Doctor Cupid Part 49

Oftener an officious young Evans thrusts upon her the fact of having met him going in the accustomed direction; oftener still, the little Harboroughs innocently mention it as a thing of course; oftenest, her own heart divines it. And after all, what can be more natural than that at such a juncture his services should be needed and asked; than that he whose mouth has always been so full of the beauty and duty of living for others, should give them readily and freely? And again, what can be more natural or obvious than that his presence should be needed, should be indispensable in fact, in the endless discussions as to the choice of a play, interminable as the ever famous ones in 'Mansfield Park;' and that with him it should rest to adjust the jarring claims of the young Hartleys, of whom some pipe, some harp, and some do neither, but are none the less resolved to display themselves in one capacity or another before the ----s.h.i.+re public? And, later on, when the stage with its decorations arrives from London, what can be more natural than that those among the scenes which do not commend themselves to the actors'

liking should be painted afresh; and that again Freddy's unerring taste and illimitable good-nature should be called into play?

'You really are too good-natured, Mr. Ducane,' Mrs. Hartley reiterates; 'you let them impose upon you. You really ought to think of yourself sometimes; it does not do not to think of one's self sometimes; one has to be selfish now and again, in this world.' And Freddy, aloft on a ladder with a large brush in his hand, and smouches of paint on his charming face, smiles delightfully, and says he should be sorry to have to think that. And when he does make time for a visit to the Red House, he is so affectionate; brings with him such an atmosphere of enjoyment; is so full of interesting pieces of news about the progress of the preparations, of pleasant speeches as to the intense eagerness on the part of the whole Hartley family to make Prue's acquaintance, that for twenty-four hours after each of them her spirits maintain the level to which the fillip of his easy tendernesses has lifted them.

'It would be tiresome if it were to last for ever, I grant you,' she says to Peggy one day, with an a.s.sumption of placid indifference; 'but as it is a temporary thing--so very temporary--why, in less than a fortnight now it will be over, how silly I should be to care! In less than a fortnight' (her face growing suffused with a happy pink) 'we shall go back to our old ways; and the Hartleys will be off in their fine yacht round the world--and good luck go with them! I _like_ him to help them. I tell you I like it,' reiterating the a.s.sertion as if knowing it to be one not very easily to be believed; 'it would not have tallied at all with my idea of him if he had refused.'

And Peggy only rejoins despondently: 'Well, dear, if you are pleased, so am I.'

Not, indeed, that Margaret contents herself with this depressed acquiescence in her sister's eclipsed condition. She has on several occasions, and despite many gently conveyed hints on his part that she is not judicious in her choice of opportunities, endeavoured to tackle Mr. Ducane on the subject of his future, to obtain some definite answer from him as to the choice of a profession, etc. But her unsuccess has been uniform and unvaried. It is not that he has ever refused to discuss the question with her. Indeed, in looking back upon their conversation she is always puzzled to remember how it was that he had eluded her. She has generally ended by tracing his escape back to some exalted abstraction; some sentiment too delicate for the wear and tear of everyday life; some bubbling jest.

'You know, dear,' he says to her very kindly one day, when she has been pointing out to him, with some warmth, the entire frivolity of his present mode of life; 'you know, dear, that you and I are always a little at odds as to the true meaning of the word "education." I have always felt that the soul's education can be more furthered by what the world calls "play," than by what it has chosen to define specially as "work." There is no use in forcing one's spirit, dear Peggy. One is much more likely to learn the lines that one's true development ought to follow by sitting still and listening humbly to the voice of the Erd Geist.'

'And the voice of the Erd Geist tells you to paint drop-scenes for the Hartleys'?' replies Peggy witheringly; but her sarcasm furthers her cause as little as do her more serious reasonings.

At the end of the month that intervenes between the arrival of the Hartleys' invitation and the fulfilment of its promise, that cause is exactly where it was. By milady Peggy has been spared any further reference to the subject of her sister's engagement; nor, as far as is known to the girl, has Lady Roupell taken any step such as she had threatened for the separation of the lovers.

