American Indians Part 6

The Indians did not know how to write words by means of letters. There were, however, many things which they wished to remember, and they had found out several ways in which to record these.

Thus among the Sacs and Foxes there is a long legend with songs telling about their great teacher, the good, wise, and kind Wisuka. It is difficult to remember exactly such long narratives, but with objects to remind the reciter of each part, it is not so hard. So the persons who are to repeat the legend have a _micam_. This is a wooden box, usually kept carefully wrapped up in a piece of buckskin and tied with a leathern thong; in it are a variety of curious objects, each one of which reminds the singer or reciter of one part of the narrative. Thus he is sure not to leave out any part. In the same way mystery men among other Algonkin tribes have pieces of birch bark upon which they scratch rude pictures, each of which reminds them of the first words of the different verses in their songs. Such reminders are great helps to the memory. Among the Iroquois and some eastern Algonkins, they used, as we shall see, wampum belts to help remember the details of treaties or of important events.

Among many tribes pictures were used for recording matters of importance.

Many Sioux chiefs have written the story of their life in pictures. They took several large sheets of paper and gummed the edges together so as to make one long strip. Upon this they made pictures representing the important incidents in their lives. Thus in one picture was shown where, as a boy, the artist shot his first deer; in another was represented his first hunting party; in another, how he went on the war-path to gain the name of brave; in another, where he danced the sun dance; again, how he went to Was.h.i.+ngton to see the white men's officers, on business.

The most important record made by the Sioux is the _Dakota Calendar_. More than a century ago a Sioux Indian determined to keep a count of the years and of their happenings. So he began a record which was called a "winter count," where the events of the different years were shown by pictures.

His idea became popular, and a number of these winter counts were begun by other Indians. The most important of these is one which has been called the Dakota Calendar. It belonged for a long time to an Indian named Lone Dog. The one he had was a copy on cloth from a still older one, which had been made upon a buffalo skin. This count appears to have begun about the year 1800.

[Ill.u.s.tration.]

The Dakota Calendar. (After Mallery.)

Each year its maker selected some important event, by which the year was to be remembered, and made a picture for it. The first five or six pictures run in a nearly straight line to the left; the line of pictures then coils around and around this, the last picture always being added to the end of the coiled line. The pictures are in black and red, and while rudely drawn, most of them can be easily recognized. In 1801 the Sioux had a terrible attack of smallpox, and many of them died; the picture for the year is a man covered with red spots. Whooping-cough is a disease of which white people have little fear, but it is sometimes very destructive to Indians; in 1813 it was among the Sioux, and the picture for that year was a man coughing, as shown by lines diverging from in front of his mouth. In 1840 the Sioux made a treaty of peace with the Cheyennes; the picture shows two hands extended for a friendly grasp. In 1869 there was a total eclipse of the sun, which is represented by a blackened sun and two stars in red: "The stars were seen in the daytime." In 1833 was the famous display of meteors or falling stars, which was witnessed in all parts of the United States, causing great excitement; many white people believed that it portended the destruction of the world. This star shower was noticed by the Sioux keeper of the winter count, and is represented by a black moon and a lot of red stars represented as falling. You can pick out these different figures in the picture, which represents Lone Dog's winter count, or the Dakota Calendar as it would look on a buffalo hide.

[Ill.u.s.tration.]

Indian Letter on Birch Bark. (From Schoolcraft.)

Probably you have all seen pictures of a birch-bark letter written many years ago by an Ojibwa Indian. It was written by one of Schoolcraft's guides. Mr. Schoolcraft, with a party of a.s.sistants and soldiers, was on a journey of exploration in the Northwest. One morning as they were leaving camp, Schoolcraft saw an Indian putting a bit of birch bark, upon which he had drawn some pictures in black, into a cleft at the end of a pole. This pole was then stuck slantingly into the ground and three notches were cut in it. When Mr. Schoolcraft asked his guide for an explanation, he said this letter would inform any Ojibwa Indians who might pa.s.s, about their party. The eagle in the upper corner showed that they were from Was.h.i.+ngton-government people. The other pictures showed that there were eight common soldiers each with a gun; that there were six officers, the duty of each being indicated by something carried in the hand,-the captain by his sword, the secretary by his book, the geologist by his hammer, etc.; that soldiers and officers were white men, as shown by their wearing hats; that there were two guides, Indians, as shown by their having no hats and carrying spears; that the night before there were three fires in the camp, soldiers, officers, and guides, camping separately; that during the day there had been secured a prairie hen and a turtle, both of which had been taken by the officers for supper. But other facts were shown besides those told in the pictures. The pole stuck into the ground pointed the direction in which the party would journey; the three notches on the pole told that they would journey in that direction three days.

