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He is a little impatient, and says:
_Cut-in leader--_
"I AM RICH. I CAN GIVE YOU MANY THINGS--"
He is interrupted.[55]
[Footnote 55: Sketchy, because in this case, "O. Henry" leaders are the important thing--and they give sufficient clue to the action required.]
108--Close-up of Florence.
She laughs a little, and says:
_Cut-in leader--_
"THAT'S WHAT THEY ALL SAY."
She is playing with him, and yet telling truth.
109--Close-up of Blinker.
He is impatient at this repet.i.tion. Says:
_Cut-in leader--_
"I DON'T LIKE YOU TO KEEP SAYING THAT!"
He is annoyed. She is not taking him seriously.
110--Close-up of Florence.
She looks at him--wonders--says:
_Cut-in leader--_
"WHY SHOULDN'T I SAY IT? THEY DO!"
He is puzzled.
111--Close-up of Blinker.
Surprised--puzzled--angered--says:
_Cut-in leader--_
"WHO ARE--'THEY'?"
Jealous and anxious.
112--Close-up of Florence.
Surprised--innocent. Says:
_Cut-in leader--_
"WHY, THE MEN I MEET."
What is he driving at?
113--Both--in wider view.
Florence wondering. He changes expression. Growing tension.
Asks her:
_Cut-in leader--_
"WHERE DO YOU MEET--THESE MEN?"
She looks wide-eyed--surprised--answers:
_Cut-in leader--_
"I MEET THEM--AS I DID YOU--"
Blinker aghast. Asks:
_Cut-in leader--_
"DO YOU KNOW SO MANY?"
She allows herself a laugh--says:
_Cut-in leader--_
"WELL I'M NOT EXACTLY A WALL FLOWER."
He turns away.
114--Close-up of Blinker.
Growing tension--it is sinking in, and finally his expression grows harder.
115--Close-up of Florence.
She wonders--finally asks:
_Cut-in leader--_
"WHAT'S WRONG?"
