Letters from an American Farmer Part 1

Letters from an American Farmer.

by Hector St. John de Crevecoeur.

INTRODUCTION

Hazlitt wrote that of the three notable writers whom the eighteenth century had produced, in the North American colonies, one was "the author (whoever he was) of the American Farmer's Letters."

Crevecoeur was that unknown author; and Hazlitt said further of him that he rendered, in his own vividly characteristic manner, "not only the objects, but the feelings, of a new country." Great is the essayist's relish for pa.s.sages descriptive of "a battle between two snakes," of "the dazzling, almost invisible flutter of the humming- bird's wing," of the manners of "the Nantucket people, their frank simplicity, and festive rejoicings after the perils and hards.h.i.+ps of the whale-fis.h.i.+ng." "The power to sympathise with nature, without thinking of ourselves or others, if it is not a definition of genius, comes very near to it," writes Hazlitt of our author. And his references to Crevecoeur are closed with the remark: "We have said enough of this ILl.u.s.tRIOUS OBSCURE; for it is the rule of criticism to praise none but the over-praised, and to offer fresh incense to the idol of the day."

Others, at least, have followed that "rule of criticism," and the American Farmer has long enjoyed undisturbed seclusion. Only once since the eighteenth century has there been a new edition of his Letters, that were first published at London in 1782, and reissued, with a few corrections, in the next year. The original American edition of this book about America was that published at Philadelphia in 1793, and there was no reprint till 1904, [Footnote: References may be found to American editions of 1794 and 1798, but no copies of such editions are preserved in any library to which the editor has had access.] when careless editing did all it could to destroy the value of the work, the name of whose very author was misstated. Yet the facts which we have concerning him are few enough to merit truthful presentation.

I

Except by naturalisation, the author of Letters from an American Farmer was not an American; and he was no ordinary farmer. Yet why quarrel with him for the naming of his book, or for his signing it "J. Hector Saint-John," when the "Hector" of his t.i.tle-pages and American biographers was only a prenom de faintaisie? We owe some concessions to the author of so charming a book, to the eighteenth- century Th.o.r.eau. His life is certainly more interesting than the real Th.o.r.eau's--and would be, even if it did not present many contradictions. Our records of that life are in the highest degree inexact; he himself is wanting in accuracy as to the date of more than one event. The records, however, agree that Crevecoeur belonged to the pet.i.te n.o.blesse of Normandy. The date of his birth was January 31, 1735, the place was Caen, and his full name (his great- grandson and biographer vouches for it) was Michel-Guillaume-Jean de Crevecoeur. The boy was well enough brought up, but without more than the attention that his birth gave him the right to expect; he divided the years of his boyhood between Caen, where his father's town-house stood, and the College du Mont, where the Jesuits gave him his education. A letter dated 1785 and addressed to his children tells us all that we know of his school-days; though it is said, too, that he distinguished himself in mathematics. "If you only knew," the reminiscent father of a family exclaims in this letter, "in what shabby lodging, in what a dark and chilly closet, I was mewed up at your age; with what severity I was treated; how I was fed and dressed!" Already his powers of observation, that were so to distinguish him, were quickened by his old-world milieu.

"From my earliest youth," he wrote in 1803, "I had a pa.s.sion for taking in all the antiques that I met with: moth-eaten furniture, tapestries, family portraits, Gothic ma.n.u.scripts (that I had learned how to decipher), had for me an indefinable charm. A little later on, I loved to walk in the solitude of cemeteries; to examine the tombs and to trace out their mossy epitaphs. I knew most of the churches of the canton, the date of their foundation, and what they contained of interest in the way of pictures and sculptures."

The boy's gift of accurate and keen observation was to be tested soon by a very different cla.s.s of objects: there were to be no crumbling saints and canvases of Bed-Chamber Grooms for him to study in the forests of America; no reminders of the greatness of his country's past, and the honour of his family.