Of all American Indians those who went farthest in the direction of developing writing were some of those living in Mexico and Central America. The Aztecs had an extensive system of picture writing. By means of pictures they recorded their traditional history and gave full directions regarding the wors.h.i.+p of the G.o.ds. They had real books written with these pictures. These books were written sometimes on skin, sometimes on paper. The Aztecs made two kinds of paper, one of the soft inner bark of a tree, the other from the maguey plant. The latter sort was beaten out of the ma.s.s of leaf fibres after they had been soaked in water. The maguey plant is much like the century plant which you have seen in parks and greenhouses. The paper or dressed skin was made into long narrow strips many feet in length. These strips were folded back and forth like a screen, and the ends were fastened to two thin boards which served as covers for the book. Sometimes bits of polished green stone were inlaid into these covers to make them pretty. Some of these old books are still in existence, though most of them have long been destroyed. We cannot read any of them very well because pictures are uncertain means of conveying information. Still we can tell something about their meaning.

[Ill.u.s.tration.]

Page of Aztec Book. (From Photograph.)

Charles V, to know about them, and ordered three skilled painters of the Aztecs to prepare a book to be sent to the Emperor. Each artist took a different subject, so the book consists of three parts. The first gives a picture-written story of the Aztecs from the time when they began their wanderings; the second gives a list of the towns that paid tribute to the city of Mexico and a statement of the kind and amount of tribute each paid; the third shows how children were trained, how they were punished when they were naughty, and what kind of work they were taught. Of course the Emperor would not understand the meaning of all these queer pictures, far different from anything he had ever seen; so Mendoza had an explanation or translation written with all the pictures. This is as fortunate for us as it was for the Emperor: in this way we can learn something about the use and meaning of these characters.

XI. MONEY.

Indians have always been fond of beads and of sh.e.l.ls. Wampum is sh.e.l.l beads of an especial shape-cylindrical, with square cut ends, and with a length one and a half times their thickness or more. This wampum was made from a thick and heavy sea-sh.e.l.l. A piece was split off, and then ground down until it was like a wheat straw in shape and size. It was then cut into lengths and drilled. The drilling was slow and tedious work. A point of stone, or, after the whites came, of metal, was struck into a cane or reed. The bit of sh.e.l.l to be drilled was held in the left hand; the drill was rolled on the thigh with the right hand. There were two kinds of wampum-white and purple. The purple was most valued. Thomas Morton quaintly wrote in 1630-that is, it sounds quaint to us now,-"White with them is as silver with us, the other as our gould."

Originally wampum was simply ornamental. But it is always easy for things that are prized as ornament to be used in trade. So wampum was used as a medium of exchange; it was really the money of the eastern Indians.

Strings of it pa.s.sed from hand to hand as coin does with us. Sometimes the ornamental string worn a moment before would be removed to buy some object seen and desired. The famous New England chief, King Philip, is said to have had a coat "made all of _wampampeog_, which when in need of money, he cuts to pieces and distributes it plentifully."

Among the Algonkin and Iroquois tribes broad belts or bands of wampum were neatly woven. The work consisted, like all weaving, of two sets of threads. The long warp threads were crossed by threads laden with beads.

These belts were neat and handsome and often contained thousands of beads.

The differently colored beads were so combined as to make striking designs and figures.

[Ill.u.s.tration.]

Wampum Belt. (After Holmes.)

These fine belts were often given as pledges of faith and agreement at the making of treaties. Some which were kept in the tribe were made to help in remembering the terms of the treaty. Thus, when an orator was speaking, he would hold up a wampum belt, and in making a point of special importance would call attention to some figure in the belt, which would serve ever after to remind every one present of what he had said. Among the Onondagas (Iroquois) there was an officer known as the "keeper of the belts," whose business it was to know all these figures and the different ideas connected with them, and to make them known to the people from time to time.

There is a common little sea-sh.e.l.l found in the Pacific Ocean called the dentalium. It is pretty, clear white, very smooth, and shaped much like a wee elephant's tusk. The natives of the coast are fond of it as ornament, and among them strings of dentalium sh.e.l.ls serve for money just as wampum did in the east. They were secured usually by a peculiar mode of fis.h.i.+ng.

