The Abandoned Room Part 2

"Maria!" he burst out. "Why are you looking at me like that?"

Her contralto laugh rippled.

"Bobby looks so funny! Carlos! Leetle Bobby looks so queer! What is the matter with him?"

Bobby's anger was lost in the increased confusion of his senses, but through that mental turmoil tore the thought of Graham and his intention of going to the Cedars. With shaking fingers he dragged out his watch. He couldn't read the dial. He braced his hands against the table, thrust back his chair, and arose. The room tumbled about him. Before his eyes the dancers made long nebulous bands of colour in which nothing had form or coherence. Instinctively he felt he hadn't dined recklessly enough to account for these amazing symptoms. He was suddenly afraid.

"Carlos!" he whispered.

He heard Maria's voice dimly: "Take him home."

A hand touched his arm. With a supreme effort of will he walked from the room, guided by the hand on his arm. And always his brain recorded fewer and fewer impressions for his memory to struggle with later.

At the cloak room some one helped him put on his coat. He was walking down steps. He was in some kind of a conveyance. He didn't know what it was. An automobile, a carriage, a train? He didn't know. He only understood that it went swiftly, swaying from side to side through a sable pit. Whenever his mind moved at all it came back to that sensation of a black pit in which he remained suspended, swinging from side to side, trying to struggle up against impossible odds. Once or twice words flashed like fire through the pit: "Tyrant!--Fool to go."

From a long immersion deeper in the pit he struggled frantically. He must get out. Somehow he must find wings. He realized that his eyes were closed. He tried to open them and failed. So the pit persisted and he surrendered himself, as one accepts death, to its hateful blackness.

Abruptly he experienced a momentary release. There was no more swaying, no more movement of any kind. He heard a strange, melancholy voice, whispering without words, always whispering with a futile perseverance as if it wished him to understand something it could not express.

"What is it trying to tell me?" he asked himself.

Then he understood. It was the voice of the wind, and it tried to tell him to open his eyes, and he found that he could. But in spite of his desire they closed again almost immediately. Yet, from that swift glimpse, a picture outlined itself later in his memory.

In the midst of wild, rolling clouds, the moon was a drowning face. Stunted trees bent before the wind like puny men who strained impotently to advance. Over there was one more like a real man--a figure, Bobby thought, with a black thing over its face--a mask.

"This is the forest near the Cedars," Bobby said to himself. "I've come to face the old devil after all."

He heard his own voice, harsh, remote, unnatural, speaking to the dim figure with a black mask that waited half hidden by the straining trees.

"Why am I here in the woods near the Cedars?"

And he thought the thing answered: "Because you hate your grandfather."

Bobby laughed, thinking he understood. The figure in the black mask that accompanied him was his conscience. He could understand why it went masked.

The wind resumed its whispering. The figures, straining like puny men, fought harder. The drowning face disappeared, wet and helpless. Bobby felt himself sinking back, back into the sable pit.

"I don't want to go," he moaned.

A long time afterward he heard a whisper again, and he wondered if it was the wind or his conscience. He laughed through the blackness because the words seemed so absurd.

"Take off your shoes and carry them in your hand. Always do that. It is the only safe way."

He laughed again, thinking: "What a careful conscience!"

He retained only one more impression. He was dully aware that some time had pa.s.sed. He s.h.i.+vered. He thought the wind had grown angry with him, for it no longer whispered. It shrieked, and he could make nothing of its wrath. He struggled frantically to emerge from the pit. The quality of the blackness deepened. His fright grew. He felt himself slipping, slowly at first then faster, faster down into impossible depths, and there was nothing at all he could do to save himself.

"Go away! For G.o.d's sake, go away!"

Bobby thought he was speaking to the sombre figure in the mask. His voice aroused him to one more effort at escape, but he felt that there was no use. He was too deep.

Something hurt his eyes. He opened them and for a time was blinded by a narrow shaft, of sunlight resting on his face. With an effort he moved his head to one side and closed his eyes again, at first merely thankful that he had escaped from the black h.e.l.l, trying to control his sensations of physical evil. Subtle curiosity forced its way into his sick brain and stung him wide awake. This time his eyes remained open, staring about him, dilating with a wilder fright than he had experienced in the dark mazes of his nightmare adventure.

He had never seen this place before. He lay on the floor of an empty room. The shaft of sunlight that had aroused him entered through a crack in one of the tightly drawn blinds. There were dust and grime on the wails, and cobwebs cl.u.s.tered in the corners.

In the silent, deserted room the beating of his heart became audible. He struggled to a sitting posture. He gasped for breath. He knew it was very cold in here, but perspiration moistened his face. He could recall no such suffering as this since, when a boy, he had slipped from the crisis of a destructive fever.

Had he been drugged? But he had been with friends. There was no motive.

What house was this? Was it, like this room, empty and deserted? How had he come here? For the first time he went through that dreadful process of trying to draw from the black pit useful memories.

He started, recalling the strange voice and its warning, for his shoes lay near by as though he might have dropped them carelessly when he had entered the room and stretched himself on the floor. Damp earth adhered to the soles. The leather above was scratched.