From school, the future woodsman pa.s.sed over into England. A distant relative was living near Salisbury; for one reason or another the boy was sent thither to finish his schooling. From England, with what motives we know not, he set out for the New World, where he was to spend his busiest and happiest days. In the Bibliotheca Americana Nova Rich makes the statement that Crevecoeur was but sixteen when he made the plunge, and others have followed Rich in this error. The lad's age was really not less than nineteen or twenty. According to the family legend, his s.h.i.+p touched at Lisbon on the way out; one cannot decide whether this was just before or immediately after the great earthquake. Then to New France, where he joined Montcalm.

Entering the service as cadet, he advanced to the rank of lieutenant; was mentioned in the Gazette; shared in the French successes; drew maps of the forests and block-houses that found their way to the king's cabinet; served with Montcalm in the attack upon Fort William Henry. With that the record is broken off: we can less definitely a.s.sociate his name with the humiliation of the French in America than with their brief triumphs. Yet it is quite certain, says Robert de Crevecoeur, his descendant, that he did not return to France with the rag-tag of the defeated army. Quebec fell before Wolfe's attack in September 1759; at some time in the course of the year 1760 we may suppose the young officer to have entered the British colonies; to have adopted his family name of "Saint John" (Saint-Jean), and to have gradually worked his way south, probably by the Hudson. The reader of the Letters hardly supposes him to have enjoyed his frontier life; nor is there any means of knowing how much of that life it was his fortune to lead. In time, he found himself as far south as Pennsylvania. He visited s.h.i.+ppensburg and Lancaster and Carlisle; perhaps he resided at or near one of these towns. Many years later, when his son Louis purchased a farm of two hundred acres from Chancellor Livingstone, at Navesink, near the Blue Mountains, Crevecoeur the elder was still remembered; and it may have been at this epoch that he visited the place. During the term of his military service under Montcalm, Crevecoeur saw something of the Great Lakes and the outlying country; prior to his experience as a cultivator, and, indeed, after he had settled down as such, he "travelled like Plato," even visited Bermuda, by his own account. Not until 1764, however, have we any positive evidence of his whereabouts; it was in April of that year that he took out naturalisation papers at New York. Some months later, he installed himself on the farm variously called Greycourt and Pine-Hill, in the same state; he drained a great marsh there, and seems to have practised agriculture upon a generous scale. The certificate of the marriage of Crevecoeur to Mehitable Tippet, of Yonkers is dated September 20, 1769; and of this union three children were the issue. And more than children: for with the marriage ceremony once performed by the worthy Tetard, a clergyman of New York, formerly settled over a French Reformed Church at Charleston, South Carolina, Crevecoeur is more definitely than ever the "American Farmer"; he has thrown in his lot with that new country; his children are to be called after their parent's adopted name, Saint-John; the responsibilities of the adventurer are multiplied; his life in America has become a matter more easy to trace and richer, perhaps, in meaning.

II

One of the historians of American literature has written that these Letters furnish "a greater number of delightful pages than any other book written in America during the eighteenth century, save only Franklin's Autobiography." A safe compliment, this; and yet does not the very emptiness of American annals during the eighteenth century make for our cheris.h.i.+ng all that they offer of the vivid and the significant? Professor Moses Coit Tyler long ago suggested what was the literary influence of the American Farmer, whose "idealised treatment of rural life in America wrought quite traceable effects upon the imaginations of Campbell, Byron, Southey, Coleridge, and furnished not a few materials for such captivating and airy schemes of literary colonisation in America as that of 'Pantisocracy.'"

Hazlitt praised the book to his friends and, as we have seen, commended it to readers of the Edinburgh Review. Lamb mentions it in one of his letters--which is already some distinction. Yet when was a book more completely lost to popular view--even among the books that have deserved oblivion? The Letters were published, all the same, at Belfast and Dublin and Philadelphia, as well as at London; they were recast in French by the author, translated into German and Dutch by pirating penny-a-liners, and given a "sequel" by a publisher at Paris. [Footnote: Ouvrage pour servir de suite aux Lettres d'un cultivateur Americain, Paris, 1785. The work so offered seems to have been a translation of John Filson's History of Kentucky (Wilmington, Del., 1784).]

