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The most absurd little things made Tom Foster happy.
That, I suppose, was why people loved him. In Hern's Grocery they would be roasting coffee on Friday afternoon, preparatory to the Sat.u.r.day rush of trade, and the rich odor invaded lower Main Street. Tom Foster appeared and sat on a box at the rear of the store. For an hour he did not move but sat perfectly still, filling his being with the spicy odor that made him half drunk with happiness. "I like it," he said gently.
"It makes me think of things far away, places and things like that."
One night Tom Foster got drunk. That came about in a curious way. He never had been drunk before, and indeed in all his life had never taken a drink of anything intoxicating, but he felt he needed to be drunk that one time and so went and did it.
In Cincinnati, when he lived there, Tom had found out many things, things about ugliness and crime and l.u.s.t.
Indeed, he knew more of these things than anyone else in Winesburg. The matter of s.e.x in particular had presented itself to him in a quite horrible way and had made a deep impression on his mind. He thought, after what he had seen of the women standing before the squalid houses on cold nights and the look he had seen in the eyes of the men who stopped to talk to them, that he would put s.e.x altogether out of his own life.
One of the women of the neighborhood tempted him once and he went into a room with her. He never forgot the smell of the room nor the greedy look that came into the eyes of the woman. It sickened him and in a very terrible way left a scar on his soul. He had always before thought of women as quite innocent things, much like his grandmother, but after that one experience in the room he dismissed women from his mind. So gentle was his nature that he could not hate anything and not being able to understand he decided to forget.
And Tom did forget until he came to Winesburg. After he had lived there for two years something began to stir in him. On all sides he saw youth making love and he was himself a youth. Before he knew what had happened he was in love also. He fell in love with Helen White, daughter of the man for whom he had worked, and found himself thinking of her at night.
That was a problem for Tom and he settled it in his own way. He let himself think of Helen White whenever her figure came into his mind and only concerned himself with the manner of his thoughts. He had a fight, a quiet determined little fight of his own, to keep his desires in the channel where he thought they belonged, but on the whole he was victorious.
And then came the spring night when he got drunk. Tom was wild on that night. He was like an innocent young buck of the forest that has eaten of some maddening weed. The thing began, ran its course, and was ended in one night, and you may be sure that no one in Winesburg was any the worse for Tom's outbreak.
In the first place, the night was one to make a sensitive nature drunk. The trees along the residence streets of the town were all newly clothed in soft green leaves, in the gardens behind the houses men were puttering about in vegetable gardens, and in the air there was a hush, a waiting kind of silence very stirring to the blood.
Tom left his room on Duane Street just as the young night began to make itself felt. First he walked through the streets, going softly and quietly along, thinking thoughts that he tried to put into words. He said that Helen White was a flame dancing in the air and that he was a little tree without leaves standing out sharply against the sky. Then he said that she was a wind, a strong terrible wind, coming out of the darkness of a stormy sea and that he was a boat left on the sh.o.r.e of the sea by a fisherman.
That idea pleased the boy and he sauntered along playing with it. He went into Main Street and sat on the curbing before Wacker's tobacco store. For an hour he lingered about listening to the talk of men, but it did not interest him much and he slipped away. Then he decided to get drunk and went into w.i.l.l.y's saloon and bought a bottle of whiskey. Putting the bottle into his pocket, he walked out of town, wanting to be alone to think more thoughts and to drink the whiskey.
Tom got drunk sitting on a bank of new gra.s.s beside the road about a mile north of town. Before him was a white road and at his back an apple orchard in full bloom. He took a drink out of the bottle and then lay down on the gra.s.s. He thought of mornings in Winesburg and of how the stones in the graveled driveway by Banker White's house were wet with dew and glistened in the morning light. He thought of the nights in the barn when it rained and he lay awake hearing the drumming of the raindrops and smelling the warm smell of horses and of hay. Then he thought of a storm that had gone roaring through Winesburg several days before and, his mind going back, he relived the night he had spent on the train with his grandmother when the two were coming from Cincinnati. Sharply he remembered how strange it had seemed to sit quietly in the coach and to feel the power of the engine hurling the train along through the night.
