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Brenda's Bargain Part 4

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"A domestic school; I think that's it; to teach girls how to keep house and be useful."

"Indeed! Then couldn't you go there for a term or two, Brenda? That kind of knowledge may be very useful to you some time."

Whereupon Brenda urged her horse and was off at a gallop, so distancing Arthur for some seconds before he overtook her. On they went through the Arboretum, and around Franklin Park, then over the Boulevard toward Mattapan and Milton. It was dusk when they turned homeward, and dark, as they looked from a height on the city twinkling below them.

As Arthur left her to take the horses to the stable Brenda called after him, "I may take your advice and enter the school for a year or two."

"We'll see," responded Arthur.

Now, although Brenda had no real intention of entering the new school, either as resident or pupil, she was deeply interested and extremely anxious to see what changes had been made in the Du Launy Mansion, and she was to make her first visit there a day or two after this ride with Arthur Weston.

The school itself was not as new as it seemed. It had existed in Miss South's mind long before she had a prospect of carrying out her plans.

Many persons thought it a fine thing for her when she was able to give up her teaching and live a life of leisure in the fine old mansion with Madame Du Launy.

Yet Miss South had wholly enjoyed her work at Miss Crawdon's school, and she had said good-bye to her pupils with regret. Kind though her grandmother was, she had sacrificed more than any one realized in becoming the constant companion of an exacting old lady. Still, as this was the duty that lay nearest her, she devoted herself to it wholly.

Although Madame Du Launy had lived in a large and imposing house, containing much costly furniture, her fortune was smaller than most persons supposed. The larger part of her income came from an annuity that ceased with her death. Miss South had not enough money left to permit her to keep up the great house in the style in which her grandmother had lived; for out of it small incomes were to be paid during their lives to three old servants, and after their deaths this money was to go to Lydia South's brother Louis. To Louis also went the money from the sale of certain pictures and medieval tapestries that the will had ordered to be sold. As to the Mansion itself, Lydia South could do what she liked with it and its contents,--let it, sell it, or live in it.

"She'll have to take boarders, though, if she lives there," said some one; "aside from the expense it would be altogether too dreary for a young woman to live there alone."

But Miss South had no doubt as to what she should do. Here was the chance, that had once seemed so far away, of carrying out her plans for a model school. She found that it was wisest for her to retain the old house for her purpose, as she could neither sell it nor rent it to advantage. The neighborhood was not what it had once been. Almost all the older residents had moved away; two families or more were the rule in most of the houses in the street, and not so very far away were several unmistakable tenement-houses. Miss Crawdon's school had left the street a year or two before, and if she should sell the house no one would buy it for a residence. Julia, who was to be her partner in the new scheme, thought the Du Launy Mansion far better suited to their purpose than any house they could secure elsewhere.

"The North End would be more picturesque, and we could do regular settlement work among those interesting foreigners. But there is more than one settlement down there already, and here we shall have the field almost to ourselves."

Changes and additions to the house had been made during the summer, and not one of Julia's intimates, excepting those who were to live in the Mansion, had been permitted to see it. Nora and Edith and Brenda had implored, Philip had teased, but all had been refused. "You must wait until everything is in readiness."

When, therefore, Brenda and Nora one morning found themselves walking up the little flagged walk to the old Du Launy House, they speculated greatly as to the changes in the house. Outside, on the front at least, there had been no alterations, and everything looked the same as on that morning when the mischievous girls had ventured to pa.s.s under the porte-cochere to apologize for breaking a window with their ball. It was the same exterior, and yet not the same. It had, as Brenda said, "a wide-awake look," whereas formerly almost all the blinds had been closed, giving an aspect of dreariness. Now all the shutters were thrown back, blinds were raised, and fresh muslin curtains showed at many windows instead of the heavy draperies of Madame Du Launy's time.

In place of the sleek butler who had seemed like a part of the furnis.h.i.+ngs, permanent and unremovable, Angelina opened the front door, beaming with satisfaction at the dignity to which she had risen. Indeed she fairly bristled with a sense of her own importance, and answered their questions in her airiest manner.

"Oh, Manuel's doing finely at school, Miss Barlow. I can't be spared much now to go to s.h.i.+loh, but I was there over Sunday, and my mother's got two boarders, young women that work in the factory and don't make much trouble for her. So you see I'm not so much needed at home. John's got a place, too, in the city this winter, so that I'll see him sometimes," and Angelina giggled in her rather foolish way.

As she ushered them into the sitting-room Julia emerged from the shadows of the long hall to greet them, and then there was a confusion of sounds, as Nora and Brenda eagerly asked questions at the very moment when Julia was trying to answer them.

"Yes," said Julia, as they sat down in the reception-room, "this is the same room where I first saw Madame Du Launy, the day I took Fidessa home. But you've both been here since?"

"Oh, yes, and I can see that it hasn't been so very greatly changed.

There's that picture of Miss South's mother that brought about the reconciliation, as they'd say in a novel," responded Nora gayly. "I'm glad that you haven't made the reception-room as bare as a hospital ward; I had my misgivings, as I approached the door."

"Oh, we wished this to be as pleasant and homelike as possible; you can see that there are many things here that I had in my room at Cambridge,"

and she pointed to a Turner etching, and a colonial desk, and an easy-chair that Brenda and Nora both recognized.

