Virginia Architecture in the Seventeenth Century Part 3

[Ill.u.s.tration: 2nd Bruton, Williamsb'g. 1683 A Jacobean Church in Virginia Author's Restoration.]

For the most part you may recognize the Jacobean by Cupid's bow lines in house gables, door heads, window heads, and stair bal.u.s.ters. Such lines reveal the decorative and exuberant curves loved much by the Low Countrymen and by the Englishmen who took over the curves. All in all, Virginia saw relatively little of the Jacobean because it was a minor style.

iii. THE TRANSITIONAL STYLE

More complicated than either of the first two styles is the Transitional--an architectural style identified and named by this writer to include all experimental examples which formed the transitional link between the Medieval of the seventeenth century and the Georgian of the eighteenth. This style of the Transition prevailed in England, but as far as we know has not been identified or labelled as such.

It seems that in the last quarter of the seventeenth century, that is, from about 1680, Virginians generally were becoming weary of their dark medieval cottages, mostly one room in depth, with a loft above, and with the only daylight entering through small cas.e.m.e.nts of opaque gla.s.s.

These people began to look toward a goal which may have been vaguely defined in their minds: a handsome and s.h.i.+pshape residence, preferably of brick, of two rooms deep and two storeys-and-garret high, with wings or separate dependencies to balance; a neat and orderly mansion, without steep gables, but with one cornice line for the whole building. This goal, of course, was the Georgian mansion of the eighteenth century.

At any rate, between 1680 and 1730 change permeated the air of Virginia, and a whole host of experimental buildings sprang up which we loosely label as "Transitional."

In the first place, the sash or "guillotine" window is one of the barometers indicating the Transitional stage to Georgian. No doubt by the 1680s such windows, comprising crude, vertically-sliding sash, which often fell suddenly on wrist or neck, like a French _guillotine_, were introduced into Virginia. But not until 1699 do the records reveal their existence, at which time they were specified for the Capitol in Williamsburg. Notwithstanding, such sash before 1700 was a rarity, because the cas.e.m.e.nt window was still fas.h.i.+onable.

[Ill.u.s.tration: Early Cell Types of Transitional Houses "Fen's Point," Va.

"Belmont" Lanc. Co. Va.]

Other first signs of the Transition are the diagonal or catercornered fireplace, the hipped or "pyramid" roof, the gambrel roof, and the open-well stairs, which mount up the sides of a room--an arrangement which Britons at home complained of as "wasters of s.p.a.ce." In short, it may be said that while these features may earmark a building as of the Transition, they are only thus _when_ combined with certain house-forms and floor plans. A diagonal fireplace by itself is no criterion of a building being Transitional.

[Ill.u.s.tration: A Transitional House Early "Cell" Type Towles Pt. c. 1711]

Many of the dwellings of this Style were "cell" houses. That is, there was a "cell" or "aisle" at the rear of the narrow Tudor cottage, one room deep. In the same way, the English parish church of single nave sometimes sprouted a side aisle in order to make more s.p.a.ce for paris.h.i.+oners. In the Old Dominion such elongated warts or "outshuts" at the rear of the homestead afforded additional bedroom s.p.a.ce over and beyond the cramped garret, but at the same time unfortunately threw off-center the steep medieval gable, thereby causing what the English have called a "catslide." A catslide roof is one in which the slope at the rear extends nearly the whole way to the ground. In New England the "cell" addition became the "lean-to." For such fabrics in Virginia we have coined the term, the _Early Cell_ type, one which was well represented by the destroyed "Towles Point," in Lancaster County.

Even so, the Virginian did not long relish an "ugly," though perhaps picturesque, catslide gable; therefore, he once more began to build symmetrically, at the same time keeping his little back "cells." When such gables became symmetrical, we may a.s.sign the examples to the _Late Cell_ type.

[Ill.u.s.tration: A "Late Cell" Transitional House Richardson House Jas. Cy. Co. Va.]

We find, moreover, that not all Transitional structures had "cells."

Sometimes the mark of experimentation is shown by other building forms, such as the one-room deep cottage mushrooming upward into a full second storey and garret; at other times the settler, dissatisfied with his "knock-head" bed chambers, experimented with the gambrel roof, frequently but mistakenly called the "Dutch roof." The gambrel, to the best of our knowledge, was introduced from England into the American Colonies in the 1680s; but it did not become widespread for almost half a century. Likewise Transitional are certain early Virginia homes with hip roofs, perhaps the best example being the brick "Abingdon Glebe" (c.

1700) in Gloucester County, where the one-and-a-half-storey main block of the house is exactly balanced by low end pavilions--each surmounted by a hipped roof.

There were other Virginia building experiments in the period covered by the Transition, but the foregoing is sufficient to summarize the Style, which paved the way for the Georgian in the eighteenth century.

