The Emancipated Part 75

"Every right!" he answered, with violence. "What warning have I had of such a thing?"

She rose and moved away with a scornful laugh. For a minute he looked at her as she stood apart, her face turned from him.

"If I find Mallard," he said, "of course I shall tell him who my authority is."

She turned.

"No; that you will not do!"

"And why not?"

"Because I forbid you. You will not dare to mention my name in any such conversation! Besides"--her voice fell to a tone of indifference--"if you meet him, there will be no need. You will ask your question, and that will be enough. There is very little chance of his being at the studio."

"I see that your Puritan spirit is gratified," he said, looking at her with fierce eyes.

"Naturally."

He went towards the door. Miriam, raising her eyes and following him a step or two, said sternly:

"In any case, you understand that my name is not to be spoken. Show at least some remnant of honour. Remember who I am, and don't involve me in your degradation."

"Have no fear. Your garment of righteousness shall not be soiled."

When he was gone, Miriam sat for a short time alone. She had not foreseen this sequel of yesterday's event. In spite of all the promptings of her jealous fear, she had striven to explain Cecily's visit in some harmless way. Mean what it might, it tortured her; but, in her ignorance of what was happening between Cecily and her husband, she tried to believe that Mallard was perhaps acting the part of reconciler--not an unlikely thing, as her better judgment told her. Now she could no longer listen to such calm suggestions. Cecily had abandoned her home, and with Mallard's knowledge, if not at his persuasion.

She thought of Reuben with all but hatred. He was the cause of the despair which had come upon her. The abhorrence with which she regarded his vices--no whit less strong for all her changed habits of thought--blended now with the sense of personal injury; this only had been lacking to destroy what natural tenderness remained in her feeling towards him. Cecily she hated, without the power of condemning her as she formerly would have done. The old voice of conscience was not mute, but Miriam turned from it with sullen scorn. If Cecily declared her marriage at an end, what fault could reason find with her? If she acted undisguisedly as a free woman, how was she to blame? Reuben's praise of her might still keep its truth. And the unwilling conviction of this was one of Miriam's sharpest torments. She would have liked to regard her with disdainful condemnation, or a fugitive wife, a dishonoured woman. But the power of sincerely judging thus was gone. Reuben had taunted her amiss.

Presently she left her room and went to seek Eleanor. Mrs. Spence was writing; she laid down her pen, and glanced at Miriam, but did not speak.

"Cecily has left her home," Miriam said, with matter-of-fact brevity.

Eleanor stood up.

"Parted from him?"

"It seems be didn't go to the house till late last night. She had left in the afternoon, and did not come back."

"Then they have not met?".

"No."

"And had Cecily heard?"

"There's no knowing."

"Of course, she has gone to Mrs. Lessingham."

"I think not," replied Miriam, turning away.

"Why?"

But Miriam would give no definite answer. Neither did she hint at the special grounds of her suspicion. Presently she left the room as she had entered, dispirited and indisposed for talk.

Elgar walked on to the studios. He found Mallard's door, and was beginning to ascend the stairs, when the artist himself appeared at the top of them, on the point of going out. He recognized his visitor with a grim movement of brows and lips, and without speaking turned back.

Reuben reached the door, which remained open, and entered. Mallard, who stood there in the ante-room, looked at him inquiringly.

"I want a few minutes' talk with you, if you please," said Elgar.

"Come in."

They pa.s.sed into the studio. The last time they had seen each other was more than three years ago, at Naples; both showed something of curiosity, over and above the feelings of graver moment. Mallard, observing the signs of mental stress on Elgar's features, wondered to what they were attributable. Was the fellow capable of suffering remorse or shame to this degree? Or was it the outcome of that other affair, sheer ign.o.ble pa.s.sion? Reuben, on his part, could not face the artist's somewhat rigid self-possession without feeling rebuked and abashed. The fact of Mallard's being here at this hour seemed all but a disproval of what Miriam had hinted, and when he looked up again at the rugged, saturnine, energetic countenance, and met the calmly austere eyes, he felt how improbable it was that this man should be anything to Cecily save a conscientious friend.

"I haven't come in answer to your invitation," Reuben began, glancing uneasily at the pictures, and endeavouring to support an air of self-respect. "Something less agreeable has brought me."

They had not shaken hands, nor did Mallard offer a seat.

"What may that be?" he asked.

"I believe you have seen my wife lately?"

"What of that?"

Mallard began to knit his brows anxiously. He put up one foot on a chair, and rested his arm on his knee.

"Will you tell me when it was that you saw her?"

"If you will first explain why you come with such questions," returned the other, quietly.

"She has not been home since yesterday; I think that is reason enough."

Mallard maintained his att.i.tude for a few moments, but at length put his foot to the ground again, and repeated the keen look he had cast at the speaker as soon as that news was delivered.

"When did you yourself go home?" he asked gravely.

"Late last night."

Mallard pondered anxiously.

"Then," said he, "what leads you to believe that I have seen Mrs.

Elgar?"

"I don't merely believe; I know that you have."

Elgar felt himself oppressed by the artist's stern and authoritative manner. He could not support his dignity; his limbs embarra.s.sed him, and he was conscious of looking like a man on his trial for ign.o.ble offences.

"How do you know?" came from Mallard, sharply.

"I have been told by some one who saw her come here yesterday, in the late afternoon."