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John has got her! Not at all! She has slipped between his fingers, and he has measured his length on the gra.s.s! Then it is Freddy's turn, but she runs between his legs, and down goes he too. Certainly she is a gallant hen! John is up again, and now both he and Peggy make an unsuccessful lunge at her as she pa.s.ses; and if it had not been for Mink, who adroitly pinned her by the wing--a feat for which he was afterwards much blamed, though they profited by his discourtesy--they would probably still have been tumbling over each other in pursuit of that speckled hen.
At the moment when Peggy and John had made their joint and futile grab at the object of their chase, her hand had come with some violence into contact with his wounded one. Instantly she is off her guard, and down from her stilts.
'Did I hurt your finger?' very anxiously.
'Not in the least, thanks.'
'Are you quite sure?'
'Quite.'
'But I am afraid that I must have done.'
'I a.s.sure you no! How is the fox?'
He adds the last words with a hasty attempt to keep the conversation to the one topic over which alone they seem fated to be friendly.
'He is very well! better'--with a slight smile--'than he deserves.'
'I should like to see him, to tell him that I bear no malice.'
She looks irresolute for a moment; then, 'Would you? Come this way!'
Before they have made three steps Betty is after them.
'Where are you two making off to in such a hurry?'
'We are going to see the fox,' replies Peggy coldly.
'The fox? What fox?'
'Why, my tame fox,' rejoins Peggy, with a little air of surprise; 'the one that bit Mr. Talbot when he was here yesterday.'
The murder is out.
'H'm!' says Betty, in a very dry voice; 'so the mystery is solved!'
'What mystery?' asks the other, in a tone of ever colder and growing astonishment. 'There is no mystery; it is only that my fox escaped from his house yesterday, and Mr. Talbot was good enough to catch him again for me; and in so doing was unfortunately bitten. What mystery is there in that?'
Her displeased blue eyes turn in inquiry from one to the other, but neither has any answer ready for her. Nor does she again repeat her question; but Talbot, stealing one guilty look at her, sees that she has comprehended that he has been afraid to own his visit to her, and that she despises him heartily for it.
CHAPTER VIII
John Talbot spends a wretched night. He does not owe this to the fact of Betty's infantine gambols, her ogles and cats'-cradles with Freddy Ducane through the previous evening; nor yet to any physical ill. It is one ray of honest contempt from a country-bred girl's heaven-blue eye that kills his rest. It seems to s.h.i.+ne in upon his whole life, as a beam of clear morning suns.h.i.+ne s.h.i.+nes in upon some ugly over-night revel, bringing out into all their unlovely prominence the wine-stains, and the guttered candles, and the faded flowers. A desire, whose futility he recognises, but which is none the less real for the impossibility of its ever being gratified, to set himself right with this thrice-seen stranger, takes possession of him; a desire to tell her his story--to lay before her the reasons why she should be lenient with him. Would she think them very cogent? His memory, made acuter by the darkness, journeys back over the past five years, weighing, sifting, recalling--back to the beginning, that August when his chief's affairs kept him in London after everybody else had left; when, sick at heart from a recent grief, he had fallen sick in body too; and when Betty, also detained in London by some accident--Betty, whom he had hitherto met only as one meets in the world, hearing of his sad plight, had come out of pure kind-heartedness--yes, he is quite sure that at first it was only out of pure kind-heartedness--to sit beside his sofa; Betty, laden with sweet flowers; Betty, with compa.s.sionate eyes and a womanly smile; Betty, with less paint and a lower voice; with more clothes and fewer after-dinner stories; and last, fatalest of all, with that likeness, fancied or real, to the sister he had just lost. He remembers the day on which he first told her of that resemblance. In the dark night he recalls again many another little landmark in that first period of his pa.s.sion, and grows half tender again as their dead faces rise before him. But what did that first idyllic stage lead to? To nothing, indeed, as criminal as the world, as Margaret probably gives them credit for, but to those unhandsome s.h.i.+fts and expedients which have made of his life since one long shuffle and evasion. The kotowing to people he disliked and despised for invitations to meet her; the risky rendezvous; the mad jealousies; the half-heartedness in his work; the entire disintegration of all his plans, liable to be upset at a moment's notice, in order to dovetail in with her convenience; the irrepressible senseless friendliness, which he dare not refuse, on the part of the stupid worthy Harborough; the genuine fondness of that Harborough's little children--he looks back upon them all with nausea. No! there is nothing to be said for him! She would say that there was nothing to be said for him! He has slidden down a precipice, it is true, whose first slope was easy and gentle; but there were many bushes at which he might have caught in his downward pa.s.sage to save himself if he had wished; and he caught at none. And now he is at the bottom! The very pa.s.sion which gave some slight tinge of a b.a.s.t.a.r.d n.o.bility to his ign.o.ble life is dead--dead as the roses that flushed its dawn, and he must still be tied to its lifeless body as fast as--nay, faster than--he was to its living charms. This is his conclusion; and it is one not much calculated to lull him into slumber.
