The Hermit of Far End Part 45

The man had not been far out in his reckoning when he opined that his master had walked "twenty miles or thereabouts." When he had quitted Haven Woods, Garth had started off, heedless of the direction he took, and, since then, he had been tramping, almost blindly, up hill and down dale, over hedges, through woods, along the sh.o.r.e, stumbling across the rocks, anywhere, anywhere in the world to get away from the maddening, devil-ridden thoughts which had pursued him since the brief meeting with a woman whose hyacinth eyes recalled the immeasurable anguish of years ago and threatened the joy which the future seemed to promise.

His face was haggard. Heavy lines had graved themselves about his mouth, and beneath drawn brows his eyes glowed like sombre fires.

Judson paused irresolutely beside him.

"Shall I pour you out a whisky, sir?" he inquired.

Trent started. He had been oblivious of the man's entrance.

"No. I'll do it myself--presently. Lock up and go to bed," he answered brusquely.

But Judson still hesitated. There was an expression of affectionate solicitude on his usually wooden face.

"Better have one at once, sir," he said persuasively. "And I think you'll find the chicken sandwiches very good, sir, if you'll excuse my mentioning it."

For a moment a faint, kindly smile chased away the look of intense weariness in Garth's eyes.

"You transparent old fool, Judson!" he said indulgently. "You're like an old hen clucking round. Very well, make me a whisky, if you will, and give me one of those superlative sandwiches."

Judson waited on him contentedly.

"Anything more to-night, sir? Shall I close the window?" with a gesture towards the wide-open window near which his master sat.

Garth shook his head, and, when at last the manservant had reluctantly taken his departure, he remained for a long time sitting very still, staring out across the moon-washed garden.

Presently he stirred restlessly. Glancing round the room, his eyes fell on his violin, lying upon the table with the bow beside it just as he had laid it down that morning after he had been improvising, in a fit of mad spirits, some variations on the theme of Mendelssohn's Wedding March.

He took up the instrument and struck a few desultory chords. Then, tucking it more closely beneath his chin, he began to play--a broken, fitful melody of haunting sadness, tormented by despairing chords, swept hither and thither by rus.h.i.+ng minor cadences--the very spirit of pain itself, wandering, ghost-like, in desert places.

Upstairs Judson turned heavily in his bed.

"Just hark to 'im, Maria," he muttered uneasily. "He fair makes my flesh creep with that doggoned fiddle of his. 'Tis like a child crying in the dark. I wish he'd stop."

But the sad strains still went on, rising and falling, while Garth paced back and forth the length of the room and the candles flickered palely in the moonlight that poured in through the open window.

Suddenly, across the lawn a figure flitted, noiseless as a shadow. It paused once, as though listening, then glided forward again, slowly drawing nearer and nearer until at last it halted on the threshold of the room.

Garth, for the moment standing with his back towards the window, continued playing, oblivious of the quiet listener. Then, all at once, the feeling that he was no longer alone, that some one was sharing with him the solitude of the night, invaded his consciousness. He turned swiftly, and as his glance fell upon the silent figure standing at the open window, he slowly drew his violin from beneath his chin and remained staring at the apparition as though transfixed.

It was a woman who had thus intruded on his privacy. A scarf of black lace was twisted, hood-like, about her head, and beneath its fragile drapery was revealed the beautiful face and haunting, mysterious eyes of Elisabeth Durward. She had flung a long black cloak over her evening gown, and where it had fallen a little open at the throat her neck gleamed privet-white against its shadowy darkness.

The mystical, transfiguring touch of the moon's soft light had eliminated all signs of maturity, investing her with an amazing look of youth, so that for an instant it seemed to Trent as though the years had rolled back and Elisabeth Eden, in all the incomparable beauty of her girlhood, stood before him.

He gazed at her in utter silence, and the brooding eyes returned his gaze unflinchingly.

"Good G.o.d!"

The words burst from him at last in a low, tense whisper, and, as if the sound broke some spell that had been holding both the man and woman motionless, Elisabeth stepped across the threshold and came towards him.

Trent made a swift gesture--almost, it seemed, a gesture of aversion.

"Why have you come here?" he demanded hoa.r.s.ely.

She drew a little nearer, then paused, her hand resting on the table, and looked at him with a strange, questioning expression in her eyes.

"This is a poor welcome, Maurice," she observed at last.

He winced sharply at the sound of the name by which she had addressed him, then, recovering himself, faced her with apparent composure.

"I have no welcome for you," he said in measured tones. "Why should I have? All that was between us two . . . ended . . . half a life-time ago."

"No!" she cried out. "No! Not all! There is still my son's happiness to be reckoned."

"Your son's happiness?" He stared at her amazedly. "What has your son's happiness to do with me?"

"Everything!" she answered. "Everything! Sara Tennant is the woman he loves."

"And have you come here to blame me for the fact that she does not return his love?"--with an accent of ironical amus.e.m.e.nt.

"No, I don't blame you. But if it had not been for you she would have married him. They were engaged, and then"--her voice shook a little--"you came! You came--and robbed Tim of his happiness."

Trent smiled sarcastically.

"An instance of the grinding of the mills of G.o.d," he said lightly.

"You robbed me--you'll agree?--of something I valued. And now--inadvertently--I have robbed you in return of your son's happiness.

It appears"--consideringly--"an unusually just dispensation of Providence. And the sins of the parents are visited on the child, as is the usual inscrutable custom of such dispensations."

Elisabeth seemed to disregard the bitter gibe his speech contained. She looked at him with steady eyes.

"I want you--out of the way," she said deliberately.

"Indeed?" The indifferent, drawling tone was contradicted by the sudden dangerous light that gleamed in the hazel eyes. "You mean you want me--to pay--once more?"

She looked away uneasily, flus.h.i.+ng a little.

"I'm afraid it does amount to that," she admitted.

"And how would you suggest it should be done?" he inquired composedly.

Her eyes came back to his face. There was an eager light in them, and when she spoke the words hurried from her lips in imperative demand.

"Oh, it would be so easy, Maurice! You have only to convince Sara that you are not fit to marry her--or any woman, for that matter! Tell her what your reputation is--tell her why you can never show yourself amongst your fellow men, why you live here under an a.s.sumed name. She won't want to marry you when she knows these things, and Tim would have his chance to win her back again."

"You mean--let me quite understand you, Elisabeth"--Trent spoke with curious precision--"that I am to blacken myself in Sara's eyes, so that, discovering what a wolf in sheep's clothing I am, she will break off our engagement. That, I take it, is your suggestion?"

Beneath his searching glance she faltered a moment. Then--

"Yes," she answered boldly. "That is it."