Over the Teacups Part 12

Among the essays of Morhof is one on the "Paradoxes of the Senses."

That t.i.tle brought to mind the recollection of another work I have been meaning to say something about, at some time when you were in the listening mood. The book I refer to is "A Budget of Paradoxes," by Augustus De Morgan. De Morgan is well remembered as a very distinguished mathematician, whose works have kept his name in high honor to the present time. The book I am speaking of was published by his widow, and is largely made up of letters received by him and his comments upon them. Few persons ever read it through. Few intelligent readers ever took it up and laid it down without taking a long draught of its singular and interesting contents. The letters are mostly from that cla.s.s of persons whom we call "cranks," in our familiar language.

At this point Number Seven interrupted me by calling out, "Give us some of those cranks' letters. A crank is a man who does his own thinking. I had a relation who was called a crank. I believe I have been spoken of as one myself. That is what you have to expect if you invent anything that puts an old machine out of fas.h.i.+on, or solve a problem that has puzzled all the world up to your time. There never was a religion founded but its Messiah was called a crank. There never was an idea started that woke up men out of their stupid indifference but its originator was spoken of as a crank. Do you want to know why that name is given to the men who do most for the world's progress? I will tell you. It is because cranks make all the wheels in all the machinery of the world go round. What would a steam-engine be without a crank? I suppose the first fool that looked on the first crank that was ever made asked what that crooked, queer-looking thing was good for. When the wheels got moving he found out. Tell us something about that book which has so much to say concerning cranks."

Hereupon I requested Delilah to carry back Morhof, and replace him in the wide gap he had left in the bookshelf. She was then to find and bring down the volume I had been speaking of.

Delilah took the wisdom of the seventeenth century in her arms, and departed on her errand. The book she brought down was given me some years ago by a gentleman who had sagaciously foreseen that it was just one of those works which I might hesitate about buying, but should be well pleased to own. He guessed well; the book has been a great source of instruction and entertainment to me. I wonder that so much time and cost should have been expended upon a work which might have borne a t.i.tle like the Encomium Moriae of Erasmus; and yet it is such a wonderful museum of the productions of the squinting brains belonging to the cla.s.s of persons commonly known as cranks that we could hardly spare one of its five hundred octavo pages.

Those of us who are in the habit of receiving letters from all sorts of would-be-literary people--letters of inquiry, many of them with reference to matters we are supposed to understand--can readily see how it was that Mr. De Morgan, never too busy to be good-natured with the people who pestered--or amused-him with their queer fancies, received such a number of letters from persons who thought they had made great discoveries, from those who felt that they and their inventions and contrivances had been overlooked, and who sought in his large charity of disposition and great receptiveness a balm for their wounded feelings and a ray of hope for their darkened prospects.

The book before us is made up from papers published in "The Athenaeum,"

with additions by the author. Soon after opening it we come to names with which we are familiar, the first of these, that of Cornelius Agrippa, being connected with the occult and mystic doctrines dealt with by many of De Morgan's correspondents. But the name most likely to arrest us is that of Giordano Bruno, the same philosopher, heretic, and martyr whose statue has recently been erected in Rome, to the great horror of the Pope and his prelates in the Old World and in the New. De Morgan's pithy account of him will interest the company: "Giordano Bruno was all paradox. He was, as has been said, a vorticist before Descartes, an optimist before Leibnitz, a Copernican before Galileo. It would be easy to collect a hundred strange opinions of his. He was born about 1550, and was roasted alive at Rome, February 17, 1600, for the maintenance and defence of the Holy Church, and the rights and liberties of the same."

Number Seven could not contain himself when the reading had reached this point. He rose from his chair, and tinkled his spoon against the side of his teacup. It may have been a fancy, but I thought it returned a sound which Mr. Richard Briggs would have recognized as implying an organic defect. But Number Seven did not seem to notice it, or, if he did, to mind it.

"Why did n't we all have a chance to help erect that statue?" he cried.

"A murdered heretic at the beginning of the seventeenth century, a hero of knowledge in the nineteenth,--I drink to the memory of the roasted crank, Giordano Bruno!"

Number Seven lifted his teacup to his lips, and most of us followed his example.

After this outburst of emotion and eloquence had subsided, and the teaspoons lay quietly in their saucers, I went on with my extract from the book I had in hand.

I think, I said, that the pa.s.sage which follows will be new and instructive to most of the company. De Morgan's interpretation of the cabalistic sentence, made up as you will find it, is about as ingenious a piece of fanciful exposition as you will be likely to meet with anywhere in any book, new or old. I am the more willing to mention it as it suggests a puzzle which some of the company may like to work upon.

Observe the character and position of the two distinguished philosophers who did not think their time thrown away in laboring at this seemingly puerile task.

"There is a kind of Cabbala Alphabetica which the investigators of the numerals in words would do well to take up; it is the formation of sentences which contain all the letters of the alphabet, and each only once. No one has done it with v and j treated as consonants; but you and I can do it. Dr. Whewell and I amused ourselves some years ago with attempts. He could not make sense, though he joined words he gave me Phiz, styx, wrong, buck, flame, quiz.

