The Surprises Of Life Part 20

"I stood wondering at this ingenuous monument of human simplicity, when I heard behind me the noise of frantic galloping. Before I could move or cry out, a hunter and a maddened horse burst from the wood, within gunshot, and plunged headlong down the steep bank that ended abruptly at the gaping pit of an old quarry. What filled me with unspeakable horror was that the rider was desperately spurring and las.h.i.+ng his horse, who would have been unable anyhow to stop himself in his dizzy descent toward death. In the twinkling of an eye the ground appeared to swallow them both. Nothing was to be seen but heaven and earth smiling at each other with the imperturbable smile of things that never end.

"I finally regained the use of my senses. I jumped from my saddle, and I know not how, reached the bottom of the quarry. The horse had been killed outright. In a red pool lay a gasping, shattered man. It was an old friend of mine, who had been kind to me in my early days in Dorking.

I called him. He opened his eyes.

"'What!' he cried, 'it is not over?'

"I questioned him in vain.

"'It is not over! It is not over!' he repeated in vain despair, 'I shall have to go through with it again!'

"Not knowing what to do or say, I climbed to the top of the bank and called for help. A farmer hastened to the spot. With infinite care, the wounded man was lifted into a cart. By some miracle he had escaped without mortal injury. Two months later he was in full convalescence. He suspected before long that I had witnessed his leap, and my embarra.s.sment when he questioned me about our encounter at the bottom of the quarry only confirmed him in his idea. One day, he could no longer keep from speaking.

"'You do not believe it was an accident, do you?' he said, looking me squarely in the eyes.

"'What do you mean?' I asked, avoiding the question.

"'I mean that I must have pa.s.sed close by you on my way to the quarry.'

"'Yes,' I said, with a sudden resolve to tell the truth.

"'You know my secret. I am sure, my dear child, that you will keep it.

Death would not take me. I shall go on living. But since there is now one human being before whom I can pour out the overflow of my misery, and since that one is yourself, for whom I have so long felt the warmest friends.h.i.+p, I will tell you all.'

"'Some other day. Later on.'

"'No, let me speak. In the first place, let me rea.s.sure you, there is no crime in my life.'

"'What an idea!'

"'No, I am merely unhappy. And my unhappiness is of a kind for which there is no help. It seems to you that I have everything, does it not?

Wealth, a happy family life, beloved children. My wife, I am sure, seems to you----'

"'The best in the world.'

"'Doubtless. And yet, she exactly is the cause of my wretchedness. She loves me, and I hate her. It is horrible.'

"'Oh, come. You do not hate your wife. That is impossible.'

"'I repeat it. I hate her. I loved her when I married her. I was in love at that time, for she was very beautiful. She has been a faithful wife, and a good mother. What have I to complain of, except that she mechanically has confined herself to the narrow performance of her duties, and while doing it, has allowed us to become strangers? Is she above or beneath me? What does it matter? We are not on the same mental plane. I have by my side an inert, submissive creature, with an exasperating sorrow in her eyes, for although she has never formulated any complaint, she naturally holds me responsible for the misunderstanding which has never been expressed in words. You look at me as if you did not understand. You think me mad, probably. Shall I be more explicit? Very well, I no longer love her. There you have it in a nutsh.e.l.l. Gradually, habit and her flatly commonplace mind made her indifferent to me. There is no sense in blaming her. Be the fault hers or mine, I was estranged from her. What remedy was there for the brutal fact? I had loved her, and I loved her no longer. We cannot love by order of the sheriff or of the Bible. It is as if you should reproach me with having white hair instead of blond, as I once had. What have you to say to it?'

"'Nothing at all, my dear and unhappy friend. If you wish me to speak frankly, the idea had occurred to me that the lack of pleasure you took in your excellent wife might come from the possibly unconscious pleasure you took in someone else.'

"'Your imagination antic.i.p.ates the facts. As you suspect, I have not finished my story. Since you call for an immediate confession, let me tell you, that having been strictly brought up in the discipline of the Church, I came to marriage with the perfect purity required by Christian morality. Let me also tell you that, for whatever reason you choose--ignorance of the strategy of intrigue, or timidity, or fear of losing my self-respect--I have remained guiltless of the least departure from the strictest marriage laws. I no longer loved my wife, but I was her husband, her faithful husband. You will readily guess at the wretched lapses into weakness confessed in that statement, followed by a reaction of shame, and even of repulsion, which in spite of my best efforts I could not disguise.