The American Fanner made his first public appearance eleven years before Chateaubriand found a publisher for his Essai sur les Revolutions, wherein the great innovator first used the American materials that he worked over more effectively in his travels, tales, and memoirs. In Saint-John de Crevecoeur, we have a contemporary--a correspondent, even--of Franklin; but if our author shared many of poor Richard's interests, one may travel far without finding a more complete ant.i.thesis to that common-sense philosopher.

Crevecoeur expresses mild wonderment that, while so many travellers visit Italy and "the town of Pompey under ground," few come to the new continent, where may be studied, not what is found in books, but "the humble rudiments and embryos of society spreading everywhere, the recent foundations of our towns, and the settlements of so many rural districts." In the course of his sixteen or seventeen years'

experience as an American farmer he himself studied all these matters; and he gives us a charming picture of them. Though his book has very little obvious system, its author describes for us frontier and farm; the ways of the Nantucket fishermen and their intrepid wives; life in the Middle Colonies; the refinements and atrocities of Charleston. Crevecoeur's account of the South (that he knew but superficially and--who knows?--more, it may be, by Tetard's anecdotes than through personal knowledge) is the least satisfactory part of his performance. One feels it to be the most "literary"

portion of a book whose beauty is naivete. But whether we accept or reject the story of the negro malefactor hung in a cage from a tree, and pecked at by crows, it is certain that the traveller justly regarded slavery as the one conspicuous blot on the new country's s.h.i.+eld. Crevecoeur was not an active abolitionist, like that other naturalised Frenchman, Benezet of Philadelphia; he had his own slaves to work his northern farms; he was, however, a man of humane feelings--one who "had his doubts." [Footnote: In his Voyage dans la Haute Pensylvanie (sic) et dans l'Etat de New York (Paris, 1801) slavery is severely attacked by Crevecoeur. His descendant, Robert de Crevecoeur, refers to him as "a friend of Wilberforce."] And his narrative description of life in the American colonies in the years immediately preceding the Revolution is one that social historians cannot ignore.

Though our Farmer emphasises his plainness, and promises the readers of his Letters only a matter-of-fact account of his pursuits, he has his full share of eighteenth-century "sensibility." Since he is, however, at many removes from the sophistications of London and Paris, he is moved, not by the fond behaviour of a lap-dog, or the "little arrangements" carters make with the bridles of their faithful a.s.ses (that they have driven to death, belike), but by such matters as he finds at home. "When I contemplate my wife, by my fire-side, while she either spins, knits, darns, or suckles our child, I cannot describe the various emotions of love, of grat.i.tude, or conscious pride which thrill in my heart, and often overflow in voluntary tears ..." He is like that old cla.s.smate's of Fitzgerald's, buried deep "in one of the most out-of-the-way villages in all England," for if he goes abroad, "it is always involuntary. I never return home without feeling some pleasant emotion, which I often suppress as useless and foolish." He has his reveries; but they are pure and generous; their subject is the future of his children. In midwinter, instead of trapping and "murthering" the quail, "often in the angles of the fences where the motion of the wind prevents the snow from settling, I carry them both chaff and grain: the one to feed them, the other to prevent their tender feet from freezing fast to the earth as I have frequently observed them to do." His love of birds is marked: this in those provinces of which a German traveller wrote: "In the thrush kind America is poor; there is only the red-breasted robin. ...

There are no sparrows. Very few birds nest in the woods; a solemn stillness prevails through them, interrupted only by the screaming of the crows." It is good, after such a pa.s.sage as this has been quoted, to set down what Crevecoeur says of the bird kingdom. "In the spring," he writes, "I generally rise from bed about that indistinct interval which, properly speaking, is neither night nor day:" for then it is that he enjoys "the universal vocal choir." He continues--more and more lyrically: "Who can listen unmoved, to the sweet love-tales of our robins, told from tree to tree? Or to the shrill cat birds? The sublime accents of the thrush from on high, always r.e.t.a.r.d my steps, that I may listen to the delicious music."