Thus we are told at Forward Inlet a number of split sticks or twigs were tied together into a bunch; this was tied to the end of several poles lashed together so as to reach the bottom in deep water. It was driven down into the mud, and then brought up with the sh.e.l.ls caught or tangled in it. The value of the sh.e.l.ls depended on their length. Little ones were good enough to be worn as ornaments, but the larger they were, the more value they had as money. Powers, speaking of the Hupa (California) Indians, says: "The standard of measurement is a string of five sh.e.l.ls.

Nearly every man has ten lines tattooed across the inside of his left arm about half way between the wrist and the elbow; and in measuring sh.e.l.l-money he takes the string in his right hand, draws one end over his left thumb-nail, and if the other end reaches to the uppermost of the tattoo lines, the five sh.e.l.ls are worth $25 in gold, or $5 a sh.e.l.l. Of course it is only one in ten thousand that is long enough to reach this high value. The longest ones usually seen are worth about $2, that is $10 to the string. Single sh.e.l.ls are also measured on the creases on the inside of the left middle finger, a $5 sh.e.l.l being one which will reach between the two extreme creases. No sh.e.l.l is treated as money at all unless it is long enough to rate at 25 cents. Below that it degenerates into _squaw money_, and goes to form part of a woman's necklace."

Sh.e.l.l beads are much prized among the Pueblo Indians, and are sometimes in size and shape very like true wampum. At other times they are thin, flat, rather broad pierced disks. These Indians also delight in ornaments made out of haliotis or "abalone" sh.e.l.l. This sh.e.l.l is a large single valve, shaped a little like the ear of some large animal, and hence sometimes called "ear-sh.e.l.l." The outside is rough and unattractive, but the interior is pearly and of rich colors,-purple, green, blue, red, crimson, often many of these bright colors showing in a small s.p.a.ce. Where the rough outside of the sh.e.l.l is ground away the whole material is found to be pearly and rich in color. This sh.e.l.l is cut into elliptical, oblong, or fancifully formed plates which are pierced and hung by a cord. Men used to make long journeys to the Pacific Coast to secure sh.e.l.ls. Even from the eastern pueblos on the Rio Grande such journeys were customary, and many of the men at Cochiti delight to tell of their journey, perhaps the most important event of their lives. They loaded their burros with things to trade and with supplies, and then struck across a country, desert and hostile, in the hope of bringing back a great load of the precious sh.e.l.l material.

For another precious material they had not far to go. Turquoise was highly prized. This is a hard, fine-grained blue, bluish green, or green stone, that is found at several localities in New Mexico. It has been mined for a long time near Los Cerillos, and the old diggings and the old stone tools with which they were worked may still be seen. Modern Indians still work the same precious veins, and bits of the rough stone may pa.s.s from hand to hand in trade. In drilling the sh.e.l.l and turquoise beads to-day a little drill is used which is called a pump-drill. An upright stick bears a point of hard stone or iron at the bottom. This pa.s.ses through a hole in a little flat board an inch or so wide and six or eight inches long; strings or thongs pa.s.s from the ends of this board to the top of the upright stick. On the upright stick, not far from the lower end, is fastened a thin, wide disk of wood, three inches across. This serves as a fly-wheel to regulate the whirling of the stick. When this little machine is properly adjusted, it is made to whirl by pressing down on the crossbow, and then releasing the pressure, pressing down again, etc. It works very well, and drills the hard turquoise and the softer sh.e.l.l neatly. These beads and ornaments of sh.e.l.l or turquoise are so highly prized that they easily serve the purposes of trade. So much do the Navajo desire the turquoise that they readily exchange for it their beautiful blankets, neat silver-work, or finest ponies.

Blankets have always been greatly prized by all Indians, whether they be made out of skins, bark, or wool. The white man has taken advantage of this fact, and to-day his blankets are to be found everywhere. In some places they have become the real money and have regular set values. In British Columbia, most of the tribes reckon all values in Hudson Bay blankets. These blankets are traded out by the Hudson Bay company and are of various sizes. These sizes are always indicated by some black lines worked into the blanket along the edge. The largest size is called a "four point," the smallest a "one point" blanket. One size is considered the standard; it is the "two-and-a-half point" size. When any one speaks of "a blanket," a two-and-a-half point blanket is meant. Skins of different animals are said to be worth so many "blankets."

