Fairy and Folk Tales of the Irish Peasantry Part 15

"Faix an' troth, it's no my turn," replied he, as before. "There's Pat Diver in the tree, why wouldn't he come down and tak' his turn?"

Pat came down to take the spade, but just then the c.o.c.ks in the little farmyards and cabins round the abbey began to crow, and the men looked at one another.

"We must go," said they, "and well is it for you, Pat Diver, that the c.o.c.ks crowed, for if they had not, you'd just ha' been bundled into that grave with the corpse."

Two months pa.s.sed, and Pat had wandered far and wide over the county Donegal, when he chanced to arrive at Raphoe during a fair.

Among the crowd that filled the Diamond he came suddenly on the big man.

"How are you, Pat Diver?" said he, bending down to look into the tinker's face.

"You've the advantage of me, sir, for I havna' the pleasure of knowing you," faltered Pat.

"Do you not know me, Pat?" Whisper--"When you go back to Innishowen, you'll have a story to tell!"

THE POOKA.

The Pooka, _recte_ Puca, seems essentially an animal spirit. Some derive his name from _poc_, a he-goat; and speculative persons consider him the forefather of Shakespere's "Puck." On solitary mountains and among old ruins he lives, "grown monstrous with much solitude," and is of the race of the nightmare. "In the MS. story, called 'Mac-na-Michomhairle,' of uncertain authors.h.i.+p," writes me Mr.

Douglas Hyde, "we read that 'out of a certain hill in Leinster, there used to emerge as far as his middle, a plump, sleek, terrible steed, and speak in human voice to each person about November-day, and he was accustomed to give intelligent and proper answers to such as consulted him concerning all that would befall them until the November of next year. And the people used to leave gifts and presents at the hill until the coming of Patrick and the holy clergy.' This tradition appears to be a cognate one with that of the Puca." Yes! unless it were merely an _augh-ishka [each-uisge]_, or Waterhorse. For these, we are told, were common once, and used to come out of the water to gallop on the sands and in the fields, and people would often go between them and the marge and bridle them, and they would make the finest of horses if only you could keep them away from sight of the water; but if once they saw a glimpse of the water, they would plunge in with their rider, and tear him to pieces at the bottom. It being a November spirit, however, tells in favour of the Pooka, for November-day is sacred to the Pooka. It is hard to realise that wild, staring phantom grown sleek and civil.

He has many shapes--is now a horse, now an a.s.s, now a bull, now a goat, now an eagle. Like all spirits, he is only half in the world of form.

THE PIPER AND THE PUCA.

DOUGLAS HYDE.

Translated literally from the Irish of the _Leabhar Sgeulaigheachta_.

In the old times, there was a half fool living in Dunmore, in the county Galway, and although he was excessively fond of music, he was unable to learn more than one tune, and that was the "Black Rogue." He used to get a good deal of money from the gentlemen, for they used to get sport out of him. One night the piper was coming home from a house where there had been a dance, and he half drunk. When he came to a little bridge that was up by his mother's house, he squeezed the pipes on, and began playing the "Black Rogue" (an rogaire dubh). The Puca came behind him, and flung him up on his own back. There were long horns on the Puca, and the piper got a good grip of them, and then he said----

"Destruction on you, you nasty beast, let me home. I have a ten-penny piece in my pocket for my mother, and she wants snuff."

"Never mind your mother," said the Puca, "but keep your hold. If you fall, you will break your neck and your pipes." Then the Puca said to him, "Play up for me the 'Shan Van Vocht' (an t-seann-bhean bhocht)."

"I don't know it," said the piper.

"Never mind whether you do or you don't," said the Puca. "Play up, and I'll make you know."

The piper put wind in his bag, and he played such music as made himself wonder.

"Upon my word, you're a fine music-master," says the piper then; "but tell me where you're for bringing me."

"There's a great feast in the house of the Banshee, on the top of Croagh Patric to-night," says the Puca, "and I'm for bringing you there to play music, and, take my word, you'll get the price of your trouble."

"By my word, you'll save me a journey, then," says the piper, "for Father William put a journey to Croagh Patric on me, because I stole the white gander from him last Martinmas."

The Puca rushed him across hills and bogs and rough places, till he brought him to the top of Croagh Patric. Then the Puca struck three blows with his foot, and a great door opened, and they pa.s.sed in together, into a fine room.

The piper saw a golden table in the middle of the room, and hundreds of old women (cailleacha) sitting round about it. The old women rose up, and said, "A hundred thousand welcomes to you, you Puca of November (na Samhna). Who is this you have with you?"

"The best piper in Ireland," says the Puca.

One of the old women struck a blow on the ground, and a door opened in the side of the wall, and what should the piper see coming out but the white gander which he had stolen from Father William.

"By my conscience, then," says the piper, "myself and my mother ate every taste of that gander, only one wing, and I gave that to Moy-rua (Red Mary), and it's she told the priest I stole his gander."

The gander cleaned the table, and carried it away, and the Puca said, "Play up music for these ladies."

The piper played up, and the old women began dancing, and they were dancing till they were tired. Then the Puca said to pay the piper, and every old woman drew out a gold piece, and gave it to him.

"By the tooth of Patric," said he, "I'm as rich as the son of a lord."

"Come with me," says the Puca, "and I'll bring you home."

They went out then, and just as he was going to ride on the Puca, the gander came up to him, and gave him a new set of pipes. The Puca was not long until he brought him to Dunmore, and he threw the piper off at the little bridge, and then he told him to go home, and says to him, "You have two things now that you never had before--you have sense and music (ciall agus ceol)."

The piper went home, and he knocked at his mother's door, saying, "Let me in, I'm as rich as a lord, and I'm the best piper in Ireland."

"You're drunk," said the mother.

"No, indeed," says the piper, "I haven't drunk a drop."

The mother let him in, and he gave her the gold pieces, and, "Wait now," says he, "till you hear the music I'll play."

He buckled on the pipes, but instead of music, there came a sound as if all the geese and ganders in Ireland were screeching together. He wakened the neighbours, and they were all mocking him, until he put on the old pipes, and then he played melodious music for them; and after that he told them all he had gone through that night.

The next morning, when his mother went to look at the gold pieces, there was nothing there but the leaves of a plant.

The piper went to the priest, and told him his story, but the priest would not believe a word from him, until he put the pipes on him, and then the screeching of the ganders and geese began.

"Leave my sight, you thief," says the priest.

But nothing would do the piper till he would put the old pipes on him to show the priest that his story was true.

He buckled on the old pipes, and he played melodious music, and from that day till the day of his death, there was never a piper in the county Galway was as good as he was.

DANIEL O'ROURKE.