Nights in London Part 14

This organ industry, by the way, is a very big thing; and the dealers make much more by hire than by sale. Sometimes a _padrone_, who has done very well, will buy an organ; later, he may buy another organ, and perhaps another. Then, with three organs, he sits down, and sends other men out with them. Street organs, under our fatherly County Council, are forbidden on Sundays; nevertheless, Sunday being the only day when millions of people have any chance of recreation, many organs go out.

Whither do they go? East, my dears. There, in any ramshackle hall, or fit-up arch-way, or disused stables, the boys and girls, out for fun, may dance the golden hours away throughout Sunday afternoon and evening.

Often the organs are hired for Eastern weddings and christenings and other ceremonials, and, by setting the musician to work, say, in the back parlour, the boys and girls can fling their little feet about the garden without interference from any one of the hundred authorities who have us at their mercy.

It is because of the organs, I think, that I chiefly loved Clerkenwell.

Organs have been part of my life ever since I was old enough to sit up and take notice. Try to think of London without organs. Have they not added incalculably to the store of human happiness, and helped many thousands over the waste patches of the week? They have; and I heap smouldering curses upon the bland imbeciles of Bayswater who, some time ago, formed themselves into a society for, I think they called it, The Abatement of Street Noises, and stuck their loathly notices in squares and public streets forbidding street organs to practise there. Let house-agents take note that I and a dozen of my friends will never, never, never take a house in any area where organs or street vendors or street cries are prohibited. They are part of the very soul of London.

Kill them, and you kill something lovely and desirable, without which the world will be the sadder. That any one should have the impudence to ask for money for the carrying out of such a project is merely another proof of the disease of the age. They might as well form a society and appeal for funds for suppressing children from laughing or playing in the streets. They might as well form a society for the strangulation of all babies. They might as well.... But if I go on like this, I shall get angry. Thank Heaven, organs are not yet suppressed, though, after the curtailing of licensed hours, anything is possible. In that event, it really looks as if America were the only country in which to live, unless one could find some soft island in the Pacific, where one could do just as one jolly well pleased.

Let's all go down Eyre Street Hill, for there, you know, organs are still gurgling, and there are lazy laughter and spaghetti and _dolce far niente_, and cigarettes are six a penny. There are little restaurants here hardly bigger than a couple of telephone boxes. They contain but two tables, and some wooden benches, but about a dozen gloriously savage boys from Palermo and Naples are noisily supping after their day's tramp round London with whatever industry they affect. They have olive skins, black curly hair, flas.h.i.+ng eyes, and fingers that dance with gemmy rings. A new-comer arrives, unhooking from his shoulders the wooden tray which holds the group of statuettes that he has been hawking round Streatham and Norwood. He salutes them in mellifluous tones, and sits down. He orders nothing; but a heaped-up dish of macaroni is put before him, and he attacks it with fork and finger. There are few women to be seen, but those few are gaudily arrayed in coloured handkerchiefs, their mournful eyes and purring voices touching the stern night to beauty. Of children there are dozens: furious boys and chattering girls. All the little girls, from four to fourteen, wear socks, and the narrow roadway flashes with the whirling of little white legs, so that the pedestrian must dodge his way along as one dancing a _schottische_. A few public-houses shed their dusty radiance, but these, too, are little better than dolls' houses. I have never seen village beer-shops so small. They are really about the size of the front room of a labourer's cottage, divided into two--Public Bar and Private Bar.

Such is the High Street of Italy, where one feeds. Most of the Italians, however, live in one of those huge blocks of tenements of which there are, I should think, a dozen in Clerkenwell. They seem to centre about the sounding viaducts that leap over Rosebery Avenue. Upon a time the place had a reputation for lawlessness, but that is now gone, with most of the colour of things. Occasionally there is an affray with knives, but it is always among themselves: a sort of vendetta; and n.o.body interferes so long as they refrain from bloodshed or from annoying peaceable people. The services in the Italian Church are very picturesque, and so, too, are their ceremonies at Christmas-time; while the procession of the children at First Communion is a thing of beauty.

The little girls and boys walk together, the boys in black, the girls in white, with white wreaths gleaming in their dark curls. At Christmas-time there are great feasts, and every Italian baker and restaurant-keeper stocks his trays with Panetonnes, a kind of small loaf or bun, covered with sugar, which are distributed among the little ones of the Church.

