The Best of the World's Classics, Restricted to prose Volume II - Rome Part 8

It is the act of the generous spirit to proportion its efforts not to its own strength, but to that of human nature, to entertain lofty aims, and to conceive plans which are too vast to be carried into execution even by those who are endowed with gigantic intellects, who appoint for themselves the following rules: "I will look upon death or upon a comedy with the same expression of countenance: I will submit to labors, however great they may be, supporting the strength of my body by that of my mind: I will despise riches when I have them as much as when I have them not; if they be elsewhere I will not be more gloomy, if they sparkle around me I will not be more lively than I should otherwise be: whether Fortune comes or goes I will take no notice of her: I will view all lands as tho they belonged to me, and my own as tho they belonged to all mankind: I will so live as to remember that I was born for others, and will thank Nature on this account: for in what fas.h.i.+on could she have done better for me? she has given me alone to all, and all to me alone. Whatever I may possess, I will neither h.o.a.rd it greedily nor squander it recklessly.

I will think that I have no possessions so real as those which I have given away to deserving people: I will not reckon benefits by their magnitude or number, or by anything except the value set upon them by the receiver: I never will consider a gift to be a large one if it be bestowed upon a worthy object. I will do nothing because of public opinion, but everything because of conscience: whenever I do anything alone by myself I will believe that the eyes of the Roman people are upon me while I do it. In eating and drinking my object shall be to quench the desires of Nature, not to fill and empty my belly. I will be agreeable with my friends, gentle and mild to my foes: I will grant pardon before I am asked for it, and will meet the wishes of honorable men half-way. I will bear in mind that, the world is my native city, that its governors are the G.o.ds, and that they stand above and around me, criticizing whatever I do or say. Whenever either Nature demands my breath again, or reason bids me dismiss it, I will quit this life, calling all to witness that I have loved a good conscience, and good pursuits; that no one's freedom, my own least of all, has been impaired through me." He who sets up these as the rules of his life will soar aloft and strive to make his way to the G.o.ds: of a truth, even tho he fails, yet he

"Fails in a high emprise."

But you, who hate both virtue and those who practise it, do nothing at which we need be surprized, for sickly lights can not bear the sun, nocturnal creatures avoid the brightness of day, and at its first dawning become bewildered and all betake themselves to their dens together: creatures that fear the light hide themselves in crevices.

So croak away, and exercise your miserable tongues in reproaching good men: open wide your jaws, bite hard: you will break many teeth before you make any impression....

Where, indeed, can fortune invest riches more securely than in a place from whence they can always be recovered without any squabble with their trustee? Marcus Cato, when he was praising Curius and Coruncanius and that century in which the possession of a few small silver coins were an offense which was punished by the Censor, himself owned four million sesterces; a less fortune, no doubt, than that of Cra.s.sus, but larger than of Cato the Censor. If the amounts be compared, he had outstript his great-grandfather further than he himself was outdone by Cra.s.sus, and if still greater riches had fallen to his lot, he would not have spurned them, for the wise man does not think himself unworthy of any chance presents: he does not love riches, but he prefers to have them; he does not receive them into his spirit, but only into his house: nor does he cast away from him what he already possesses, but keeps them, and is willing that his virtue should receive a larger subject-matter for its exercise....

Cease, then, forbidding philosophers to possess money: no one has condemned wisdom to poverty. The philosopher may own ample wealth, but will not own wealth that which has been torn from another, or which is stained with another's blood: his must be obtained without wronging any man, and without its being won by base means; it must be alike honorably come by and honorably spent, and must be such as spite could alone shake its head at. Raise it to whatever figure you please, it will still be an honorable possession, if, while it includes much which every man would like to call his own, there be nothing which any one can say is his own. Such a man will not forfeit his right to the favor of Fortune, and will neither boast of his inheritance nor blush for it if it was honorably acquired; yet he will have something to boast of, if he throw his house open, let all his countrymen come among his property, and say, "If any one recognizes here anything belonging to him, let him take it." What a great man, how excellently rich will he be, if after this speech he possesses as much as he had before! I say, then, that if he can safely and confidently submit his accounts to the scrutiny of the people, and no one can find in them any item upon which he can lay hands, such a man may boldly and unconcealedly enjoy his riches. The wise man will not allow a single ill-won penny to cross his threshold; yet he will not refuse or close his door against great riches, if they are the gift of fortune and the product of virtue: what reason has he for grudging them good quarters: let them come and be his guests: he will neither brag of them nor hide them away: the one is the part of a silly, the other of a cowardly and paltry spirit, which, as it were, m.u.f.fles up a good thing in its lap.