IV

THE DEVELOPMENT OF ENGLISH ARCHITECTURE IN VIRGINIA.

i. THE COTTAGE PERIOD

The thirteen years between the founding of James Fort in 1607 and the landing of the Pilgrim Fathers at Plymouth Rock on Christmas Day, 1620, have been designated by this writer, for the sake of convenience, as the "Cottage" Period of Virginia architecture. It was in the "Cradle of the Republic," on James River, that we find the English styles taking root and flouris.h.i.+ng mightily. As a result, the United States of America became characterized more by these same English styles than by any other foreign style, such as French or Spanish.

For the most part--though not entirely--these first thirteen years of English settlement in Virginia were marked by rough shelters, temporary huts or booths, and fragile buildings. As a case in point, the first fortification thrown together upon the day of first landing upon Jamestown Island was of the skimpiest construction: boughs of trees cast together in the form of a half-moon. The first settlement at that time was frankly a bivouac, where a tented church was set up, and the customary lodging was a tent cover or a hole in the ground. Secretary Strachey wrote home to England about the ill-lodged colonists, of whom the poorer slept on the ground and the more fortunate had such miserable cottages that the sun pierced through them and made them hot as stoves.

All these fragile shelters have disappeared, but types of them have in later years been described. In 1621, for example, a servant by the name of Richard Chelsey was to have a new house built for him, in length, fourteen feet, and in breadth, twelve feet. In Northampton County one John Alford squeezed himself into a hut only five and a half feet high, with a doorway only four feet, nine inches and a quarter in height. Big enough for children! Some habitations did not bother about wood for walls; they were of earth or clay mixed with straw. This last type was represented in later years by some of the outhouses at "Four Mile Tree"

plantation, Virginia, which were made of red clay held together by chopped straw.

Such abbreviated buildings had waxed paper or curtains to cover their "wind-holes," sliding-panel windows, hinged shutters without gla.s.s, or tiny cas.e.m.e.nts.

In addition to these frail and temporary shelters were more substantial edifices, which may be cla.s.sified, according to present knowledge, as ill.u.s.trating at least five chief methods of English Medieval construction. These may be listed as follows:

1. The palisade 2. The puncheon 3. The cruck 4. Timber framing, including half-timber work 5. Brick

Now the first of these, _palisading_, was common in England for two thousand years and more, and, as we have already seen, was employed by the Virginia Indian, who invented it entirely independently of European contact. The first palisade on the James River, that of James Fort of 1607, comprised strong planks and posts placed close together four feet deep in the earth. They rose above ground about fourteen feet. But there was nothing, to our knowledge, which was unusual about that palisading, except, perhaps, its triangular shape. Most forts of that kind were square, but on Jamestown Island the fort was a triangle, supposedly forced into that configuration by the topography. At any rate, the customary bulwarks or watchtowers rose at the three corners of the fortification, and there was the usual moat and drawbridge.

English forts of this kind, with stockades and ditches, were common to Virginia, as for example, at Sir Walter Raleigh's Roanoke Fort of 1585 in North Carolina, formerly Virginia; at Old Point Comfort in 1609; in City of Henrico in 1611; at Claiborne's Kent Island trading post of 1621--now in Maryland; and at the "Town" on the Eastern Sh.o.r.e in 1623.

One of the longest palisades in all Virginia in the seventeenth century was Dale's "Dutch Gap" on the James. Its two-mile-long moat was lined by palisaded walls accented by towers.

After the Ma.s.sacre of 1622, the Colony of Virginia ordered (1624-25) all dwellings and plantations to be palisaded in, that is, to be enclosed by "Park-pales," as the English called them. Ordinarily walls about seven and a half feet high were tall enough for protection from sudden attack.

Even churches were palisaded in, as for example, the first church on the Eastern sh.o.r.e. In the 1630s one Stephen Charleton threatened to kick the Reverend Cotton over the paled fence--the "Pallyzados"--around that sacred edifice.

The second medieval method is _puncheoning_. It seems that the English made puncheons or "quarters" pretty much like the Indians, that is, they fas.h.i.+oned upright timbers or posts, set apart in the ground so that the s.p.a.ce between them was the same as the thickness of the timber or post.

Then they filled the interstices with "wattle-and-daub," a basketwork of branches, twigs, and roots, coated on both sides with loam and lime, mixed with straw. Back home in England, this filling of the s.p.a.ces was named "post and pan." On James River there is record of the Berkeley settlement of 1619 having most of the dwellings built of "punches" set in the earth and with boards for the roofs. Other huts were flimsy shelters merely "covered with boards," so that one spark could easily set them off. But when the English employed thin turf or sod for their roofs, the structures were safer from fire.

[Ill.u.s.tration: A Puncheoned Cot with wattle filling and clapboard roof]

In connection with this wattling and daubing of Virginia buildings, the two early churches on Eastern Sh.o.r.e are believed to have been puncheoned edifices. The second church (c. 1638), near Fis.h.i.+ng Creek was described as "of insignificant dimensions" and constructed of two materials: "roughly riled logs"--that is, vertical timbers, since log cabins as we know them were virtually unknown in the English colonies before 1660; and "wattles." A reference to "daubing" the first church (c. 1623), on King's Creek, leads us to believe that it also was built on "punches"

and was woven with wattles.