"Then," he thought, "that much is right. I was in the woods. What was I doing there? That dim figure! My imagination."

He suffered the agony of a man who realizes that he has wandered unawares in strange places, and retains no recollection of his actions, of his intentions. He went back to that last unclouded moment in the cafe with Maria, Paredes, and the stranger. Where had he gone after he had left them? He had looked at his watch. He had told himself he must catch the twelve-fifteen train. He must have gone from the restaurant, proceeding automatically, and caught the train. That would account for the sensation of motion in a swift vehicle, and perhaps there had been a taxicab to the station. Doubtless in the woods near the Cedars he had decided it was too late to go in, or that it was wiser not to. He had answered to the necessity of sleeping somewhere. But why had he come here? Where, indeed, was he?

At least he could answer that. He drew on his shoes--a pair of patent leather pumps. He fumbled for his handkerchief, thinking he would brush the earth from them. He searched each of his pockets. His handkerchief was gone. No matter. He got to his feet, lurching for a moment dizzily. He glanced with distaste at his rumpled evening clothing. To hide it as far as possible he b.u.t.toned his overcoat collar about his neck. On tip-toe he approached the door, and, with the emotions of a thief, opened it quietly. He sighed. The rest of the house was as empty as this room. The hall was thick with dust. The rear door by which he must have entered stood half open. The lock was broken and rusty.

He commenced to understand. There was a deserted farmhouse less than two miles from the Cedars. Since he had always known about it, it wasn't unusual he should have taken shelter there after deciding not to go in to his grandfather.

He stepped through the doorway to the unkempt yard about whose tumbled fences the woods advanced thickly. He recognized the place. For some time he stood ashamed, yet fair enough to seek the cause of his experience in some mental unhealth deeper than any reaction from last night's folly.

He glanced at his watch. It was after two o'clock. The mournful neighbourhood, the growing chill in the air, the sullen sky, urged him away. He walked down the road. Of course he couldn't go to the Cedars in this condition. He would return to his apartment in New York where he could bathe, change his clothes, recover from this feeling of physical ill, and remember, perhaps, something more.

It wasn't far to the little village on the railroad, and at this hour there were plenty of trains. He hoped no one he knew would see him at the station. He smiled wearily. What difference did that make? He might as well face old Blackburn, himself, as he was. By this time the thing was done. The new will had been made. He was penniless and an outcast. But his furtive manner clung. He didn't want Katherine to see him like this.

From the entrance of the village it was only a few steps to the station. Several carriages stood at the platform, testimony that a train was nearly due. He prayed that it would be for New York. He didn't want to wait around. He didn't want to risk Katherine's driving in on some errand.

His mind, intent only on escaping prying eyes, was drawn by a man who stepped from behind a carriage and started across the roadway in his direction, staring at him incredulously. His quick apprehension vanished. He couldn't recall that surprised face. There was no harm being seen, miserable as he was, dressed as he was, by this stranger. He looked at him closer. The man was plainly clothed. He had small, sharp eyes. His hairless face was intricately wrinkled. His lips were thin, making a straight line.

To avoid him Bobby stepped aside, thinking he must be going past, but the stranger stopped and placed a firm hand on Bobby's shoulder. He spoke in a quick, authoritative voice: "Certainly you are Mr. Robert Blackburn?"

For Bobby, in his nervous, bewildered condition, there was an ominous note in this surprise, this a.s.surance, this peremptory greeting.

"What's amazing about that?" he jerked out.

The stranger's lips parted in a straight smile.

"Amazing! That's the word I was thinking of. Hoped you might come in from New York. Seemed you were here all the time. That's a good one on me--a very good one."

The beating of Bobby's heart was more p.r.o.nounced than it had been in the deserted house. He asked himself why he should shrink from this stranger who had an air of threatening him. The answer lay in that black pit of last night and this morning. Unquestionably he had been indiscreet. The man would tell him how.

"You mean," he asked with dry lips, "that you've been looking for me? Who are you? Please take your hand off."

The stranger's grasp tightened.

"Not so fast, Mr. Robert Blackburn. I daresay you haven't just now come from the Cedars?"

"No, no. I'm on my way to New York. There's a train soon, I think."

His voice trailed away. The stranger's straight smile widened. He commenced to laugh harshly and uncouthly.

"Sure there's a train, but you don't want to take it. And why haven't you been at the Cedars? Grandpa's death grieved you too much to go near his body?"

Bobby drew back. The shock robbed him for a moment of the power to reason.

"Dead! The old man! How--"

The stranger's smile faded.

"Here it is nearly three o'clock in the afternoon, and you're all dressed up for last night. That's lucky."

Bobby couldn't meet the narrow eyes.

"Who are you?"

The stranger with his free hand threw back his coat lapel.

"My name's Howells. I'm a county detective. I'm on the case, because your grandfather died very strangely. He was murdered, very cleverly murdered. Queerest case I've ever handled. What do you think?"

In his own ears Bobby's voice sounded as remote and unreal as it had through the blackness last night.

"Why do you talk to me like this?"