As he is capable of performing a journey upon his own feet, but yet would prefer to mount a carriage, just so he will be capable of being poor, yet will wish to be rich; he will own wealth, but will view it as an uncertain possession which will some day fly away from him. He will not allow it to be a burden either to himself or to any one else: he will give it--why do you p.r.i.c.k up your ears? why do you open your pockets?--he will give it either to good men or to those whom it may make into good men. He will give it after having taken the utmost pains to choose those who are fittest to receive it, as becomes one who bears in mind that he ought to give an account of what he spends as well as of what he receives. He will give for good and commendable reasons, for a gift ill bestowed counts as a shameful loss: he will have an easily opened pocket, but not one with a hole in it, so that much may be taken out of it, yet nothing may fall out of it.

FOOTNOTES:

[Footnote 75: Seneca's influence on writers in his own day was notable. He seems almost to have superseded Cicero as a model. Critics of our day, while recognizing all this and the charm of his style, have found in his philosophy a lack of sincere qualities. An old question is that of his relations to Christianity. So much in his writings partakes of the spirit of the Apostles that he has been credited with having been influenced by them. It is known that his brother Gallio met St. Paul in Corinth and that Burrus, the colleague and intimate friend of Seneca, was the captain of the Praetorian guards before whom St. Paul was brought in Rome. Cruttwell dismisses the claim, believing that Seneca's philosophy was "the natural development of the thoughts of his predecessors in a mind at once capacious and smitten with the love of virtue." Philosophy to Seneca was "altogether a question of practise." Like other thinkers of his day, "he cared nothing for consistency of opinion, everything for impressiveness of application."]

[Footnote 76: From Book II of the "Minor Essays." Translated by Aubrey Stewart.]

[Footnote 77: Quintilius Fabius, the general, who before the battle of Cannae commanded in Italy against Hannibal. He was famous for avoiding pitched battles and hence the term "Fabian policy."]

[Footnote 78: From Book VI of the "Minor Essays." Translated by Aubrey Stewart. Marcia, to whom this letter was addrest, was "a respectable and opulent lady," the daughter of Cremutius Cordus.]

[Footnote 79: Made Consul with Julius Caesar in 59 B.C. He represented the aristocratic party and bitterly opposed some of the measures of Caesar. In the war with Pompey he joined his forces to those of Pompey.]

[Footnote 80: A legendary maiden delivered as hostage to Lars Porsena of Clusium, but who escaped by swimming across the Tiber.]

[Footnote 81: Marcus Livius Drusus was a politician, who in 91 B.C.

became tribune of the plebs. He was about to bring forward a proposal giving citizens.h.i.+p to the Italians when he was a.s.sa.s.sinated, an event which precipitated the Social War.]

[Footnote 82: From the "Minor Essays." Translated by Aubrey Stewart.

"This," says Alexander Thomson, the eighteenth-century translator of Suetonius, "appears to have been written in the beginning of the reign of Nero, on whom the author bestows some high encomiums which at that time seem not to have been dest.i.tute of foundation."]

[Footnote 83: Burrus in 52 A.D. had been made sole Praetorian Praefect by Claudius and, conjointly with Seneca, was entrusted with the education of Nero. It was his influence with the Praetorian Guards that secured to Nero in 54 the independent succession. He was put to death by poison, under orders from Nero, who had been offended by the severity of his moral conduct.]

[Footnote 84: From Epistle 85. Translated by Thomas Lodge. Printed here with the spelling and punctuation of the first edition (1613).]

[Footnote 85: From Book VII of the "Minor Essays." Translated by Aubrey Stewart. This essay addrest to Gallio, Seneca is thought to have intended "as a vindication of himself against those who calumniated him on account of his riches and manner of living."]

PLINY THE ELDER

Born in Como, in 23 A.D.; perished in the eruption of Vesuvius in 79; celebrated as naturalist; commanded cavalry in Germany at the age of twenty-three; procurator in Spain under Nero; wrote voluminously on military tactics, history, grammar and natural science; his death due to his efforts to observe more closely the eruption; of all his writings only his "Natural History" in thirty-seven books has survived.

I

THE QUALITIES OF THE DOG[86]

Among the animals that are domesticated with mankind there are many circ.u.mstances that are deserving of being known: among these there are more particularly that most faithful friend of man, the dog, and the horse. We have an account of a dog that fought against a band of robbers in defending its master; and altho it was pierced with wounds, still it would not leave the body, from which it drove away all birds and beasts. Another dog, in Epirus, recognized the murderer of its master in the midst of an a.s.semblage of people, and, by biting and barking at him, extorted from him a confession of his crime. A king of the Garamantes,[87] also, was brought back from exile by two hundred dogs, which maintained the combat against all his opponents. The people of Colophon[88] and Castabala[89] kept troops of dogs for the purposes of war; and these used to fight in the front rank and never retreat; they were the most faithful of auxiliaries, and yet required no pay. After the defeat of the Cimbri[90] their dogs defended their movable houses, which were carried upon wagons. Jason, the Lycian, having been slain, his dog refused to take food, and died of famine. A dog, to which Darius gives the name of Hyrca.n.u.s, upon the funeral pile of King Lysimachus being lighted, threw itself into the flames; and the dog of King Hiero[91] did the same. Philistus also gives a similar account of Pyrrhus, the dog of the tyrant Gelon; and it is said also, that the dog of Nicomedes, King of Bithynia[92], tore Consingis, the wife of that king, in consequence of her wanton behavior, when toying with her husband.