An old friend of mine, named Luigi, who once kept a tiny wine-shop, lives in a little dirty room in Rosoman Street, and I sometimes spend an evening with him. But not in summer. I adjure you--do not visit an impoverished Italian who lives in one room in Clerkenwell, in the summer; unless, of course, you are a sanitary inspector. He is an entertaining old fellow, and speaks a delicious Italian-c.o.c.knese, which no amount of trickery could render on the printed page. When I go, I usually take him a flask of Chianti and some Italian cigars, for which he very nearly kisses me.

But Luigi has a story. You will see that at once if you scan his face.

There is something behind him--something he would like to forget. It happened about ten years ago, and I witnessed it. Ten years ago, Luigi did something--an act at once heroic, tragic, and idiotic. This was the way of it.

It was an April night, and we were lounging at that corner which was once called Poverty Point; the corner where Leather Lane crashes into Clerkenwell Road, and where, of a summer night, gather the splendid sons of Italy to discuss, to grin, to fight, and to invent new oaths. On this corner, moreover, they pivot in times of danger, and, once they can make the mazy circle of which it is the edge, safety from the pursuer is theirs. The place was alive with evening gladness. In the half-darkness, indolent groups lounged or strolled, filling their lungs with the heavily garlicked air of the place.

Then an organ pulled up at the public-house which smiles goldenly upon Mount Pleasant, and music broke upon us. Instantly, with the precision of a harlequinade, a stream of giggling girls poured from Eyre Street Hill and Back Hill. With the commencement of a rag-tag dance, the Point was whipped to frivolous life. The loungers grunted, and moved up to see. Cl.u.s.ters of children, little angels with dark eyes and language sufficiently seasoned to melt a glacier, slipped up from nowhere, and, one by one, the girls among them slid into the dance. One of them had a beribboned tambourine. Two others wanted it, and would s.n.a.t.c.h it away.

Its owner said they were--something they could not possibly have been.

Stabs of light from the tenements pierced the dusk high and low. The night shone with recent rain, and in a s.h.i.+fting haze of grey and rose the dancers sank and glided, until the public-house lamp was turned on and a cornet joined the organ. In the warm yellow light, the revels broke bounds, and, to the hysterical appeal of "Hiawatha," the Point became a Babel.... When most of the dancers had danced themselves to exhaustion, two of the smaller maidens stood out and essayed a kind of can-can.

The crowd swooped in. It crowded with appreciation as they introduced all the piquant possibilities of the dance. It babbled its merriment at seeing little faces, which should show only the revel of April, bearing all the ravage of Autumn.

Comments and exhortations, spiced to taste, flew about the Point, ricochetted, and returned in boomerang fas.h.i.+on to their authors, who repolished them and shot them forth again. Heads bobbed back, forth, and up in the effort to see. In a prestissimo fire of joy, the novel exercise reached its finale, when ...

"Hi-hi! _He._ _Eeeee!_" As though by signal, the whole Point was suddenly aspurt with spears of flame, leaping, meeting, and crossing. We looked round. The dance stopped, the organ gurgled away to rubbish, the crowd took open order, and stared at the narrow alley of Back Hill.

Blankets of smoke moved from its mouth, pus.h.i.+ng their suffocating way up the street. Twenty people hurt themselves in shrieking orders. Women screamed and ran. From an open window a tongue of flame was thrust derisively; it tickled a man's neck, and he swore. Then a lone woman had the sense to scream something intelligible.

We all ran. English, Italian, and profane clashed together. Three small boys strangled each other in a race for the fire-bell. In Back Hill, men, women, and children were hustling themselves through the ground-floor window of the doomed house. Thick, languid flames blocked the doorway, swaying idly, ready to fasten their fangs in anything that approached. Furniture crashed and bounded to the pavement. Mattresses were flung out to receive the indecent figures of their owners. The crowd swelled feverishly. Women screamed.

Gradually the crackle of burning wood and the ripple of falling gla.s.s gained voice above the outcry of the crowd. A shout of fear and admiration surged up, as a spout of flame darted through the roof, and quivered proudly to the sky. Luigi threw back his sweeping felt hat, loosened his yellow neckcloth, tightened his scarlet waistband. "It is bad," he said. "It is a fire."

