was a woman who could recall the dying words of all the victims of justice for twenty years past. The table roared with hysteric laughter at one of this woman's anecdotes. Sophia learned that she had related how a criminal had said to the priest who was good-naturedly trying to screen the sight of the guillotine from him with his body: "Stand away now, parson. Haven't I paid to see it?" Such was the Englishman's rendering.

The wages of the executioners and their a.s.sistants were discussed, and differences of opinions led to ferocious arguments. A young and dandiacal fellow told, as a fact which he was ready to vouch for with a pistol, how Cora Pearl, the renowned English courtesan, had through her influence over a prefect of police succeeded in visiting a criminal alone in his cell during the night preceding his execution, and had only quitted him an hour before the final summons. The tale won the honours of the dinner. It was regarded as truly impressive, and inevitably it led to the general inquiry: what could the highest personages in the empire see to admire in that red-haired Englishwoman?

And of course Rivain himself, the handsome homicide, the centre and hero of the fete, was never long out of the conversation. Several of the diners had seen him; one or two knew him and could give amazing details of his prowess as a man of pleasure. Despite his crime, he seemed to be the object of sincere idolatry. It was said positively that a niece of his victim had been promised a front place at the execution.

Apropos of this, Sophia gathered, to her intense astonishment and alarm, that the prison was close by and that the execution would take place at the corner of the square itself in which the hotel was situated. Gerald must have known; he had hidden it from her. She regarded him sideways, with distrust. As the dinner finished, Gerald's pose of a calm, disinterested, scientific observer of humanity gradually broke down. He could not maintain it in front of the increasing license of the scene round the table. He was at length somewhat ashamed of having exposed his wife to the view of such an orgy; his restless glance carefully avoided both Sophia and Chirac. The latter, whose unaffected simplicity of interest in the affair had more than anything helped to keep Sophia in countenance, observed the change in Gerald and Sophia's excessive discomfort, and suggested that they should leave the table without waiting for the coffee. Gerald agreed quickly. Thus had Sophia been released from the horror of the dinner.

She did not understand how a man so thoughtful and kindly as Chirac--he had bidden her good night with the most distinguished courtesy--could tolerate, much less pleasurably savour, the gluttonous, drunken, and salacious debauchery of the Hotel de Vezelay; but his theory was, so far as she could judge from his imperfect English, that whatever existed might be admitted and examined by serious persons interested in the study of human nature. His face seemed to say: "Why not?" His face seemed to say to Gerald and to herself: "If this incommodes you, what did you come for?"

Gerald had left her at the bedroom door with a self-conscious nod. She had partly undressed and lain down, and instantly the hotel had transformed itself into a kind of sounding-box. It was as if, beneath and within all the noises of the square, every movement in the hotel reached her ears through cardboard walls: distant shoutings and laughter below; rattlings of crockery below; stampings up and down stairs; stealthy creepings up and down stairs; brusque calls; fragments of song, whisperings; long sighs suddenly stifled; mysterious groans as of torture, broken by a giggle; quarrels and bickering,--she was spared nothing in the strangely resonant darkness.

Then there came out of the little square a great uproar and commotion, with shrieks, and under the shrieks a confused din. In vain she pressed her face into the pillow and listened to the irregular, prodigious noise of her eyelashes as they sc.r.a.ped the rough linen. The thought had somehow introduced itself into her head that she must arise and go to the window and see all that was to be seen. She resisted. She said to herself that the idea was absurd, that she did not wish to go to the window. Nevertheless, while arguing with herself, she well knew that resistance to the thought was useless and that ultimately her legs would obey its command.

When ultimately she yielded to the fascination and went to the window and pulled aside one of the curtains, she had a feeling of relief. The cool, grey beginnings of dawn were in the sky, and every detail of the square was visible. Without exception all the windows were wide open and filled with sightseers. In the background of many windows were burning candles or lamps that the far distant approach of the sun was already killing. In front of these, on the frontier of two mingling lights, the attentive figures of the watchers were curiously silhouetted. On the red-tiled roofs, too, was a squatted population.

Below, a troop of gendarmes, mounted on caracoling horses stretched in line across the square, was gradually sweeping the entire square of a packed, gesticulating, cursing crowd. The operation of this immense besom was very slow. As the s.p.a.ces of the square were cleared they began to be dotted by privileged persons, journalists or law officers or their friends, who walked to and fro in conscious pride; among them Sophia descried Gerald and Chirac, strolling arm-in-arm and talking to two elaborately clad girls, who were also arm-in-arm.