And the Farmer is no less interested in "the astonis.h.i.+ng art which all birds display in the construction of their nests, ill provided as we may suppose them with proper tools; their neatness, their convenience." At some time during his American residence he gathered the materials for an unpublished study of ants; and his bees proved an unfailing source of entertainment. "Their government, their industry, their quarrels, their pa.s.sions, always present me with something new," he writes; adding that he is most often to be found, in hours of rest, under the locust tree where his beehive stands.

"By their movements," says he, "I can predict the weather, and can tell the day of their swarming." When other men go hunting game, he goes bee-hunting. Such are the matters he tells of in his Letters.

One difference from the stereotyped "sensibility" of the old world one may discover in the openness of Crevecoeur's heart; and that is the completeness of his interest in all the humbler sorts of natural phenomena. Nature is, for him, no mere bundle of poetic stage- properties, soiled by much handling, but something fresh and inviting and full of interest to a man alive. He takes more pleasure in hunting bees than in expeditions with his dogs and gun; the king- birds destroy his bees--but, he adds, they drive the crows away.

Ordinarily he could not persuade himself to shoot them. On one occasion, however, he fired at a more than commonly impertinent specimen, "and immediately opened his maw, from which I took 171 bees; I laid them all on a blanket in the sun, and to my great surprise fifty-four returned to life, licked themselves clean, and joyfully went back to the hive, where they probably informed their companions of such an adventure and escape, as I believe had never happened before to American bees." Must one regard this as a fable?

It is by no means as remarkable a yarn as one may find told by other naturalists of the same century. There is, for example, that undated letter of John Bartram's, in which he makes inquiries of his brother William concerning "Ye Wonderful Flower;" [Footnote: see "A Botanical Marvel," in The Nation (New York), August 5, 1909.] there is, too, Kalm's report of Bartram's bear: "When a bear catches a cow, he kills her in the following manner: he bites a hole into the hide and blows with all his power into it, till the animal swells excessively and dies; for the air expands greatly between the flesh and the hide." After these fine fancies, where is the improbability of Crevecoeur's modest adaptation of the Jonah-allegory that he applies to the king-bird and his bees? The episode suggests, for that matter, a chapter in Mitch.e.l.l's My Farm at Edgewood. Mitch.e.l.l, a later American farmer, describes the same king-birds, the same bees; has, too, the same supremely gentle spirit. "I have not the heart to shoot at the king-birds; nor do I enter very actively into the battle of the bees. ... I give them fair play, good lodging, limitless flowers, willows bending (as Virgil advises) into the quiet water of a near pool; I have even read up the stories of a poor blind Huber, who so dearly loved the bees, and the poem of Giovanni Rucellai, for their benefit." Can the reader state, without stopping to consider, which author it was that wrote thus--Mitch.e.l.l or Crevecoeur? Certainly it is the essential modernity of the earlier writer's style that most impresses one, after the charm of his pictures. His was the age of William Livingston--later Governor of the State of New Jersey; and in the very year when a London publisher was bringing out the first edition of the Farmer's Letters, Livingston, described on his t.i.tle-page as a "young gentleman educated at Yale College," brought out his Philosophic Solitude at Trenton, in his native state. It is worth quoting Philosophic Solitude for the sake of the comparison to be drawn between Crevecoeur's prose and contemporary American verse:-

"Let ardent heroes seek renown in arms, Pant after fame, and rush to war's alarms ...

Mine be the pleasures of a RURAL life."

The thought is, after all, the same as that which we have found less directly phrased in Crevecoeur. But let us quote the lines that follow the exordium--now we should find the poet unconstrained and fancy-free:--

"Me to sequestred scenes, ye muses, guide, Where nature wantons in her virgin-pride; To mossy banks edg'd round with op'ning flow'rs, Elysian fields, and amaranthin bow'rs. ...

Welcome, ye shades! all hail, ye vernal blooms!

Ye bow'ry thickets, and prophetic glooms!