"'I thought of going on a long journey. A year or two in India might, or so I supposed, have brought me back to the woman from whom proximity was daily separating me more widely. But she, not understanding this, raised the most serious of all objections: the children needed my oversight.

"'Take us with you,' she stupidly suggested.

"'The die was cast. We remained where we were: chained together, each horribly distressing the other, and, with each spasm of pain, deepening our own hurt and that of our companion in irons. She, unfailingly angelic, and I, unbalanced, full of whims, and doubtless unbearable. Who knows? If it had been possible to her nature, a clap of thunder might have scattered the contrary electric currents between us, and have restored peace. But no. We were enemies always on the point of grappling, with never the relief of a word or a gesture of battle. My nerves were on the point of giving way, when the inevitable romance came into my life.'

"'You are still far from strong. Do not tell me any more to-day.'

"'Nay, chance has forced this confession. Let us go through with it to the end. After this, we will never refer to it again. The romance you have guessed at was connected with a lovable and light-hearted girl. She was a little intoxicated with her own youth, and full of the exquisite charm which illusion had once lent to the woman I married, and in which she was to me so lamentably lacking now. What shall I say? I loved and was loved. Our pa.s.sion was an ideal one, very sweet, very pure, carrying with it no remorse. Were I to tell you the story of it, it might even seem childish to you. It contained, however, the two happiest years of my life. Two years that pa.s.sed like a flash. Two years of silent delight, ending one day in a definite avowal. No sooner had we uttered the words, than fear of the sin we glimpsed a.s.sailed us, and we fell back aghast into the depths of despair. Our only kiss was the kiss of eternal farewell.

"'I was left more broken and bleeding by the horrible fall than when you found me on the stones of the quarry. She went away, and if I am to tell the whole miserable truth, she has found comfort, she is married to a boor, who, they say, makes her happy. Why should I care to appear better than I am? I often regret the imbecile heroism prompting me, when to save that shallow creature I made myself into the victim of an atrocious fate. I spared her, and consequently am dying, while she, in the arms of her hod carrier----Do not misjudge me. I have suffered. She had sworn to love me forever. She is happy, and I--I who could have taken her and broken her and made of the eventual harm to her an overwhelming joy, while it lasted, have not even the right to proclaim her unworthy of my foolish pity. I curse her, and I love her still.

"'And my wife, my blameless wife, who guessed everything, I am sure, and forgave it, either from incapacity to resent an outrage, or from insulting pity for me, my wife to whom I owe this double disillusion in love, who unwittingly tortures me, and whom I equally torture, I execrate her, I hate her with all the intensity of my misery. Had I yielded to the moment's temptation I might have returned to her sated with happiness, or disenchanted, or remorseful.

"'In my deepest misery I shall never forgive her the look of silent anguish wherewith she stabs me. I shall never forgive her resignation, the quiet submission which, together with her interest in her duties, makes our tormented life bearable to her. She is not unaware, you may be sure, that I have a hundred times thought of seeking oblivion in death.

She was no more taken in than you were by the accident on Dunley Hill.

She will never betray it by a word. She offers herself as a sacrifice, and this magnanimity which fills me with despair constantly aggravates the intolerable anguish of our daily a.s.sociation. I no longer love the woman who loves me; I still love the one who loves me no longer. I have committed no sin, I am even blameless. Will you deny that if I had given myself cause for remorse I might also have suffered less, might have even had chances of happiness?'"

With a far-away look in her eyes, the narrator ended her story abruptly.

"And what did you answer?" I questioned.

"I answered that pain wears itself out no less than joy, that it is our nature to regret the things that might have been, because they are so different from reality. I answered that patience to live is the greatest among the virtues."

XXV

GIAMBOLO

I, too, have known the joys of travel! I, too, have left the easy slopes of home for the steep ascents of foreign lands! Like many another simpleton, sated with the familiar, I have enthusiastically crossed frontiers in search of that something or other which might give me unexpected sensations.