Dogs are the only animals that are sure to know their masters, and if they suddenly meet him as a stranger, they will instantly recognize him. They are the only animals that will answer to their names, and recognize the voices of the family. They recollect a road along which they have pa.s.sed, however long it may be. Next to man there is no living creature whose memory is so retentive. By sitting down on the ground we may arrest their most impetuous attack, even when prompted by the most violent rage.

In daily life, we have discovered many other valuable qualities in this animal; but its intelligence and sagacity are more especially shown in the chase. It discovers and traces out the tracks of the animal, leading by the leash the sportsman who accompanies it straight up to the prey; and as soon as ever it has perceived it, how silent it is, and how secret but significant is the indication which it gives, first by the tail and afterward by the nose!

When Alexander the Great was on his Indian expedition, he was presented by the King of Albania with a dog of unusual size; being greatly delighted with its n.o.ble appearance, he ordered bears, and after them wild boars, and then deer, to be let loose before it; but the dog lay down and regarded them with a kind of immovable contempt.

The n.o.ble spirit of the general became irritated by the sluggishness thus manifested by an animal of such vast bulk, and he ordered it to be killed. The report of this reached the king, who accordingly sent another dog, and at the same time sent word that its powers were to be tried, not upon small animals, but upon the lion or the elephant; adding, that he had originally but two, and that if this one were put to death, the race would be extinct. Alexander, without delay, procured a lion, which in his presence was instantly torn to pieces.

He then ordered an elephant to be brought, and never was he more delighted with any spectacle; for the dog, bristling up its hair all over the body, began by thundering forth a loud barking, and then attacked the animal, leaping at it first on the one side and then on the other, attacking it in the most skilful manner, and then again retreating at the opportune moment, until at last the elephant, being rendered quite giddy by turning round and round, fell to the earth, and made it quite reecho with its fall.

II

THREE GREAT ARTISTS OF GREECE[93]

Apelles,[94] of Cos, surpa.s.sed all the other painters who either preceded or succeeded him. Single-handed, he contributed more to painting than all the others together, and even went so far as to publish some treatises on the principles of the art. The great point of artistic merit with him was his singular charm of gracefulness, and this too, tho the greatest of painters were his contemporaries. In admiring their works and bestowing high eulogiums upon them, he used to say that there was still wanting in them that equal of beauty so peculiar to himself, and known to the Greeks as "Charis"; others, he said, had acquired all the other requisites of perfection, but in this one point he himself had no equal. He also a.s.serted his claim to another great point of merit; admiring a picture by Protogenes, which bore evident marks of unbounded laboriousness and the most minute finish, he remarked that in every respect Protogenes was fully his equal, or perhaps his superior, except in this, that he himself knew when to take his hand off a picture--a memorable lesson, which teaches us that over-carefulness may be productive of bad results. His candor, too, was equal to his talent; he acknowledged the superiority of Melanthius[95] in his grouping, and of Asclepiodorus in the niceness of his measurements, or in other words, the distances that ought to be left between the objects represented.

A circ.u.mstance that happened to him in connection with Protogenes[96]

is worthy of notice. The latter was living at Rhodes, when Apelles disembarked there, desirous of seeing the works of a man whom he had hitherto only known by reputation. Accordingly, he repaired at once to the studio; Protogenes was not at home, but there happened to be a large panel upon the easel ready for painting, with an old woman who was left in charge. To his inquiries she made answer that Protogenes was not at home; and then asked whom she should name as the visitor.

"Here he is," was the reply of Apelles; and seizing a brush, he traced with color upon the panel an outline of a singularly minute fineness.

Upon his return the old woman mentioned to Protogenes what had happened. The artist, it is said, upon remarking the delicacy of the touch, instantly exclaimed that Apelles must have been the visitor, for that no other person was capable of executing anything so exquisitely perfect. So saying, he traced within the same outline a still finer outline, but with another color; and then took his departure, with instructions to the woman to show it to the stranger if he returned, and to let him know that this was the person whom he had come to see.

It happened as he antic.i.p.ated--Apelles returned; and vexed at finding himself thus surpa.s.sed, he took up another color and split both of the outlines, leaving no possibility of anything finer being executed.