With a stab at her heart Peggy recognises the reason of this inaction.

The shrewd old woman sees how needless is her interference; and, being kind as well as shrewd, refrains from giving the last unnecessary shove to the tottering card-house of poor Prue's felicity.

CHAPTER x.x.xIII

'At Charing Cross, hard by the way Where we, thou know'st, do sell our hay, There is a house with stairs; And there did I see coming down Such folk as are not in our town; Forty at least in pairs.'

On the night of the 15th of September a great many more than forty pairs of feet were pa.s.sing up and down the stairs of that magnificent specimen of Jackson's domestic architecture, the Hartleys' new palace in ----s.h.i.+re. Amateur theatricals are, strange as it may appear, since going to see them is almost invariably the triumph of hope over experience, always an attractive bait to hold out to a country neighbourhood. Apart from the pleasure of thinking how much better than do the actors, one could have played their parts one's self; and that opposite and more good-natured, if not quite so acute pleasure, of wondering with Miss Snevellici's patroness, 'How they ever learnt to act as they do, laughing in one piece, and crying in the next, and so natural in both,' there is, in the present case, an element of curiosity which adds an additional poignancy to the expectation of enjoyment usual in such cases.

It is the Hartley _coup d'essai_ in hospitality in the county, and there is a widespread interest manifested as to how they will do it. Almost as widespread is the comfortable conviction that they will do it well.

An old-established squire who has been seated on his modest acres for a couple of hundred years may venture to invite his friends to dance on a sticky floor to the sound of a piano, and to wash away their fatigue in libations of 50-s.h.i.+lling champagne; but the millionaire, who has only within the last year set an uncertain foot upon the land, is not likely to try any such experiments upon the county's patience. It is, then, with a confident hope of Gunter and Coote and Tinney that the occupants of most of the carriages step out on the red cloth--a hope that the first glimpse of the banks of orchids that line the entrance-hall goes far to make a certainty.

From the minds of the occupants of one carriage, to whose turn, after long waiting in the endless string, it at length comes to set free its load, Gunter, Coote and Tinney, and orchids are equally distant.

Milady's head is still running on her Patience, which, by the aid of a carriage-lamp and a pack of tiny cards, she has been playing contentedly during the whole of the long ten miles. The little portion of Peggy's heart that is not filled with an aching compa.s.sion and anxiety for her sister is pierced by the fear of the extreme likelihood, in so promiscuous a gathering of three-fourths of the county, of her finding herself face to face with the one woman whom she would compa.s.s sea and land to avoid, and with the man whom that woman habitually carries in her train.

And Prue?

'I think he is sure to be at the door to receive us, do not you?' she has whispered to her sister, under cover of milady's absorption in her solitary game, while they are still waiting in the string; 'not that I shall be so silly as to attach any importance to it if he is not; but after a whole week!' stifling a sigh. 'Oh dear!' letting down the gla.s.s and craning her neck impatiently out, 'shall we never get there? I see carriage-lamps for half a mile ahead of us still!'

A whole week! It is true. For a whole week the Red House has been favoured with no glimpse of Mr. Ducane. How should it, indeed, since he has been compelled by the exigencies of his situation to take up his abode entirely at the scene of his labours? Of what use to waste upon the long ride there and back time so precious in a last week? the time of one upon whose inexhaustible stock of ability and good-nature every one thinks him or herself ent.i.tled to draw.

But though he has been unable to present himself in person to his betrothed, he has had time to scribble her a tiny pencil-note, just a word--but then how little can the value of a letter be measured by its length!--praying her to keep a place for him by her side at the theatricals.

'If my Prue refuses, it will be all over with my pleasure,' he ends simply.

The carriage, after many tantalising halts opposite dark laurels, draws up finally before a blaze of electric light, a crowd of powdered footmen, an arching of palm-boughs; and milady steps deliberately out in her fur boots and her diamond 'fender,' followed by her two _protegees_.