"Because I tell you I'm on the case, and I want you to turn about and go straight to the Cedars."

"This is--absurd. You mean you suspect--You're placing me under arrest?"

The detective's straight smile returned.

"How we jump at conclusions! I'm simply telling you not to bother me with questions. I'm telling you to go straight to the Cedars where you'll stay. Understand? You'll stay there until you're wanted--Until you're wanted."

The merciless repet.i.tion settled it for Bobby. He knew it would be dangerous to talk or argue. Moreover, he craved an opportunity to think, to probe farther into the black pit. He turned and walked away. When he reached the last houses he glanced back. The detective remained in the middle of the road, staring after him with that straight and satisfied smile.

Bobby walked on, his shaking hands tightly clenched, muttering to himself: "I've got to remember. Good G.o.d! I've got to remember. It's the only way I can ever know he's not right, that I'm not a murderer."

CHAPTER II.

THE CASE AGAINST BOBBY.

Bobby hurried down the road in the direction of the Cedars. Always he tried desperately to recall what had occurred during those black hours last night and this morning before he had awakened in the empty house near his grandfather's home. All that remained were his sensation of travel in a swift vehicle, his impression of standing in the forest near the Cedars, his glimpse of the masked figure which he had called his conscience, the echo in his brain of a dream-like voice saying: "Take off your shoes and carry them in your hand. Always do that. It's the only safe way."

These facts, then, alone were clear to him: He had wandered, unconscious, in the neighbourhood. His grandfather had been strangely murdered. The detective who had met him in the village practically accused him of the murder. And he couldn't remember.

He turned back to his last clear recollections. When he had experienced his first symptoms of slipping consciousness he had been in the cafe in New York with Carlos Paredes, Maria, the dancer, and a strange man whom Maria had brought to the table. Through them he might, to an extent, trace his movements, unless they had put him in a cab, thinking he would catch the train, of which he had talked, for the Cedars.

Already the forest crowded the narrow, curving road. The Blackburn place was in the midst of an arid thicket of stunted pines, oaks, and cedars. Old Blackburn had never done anything to improve the estate or its surroundings. Steadily during his lifetime it had grown more gloomy, less habitable.

With the silent forest thick about him Bobby realized that he was no longer alone. A crackling twig or a loose stone struck by a foot might have warned him. He went slower, glancing restlessly over his shoulder. He saw no one, but that idea of stealthy pursuit persisted. Undoubtedly it was the detective, Howells, who followed him, hoping, perhaps, that he would make some mad effort at escape.

"That," he muttered, "is probably the reason he didn't arrest me at the station."

Bobby, however, had no thought of escape. He was impatient to reach the Cedars where he might learn all that Howells hadn't told him about his grandfather's death.

A high wooden fence straggled through the forest. The driveway swung from the road through a broad gateway. The gate stood open. Bobby remembered that it had been old Blackburn's habit to keep it closed. He entered and hurried among the trees to the edge of the lawn in the centre of which the house stood.

Feeling as guilty as the detective thought him, he paused there and examined the house for some sign of life. At first it seemed as dead as the forest stripped by autumn--almost as gloomy and arid as the wilderness which straggled close about it. He had no eye for the symmetry of its wings which formed the court in the centre of which an abandoned fountain stood. He studied the windows, picturing Katherine alone, surrounded by the complications of this unexpected tragedy.

His feeling of an inimical watchfulness persisted. A clicking sound swung him back to the house. The front door had been opened, and in the black frame of the doorway, as he looked, Katherine and Graham appeared, and he knew the resolution of his last doubt was at hand.

Katherine had thrown a cloak over her graceful figure. Her sunny hair strayed in the wind, but her face, while it had lost nothing of its beauty, projected even at this distance a sense of weariness, of anxiety, of utter fear.

Bobby was grateful for Graham's presence. It was like the man to a.s.sume his responsibilities, to sacrifice himself in his service. He straightened. He must meet these two. Through his own wretched appearance and position he must develop for Katherine more clearly than ever Graham's superiority. He stepped out, calling softly: "Katherine!"

She started. She turned in his direction and came swiftly toward him. She spread her hands.

"Bobby! Bobby! Where have you been?"

There were tears in her eyes. They were like tears that have been too long coming. He took her hands. Her fingers were cold. They twitched in his.

"Look at me, Katherine," he said hoa.r.s.ely. "I'm sorry."

Graham came up. He spoke with apparent difficulty.

"You've not been home. Then what happened last night? Quick! Tell us what you did--everything."

"I've seen the detective," he answered. "He's told you, too? Be careful. I think he's back there, watching and listening."

Katherine freed her hands. The tears had dried. She shook a little.

"Then you were at the station," she said. "You must have come from New York, but I tried so hard to get you there. For hours I telephoned and telegraphed. Then I got Hartley. Come away from the trees so we can talk without--without being overheard."

As they moved to the centre of the open s.p.a.ce Graham indicated Bobby's evening clothes.

"Why are you dressed like that, Bobby? You did come from town? You can tell us everything you did last night after I left you, and early this morning?"

Bobby shook his head. His answer was reluctant.