Then she saw a red reflection coming from one of the side streets of which she had a vista; it was the swinging lantern of a waggon drawn by a gaunt grey horse. The vehicle stopped at the end of the square from which the besom had started, and it was immediately surrounded by the privileged, who, however, were soon persuaded to stand away. The crowd ama.s.sed now at the princ.i.p.al inlets of the square, gave a formidable cry and burst into the refrain--

"Le voila! Nicolas! Ah! Ah! Ah!"

The clamour became furious as a group of workmen in blue blouses drew piece by piece all the components of the guillotine from the waggon and laid them carefully on the ground, under the superintendence of a man in a black frock-coat and a silk hat with broad flat brims; a little fussy man of nervous gestures. And presently the red columns had risen upright from the ground and were joined at the top by an acrobatic climber. As each part was bolted and screwed to the growing machine the man in the high hat carefully tested it. In a short time that seemed very long, the guillotine was finished save for the triangular steel blade which lay s.h.i.+ning on the ground, a cynosure. The executioner pointed to it, and two men picked it up and slipped it into its groove, and hoisted it to the summit of the machine. The executioner peered at it interminably amid a universal silence. Then he actuated the mechanism, and the ma.s.s of metal fell with a m.u.f.fled, reverberating thud. There were a few faint shrieks, blended together, and then an overpowering racket of cheers, shouts, hootings, and fragments of song.

The blade was again lifted, instantly reproducing silence, and again it fell, liberating a new bedlam. The executioner made a movement of satisfaction. Many women at the windows clapped enthusiastically, and the gendarmes had to fight brutally against the fierce pressure of the crowd. The workmen doffed their blouses and put on coats, and Sophia was disturbed to see them coming in single file towards the hotel, followed by the executioner in the silk hat.

IV

There was a tremendous opening of doors in the Hotel de Vezelay, and much whispering on thresholds, as the executioner and his band entered solemnly. Sophia heard them tramp upstairs; they seemed to hesitate, and then apparently went into a room on the same landing as hers. A door banged. But Sophia could hear the regular sound of new voices talking, and then the rattling of gla.s.ses on a tray. The conversation which came to her from the windows of the hotel now showed a great increase of excitement. She could not see the people at these neighbouring windows without showing her own head, and this she would not do. The boom of a heavy bell striking the hour vibrated over the roofs of the square; she supposed that it might be the cathedral clock.

In a corner of the square she saw Gerald talking vivaciously alone with one of the two girls who had been together. She wondered vaguely how such a girl had been brought up, and what her parents thought--or knew!

And she was conscious of an intense pride in herself, of a measureless haughty feeling of superiority.

Her eye caught the guillotine again, and was held by it. Guarded by gendarmes, that tall and simple object did most menacingly dominate the square with its crude red columns. Tools and a large open box lay on the ground beside it. The enfeebled horse in the waggon had an air of dozing on his twisted legs. Then the first rays of the sun shot lengthwise across the square at the level of the chimneys; and Sophia noticed that nearly all the lamps and candles had been extinguished.

Many people at the windows were yawning; they laughed foolishly after they had yawned. Some were eating and drinking. Some were shouting conversations from one house to another. The mounted gendarmes were still pressing back the feverish crowds that growled at all the inlets to the square. She saw Chirac walking to and fro alone. But she could not find Gerald. He could not have left the square. Perhaps he had returned to the hotel and would come up to see if she was comfortable or if she needed anything. Guiltily she sprang back into bed. When last she had surveyed the room it had been dark; now it was bright and every detail stood clear. Yet she had the sensation of having been at the window only a few minutes.

She waited. But Gerald did not come. She could hear chiefly the steady hum of the voices of the executioner and his aids. She reflected that the room in which they were must be at the back. The other sounds in the hotel grew less noticeable. Then, after an age, she heard a door open, and a low voice say something commandingly in French, and then a 'Oui, monsieur,' and a general descent of the stairs. The executioner and his aids were leaving. "You," cried a drunken English voice from an upper floor--it was the middle-aged Englishman translating what the executioner had said--"you, you will take the head." Then a rough laugh, and the repeating voice of the Englishman's girl, still pursuing her studies in English: "You will take ze 'ead. Yess, sair." And another laugh. At length quiet reigned in the hotel. Sophia said to herself: "I won't stir from this bed till it's all over and Gerald comes back!"