Tom got drunk in a very short time. He kept taking drinks from the bottle as the thoughts visited him and when his head began to reel got up and walked along the road going away from Winesburg. There was a bridge on the road that ran out of Winesburg north to Lake Erie and the drunken boy made his way along the road to the bridge. There he sat down. He tried to drink again, but when he had taken the cork out of the bottle he became ill and put it quickly back. His head was rocking back and forth and so he sat on the stone approach to the bridge and sighed. His head seemed to be flying about like a pinwheel and then projecting itself off into s.p.a.ce and his arms and legs flopped helplessly about.
At eleven o'clock Tom got back into town. George Willard found him wandering about and took him into the Eagle printshop. Then he became afraid that the drunken boy would make a mess on the floor and helped him into the alleyway.
The reporter was confused by Tom Foster. The drunken boy talked of Helen White and said he had been with her on the sh.o.r.e of a sea and had made love to her. George had seen Helen White walking in the street with her father during the evening and decided that Tom was out of his head. A sentiment concerning Helen White that lurked in his own heart flamed up and he became angry.
"Now you quit that," he said. "I won't let Helen White's name be dragged into this. I won't let that happen." He began shaking Tom's shoulder, trying to make him understand. "You quit it," he said again.
For three hours the two young men, thus strangely thrown together, stayed in the printshop. When he had a little recovered George took Tom for a walk. They went into the country and sat on a log near the edge of a wood. Something in the still night drew them together and when the drunken boy's head began to clear they talked.
"It was good to be drunk," Tom Foster said. "It taught me something. I won't have to do it again. I will think more dearly after this. You see how it is."
George Willard did not see, but his anger concerning Helen White pa.s.sed and he felt drawn toward the pale, shaken boy as he had never before been drawn toward anyone. With motherly solicitude, he insisted that Tom get to his feet and walk about. Again they went back to the printshop and sat in silence in the darkness.
The reporter could not get the purpose of Tom Foster's action straightened out in his mind. When Tom spoke again of Helen White he again grew angry and began to scold. "You quit that," he said sharply. "You haven't been with her. What makes you say you have? What makes you keep saying such things? Now you quit it, do you hear?"
Tom was hurt. He couldn't quarrel with George Willard because he was incapable of quarreling, so he got up to go away. When George Willard was insistent he put out his hand, laying it on the older boy's arm, and tried to explain.
"Well," he said softly, "I don't know how it was. I was happy. You see how that was. Helen White made me happy and the night did too. I wanted to suffer, to be hurt somehow. I thought that was what I should do. I wanted to suffer, you see, because everyone suffers and does wrong. I thought of a lot of things to do, but they wouldn't work. They all hurt someone else."
Tom Foster's voice arose, and for once in his life he became almost excited. "It was like making love, that's what I mean," he explained. "Don't you see how it is?
It hurt me to do what I did and made everything strange. That's why I did it. I'm glad, too. It taught me something, that's it, that's what I wanted. Don't you understand? I wanted to learn things, you see.
That's why I did it."
DEATH
The stairway leading up to Doctor Reefy's office, in the Heffner Block above the Paris Dry Goods store, was but dimly lighted. At the head of the stairway hung a lamp with a dirty chimney that was fastened by a bracket to the wall. The lamp had a tin reflector, brown with rust and covered with dust. The people who went up the stairway followed with their feet the feet of many who had gone before. The soft boards of the stairs had yielded under the pressure of feet and deep hollows marked the way.
At the top of the stairway a turn to the right brought you to the doctor's door. To the left was a dark hallway filled with rubbish. Old chairs, carpenter's horses, step ladders and empty boxes lay in the darkness waiting for s.h.i.+ns to be barked. The pile of rubbish belonged to the Paris Dry Goods Company. When a counter or a row of shelves in the store became useless, clerks carried it up the stairway and threw it on the pile.
Doctor Reefy's office was as large as a barn. A stove with a round paunch sat in the middle of the room.