To prove the difference between a bad conscience and a good one, Margaret sleeps calmly; but she wakes in the morning with the sense of something faintly disagreeable having happened. She shakes it off as she goes about her garden and her chicken-pens, the more easily as Prue is in bounding spirits, which is to be accounted for by the fact of Freddy having invited her to go out riding with him in the afternoon, and promised to mount her upon one of his own horses--a privilege often before accorded to her, but which never fails to lift her into Elysium.
She is too excited to settle to anything more solid than jumping over the garden-beds and the tennis-net, to and fro with Mink. If you are in paradise, why trouble yourself with earth's sordid tasks? But Margaret, not being in paradise, is meditatively grubbing on hands and knees in the rather overgrown border, when a ring at the door-bell brings her somewhat quickly to her feet. A sudden thought sends the indignant blood to her cheek. Is it possible that it can be Talbot? After yesterday, is it conceivable that he can have the presumption again to force himself upon her? She moves hastily towards the house to forbid his admission, if it be he. But she is too late. The visitor has been already let in; and proves to be one to whom her door is never shut--only Freddy Ducane.
'Have you come to fix the time for your ride?' asks she cordially, beaming upon him. He, at least, has wrenched himself out of Circe's sty.
'Do you want Prue? She is in the garden.'
The young man looks a shade embarra.s.sed.
'Yes,' he says; 'I do. No; I do not--at least, I have something to say to her, but I think'--insinuatingly--'that I had rather say it to you.
You know, Peggy, how fond I am of saying things to you! There is no one to whom I can say things as comfortably as I can to you.'
At this preface her heart sinks a little.
'What is it?' she asks curtly.
'Oh, only my luck!' throwing himself into a chair. 'By Jove'--looking round the room--'how cool you feel! and how good you smell!'
'I do not suppose that you came here to say that,' rejoins she, still standing over him in expectant anxiety.
His answer is to try and get possession of her hand.
'Peggy,' he says plaintively, 'that is not a nice way to speak to me; that is not the way I like to be spoken to. The reason why I came here--it is very inhospitable of you to insist upon my giving a reason--was to say'--sighing profoundly--'that I fear dear little Prue and I shall have to give up our ride this afternoon.'
Her foreboding was a true one then!
'Why?'
'Oh, because--because--just my luck!'
'I understand,' replies she caustically. 'You are in the case of the man who telegraphed to the house where he did not wish to stay, "So sorry.
Cannot come. _No lie ready._"'
Freddy colours.
'Peggy, if I were not so really fond of you,' he says, in an injured voice, 'I should not allow you to speak to me like that. There are days when you rasp one like a file. Prue never rasps one.'
'Is that the reason why you think yourself justified in always letting her go to the wall?' asks Margaret, with a bitterness that seems out of proportion to the occasion; but in her mind's eye she sees the poor little figure that has been frolicking among the geraniums with dog and cat--sees, too, the metamorphosis that will be worked in it.
Freddy rolls his curly head uneasily to and fro on the chair-back.
'You talk as if I were not quite as disappointed as she,' he says, in a lamentable tone. 'But what is one to do? When one has guests, one must entertain them. Somebody must entertain _her_.'
'Must entertain whom?'
'Oh, you know as well as I do! You are only asking out of ill-nature.
Betty, of course!'
'Betty, of course!' repeats she after him, with an indefinable accent.
'Well, Peggy, I appeal to you. What could I do, when she asked me point-blank? You know that I never can refuse to do anything that anybody asks me point-blank.'