She dozed, under the sheet, and was awakened by a tremendous shrieking, growling, and yelling: a phenomenon of human b.e.s.t.i.a.lity that far surpa.s.sed Sophia's narrow experiences. Shut up though she was in a room, perfectly secure, the mad fury of that crowd, balked at the inlets to the square, thrilled and intimidated her. It sounded as if they would be capable of tearing the very horses to pieces. "I must stay where I am," she murmured. And even while saying it she rose and went to the window again and peeped out. The torture involved was extreme, but she had not sufficient force within her to resist the fascination. She stared greedily into the bright square. The first thing she saw was Gerald coming out of a house opposite, followed after a few seconds by the girl with whom he had previously been talking.

Gerald glanced hastily up at the facade of the hotel, and then approached as near as he could to the red columns, in front of which were now drawn a line of gendarmes with naked swords. A second and larger waggon, with two horses, waited by the side of the other one.

The racket beyond the square continued and even grew louder. But the couple of hundred persons within the cordons, and all the inhabitants of the windows, drunk and sober, gazed in a fixed and sinister enchantment at the region of the guillotine, as Sophia gazed. "I cannot stand this!" she told herself in horror, but she could not move; she could not move even her eyes.

At intervals the crowd would burst out in a violent staccato--

"Le voila! Nicholas! Ah! Ah! Ah!"

And the final 'Ah' was devilish.

Then a gigantic pa.s.sionate roar, the culmination of the mob's fierce savagery, crashed against the skies. The line of maddened horses swerved and reared, and seemed to fall on the furious mult.i.tude while the statue-like gendarmes rocked over them. It was a last effort to break the cordon, and it failed.

From the little street at the rear of the guillotine appeared a priest, walking backwards, and holding a crucifix high in his right hand, and behind him came the handsome hero, his body all crossed with cords, between two warders, who pressed against him and supported him on either side. He was certainly very young. He lifted his chin gallantly, but his face was incredibly white. Sophia discerned that the priest was trying to hide the sight of the guillotine from the prisoner with his body, just as in the story which she had heard at dinner.

Except the voice of the priest, indistinctly rising and falling in the prayer for the dying, there was no sound in the square or its environs.

The windows were now occupied by groups turned to stone with distended eyes fixed on the little procession. Sophia had a tightening of the throat, and the hand trembled by which she held the curtain. The central figure did not seem to her to be alive; but rather a doll, a marionette wound up to imitate the action of a tragedy. She saw the priest offer the crucifix to the mouth of the marionette, which with a clumsy unhuman shoving of its corded shoulders b.u.t.ted the thing away.

And as the procession turned and stopped she could plainly see that the marionette's nape and shoulders were bare, his s.h.i.+rt having been slit.

It was horrible. "Why do I stay here?" she asked herself hysterically.

But she did not stir. The victim had disappeared now in the midst of a group of men. Then she perceived him p.r.o.ne under the red column, between the grooves. The silence was now broken only by the tinkling of the horses' bits in the corners of the square. The line of gendarmes in front of the scaffold held their swords tightly and looked over their noses, ignoring the privileged groups that peered almost between their shoulders.

And Sophia waited, horror-struck. She saw nothing but the gleaming triangle of metal that was suspended high above the p.r.o.ne, attendant victim. She felt like a lost soul, torn too soon from shelter, and exposed for ever to the worst hazards of destiny. Why was she in this strange, incomprehensible town, foreign and inimical to her, watching with agonized glance this cruel, obscene spectacle? Her sensibilities were all a bleeding ma.s.s of wounds. Why? Only yesterday, and she had been, an innocent, timid creature in Bursley, in Axe, a foolish creature who deemed the concealment of letters a supreme excitement.

Either that day or this day was not real. Why was she imprisoned alone in that odious, indescribably odious hotel, with no one to soothe and comfort her, and carry her away?

The distant bell boomed once. Then a monosyllabic voice sounded, sharp, low, nervous; she recognized the voice of the executioner, whose name she had heard but could not remember. There was a clicking noise.