Joe Burke's Last Stand Part 43

She closed the porch door behind her and stepped out of her clothes, feeling the cool night air on her skin. She stretched, reaching high with her fingers, and then slid her hands appraisingly down her sides and hips. This feeling of aloneness, this new sense of herself, wasn't so bad. Whatever it was, it was real. She pulled a blue broadcloth nights.h.i.+rt over her head and lay in bed, drifting away from the m.u.f.fled tenor sax, out toward the trees and the summer night. The quiet lured her, not so much for itself, although it was wonderful, but for what might arise within it.

In the morning, Art's truck was gone; Amber was nowhere to be seen; and the dishes were dry, upside down in neat piles. Willow ate a bowl of cold cereal with milk and then rode into town. The first thing she did at Ann's was to make a pot of coffee. Drinking too much wine gave her a headache, but dope left her head filled with a dull cloudiness that drove her nuts. It didn't hurt, but she couldn't think. It was as if she'd watched a dumb television show all night. "Dumb, dumb, dumb," she sang. "I'm dumb, dumb, dumb-deedoo-dumb, dumb, dumb. Where's my ba.s.s man?" she asked the coffee pot. "There we go," she said as coffee began running into the Silex pot. "Dumb, dumb, deedoo."

"So it's a canary I hired?"

"Tweet. What are you doing up?"

"Couldn't sleep--smelled the coffee. We had a late delivery; see if you can get the stuff out before it gets busy."

"Tweet, tweet." Ann acted grumpy, was grumpy, especially early in the day, but there was no edge to it. The feeling was directed more at herself. Willow did what she was told without resentment, agreeing with Ann's p.r.o.nouncements whenever possible. Ann wasn't around that much.

The whole idea was that Willow would open the Deli and let her sleep.

Ann took a cup of coffee upstairs, grumbling about the Pentagon and Johnson's war. Willow began pricing cans of delicacies. Stocking was easy; it was the little price stickers that slowed her down.

She was in the back room, looking down into a carton, when a voice called out, "Anybody home?" She saw a familiar head of red hair.

Patrick, she realized as she came to the front of the store.

"Hi, I was in the back." Now that was intelligent, she thought. Patrick was considering the meat and cheese on display in the counter cooler.

"Is it Patrick?" Brilliant. He straightened and turned.

"Himself," he said. "Good morning, Willow. What are you doing here?"

"Working, natch." She saw him start to grin; probably he thought she was a little rich girl.

"Oh," he said. "Could you make me a roast beef sandwich? To go?"

"White, wheat, pumpernickel, light rye, dark rye? . . . "

"Dark rye."

"You want some horseradish in there? Mayo? What?" Patrick rubbed his chin.

"h.e.l.l of a decision," he said. He turned his face up to the universe for guidance. "Horseradish?"

"Horseradish," she said firmly. "And a little mayo on the other side.

I'll wrap the pickle separately, so it won't get soggy."

"Pickles are supposed to be soggy." He was grinning again.

"The sandwich, Patrick."

"Ah." He was altogether pleased with himself. She made the sandwich, mumbling like a junior Ann, and at the last moment included an extra pickle.

"There," she said. As he gave her a five dollar bill, the edge of his palm brushed her fingers. She put the change on the counter between them, not wanting to touch him again; she was still feeling his hand, pleasantly hard against hers, and she wanted to go on enjoying it. "Off you go," she said.

"Gotta put the paint on the wall. That's what Wilson says." He took the bag and the change. "Maybe I'll see you and Amber at the Depresso."

d.a.m.n him.

"Maybe." She gave him her best Mona Lisa smile and flicked some hair back over her shoulder. A horn honked.

"Speaking of Wilson . . . " he said. "Thanks."

He's cute, she thought. Her hand was still warm where he had touched her. Like the ocean, his eyes darkened, the deeper she looked.

The next morning, Patrick was back. "Good sandwich," he said. He meant it, and she felt a warm stirring. G.o.d, not a blus.h.!.+

"Let's do that again." She hadn't wanted him to think of her as a useless rich girl; now she didn't want to be Mother Earth. She opened her mouth to speak and closed it. Confusing. Fortunately, he had turned to the drinks cooler. She made the sandwich, including the extra pickle, and took his money from the counter. As she reached toward him with the change, her arm dipped and her hand rested for a moment on his palm. "Thanks, Willow. Have to run."

"Bye." He was out the door and into an old blue pickup before she could think of anything else to say. It wasn't me, she thought. I didn't do that. It was my arm, like a d.a.m.ned dowsing rod.

Two guys came in for coffee and bagels. A steady flow of customers kept her occupied; by noon she was over the embarra.s.sment. But she was on alert. At dinner she said to Amber, "My G.o.dd.a.m.n arm was out of control." Amber clapped. "Oh, great," Willow said. "I'm groping strangers, and you think everything's fine."

"It is fine. You just need to get laid, that's all. And how can you call Patrick a stranger? You've known him for a month."

"Get laid--that's your solution for everything."

"No, no. It's a help; it takes the pressure off. And it's interesting, Willow. Men are so different. Now, we're not talking babies, here."

Amber took a bite of bread. "Mmm, this bread . . . " She swallowed.

"Yumm. You're getting it; those first couple of loaves were kind of a workout. You could get some good men, Willow; they're around. You need a strategy."

"I'll pa.s.s out numbers at the News Shop," Willow said.

Amber laughed. "Give number one to Patrick. Maybe number two to that cute Claude. Leave Art out; I'm not done with him. He's got a lot of talent, Willow. You know what he told me last night?"

"Let's see . . . "

"He's buying another old barn--for its frame. He's going to put the frame against his house barn, end-to-end. He wants to roof it and hang one room in a quarter of the upper level, leaving the rest open. Can't you see them: the finished barn and the design together, sort of turning into each other?"

"Neat idea," Willow said. "O.K., I'll leave Art out."

"Oh, I forgot to tell you," Amber said. "There's a big party, Sat.u.r.day night. It's going to be on the mountain at a place called, 'Mead's Meadow.' Art says they have it every year. It goes on all night; some people bring sleeping bags. Kegs, music--why don't you ride up with us?"

"Maybe I will," Willow said. "If I have any numbers left."

5

Patrick held the brush handle between his palms and walked to the middle of the Van Slyke's lawn, rubbing his hands back and forth, spinning the brush until it was dry. "See if you can finish the garage by four," Parker had said. Good deal, it couldn't be later than three.

The paint cans were stacked by the ladder and the folded drop cloths.

He put the brush on top of the cans, took the rag and the putty knife out of his back pockets, and stepped back. Amazing how much better a paint job looks from twenty feet away, he thought.

"Looks good," Hendrik said from the kitchen door.

"Yes," Patrick said.