Ye forests hail! ye solitary woods. ..."

and the "solitary woods" (rhyming with "floods") are a good place to leave the "young gentleman educated at Yale College." Livingston was, plainly enough, a poet of his time and place. He had a fine eye for Nature--seen through library windows. He echoed Goldsmith and a whole line of British poets--echoed them atrociously.

That one finds no "echoes" in Crevecoeur is one of our reasons for praising his spontaneity and vigour. He did not import nightingales into his America, as some of the poets did. He blazed away, rather, toward our present day appreciation of surrounding nature--which was not ba.n.a.l then. Crevecoeur's honest and unconventionalised love of his rural environment is great enough to bridge the difference between the eighteenth and the twentieth century. It is as easy for us to pa.s.s a happy evening with him as it was for Thomas Campbell, figuring to himself a realisation of Cowley's dreams and of Rousseau's poetic seclusion; "till at last," in Southey's words, "comes an ill-looking Indian with a tomahawk, and scalps me--a most melancholy proof that society is very bad." It is the freshness, the youthfulness, of these Letters, after their century and more of dust-gathering, that is least likely to escape us. And this "Farmer in Pennsylvania" is almost as unmistakably of kin with good Gilbert White of Selborne as he is the American Th.o.r.eau's eighteenth-century forerunner.

III

It is time, indeed, that we made the discovery that Crevecoeur was a modern. He was, too, a dweller in the young republic--even before it WAS a republic. Twice a year he had "the pleasure of catching pigeons, whose numbers are sometimes so astonis.h.i.+ng as to obscure the sun in their flight." There is, then, no poetic licence about Longfellow's description, in Evangeline, of how--

"A pestilence fell on the city Presaged by wondrous signs, and mostly by flocks of wild pigeons, Darkening the sun in their flight, with naught in their craws but an acorn."

Longfellow could have cited as his authority for this flight of pigeons Mathew Carey's Record of the Malignant Fever lately Prevalent, published at Philadelphia, which, to be sure, discusses a different epidemic, but tells us that "amongst the country people, large quant.i.ties of wild pigeons in the spring are regarded as certain indications of an unhealthy summer. Whether or not this prognostic has ever been verified, I cannot tell. But it is very certain that during the last spring the numbers of these birds brought to market were immense. Never, perhaps, were there so many before."

Carey wrote in 1793, the year, as has been noted, of the first American reprint of the Letters, that had first been published at London. Carey was himself Crevecoeur's American publisher; and he may well have thought as he wrote the lines quoted of Crevecoeur's earlier pigeons "obscuring the sun in their flight." Crevecoeur had by this time returned to France, and was never more to ply the avocations of the American farmer. In the interval, much had happened to this victim of both the revolutions. Though the Letters are distinguished by an idyllic temper, over them is thrown the shadow of impending civil war. The Farmer was a man of peace, for all his experience under Montcalm in Canada (and even there his part was rather an engineer's than a combatant's); he long hoped, therefore, that peaceful counsels would prevail, and that England and the colonies would somehow come to an understanding without hostilities. Then, after the Americans had boldly broken with the home government, he lent them all his sympathy but not his arms. He had his family to watch over; likewise his two farms, one in Orange County, New York, one in New Jersey. As it was, the Indians in the royal service burned his New Jersey estate; and after his first return to France (he was called thither by his father, we are told, though we know nothing of the motives of this recall) he entered upon a new phase of his career. "After his first return to France,"

I have said, as if that had been an entirely simple matter. One cannot here describe all its alleged difficulties; his arrest at New York as a suspected spy (though after having secured a pa.s.s from the American commander. General MacDougal, he had secured a second pa.s.s from General Clinton, and permission to embark for France); his detention in the provost's prison in New York; the final embarkation with his oldest son--this on September 1, 1780; the s.h.i.+pwreck which he described as occurring off the Irish coast; his residence for some months in Great Britain, and during a part of that time in London, where he sold the ma.n.u.script of the Letters for thirty guineas. One would like to know Crevecoeur's emotions on finally reaching France and joining his father and relatives at Caen. One would like to describe his romantic succour of five American seamen, who had escaped from an English prison and crossed the Channel in a sloop to Normandy. A cousin of one of these seamen, a Captain Fellowes of Boston, was later to befriend Crevecoeur's daughter and younger son in the new country; that was after the Loyalists and their Indian allies had destroyed the Farmer's house at Pine Hill, after his wife had fled to Westchester with her two children, and had died there soon after, leaving them unprotected. But all this must, in nautical phrase, "go by the board," including the novel founded upon the episode. Nor can we linger over Crevecoeur's entry into polite society, both in the Norman capital and at Paris. Fancy the returned prodigal--if one may so describe him--in the salon of Madame d'Houdetot, Rousseau's former mistress! He was fairly launched, this American Farmer, in the society of the lettres.

