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JOHN MASEFIELD
THE TRAGEDY OF POMPEY THE GREAT
Library Edition, 3s. 6d. net; paper wrappers, 1s. 6d. net Second Impression
"Fine, nervous, dramatic English. Words which eat into the soul, which have a meaning, which are revelatory of character. A fine virility about the whole play and its conception. An altogether admirable piece of writing which fully justifies Mr Masefield's real literary distinction."--_Observer_.
"In this Roman tragedy, while we admire its closely knit structure, dramatic effectiveness, and atmosphere of reality ... the warmth and colour of the diction are the most notable things.... He knows the art of phrasing; he has the instinct for and by them."--_Athenaeum_.
"The talk of Pompey, of Domitius, of Acilius, is not that of great lords, but rather of men like Hawkins and Drake. This is the result of Mr Masefield's imaginative handling. He sees them so, and so they live.
They live indeed. Their characters are clear and bold; they say nothing but what reveals them and helps to make the tragedy a rich as well as a moving thing. It is poetry. It is almost music, and on the first few pages there are notes that linger with us to the end, haunting us like the blowing of horns in an old and silent forest."--Mr EDWARD THOMAS in _The Daily Chronicle_.
"He has written a great tragedy.... The dialogue is written in strong, simple, and nervous prose, flas.h.i.+ng with poetic insight, significance, and suggestion. The characters are intensely alive, the situations are handled by a master hand, and the whole play is pregnant with that high and solemn pathos which is the gift of the born writer of tragedies."--_Morning Post_.
SIDGWICK & JACKSON'S MODERN DRAMA
"Messrs Sidgwick & Jackson are choosing their plays excellently."--_Sat.u.r.day Review_.
"The distinction, which is quite appreciable, of being included in the series of modern plays published by Messrs Sidgwick & Jackson, in which there is nothing bad."--_Manchester Guardian_.
THREE PLAYS BY GRANVILLE BARKER:
"The Marrying of Ann Leete," "The Voysey Inheritance," and "Waste." In one Vol., 5s. net; singly, cloth, 2s. net; paper wrappers, 1s. 6d. net.
Third Impression.
Special Edition, on hand-made paper, limited to 50 numbered copies, signed by the author, extra bound in three volumes, in a case, 1, 1s.
net per set.
"Mr Granville Barker, by virtue of these three plays alone, unquestionably ranks among the first of our serious literary dramatists."--_The Observer_.
THE MADRAS HOUSE. A Comedy in Four Acts.
By GRANVILLE BARKER. Crown 8vo, cloth, 2s. net; paper wrappers, 1s. 6d.
net. Third Impression.
"You can read 'The Madras House' at your leisure, dip into it here and there, turn a t.i.t-bit over lovingly on the palate ... and the result is, in our experience, a round of pleasure. 'The Madras House' ... is so good in print that everybody should make a mental note to read it."--_The Times_.
PRUNELLA; or, Love in a Dutch Garden.
By LAURENCE HOUSMAN and GRANVILLE BARKER. With a Frontispiece and Music to "Pierrot's Serenade," by JOSEPH MOORAT. Fcap. 4to, 5s. net. Theatre Edition, crown 8vo, wrappers, 1s. net.
"A very charming love tale, which works slowly to a climax of great and touching beauty."--_Daily News_.
CHAINS. A Play in Four Acts.
By ELIZABETH BAKER. Crown 8vo, cloth, 1s. 6d. net; paper wrappers, 1s.
net.
Second Impression.
"Nothing could be more free from stage artifices than Miss Baker's play.
It is simplicity itself, both in its construction and its dialog.... But it is just the sort of play that one likes to buy and read, for it is real and alive, and a play full of ideas."--_The Daily Mail_.
THE NEW SIN. A Play in Three Acts.
By BASIL MACDONALD HASTINGS. Cloth, 2s. net; ill.u.s.trated paper wrappers, 1s. net.
"'The New Sin' will rank among the most remarkable plays of recent years."--_Morning Post_.
"Enormously alive, interesting, varied, and stimulating."--_Evening Standard_.
RUTHERFORD AND SON. A Play in Three Acts.
By GITHA SOWERBY. Cloth, 2s. 6d. net.
"Miss Sowerby's 'Rutherford and Son' is the best first play since 'Chains' of Miss Elizabeth Baker.... These authors take you immediately by the ear, and limit their discourses strictly to the text.... These plays are really astonis.h.i.+ng examples of what can be done in a modern theatre by keeping strictly to the point."--_Sat.u.r.day Review_.
"I have read few good acting plays which are so consecutive and satisfactory to read."--_T. P.'s Weekly_.
LOVE--AND WHAT THEN? A Comedy in Three Acts. By BASIL MACDONALD HASTINGS. Cloth, 2s. net.
LORDS AND MASTERS. By JAMES BYRNE. Crown 8vo, cloth, 1s. 6d. net; paper, 1s. net.
THE TRIAL OF JEANNE D'ARC. By EDWARD GARNETT. Crown 8vo, cloth, 3s.
6d. net.
MARY BROOME. By A. N. MONKHOUSE. Crown 8vo, cloth, 2s. net; paper, 1s.
6d. net.
ANATOL. A Sequence of Dialogues. By ARTHUR SCHNITZLER. Paraphrased for the English Stage by GRANVILLE BARKER. Crown 8vo, cloth, 2s. net; paper wrappers, 1s. 6d. net. Second Impression.
CONTENTS.--(I.) Ask no Questions and you'll hear no Stories--(II.) A Christmas Present--(III.) An Episode--(IV.) Keepsakes--(V.) A Farewell Supper--(VI.) Dying Pangs--(VII.) The Wedding Morning.