After being tossed and jolted and bruised in the hard sleeping cars, I have fallen into the hands of porters, or "_traegers_" or "_facchini_,"

who bewildered me with their violent pantomime accompanied by anti-French sounds, obliged me to follow them by going off with my wraps and bags, and after an extortionate charge flung me on to the sympathetically dejected cus.h.i.+ons of the hotel omnibus, amid strange companions. Next, a hideous rattling of iron and window gla.s.s, while a gold-laced individual asks me simultaneously in three different languages to account for my presence here, and say how I mean to spend my time, telling me in the same breath the great advantage there would be in doing something quite different from what I intend to do.

Presently the torture changes. A gigantic porter in an imperial great coat transfers me to silent automata in black broadcloth and white tie, who hand people and luggage from one to the next as far as the elevator.

Nothing more remains but to answer the chambermaid's investigations as to my habits and tastes, my theory of existence, while by an error of the hall boy my luggage is scattered in neighbouring rooms, and I am burdened with someone else's. All is finally straightened out. Alone, at last!

Then comes a discreet knock at my door. It is the interpreter, the guide, the cicerone, the indispensable man, who with touching obsequiousness places his universal knowledge at my disposal for to-day, to-morrow, or all time. Here follows a long enumeration of what custom imposes upon the stranger. There is no question of breaking away from tradition. There stand the monuments, and here are the roads leading to them. One may begin the round by one or another. My liberty is limited to the order in which I shall see them. The rest does not concern me.

Here is such and such a picture, there stands such and such a piece of statuary. We shall cross the street or the square where such and such an event took place. A date, the year, and month, and day, are supposed to stamp the facts on my memory. Why did the men of the past choose this precise spot to make history? I have no time to inquire, for in three turns of the wheel I am in another and still more memorable place, where other dates and other names are dextrously driven into the quick of my memory. Galleries follow upon galleries, trips to rivers, to mountains.

A glimpse of a cool garden tempts me. How sweet to rest there for a while, and dream! But where is one to find the time, when interpreter and coachman are growing impatient because there is no more than time to go to the Carthusian monastery, and get back before nightfall?

The interminable road unfolds before me while I delve into my Baedeker for the history of the monastery. Suddenly the coachman stops, points with his whip at the horizon, and makes an emphatic, incomprehensible speech. A battle was fought there in the time of the Risorgimento. His little cousin's brother-in-law was wounded there, not mortally, though his corporal had his leg cut off. How should one not be proud of such memories? My guide says that his father was fond of telling that he had seen it all from the top of a tower. He begins another version of the story, which is interrupted by our arrival at the monastery, and taken up again on the return journey. Next day in the train I shall have leisure to think over all these things, if the complete confusion in my memory leaves me capacity for anything but stupefaction.

When we try to get at the reason for these extraordinary performances, people offer different explanations. This one will call it "taking a holiday." The other will say that he has had an unhappy love affair and needs distraction. For the most part, people will confess that they are trying to forget something--their wife, their children, their business.

All seem tormented by the same desire for novelty. What they are seeking from men and monuments and places in foreign lands is something not yet seen, a fresh enjoyment, a virgin impression which shall draw them outside the circle of outworn sensations. It is something to rouse a happy wonder, and fulfil a hope of pleasure that always keeps ahead of any pleasure experienced. Do they find it? Everyone must answer for himself. Many probably never ask themselves the question, lest they be obliged to confess a weary disappointment.

Before this procession of churches, statues, and pictures, where shall we stop, what shall we try to retain? How shall we disentangle the significance of things, the meaning and power and expressiveness of which can only be grasped by deep study? It would be too simple, if one need merely open one's eyes in order to understand. The work of art speaks, but we must know its language. Not only is time wanting, knowledge of the need of knowledge is wanting in most pa.s.sers by, who will never do anything but pa.s.s by. Their pride is satisfied when they can say: "I have seen." That is the most definite part of their harvest of pleasure. It is apparently a conscientious scruple that obliges them to go out of their way to obtain it.

"I am going to Rome," said a young Englishman to Miss Harriet Martineau, "oh, just so as to be able to say that I have been there."

"Why don't you say so without going?" was the simple reply.