Around its base was piled sawdust, held in place by heavy planks nailed to the floor. By the door stood a huge table that had once been a part of the furniture of Herrick's Clothing Store and that had been used for displaying custom-made clothes. It was covered with books, bottles, and surgical instruments. Near the edge of the table lay three or four apples left by John Spaniard, a tree nurseryman who was Doctor Reefy's friend, and who had slipped the apples out of his pocket as he came in at the door.
At middle age Doctor Reefy was tall and awkward. The grey beard he later wore had not yet appeared, but on the upper lip grew a brown mustache. He was not a graceful man, as when he grew older, and was much occupied with the problem of disposing of his hands and feet.
On summer afternoons, when she had been married many years and when her son George was a boy of twelve or fourteen, Elizabeth Willard sometimes went up the worn steps to Doctor Reefy's office. Already the woman's naturally tall figure had begun to droop and to drag itself listlessly about. Ostensibly she went to see the doctor because of her health, but on the half dozen occasions when she had been to see him the outcome of the visits did not primarily concern her health. She and the doctor talked of that but they talked most of her life, of their two lives and of the ideas that had come to them as they lived their lives in Winesburg.
In the big empty office the man and the woman sat looking at each other and they were a good deal alike.
Their bodies were different, as were also the color of their eyes, the length of their noses, and the circ.u.mstances of their existence, but something inside them meant the same thing, wanted the same release, would have left the same impression on the memory of an onlooker. Later, and when he grew older and married a young wife, the doctor often talked to her of the hours spent with the sick woman and expressed a good many things he had been unable to express to Elizabeth. He was almost a poet in his old age and his notion of what happened took a poetic turn. "I had come to the time in my life when prayer became necessary and so I invented G.o.ds and prayed to them," he said. "I did not say my prayers in words nor did I kneel down but sat perfectly still in my chair. In the late afternoon when it was hot and quiet on Main Street or in the winter when the days were gloomy, the G.o.ds came into the office and I thought no one knew about them. Then I found that this woman Elizabeth knew, that she wors.h.i.+pped also the same G.o.ds. I have a notion that she came to the office because she thought the G.o.ds would be there but she was happy to find herself not alone just the same. It was an experience that cannot be explained, although I suppose it is always happening to men and women in all sorts of places."
On the summer afternoons when Elizabeth and the doctor sat in the office and talked of their two lives they talked of other lives also. Sometimes the doctor made philosophic epigrams. Then he chuckled with amus.e.m.e.nt.
Now and then after a period of silence, a word was said or a hint given that strangely illuminated the life of the speaker, a wish became a desire, or a dream, half dead, flared suddenly into life. For the most part the words came from the woman and she said them without looking at the man.
Each time she came to see the doctor the hotel keeper's wife talked a little more freely and after an hour or two in his presence went down the stairway into Main Street feeling renewed and strengthened against the dullness of her days. With something approaching a girlhood swing to her body she walked along, but when she had got back to her chair by the window of her room and when darkness had come on and a girl from the hotel dining room brought her dinner on a tray, she let it grow cold. Her thoughts ran away to her girlhood with its pa.s.sionate longing for adventure and she remembered the arms of men that had held her when adventure was a possible thing for her. Particularly she remembered one who had for a time been her lover and who in the moment of his pa.s.sion had cried out to her more than a hundred times, saying the same words madly over and over: "You dear! You dear! You lovely dear!" The words, she thought, expressed something she would have liked to have achieved in life.
In her room in the shabby old hotel the sick wife of the hotel keeper began to weep and, putting her hands to her face, rocked back and forth. The words of her one friend, Doctor Reefy, rang in her ears. "Love is like a wind stirring the gra.s.s beneath trees on a black night," he had said. "You must not try to make love definite. It is the divine accident of life. If you try to be definite and sure about it and to live beneath the trees, where soft night winds blow, the long hot day of disappointment comes swiftly and the gritty dust from pa.s.sing wagons gathers upon lips inflamed and made tender by kisses."