Upon seeing this, Protogenes admitted that he was defeated, and at once flew to the harbor to look for his guest. He thought proper, too, to transmit the panel to posterity, just as it was; and it always continued to be held in the highest admiration by all--artists in particular. I am told that it was burned in the first fire which took place at Caesar's palace on the Palatine Hill; but in former times I have often stopt to admire it. Upon its vast surface it contained nothing whatever except the three outlines, so remarkably fine as to escape the sight: among the most elaborate works of numerous other artists it had all the appearance of a blank s.p.a.ce; and yet by that very fact it attracted the notice of every one, and was held in higher estimation than any other painting there.

It was a custom with Apelles, to which he most tenaciously adhered, never to let any day pa.s.s, however busy he might be, without exercising himself by tracing some outline or other; a practise which has now pa.s.sed into a proverb. It was also a practise with him, when he had completed a work, to exhibit it to the view of the pa.s.sers-by in some exposed place; while he himself, concealed behind the picture, would listen to the criticisms that were pa.s.sed upon it: it being his opinion that the judgment of the public was preferable to his own, as being the more discerning of the two. It was under these circ.u.mstances, they say, that he was censured by a shoemaker for having represented the shoes with one shoe-string too little. The next day, the shoemaker, quite proud at seeing the former error corrected, thanks to his advice, began to criticize the leg; upon which Apelles, full of indignation, popped his head out, and reminded him that a shoemaker should give no opinion beyond the shoes--a piece of advice which has equally pa.s.sed into a proverbial saying. In fact, Apelles was a person of great amenity of manners--a circ.u.mstance which rendered him particularly agreeable to Alexander the Great, who would often come to his studio. He had forbidden himself by public edict, as already stated, to be represented by any other artist. On one occasion, however, when the prince was in his studio, talking a great deal about painting without knowing anything about it, Apelles quietly begged that he would quit the subject, telling him that he would get laughed at by the boys who were there grinding the colors; so great was the influence which he rightfully possest over a monarch who was otherwise of an irascible temperament. And yet, irascible as he was, Alexander conferred upon him a very signal mark of the high estimation in which he held him: for having, in his admiration of her extraordinary beauty, engaged Apelles to paint Pancaste undraped--the most beloved of all his concubines--the artist while so engaged fell in love with her; upon which, Alexander, perceiving this to be the ease, made him a present of her: thus showing himself, tho a great king in courage, a still greater one in self-command--this action redounding no less to his honor than any of his victories.

Superior to all the statues not only of Praxiteles,[97] but of any other artist that ever existed, is his Cnidian Venus; for the inspection of which, many persons before now have purposely undertaken a voyage to Cnidos. The artist made two statues of the G.o.ddess, and offered them both for sale: one of them was represented with drapery, and for this reason was preferred by the people of Cos, who had the choice; the second was offered them at the same price, but on the grounds of propriety and modesty they thought fit to choose the other.

Upon this, the Cnidians purchased the rejected statue, and immensely superior has it always been held in general estimation. At a later period, King Nicomedes wished to purchase this statue of the Cnidians, and made them an offer to pay off the whole of their public debt, which was very large. They preferred, however, to submit to any extremity rather than part with it; and with good reason, for by this statue Praxiteles has perpetuated the glory of Cnidos. The little temple in which it is placed is open on all sides, so that the beauties of the statue admit of being seen from every point of view--an arrangement which was favored by the G.o.ddess herself, it is generally believed.

Among all nations which the fame of the Olympian Jupiter has reached, Phidias[98] is looked upon, beyond all doubt, as the most famous of artists; but to let those who have never seen his works know how deservedly he is esteemed, we will take this opportunity of adducing a few slight proofs of the genius which he displayed. In doing this we shall not appeal to the beauty of his Olympian Jupiter, nor yet to the vast proportions of his Athenian Minerva, six-and-twenty cubits in height, and composed of ivory and gold: but it is to the s.h.i.+eld of this last statue that we shall draw attention; upon the convex face of which he has chased a combat of the Amazons, while upon the concave side of it he has represented the battle between the G.o.ds and the giants. Upon the sandals, again, we see the wars of the Lapithae and Centaurs; so careful has he been to fill every smallest portion of his work with some proof or other of his artistic skill.

FOOTNOTES:

[Footnote 86: From the "Natural History." Translated by John Bostock and H. T. Riley.]

[Footnote 87: A name applied to tribes living in Africa east of the desert of Sahara.]

[Footnote 88: An Ionian city of Asia, distant seventy miles from Ephesus.]

[Footnote 89: An interior town of Cilicia, in Asia Minor.]

[Footnote 90: The home of this warlike people appears to have been Jutland.]