The Prisoner Part 30

"But don't you care?" cried Lydia, all of a heat of wonder--terror also at melodramatic thieving here in simple Addington.

"I can care about things without screaming and sobbing," said Madame Beattie briefly. "Though I sobbed a little at the time. I was a good deal unstrung from other causes. But of course I laid it before Jeff, as her husband--"

"He must have been heartbroken."

"Well, he was her husband. He was responsible for her, wasn't he? I told him I wouldn't expose the creature. Only he'd have to pay me for the necklace."

The yellow-white face wavered before Lydia. She was trying to make her brain accept the raw material Madame Beattie was pouring into it and evolve some product she could use.

"But he couldn't pay you. He'd just got into difficulties. You said so."

"Bless you, he hadn't got into any difficulty until Esther pushed him in by helping herself to my necklace. He turned crazy over it. He hadn't enough to pay for it. So he went into the market and tried a big _coup_ with all his own money and the money he was holding--people subscribed for his mines, you know, or whatever they were--and that minute there was a panic. And the courts, or whatever it was, got hold of him for using the mails for fraudulent purposes or whatever, and he lost his head. And that's all there was about it."

Lydia's thoughts were racing so fast it seemed to her that she--some inner determined frightened self in her--was flying to overtake them.

"Then you did it," she said. "You! you forced him, you pushed him--"

"To pay me for my necklace," Madame Beattie supplied. "Of course I did.

It was a very bad move, as it proved. I was a fool; but then I might have known. Old Lepidus told me the conjunction was bad for me."

"Who was Lepidus?"

"The astrologer. He died last month, the fool, and never knew he was going to. But he'd encouraged me to come on my concert tour, and when that went wrong I lost confidence. It was a bad year, a bad year."

A troop of conclusions were rus.h.i.+ng at Lydia, all demanding to be fitted in.

"But you've come back here," she said, incredulous that things as they actually were could supplement the foolish tale Madame Beattie might have stolen out of a silly book. "You think Esther did such a thing as that, and yet you're here with her in this house."

"That's why I'm here," said Madame Beattie patiently. "Jeff's back again, and the necklace hasn't been fully paid for. I've kept my word to him. I haven't exposed his wife, and yet he hasn't recognised my not doing it."

The vision of Jeffrey fleeing before the lash of this implacable taskmaster was appalling to Lydia.

"But he can't pay you," said she. "He's no money. Not even to settle with his creditors."

"That's it," said Madame Beattie. "He's got to make it. And I'm his first creditor. I must be paid first."

"You haven't told him so?" said Lydia, in a manner of fending her off.

"It isn't time. He hasn't recovered his nerve. But he will, digging in that absurd garden."

"And when you think he has, you'll tell him?"

"Why, of course." Madame Beattie reached for her book and smoothed the pages open with a beautiful hand. "It'll do him good, too. Bring him out of thinking he's a man of destiny, or whatever it is he thinks. You tell him. I daresay you've got some influence with him. That's why I've gone into it with you."

"But you said you promised him not to tell all this about Esther. And you've told me."

"That's why. Get him to work. Spur him up. Talk about his creditors. Now run away. I want to read."

XVII

Lydia did run away and really ran, home, to see if the dear surroundings of her life were intact after all she had heard. Since this temporary seclusion in a melodramatic tale, she almost felt as if she should never again see the vision of Mary Nellen making cake or Anne brus.h.i.+ng her long hair and looking like a placid saint. The library was dim, but she heard interchanging voices there, and knew Jeffrey and his father were in tranquil talk. So she sped upstairs to Anne's room, and there Anne was actually brus.h.i.+ng her hair and wearing precisely that look of evening peace Lydia had seen so many times.

"I thought I'd go to bed early," she said, laying down the brush and gathering round her hair to braid it. "Why, Lyd!"

It was a hot young messenger invading her calm. Anne looked like one who, the day done, was placidly awaiting night; but Lydia was the day itself, her activities still unfinished.

"I've found it out," she announced. "All of it. She made him do it."

Then, while Anne stared at her, she sat down and told her story, vehemently, with breaks of breathless inquiry as to what Anne might think of a thing like this, finally with dragging utterance, for her vitality was gone; and at the end, challenging Anne with a glance, she turned cold: for it came over her that Anne did not believe her.

Anne began braiding her hair again. During Lydia's incredible story she had let it slip from her hand. And Lydia could see the fingers that braided were trembling, as Anne's voice did, too.

"What a dreadful old woman!" said Anne.

"Madame Beattie?" Lydia asked quickly. "Oh, no, she's not, Anne. I like her."

"Like her? A woman like that? She doesn't even look clean."

Lydia answered quite eagerly.

"Oh, yes, Anne, I really like her. I thought I didn't when I heard her talk. Sometimes I hated her. But I understand her somehow. And she's clean. Really she is. It's the kind of clothes she wears." Lydia, to her own surprise at this tragic moment, giggled a little here. Madame Beattie, when in full fig, as she had first seen her, looked to her like pictures of ancient hea.r.s.es with plumes. "She's all right," said Lydia.

"She's just going to have what belongs to her, that's all. And if I were in her place and felt as she does, I would, too."

Anne, with an air of now being ready for bed, threw the finished braid over her back. She was looking at Lydia with her kind look, but, Lydia could also see, compa.s.sionately.

"But, Lyd," she said, "the reason I call her a dreadful old woman is that she's told you all this rigmarole. It makes me quite hot. She sha'n't amuse herself by taking you in like that. I won't have it."

"Anne," said Lydia, "it's true. Don't you see it's true?"

"It's a silly story," said Anne. She could imagine certain things, chiefly what men and women would like, in order to make them comfortable, but she had no appet.i.te for the incredible. "Do you suppose Esther would have stolen her aunt's diamonds? Or was it pearls?"

"Yes, I do," said Lydia stoutly. "It's just like her."

"She might do other things, different kinds of things that are just as bad. But stealing, Lyd! Why, think! Esther's a lady."

"Ladies are just like anybody else," said Lydia sulkily. She thought she might have to consider that when she was alone, but at this moment the world was against her and she had to catch up the first generality she could find.

"And for a necklace to be so valuable," said Anne, "valuable enough for Jeff to risk everything he had to try to pay for it--"

Lydia felt firmer ground. She read the newspapers and Anne did not.

"Now, Anne," said she, "you're 'way off. Diamonds cost thousands and thousands of dollars, and so do pearls."

"Why, yes," said Anne, "royal jewels or something of that sort. But a diamond necklace brought here to Addington in Madame Beattie's bag--"