Freddy is not at the door to receive them; and the moment that she has discovered this fact, Prue sees the irrationality of the hope that had led her ever to expect that he would be. He is naturally not in the cloak-room, where milady seems, to the girl's pa.s.sionate impatience, to loiter unconscionably long, tugging at the strings of her _sortie de bal_, which have got into a knot, and talking to the numerous friends she meets there. To do her justice, it is not any care for her toilette that detains her. She would quite as soon have the famous tiara--her 'fender,' as she always calls it--which the county has admired for fifty years, on crooked as straight. The county expects to see it on great occasions, and so she puts it on; but if Mrs. Mason were to dispose it behind before, the circ.u.mstance would disturb but very slightly her lady's equanimity. Mr. Ducane is not, as far as can be made out by a first glance, in the magnificent music-room, to-night arranged as a theatre, and at whose door Mrs. Hartley stands, smiling and splendid, to receive her guests. But though Prue's eye has as yet to fast from the sight of her betrothed, her ear at least is gladdened by his praises.

'Oh, Lady Roupell, I do not know how we ever can thank Mr. Ducane enough!' she hears Mrs. Hartley exclaim. 'My girls say they do not know what they should have done without him--so kind, so clever, and unselfish is not the word!'

Milady grunts.

'No, I do not think it is,' she says, half _sotto voce_, as she pa.s.ses on.

At the first look, the room, superb as are its proportions, seems already full; but a closer inspection reveals at the upper end several still vacant rows of arm-chairs, reserved by the host and hostess for those among their guests whom they most delight to honour. To this favoured category belongs milady, and she is presently installed with her two young friends by a _semillant_ papa Hartley, in the very middle of the front rank. For the present, nothing can be easier than for Prue to keep the chair at her side vacant. She has already anxiously and surrept.i.tiously spread her white frock over it. Each of earth's glories has probably its attendant disadvantages; a warm and consoling doctrine for those to whose share not much of life's gilding falls; nor is a seat in the front row of synagogue or playhouse any exception to this rule.

It has the inevitable drawback, that except by an uncomfortable contortion of the neck-muscles, it is impossible for its occupants to see what is going on in the body of the room; and the view of foot-lights and a drop-scene is one that after a while is apt to pall.

Prue's head is continually turning over her shoulder, as, from the body of the long hall, all blazing with pink-shaded electric lamps, comes the noise of gowns rustling, of steps and voices, as people settle into their seats. At first she had had no cause for uneasiness. The people, as they tide in, conscious of no particular claim to chief places, pack themselves, with laughs and greetings to acquaintances, into the unreserved seats. But presently Mr. Hartley is seen convoying a party of ladies and men to the top of the room with the same evidences of deferential tenderness as he had shown to milady; and no sooner are they disposed of, according to their merits, than he reappears with the same smile, and a new batch. This continues to happen until the human tide, like its prototype in its inexorable march over swallowed sands and drunk rocks, has advanced, despite the piteous protest in Prue's eyes, to within three chairs of her. Yes, including that one so imperfectly veiled by the poor child's skirt, there are only three vacant seats remaining.

'Oh, I wish he would come! Oh, I wish he would come!' she repeats, with something that grows ever nearer and nearer to a sob in her voice. 'Oh, Peggy, do you think he will not come after all? You are longer-sighted than I am; do look if you can see him anywhere! Oh, I wish he would come! I shall not be able to keep this chair for him much longer, and then----'

Her words are prophetic. Scarcely are they out of her mouth before the vision of the radiant host is again seen nearing them, with a fresh freight--a freight that rustles and jingles and chatters louder than any of the previous ones.

'Oh yes, do put me in a good place!' a high and apparently extravagantly cheerful voice is heard exclaiming; 'I always like the best places if I can get them--do not you? and I mean to applaud more loudly than anybody. I have been engaged by Freddy Ducane as a claque; and I a.s.sure you I mean to keep my word.'