"Twice a week," he wrote, some years after, "I went with M. de Turgot to see the d.u.c.h.esse de Beauvilliers, his sister; and another twice-a-week I went with him to the Comte de Buffon's. ... It was at the table of M. de Buffon, it was in his salon, during long winter evenings, that I was awakened once more to the graces, the beauties, the timid purity of our tongue, which, during my long sojourn in North America, had become foreign to me, and of which I had almost lost command--though not the memory."

Madame d'Houdetot presented Crevecoeur to the families of La Rochefoucauld, Liancourt, d'Estissac, Breteuil, Rohan-Chabot, Beauvau, Necker; to the academicians d'Alembert, La Harpe, Grimm, Suard, Rulbriere; to the poet-academician Delille. We have in the Memoires of Brissot an allusion to his entrance into this society, under the wing of his elderly protectress:--

"Proud of possessing an American savage, she wished to form him, and to launch him in society. He had the good sense to refuse and to confine himself to the picked society of men of letters."

It was at a later period that Brissot and Crevecoeur were to meet; their quarrel, naturally, came later still.

Madame d'Houdetot did more than entertain the Farmer, whose father had been one of her oldest friends. She secured his nomination as Consul-General to the United States, now recognised by France; it was at New York that he took up residence. Through the influence of Madame d'Houdetot and her friends, he retained the appointment through the stormy years that followed, though in the end he was obliged to make way for a successor more in sympathy with the violent republicanism of the age. Throughout the years of the French Revolution, the ex-farmer lived a life of retirement, and, if never of conspicuous danger, of embarra.s.sment enough, and of humiliation.

We need not discuss those years spent at Paris; or the visits paid, after the close of the Revolution, to his son-in-law and daughter, for his daughter Frances-America was married to a French Secretary of Legation, who became a Count of the Empire. Now he was in Paris or the suburbs; now in London, or Munich. Five years of the Farmer's later life were spent at the Bavarian capital; Maximilian entertained him there, and told him that he had read his book with the keenest pleasure and great profit too. He busied himself in preparing his three-volume Voyage dans la Haute Pensylvanie (sic) et dans l'Etat de New York, and in adding to his paper on potato culture,[Footnote: Traite de la Culture des Pommes de Terre, 1782.]

a second on the false acacia; but his best work was done and he knew it. Crevecoeur lived on until 1813, dying in the same year with Madame d'Houdetot, who was so much his elder. He paid a worthy tribute to that lady's character; perhaps we do her an injustice in knowing her only for the liaison with Jean-Jacques. He died on November 12, 1813: member of agricultural societies and of the Academy (section of moral and political science), and of Franklin's Philosophical Society at Philadelphia. A town in Vermont had been named St. Johnsbury in his honour; he had the freedom of more than one New England city. It is, none the less, as the author of Letters from an American Farmer, published in 1782, and written, for the most part, years before that date, that we remember him--so far as we do remember.

IV

Much remains unsaid--much, even, of the essential. Some of the facts are still unknown; others may be looked for in the biography written by his great-grandson, Robert de Crevecoeur, and published at Paris some eighty years ago. There is hardly occasion to discuss here what Crevecoeur did, as consul at New York, to encourage the exchange of French manufactures and American exports; or to tell of his packet- line--the first established between New York and a French port; or to set down the story of his children; or to describe those last sad years, at home and abroad, after the close of his consular career.