I said "Yes," having nothing else to say. A few c.o.c.kneys inquired resentfully why somebody didn't do something. Then the word went round that all were out but one. A woman was left at the top. A sick hush fell. Away in the upper regions a voice was wailing. The women turned pale, and one or two edged away. The men whistled silently, and looked serious. They had the air of waiting for something. It came. Luigi moved swiftly away from me, fought a way through the crowd, and stood by the door, his melodious head lashed by the fringe of the flames.

"I go up," he said operatically.

A dozen men dashed from him, crying things. "Wet blanket, there. Quick!

Here's a bloke going up. Italiano's going up!"

At the back of the crowd, where I stood, a few fools cheered. They were English. "'Ray! 'Ray! 'Ray! Good iron! 'E's gotter nerve, 'e 'as.

Wouldn't athought it o' them Italians."

The Italians were silent. From the house came long screams, terrible to hear in the London twilight. A Sicilian said something in his own language which cannot be set down; the proprietor of the Ristorante del Commercio also grew profane. The children stared and giggled, wonderingly. Blankets and buckets of water were conjured from some obscure place of succour. In half a minute the blankets were soaked, and Luigi was ready.

A wispy man in a dented bowler danced with excitement. "Oh, he's gotter nerve, if yeh like. Going to risk his life, he is. Going to risk his blasted life." Fresh and keener screams went down the golden stairway.

Luigi flung the wet folds about him, vaulted the low sill, and then the wild light danced evilly about him. Outside, we watched and waited. A lurid silence settled, and the far cries of one of the late dancers who was receiving correction for dancing indecent dances seemed entirely to fill s.p.a.ce. The atmosphere was, as it were, about to crack and buckle, and I was feeling that Luigi was a heroic fool, when a pa.s.sing navvy, not susceptible to influences, saved the situation by bursting into song:--

"You're here and I'm here, So what do we care?"

The wispy man looked round, reprovingly. "Easy on, there!" he implored.

"Whaffor?"

"Well ... chep's risking his life."

"Well ... 'at don't make no difference. Be 'appy while yeh can, I say."

"No, but ... chep's risking his life."

"Yew maide me love yew, I didn't wanter do it!"

"Risking his life, and all!"

Then the climax was reached. A scream sounded from above, then silence, then a confused rush of feet. The figure of Luigi filled the opening of the low window, and those nearest surged in to help and see. He was dragged through, head first, and set on his feet. The fire-engine raved and jangled in Clerkenwell Road, but there was no way for it. The firemen tried to clear the crowd, but it would not be denied its sight of the hero. It struggled in to admire. It roared and yelled in one and a hundred voices. The cafe proprietor gestured magnificently. Regard the hero! How he was brave! The wispy man nearly had a fit. He skipped.

Risked his life, and all. For a blasted stranger.

Luigi dropped the bundle gently from his arms, and stood over it, a little bewildered at his reception. The firemen fought furiously, and at last they cleared a pa.s.sage for their plant. Then, as they cleared, the wispy man danced again, and seemed likely to die. He sprang forward and capered before Luigi. I tried to get through to help Luigi out, but I was wedged like a fishbone in the throat of the gang.

It was then that horrid screams came again from the house, winding off in ragged ends. The wispy, man spluttered.

"Yeh d.a.m.n fool! Look what yeh brought down. Look at it. Yeh d.a.m.n fool!"

Luigi looked still bewildered, and now I fought with sharp elbows, and managed to get to the front rank. The man's shaking finger pointed at Luigi's feet. "D'you know what you done, Italiano? You made a mistake. A blasted mistake. Aw ... yeh d.a.m.n fool!"

I looked too. There was no woman at Luigi's feet. There was a bundle of sheets, blanket, and carpet. A scream came from the house. Every window filled with flame. The roof fell inwards with a crash and a rain of sparks.

Clerkenwell has never forgiven Luigi. Luigi has never forgiven himself.

A BASHER'S NIGHT

HOXTON

_LONDON JUNE_

_Rank odours ride on every breeze; Skyward a hundred towers loom; And factories throb and workshops wheeze, And children pine in secret gloom.

To squabbling birds the roofs declaim Their little tale of misery; And, smiling over murk and shame, A wild rose blows by Bermondsey._