Although she has been expecting it--although she has told herself that to hear it is among the most probable of the evening's chances, yet, at the sound of that clear thin voice, Peggy turns extremely cold. It has come then. In a second she will certainly be called upon to hear another voice. Let her then brace herself to bear it decently. Her hands clasp themselves involuntarily, and she draws in her breath; but she cannot lift her eyes. She sits looking straight before her, waiting. But instead of the tones that with such sick dread she is expecting, she hears only milady's voice--milady's voice not in its suavest key.

'Oh! it is you, is it? How many of you are there?--because we are pretty full here; and I suppose you do not mean to sit upon our knees.'

'There is nothing I should like better!' cries Lady Betty friskily. 'You are looking perfectly delightful to-night; all the more so because your fender is quite on one side. Come now, do not be ill-natured, but make room for me; you know I am not very----'

Peggy hears the voice break off abruptly; and involuntarily her eyes, hitherto glued to the back of the chair in front of her, s.n.a.t.c.h a hasty glance in Lady Betty's direction. She has turned away, and is addressing Mr. Hartley in an altered and hurried key.

'After all, I hope you will not think me very changeable, but I believe I should like to sit a little farther back; one sees better, and hears better, and gets a better general idea.'

'She is going away!' whispers Prue, with a long quivering sigh of relief. 'Oh, I was so frightened! I thought she was going to take my chair. Why did she go? She could not have seen us!'

But this is not quite the conclusion arrived at by Peggy, as her eyes follow Betty's retreating figure--Betty, with her

'Little head Sunning with curls'

that go to bed in a box--Betty, with the docile Harborough and a couple of Guardsmen at her heels; and--without John Talbot! That for one chance evening she should happen to lack his attendance is, after all, but small evidence against his being still riveted with her fetters; but Peggy's heart swells with a disproportionate elation at the discovery.

There is, alas! not much likelihood of poor Prue's feeling a like expansion; for scarcely has she finished drawing the long breath caused her by Betty's retreat, than the seat which the latter had spared is approached, settled upon, and irrevocably occupied--poor Prue's barriers politely but ruthlessly swept away.

She has attempted a hurried protest, but it has not been even heard; and now it is too late, for a bell has rung. The curtain has swept aloft, with less of hesitation and dubiousness as to the result than is generally the case with amateur curtains, and discloses to view the second Miss Hartley seated under the rustic berceau of a wayside Italian wine-shop, in peasant's cap and bodice, soliloquising rather nervously and at some length. What is the drift of that soliloquy; or of the dialogue that follows with a person of a bandit nature, whom it takes some moments for his acquaintance to decipher into a young man Hartley; or of the jiggy catchy songs with which the piece is freely interspersed, Peggy will never know to her last day.

Before her eyes, indeed, there is a phantasmagoria of people going and coming in a blaze of light--of more be-peasanted Misses Hartley, with more banditted brothers; in her ears a brisk dialogue that must be funny, judging from the roars of laughter coming from behind her; of smart galloping quartettes and trios that must be humorous and musical, from the storm of applause and encores that greet them. But to her brain penetrate none of the gay and smiling images conveyed by her senses. Her brain is wholly occupied by the painful and impossible effort to calm Prue, whose agitation, rendered more unmanageable by the weakness of her state of health and the lack of any habit of self-government, threatens to become uncontrollable.

'Oh, Peggy, why has not he come? What has become of him? Where can he be?' she keeps moaningly whispering.

Peggy has taken hold of one of her sister's feverish hands, whose dry fire is felt even through her glove, and presses it now and again.

'He will be here directly,' she answers soothingly; 'no doubt he could not get away. You heard how useful he has been! Probably he is helping them behind the scenes. Do not you think that you could try to look a little less miserable? I am so afraid that people will remark it.'

'If he is behind the scenes,' moans Prue, not paying any heed to, evidently hardly hearing, this gentle admonition, 'he is with her. You see that she is not acting either! Wherever they are, they are together!

Oh, Peggy, I think I shall die of misery!'

The close of her sentence is drowned in a tempest of riotous applause, and Peggy's eyes involuntarily turn to the stage, to learn the cause.