Charles Dickens' Children Stories Part 5

In reality Mrs. Kenwigs and Miss Petowker had arranged all the entertainment between them beforehand, but had settled that a little pressing on each side would look more natural. Then Miss Petowker hummed a tune, and Morleena danced. It was a very beautiful figure, with a great deal of work for the arms, and gained much applause. Then Miss Petowker was entreated to begin her recitation, so she let down her back hair, and went through the performance with great spirit, and died raving mad in the arms of a bachelor friend who was to rush out and catch her at the words "in death expire," to the great delight of the audience and the terror of the little Kenwigses, who were nearly frightened into fits.

Just as the punch was ready, a knock at the door startled them all. But it was only a friend of Mr. Noggs, who lived upstairs, and who had come down to say that Mr. Noggs was wanted.

Mr. Noggs hurried out, saying he would be back soon, and presently startled them all by rus.h.i.+ng in, s.n.a.t.c.hing up a candle and a tumbler of hot punch, and darting out again.

Now, it happened unfortunately that the tumbler of punch was the very one that Mr. Lillyvick was just going to lift to his lips, and the great man--the rich relation--who had it in his power to make Morleena and her sisters heiresses--and whom everyone was most anxious to please--was offended.

Poor Mr. Kenwigs endeavored to soothe him, but only made matters worse.

Mr. Lillyvick demanded his hat, and was only induced to remain by Mrs.

Kenwigs' tears and the entreaties of the entire company.

[Ill.u.s.tration: THE LITTLE KENWIGS.

"THEY ARE SO BEAUTIFUL."]

"There, Kenwigs," said Mr. Lillyvick, "and let me tell you, to show you how much out of temper I was, that if I had gone away without another word, it would have made no difference respecting that pound or two which I shall leave among your children when I die."

"Morleena Kenwigs," cried her mother, "go down on your knees to your dear uncle, and beg him to love you all his life through; for he's more an angel than a man, and I've always said so."

Just as all were happy again, everyone was startled by a rapid succession of the loudest and shrillest shrieks, apparently coming from the room where the baby was asleep.

"My baby, my blessed, blessed, blessed, blessed baby! My own darling, sweet, innocent Lillyvick! Let me go-o-o-o," screamed Mrs. Kenwigs.

Mr. Kenwigs rushed out, and was met at the door of the bedroom by a young man with the baby (upside down) in his arms, who came out so quickly that he knocked Mr. Kenwigs down; handing the child to his mother, he said, "Don't be alarmed, it's all out, it's all over--the little girl, being tired, I suppose, fell asleep and set her hair on fire. I heard her cries and ran up in time to prevent her setting fire to anything else. The child is not hurt: I took it off the bed myself and brought it here to convince you."

After they had all talked over this last excitement, and discussed little Lillyvick's deliverer, the collector pulled out his watch and announced that it was nearly two o'clock, and as the poor children had been for some time obliged to keep their little eyes open with their little forefingers, the company took leave, declaring they had never spent such a delightful evening, and that they wished Mr. and Mrs.

Kenwigs had a wedding-day once a week.

LITTLE DORRIT.

Many years ago, when people could be put in prison for debt, a poor gentleman, who was unfortunate enough to lose all his money, was brought to the Marshalsea prison. As there seemed no prospect of being able to pay his debts, his wife and their two little children came to live there with him. The elder child was a boy of three; the younger a little girl of two years old, and not long afterwards another little girl was born.

The three children played in the courtyard, and were happy, on the whole, for they were too young to remember a happier state of things.

But the youngest child, who had never been outside the prison walls, was a thoughtful little creature, and wondered what the outside world could be like. Her great friend, the turnkey, who was also her G.o.dfather, became very fond of her, and as soon as she could walk and talk, he bought a little arm-chair and stood it by his fire at the lodge, and coaxed her with cheap toys to come and sit with him.

One day, she was sitting in the lodge gazing wistfully up at the sky through the barred window. The turnkey, after watching her some time, said:--

"Thinking of the fields, ain't you?"

"Where are they?" she asked.

"Why, they're--over there, my dear," said the turnkey, waving his key vaguely, "just about there."

"Does anybody open them and shut them? Are they locked?"

"Well," said the turnkey, discomfited, "not in general."

"Are they pretty, Bob?" She called him Bob, because he wished it.

"Lovely. Full of flowers. There's b.u.t.tercups, and there's daisies, and there's--" here he hesitated, not knowing the names of many flowers--"there's dandelions, and all manner of games."

"Is it very pleasant to be there, Bob?"

"Prime," said the turnkey.

"Was father ever there?"

"Hem!" coughed the turnkey. "O yes, he was there, sometimes."

"Is he sorry not to be there now?"

"N--not particular," said the turnkey.

"Nor any of the people?" she asked, glancing at the listless crowd within. "O are you quite sure and certain, Bob?"

At this point, Bob gave in and changed the subject. But after this chat, the turnkey and little Amy would go out on his free Sunday afternoons to some meadows or green lanes, and she would pick gra.s.s and flowers to bring home, while he smoked his pipe.

When Amy was only eight years old, her mother died, and the poor father was more helpless and broken-down than ever, and as f.a.n.n.y was a careless child, and Edward idle, the little one, who had the bravest and truest heart, was inspired by her love and unselfishness to be the little mother of the forlorn family, and struggled to get some little education for herself and her brother and sister. She went as often as she could to an evening school outside, and managed to get her brother and sister sent to a day-school at intervals, during three or four years. At thirteen, she could read and keep accounts. Once, amongst the debtors, a dancing-master came in, and as f.a.n.n.y had a great desire to learn dancing, little Amy went timidly to the new prisoner, and said,

"If you please, I was born here, sir."

"Oh! You are the young lady, are you?" said he.

"Yes, sir."

"And what can I do for you?"

"Nothing for me, sir, thank you; but if, while you stay here, you could be so kind as to teach my sister cheap."

"My child, I'll teach her for nothing," said the dancing-master.

f.a.n.n.y was a very apt pupil, and the good-natured dancing-master went on giving her lessons even after his release, and Amy was so emboldened with the success of her attempt that, when a milliner came in, she went to her on her own behalf, and begged her to teach her.

"I am afraid you are so weak, you see," the milliner objected.

"I don't think I am weak, ma'am."

"And you are so very, very little, you see," the milliner still objected.

[Ill.u.s.tration: THE BLIND TOY MAKER.]

[Ill.u.s.tration: LITTLE DORRIT AND MAGGIE.

"SHE HAS NEVER GROWN OLDER SINCE."]

"Yes, I am afraid I am very little indeed," returned the child, and began to sob, so that the milliner was touched, and took her in hand and made her a clever workwoman.