Doctor Cupid Part 16

'And what kind of dog is he?'

'That is what no one--not even himself--has ever been able to make out,'

returns Margaret, with a smile. 'Sometimes he thinks that he is a Yorks.h.i.+re terrier, and sometimes he does not. I bought him at the Dogs'

Home, because he was the most miserable little dog there, and because I was quite certain that if I did not, n.o.body else would. He has grown so uppish now that sometimes I have to remind him of his origin--have not I, Minky?'

'Mammy had a Yorks.h.i.+re terrier once,' says Miss Harborough thoughtfully--'John Talbot gave it her--but he died. She had him stuffed: he looks horrid now!'

Talbot writhes. It seems to him as if he had never before tasted the full degradation of his position. He makes a clumsy plunge at changing the conversation by inquiring after Prue.

'She is lying down,' replies Peggy, while he sees a furrow come upon her white forehead. 'The heat tries her; at least'--her eye meeting his with a sort of appeal--'she is very easily tired; and she has been waiting all afternoon with her habit on. She was engaged to go out riding at three, and now it is five; people ought not to make engagements if they are not prepared to keep them!'

'I am afraid he had forgotten all about it,' answers Talbot sadly.

Margaret's only answer is a dispirited shrug; and Lily having by this time scampered off to visit the fox; if possible, with safety, pull his brush; eat anything that is eatable in the kitchen-garden; and make friendly advances to the stable-boy--Miss Lambton again takes up the hose.

'This,' says she, looking at it affectionately, 'is the one solid good I have ever got from the Big House!'

He does not answer. Though he certainly does not cla.s.s himself under the head of a solid good, her words give him a vague chill.

'It sounds ungrateful,' pursues Peggy; 'but I often wish we could move this acre of ground, with everything that is on it, fifty miles farther away.'

'Do you?'

'Of course,' pursues she gravely, 'we get a great deal more society here than we should anywhere else; but I often think that that is a doubtful good. We grow to know people whose acquaintance we should be far better without.'

He winces. Does he himself come under this category? But she means no offence.

'You can have no notion how our lives are cut up,' she continues. 'We live in a whirl of tiny excitements, that would not be excitements to anybody but us. We never can settle to any serious occupation; the moment we take up a book there is a note: "Prue, come out riding;"

"Peggy, come and look over the accounts of the Boot and Shoe Club;"

"Peggy and Prue, come and dine to meet the--the----"'

Harboroughs is the name which rises to her lips, and which she suppresses out of politeness to him.

He knows, too, that the plural p.r.o.noun which she has employed throughout has been used only as a veil for Prue's weakness; that the picture she has drawn has no likeness to her own steady soul.

'I sometimes think seriously of moving,' she says presently. 'It would be a wrench'--looking round wistfully. 'The only two big things that ever happened to me have happened here: Prue was born here, and mother died here. Yes, it would be a wrench.'

He listens to her in a respectful silence. It would be impertinent in him to express overt sympathy in her trouble, the trouble she has never put into words.

'Sometimes I think that we should do better in London,' she goes on, looking at him almost as if appealing to him for counsel; 'there would be more to interest and distract us in London.'

'What, and leave the garden?' says he, lifting his eyebrows.

'She does not care really about the garden,' answers Margaret, forgetting herself, and using the singular p.r.o.noun which she might have employed all along. 'And as for me'--with a little laugh--'I would grow mignonette in a box; and buy a load of hay, as I heard of one country-sick lady doing, and make myself a hayc.o.c.k in the back-yard.'

'I cannot fancy you in a town,' says he, almost under his breath.

It is true. It is impossible to him to picture her except with a background of waving trees, a floor of blossoming flowers, a spicy wind to toss her hair, and finches to sing to her. His imagination is not strong enough to transplant her to the narrow bounds of a little South Kensington home, lost in the grimy monotony of ten thousand others.

'It is very difficult to know what to decide,' she says, almost plaintively, 'and I have no one to advise me. Though I am not very young--twenty-two--I have very little experience of life. There must be a best; but it is hard to find. Do you never feel it so?'

Her large pure eyes are upon him, asking him, as well as her mouth does, for an answer to this unanswerable question. For a moment he hesitates, then:

'Do not you know that there are some people who have arranged their lives so ingeniously that for them there is no best; that the only choice left them lies between bad and worse?'

'I do not believe it,' answers she solemnly. 'G.o.d gives us all a best, if we will only look for it; and' (in a lighter key) 'never fear but I shall find mine before I have done!'

After that they finish their watering almost in silence. When he bids her good-bye, having recaptured his Miss Harborough, who is restored to him a good deal smirched by a delirious half-hour in the hayloft with a litter of kittens, Margaret thanks him simply, yet very heartily, for his services to her.

'Why are you so grateful to-day particularly?' asks he, alarmed. 'You make me feel as if the band were playing "G.o.d Save the Queen," and everything was at an end.'

'Jacob comes back to his work to-morrow,' answers she, 'and you know,'

with a smile, 'I cannot afford to keep two gardeners.'

'He must be very weak still.'

'Do not be afraid,' laughing again; 'I will not overwork him.'

'Then I am to consider myself dismissed?'

'With thanks--yes.'

'Out of work? Turned into the street?'

'Yes.'

'And without a character?'

'I daresay you will not miss it,' replies she, a little cynically. 'Many people do without one.'

He winces. She is not half so nice when she is cynical.

'Come along, Lily,' he says, in a vexed voice; 'we are not wanted here any longer. We are old shoes, sucked lemons, last year's almanacs. Let us go.'

'My child!' cries Margaret, her eye falling for the first time on a gigantic rift in the front of Miss Harborough's frock, 'what have you done to yourself? What will Nanny say to you?'

'I do not care what she says!' replies Lily swaggeringly. 'She is an old beast! Oh, Miss Lambton,' with a sudden change of key, 'may not I come again to-morrow? Alfred wants me to come again to-morrow.' (Alfred is the stable-boy.) 'May not I come with John Talbot again to-morrow?'

'You see that we are both of one mind,' says John, with a melancholy whine, walking off with his young lady.

CHAPTER XII

The Harboroughs' and Talbot's invitation to the Manor had been for a fortnight. Of that fortnight fully a week has already elapsed. To the house which comes next in the Harboroughs' autumn programme John Talbot has, by some strange oversight, not been asked. For this reason--to mark her indignation at so flagrant a departure from the code of civilised manners--Betty shows every symptom of an intention to throw up her engagement.