Elizabeth Willard could not remember her mother who had died when she was but five years old. Her girlhood had been lived in the most haphazard manner imaginable. Her father was a man who had wanted to be let alone and the affairs of the hotel would not let him alone. He also had lived and died a sick man. Every day he arose with a cheerful face, but by ten o'clock in the morning all the joy had gone out of his heart. When a guest complained of the fare in the hotel dining room or one of the girls who made up the beds got married and went away, he stamped on the floor and swore. At night when he went to bed he thought of his daughter growing up among the stream of people that drifted in and out of the hotel and was overcome with sadness. As the girl grew older and began to walk out in the evening with men he wanted to talk to her, but when he tried was not successful. He always forgot what he wanted to say and spent the time complaining of his own affairs.
In her girlhood and young womanhood Elizabeth had tried to be a real adventurer in life. At eighteen life had so gripped her that she was no longer a virgin but, although she had a half dozen lovers before she married Tom Willard, she had never entered upon an adventure prompted by desire alone. Like all the women in the world, she wanted a real lover. Always there was something she sought blindly, pa.s.sionately, some hidden wonder in life. The tall beautiful girl with the swinging stride who had walked under the trees with men was forever putting out her hand into the darkness and trying to get hold of some other hand. In all the babble of words that fell from the lips of the men with whom she adventured she was trying to find what would be for her the true word.
Elizabeth had married Tom Willard, a clerk in her father's hotel, because he was at hand and wanted to marry at the time when the determination to marry came to her. For a while, like most young girls, she thought marriage would change the face of life. If there was in her mind a doubt of the outcome of the marriage with Tom she brushed it aside. Her father was ill and near death at the time and she was perplexed because of the meaningless outcome of an affair in which she had just been involved. Other girls of her age in Winesburg were marrying men she had always known, grocery clerks or young farmers. In the evening they walked in Main Street with their husbands and when she pa.s.sed they smiled happily. She began to think that the fact of marriage might be full of some hidden significance.
Young wives with whom she talked spoke softly and shyly. "It changes things to have a man of your own,"
they said.
On the evening before her marriage the perplexed girl had a talk with her father. Later she wondered if the hours alone with the sick man had not led to her decision to marry. The father talked of his life and advised the daughter to avoid being led into another such muddle. He abused Tom Willard, and that led Elizabeth to come to the clerk's defense. The sick man became excited and tried to get out of bed. When she would not let him walk about he began to complain.
"I've never been let alone," he said. "Although I've worked hard I've not made the hotel pay. Even now I owe money at the bank. You'll find that out when I'm gone."
The voice of the sick man became tense with earnestness. Being unable to arise, he put out his hand and pulled the girl's head down beside his own.
"There's a way out," he whispered. "Don't marry Tom Willard or anyone else here in Winesburg. There is eight hundred dollars in a tin box in my trunk. Take it and go away."
Again the sick man's voice became querulous. "You've got to promise," he declared. "If you won't promise not to marry, give me your word that you'll never tell Tom about the money. It is mine and if I give it to you I've the right to make that demand. Hide it away. It is to make up to you for my failure as a father. Some time it may prove to be a door, a great open door to you.
Come now, I tell you I'm about to die, give me your promise."
In Doctor Reefy's office, Elizabeth, a tired gaunt old woman at forty-one, sat in a chair near the stove and looked at the floor. By a small desk near the window sat the doctor. His hands played with a lead pencil that lay on the desk. Elizabeth talked of her life as a married woman. She became impersonal and forgot her husband, only using him as a lay figure to give point to her tale. "And then I was married and it did not turn out at all," she said bitterly. "As soon as I had gone into it I began to be afraid. Perhaps I knew too much before and then perhaps I found out too much during my first night with him. I don't remember.
"What a fool I was. When father gave me the money and tried to talk me out of the thought of marriage, I would not listen. I thought of what the girls who were married had said of it and I wanted marriage also. It wasn't Tom I wanted, it was marriage. When father went to sleep I leaned out of the window and thought of the life I had led. I didn't want to be a bad woman. The town was full of stories about me. I even began to be afraid Tom would change his mind."
The woman's voice began to quiver with excitement. To Doctor Reefy, who without realizing what was happening had begun to love her, there came an odd illusion. He thought that as she talked the woman's body was changing, that she was becoming younger, straighter, stronger. When he could not shake off the illusion his mind gave it a professional twist. "It is good for both her body and her mind, this talking," he muttered.