Now, about the third construction type, the _cruck_. No one has seen today an original cruck building in this country, but early Virginia possessed hundreds and perhaps thousands of cruck fabrics. Like the palisade and puncheon methods, the cruck was medieval down to its very core. In describing the James Fort church of 1607, Captain John Smith stated it was set upon "crotchets," covered with rafters, rushes, and earth. When he spoke of crotchet, he probably meant cruck, of which it was a later derivative. At all events, a building set on crucks means that it is supported or hung upon pairs of curved or bent tree trunks placed together in the shape of a Gothic pointed arch and s.p.a.ced one "bay" apart. It was the custom in medieval England to erect buildings in bays for the sake of convenience. A bay was the standard unit of length, generally sixteen feet, although it could vary. A four-bay cruck church on Jamestown Island means that there were five pairs of bent trees, or crucks, in total length some sixty-four feet, arranged in the following manner: : : : : : Then, upon the crucks were hung the side walls and the roof.

[Ill.u.s.tration: A Hypothetical Three-Bay Cruck House in Virginia]

Yet in this era of Virginia history before the "Mayflower" landed in New England, the most common of all the medieval types of construction is _timber-framing_. A building which was timber-framed was a substantial one, comprising a framework of posts set _far_ apart, of diagonal braces, and of studs, sills, plates, and girts--the ensemble fastened together securely with tongues and grooves and wooden pegs. It was the custom to cut and adz the timbers so that they would fit together neatly; and in order to do that, Roman numerals were cut into each timber to identify it. In that way the whole framework could be a.s.sembled properly and efficiently--the first pre-fabricated house in Virginia. So good were these timber-framed structures that the English in the Old Dominion called them "fair houses" and "English houses." In 1611 James City boasted of two fair rows of dwellings, all of framed timber, two storeys and garret, or corn-loft, high. At Berkeley, in 1619 there were two timber-framed habitations, and at the City of Henrico in 1611 three streets of well framed houses.

[Ill.u.s.tration: Example of Timber Framing in 17{th} C. Va.]

The timber-framed dwelling is the most commonly erected today in this country, although builders and carpenters no longer bother to number or to peg together the timbers.

In this Cottage Period about which we have been reading the general manner of framing structures was to either cover the framework or make "half-timber work." In the former method, weatherboarding (clapboards), or s.h.i.+ngle tiles or slate nailed to weatherboards, covered up the posts and studs. In the latter method, the filling between the studding would be left exposed to the elements. And this filling could take a variety of forms: plaster; "wattle-and-daub"; brick "nogging," with the bricks laid horizontally, in herring-bone, or helter-skelter; or mud and straw.

Contrary to popular opinion, there were undoubtedly _brick_ buildings in Virginia in the first thirteen years. It was at Jamestown in 1607 that President Wingfield visited "ould Short, the bricklayer." What do you suppose Short did in those early years of the Colony? He manufactured brick for chimneys, walks, walls, terraces, floors, kilns, and buildings--_brick_ buildings. Now brick for an edifice, usually laid in English bond, where the courses are alternately headers and stretchers, is still another English medieval method of construction, which became popular in Virginia. We know, for instance, that there were in 1611, in addition to the well-framed dwellings already cited at City of Henrico, some "competent and decent houses, the first storie all of brick." These were not purely brick structures but only part brick, which we have called buildings of "half-and-half work." The downstairs was brick, the upstairs timber-framed--another English medieval type.

Further, during the Cottage Period and for many a year afterward, the wooden chimney was the common method of smoke outlet. Strachey mentioned at James City not only the wattled buildings, but the "wide and large Country chimnies"--in other words, the wood or "Welsh" chimney, a medieval construction which dates back in English history to the eleventh century and before. Ordinarily the fire had its smoke and sparks sucked up a large wattle-and-daubed or lath-and-plastered hood resting on the garret floor, thence up a wood flue and out the stack, which might have been a barrel or wood box or some such contraption. At other times the whole chimney and fireplace were placed on the exterior, the better to protect against fire; and the boards were lined with crude lath and clay daubing. Still another kind of chimney was the "catted"

chimney, made of "cats" or rolled-up strips of clay mixed with straw, and placed closely together within a framework of wooden posts and rails. But you have to see these wooden chimneys to know how they actually appeared.

The story of this thirteen year period from 1607 to 1620 should not be concluded without mention of the influence of Indian building methods upon the English settlers. In 1608, after the great smoke of the fire had blown away from James City, the colonists under the direction of Captain Newport roofed some of their new homes with the bark of trees, which was cooler than their usual roofing clapboards or wooden s.h.i.+ngles.

Also they adorned their new rooms with mats woven into delicate colors and designs by the Indians.

Thatch for roofs did not go out of style altogether in favor of bark, because as late as 1638 there is record of a "thatcht" dwelling on the Eastern Sh.o.r.e of Virginia.

Plowden noted the construction in 1650 in some of our East Coast settlements of "arbour" houses, of poles and bark boards; and some of these _English_ arbor buildings were undoubtedly built in Jamestown and the other major settlements in earliest Virginia.