The Tlingit and Haida Indians of Alaska and Queen Charlotte Islands used to feel very proud if they were owners of "coppers." They did not smelt copper, but they used to beat it into various forms. The form most prized, called "a copper," was of no use, but indicated wealth. "Coppers" were flat sheets of equal thickness throughout except at the edges, which were thicker than the body; there was also upon them a raised pattern something like a T; sometimes also a face was scratched upon their upper part. Such coppers were formerly worth ten slaves each. Lately, however, the whites have taken to making them for trade, and they have become so common that they are much less prized. Still, until quite lately, they were worth from forty to eighty blankets, or from sixty to one hundred and twenty dollars.

WILLIAM HENRY HOLMES.-Geologist, archaeologist, artist. At present he is at the head of the anthropological work of the United States National Museum. Has written important works: among them, _Art in Sh.e.l.l of the Ancient Americans_ and _Archaeological Studies among the Ancient Cities of Mexico_.

XII. MEDICINE MEN AND SECRET SOCIETIES.

All Indians believe in spirits. Some are good and help men who please them; others are bad and always anxious to do harm. The spirits are all about us. They are in plants, and trees, and rustling leaves; they are in the wind and cloud and rain; they are in the mountain and in the brook. It is spirits that cause trouble, suffering, and death. When a man is ill, some bad spirit has taken away his soul or has entered into him.

It is not strange, then, that the Indians should wish to gain power over these spirits. If a man knows some words, the saying of which will protect him against them, he is fortunate; fortunate is he, too, if he knows some object which, carried, will disarm them, or if he can perform some trick which will put them to flight. Such knowledge is what the Indians mean by "medicine" or "mystery." Men who spend their lives in trying to gain such knowledge are called medicine men, mystery men, or Shamans.

[Ill.u.s.tration.]

Rattles and Masks: Alaska. (From Originals in Peabody Museum.)

The Shaman among the tribes of the Northwest Coast is an important person.

He decided, when a boy, that he would become a Shaman. He selected some old Shaman for his teacher and learned from him his secrets. By experiments, by dreaming, and by trading with other Shamans he got other secrets. To help him in his dealings with spirits the Shaman makes use of many devices. He sleeps upon a wooden pillow, which is carved with otter heads; these are believed to whisper wisdom to him while he sleeps. Upon his dancing-dress little carved figures, in ivory, are hung, which give him spirit influence, partly by the forms into which they are cut, and partly by the jingling noise they make when he dances. He wears a mask, the animal carvings on which control spirits. He uses a rattle and a tambourine to summon spirits. He has a spirit pole or wand quaintly carved, with which he fences, fighting and warding off spirits which he alone can see. The people sitting by see his brave fighting and hear his shrieks and cries; in this way only they can judge how many and how powerful are the spirits against whom he is fighting, for their good.

Sometimes when dancing the Shaman becomes so excited that he falls in a fit-quivering, gasping, struggling. It is believed, at such times, either that some mighty spirit has taken possession of him, or that his own soul has gone to the land of spirits. Sometimes when he comes to himself he tells of his wonderful journeys and battles.

Among the Haida of the Queen Charlotte Islands, when a sick man is to be cured, three or four Shamans come together at his side. All sing and rattle until they find out where the soul of the sick man is. It may be in the possession of the salmon or the oolachen fish, or it may be held a prisoner by some dead Shaman. They go to the place where it is supposed to be, and by singing and charms succeed in getting it into a carved hollow bone used only for this purpose. Various precious things are then burned and the soul bone held in the smoke. The bone is then laid by the side of the patient's head that his soul may return.

Many astonis.h.i.+ng stories are told of the powers of medicine men. A missionary among the Crees, Edgerton R. Young, told me of a white man who was once out hunting. He came upon an old medicine man, who begged him for game, as he was hungry. The white man made sport of him, saying, "You are a great medicine man; why not get game for yourself?" The old man was enraged. He cried out, "White man, see yonder goose," and pointed his finger into the air. The goose fell fluttering at their feet, and the old man picked it up and walked away. The white man really thought this thing happened. Perhaps the old medicine man had hypnotized him; if so, the only goose anywhere around was probably the white man.

The eastern Algonkins were fond of medicine or mystery. Two great medicine men would have a contest to see which was more powerful. Many of their stories tell of such contests. Two powers, which they did seem to have, attracted much attention and caused much terror. These were screaming and sinking into the ground. Leland quotes an Indian regarding these: "Two or three weeks after, I was in another place, we spoke of _m'teoulin_ [mystery men]. The white folks ridiculed them. I said there was one in Fredericton, and I said I would bet ten dollars that he would get the better of them. And they bet that no Indian could do more than they could.

So the _m'teoulin_ came, and first he screamed so that no one could move.