"The greatest changes," continued Julia, "are in the drawing-rooms;" and leading the way across the hall, Brenda and Nora both exclaimed in wonder. Two drawing-rooms, formerly connected by folding-doors, had been thrown together, and with the part.i.tions removed, the one great room was really imposing.

"You could give a dance here," cried Brenda, pirouetting over the polished floor.

"Who knows?" replied Julia with a smile.

"I'm afraid that you'll have nothing but lectures and cla.s.sical concerts, and other improving things," rejoined Brenda.

"Who knows?" again responded Julia.

"But it's really lovely," interposed Nora; "I adore this grayish blue paper,--everything looks well with it. And what sweet pictures! why, there's that very water color that Madame Du Launy wanted to buy at the Bazaar. To think that it should come to her house after all! And there's your Botticelli print; well, I believe that it will have an elevating effect; I know that it always makes me feel rather queer to look at it."

"Strange logic!" responded Nora, as they wandered through the large room. "I suppose that you chose the books, Julia; they look like you,--Ruskin, and Longfellow, and Greene's 'Shorter History;' surely you don't expect girls like these to read such books. Why, I haven't read half of them myself; and such good bindings. I really believe that these are your own books."

"Why not? We have had great fun in choosing the books we thought they might like to read from my collections, and from the old-fas.h.i.+oned bookcases in Madame Du Launy's library. The best bindings are her books.

Many of them had never been read by any one, I am sure; and as to the covers, we shall see that they are not ill-treated. We have a theory that they may be more attracted by handsomely dressed books; for there's no doubt," turning with a smile toward Miss South, "that they think more of us when arrayed in our best."

"I love these low bookcases," continued Nora; "and I dare say that you'll train them up to liking this Tanagra figurine, and the Winged Victory, and all these other objects that you have arranged so artistically along the top."

"And how you will feel," interposed Brenda, "when some girl in dusting knocks one of these pretty things to the floor. That bit of Tiffany gla.s.s, for instance, looks as if made expressly to fall under Maggie McSorley's slippery fingers."

"Oh, that reminds me, Brenda, Maggie has come," said Miss South.

"No; not really?"

"Yes, her aunt brought her over very solemnly two or three days ago. She said she thought it her duty not to trouble you again, as Maggie had already been so much expense to you. She came here the day after you saw her, and I explained our plans, and what we should expect from every girl who entered. She promised that Maggie should stay the two years, and showed a canny Scotch appreciation of the fact, that although Maggie could earn little or nothing while here, at the end of the time she would be worth much more than if she had spent the two years in a shop."

"But how does Maggie feel?"

"Oh, I should judge that resignation is Maggie's chief state of mind. We are going to try to help her acquire some more active qualities," said Miss South.

"Come, come;" Brenda tried to draw Nora from the centre table on which lay many attractive books and periodicals. "I'm very anxious to see Maggie. Can't we see her now, Julia?"

"I believe she's in the kitchen, and as this is one of our most attractive rooms, you might as well go there first."

"The kitchen, you remember, is practically Ruth's gift," said Julia, as they stood on the threshold of a broad sunny room in the new ell, to which they had descended a few steps from the main house. "She paid half the expense of building the ell, and her purse paid for everything in the kitchen."

"But how beautiful; why, it isn't at all like a kitchen!"

"All the same it is a kitchen, though we have tried to make it as pleasant as any room in the house--in its way," concluded Julia smiling.

Advancing a few steps farther, Nora and Brenda continued their exclamations of admiration. The walls, painted a soft yellow, reflected the suns.h.i.+ne, without making a glare. The oiled hardwood floor had its centre covered with a large square of a substance resembling oilcloth, yet softer. A large s.p.a.ce around the range was of brick tiles. The iron sink stood on four iron legs with a clear, open s.p.a.ce beneath it; there were no wooden closets under it to harbor musty cloths and half-cleaned kettles, and serve as a breeding place for all kinds of microbes. A shelf beside the sink was so sloped that dishes placed there would quickly drain off before drying. The wall above the sink was of blue and white Dutch tiles, and between the sink and the range a zinc-covered table offered a suitable resting-place for hot kettles and pans. Below the clock shelf was another, with a row of books that closer inspection showed to be cook-books. All these details could not, of course, be taken in at once, although the pleasant impression was immediate.

"Plants in the window, and what a curious wire netting!" cried Brenda.

"Yes, it is neater than curtains, keeps out flies, and though it is so made that outsiders cannot look into the room it does not obscure the light. The shades at the top can be pulled down when we really need to darken the room."

Nora stood enraptured before the tall dresser with its store of dishes and jelly moulds, then she gazed into the long, light pantry, the shelves of which were laden with materials for cooking in jars and tins and little boxes, all neatly labelled and within easy reach. On the wall were several charts--one showing the different cuts of beef and lamb, another by figures and diagrams giving the different nutritive values of different articles of food. On the walls were here and there hung various sets of maxims or rules neatly framed, among which, perhaps the most conspicuous, was:

"I. Do everything in its proper time.

"II. Keep everything in its proper place.

"III. Put everything to its proper use."

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