"I gave him the following, which he agreed was 'admirable sense,'--I certainly think the words would never have come together except in this way: I quartz pyx who fling muck beds. I long thought that no human being could say this under any circ.u.mstances. At last I happened to be reading a religious writer,--as he thought himself,--who threw aspersions on his opponents thick and threefold. Heyday came into my head; this fellow flings muck beds; he must be a quartz pyx. And then I remembered that a pyx is a sacred vessel, and quartz is a hard stone, as hard as the heart of a religious foe-curser. So that the line is the motto of the ferocious sectarian who turns his religious vessels into mud-holders, for the benefit of those who will not see what he sees."

"There are several other sentences given, in which all the letters (except v and j as consonants) are employed, of which the following is the best: Get nymph; quiz sad brow; fix luck,--which in more sober English would be, Marry; be cheerful; watch your business. There is more edification, more religion, in this than in all the 666 interpretations put together."

There is something very pleasant in the thought of these two sages playing at jackstraws with the letters of the alphabet. The task which De Morgan and Dr. Whewell, "the omniscient," set themselves would not be unworthy of our own ingenious scholars, and it might be worth while for some one of our popular periodicals to offer a prize for the best sentence using up the whole alphabet, under the same conditions as those submitted to by our two philosophers.

This whole book of De Morgan's seems to me full of instruction. There is too much of it, no doubt; yet one can put up with the redundancy for the sake of the multiplicity of shades of credulity and self-deception it displays in broad daylight. I suspect many of us are conscious of a second personality in our complex nature, which has many traits resembling those found in the writers of the letters addressed to Mr. De Horgan.

I have not ventured very often nor very deeply into the field of metaphysics, but if I were disposed to make any claim in that direction, it would be the recognition of the squinting brain, the introduction of the term "cerebricity" corresponding to electricity, the idiotic area in the brain or thinking-marrow, and my studies of the second member in the partners.h.i.+p of I-My-Self & Co. I add the Co. with especial reference to a very interesting article in a late Scribner, by my friend Mr. William James. In this article the reader will find a full exposition of the doctrine of plural personality ill.u.s.trated by striking cases. I have long ago noticed and referred to the fact of the stratification of the currents of thought in three layers, one over the other. I have recognized that where there are two individuals talking together there are really six personalities engaged in the conversation. But the distinct, separable, independent individualities, taking up conscious life one after the other, are brought out by Mr. James and the authorities to which he refers as I have not elsewhere seen them developed.

Whether we shall ever find the exact position of the idiotic centre or area in the brain (if such a spot exists) is uncertain. We know exactly where the blind spot of the eye is situated, and can demonstrate it anatomically and physiologically. But we have only a.n.a.logy to lead us to infer the possible or even probable existence of an insensible spot in the thinking-centre. If there is a focal point where consciousness is at its highest development, it would not be strange if near by there should prove to be an anaesthetic district or limited s.p.a.ce where no report from the senses was intelligently interpreted. But all this is mere hypothesis.

Notwithstanding the fact that I am nominally the head personage of the circle of Teacups, I do not pretend or wish to deny that we all look to Number Five as our chief adviser in all the literary questions that come before us. She reads more and better than any of us. She is always ready to welcome the first sign of genius, or of talent which approaches genius. She makes short work with all the pretenders whose only excuse for appealing to the public is that they "want to be famous." She is one of the very few persons to whom I am willing to read any one of my own productions while it is yet in ma.n.u.script, unpublished. I know she is disposed to make more of it than it deserves; but, on the other hand, there are degrees in her scale of judgment, and I can distinguish very easily what delights her from what pleases only, or is, except for her kindly feeling to the writer, indifferent, or open to severe comment.

What is curious is that she seems to have no literary aspirations, no desire to be known as a writer. Yet Number Five has more esprit, more sparkle, more sense in her talk, than many a famous auth.o.r.ess from whom we should expect brilliant conversation.

There are mysteries about Number Five. I am not going to describe her personally. Whether she belongs naturally among the bright young people, or in the company of the maturer persons, who have had a good deal of experience of the world, and have reached the wisdom of the riper decades without losing the graces of the earlier ones, it would be hard to say. The men and women, young and old, who throng about her forget their own ages. "There is no such thing as time in her presence," said the Professor, the other day, in speaking of her. Whether the Professor is in love with her or not is more than I can say, but I am sure that he goes to her for literary sympathy and counsel, just as I do. The reader may remember what Number Five said about the possibility of her getting a sprained ankle, and her asking the young Doctor whether he felt equal to taking charge of her if she did. I would not for the world insinuate that he wishes she would slip and twist her foot a little,--just a little, you know, but so that it would have to be laid on a pillow in a chair, and inspected, and bandaged, and delicately manipulated. There was a banana-skin which she might naturally have trodden on, in her way to the tea-table. n.o.body can suppose that it was there except by the most innocent of accidents. There are people who will suspect everybody.

The idea of the Doctor's putting that banana-skin there! People love to talk in that silly way about doctors.

Number Five had promised to read us a narrative which she thought would interest some of the company. Who wrote it she did not tell us, but I inferred from various circ.u.mstances that she had known the writer. She read the story most effectively in her rich, musical voice. I noticed that when it came to the sounds of the striking clock, the ringing of the notes was so like that which reaches us from some far-off cathedral tower that we wanted to bow our heads, as if we had just heard a summons to the Angelus. This was the short story that Number Five read to The Teacups:--

I have somewhere read this anecdote. Louis the Fourteenth was looking out, one day, from, a window of his palace of Saint-Germain. It was a beautiful landscape which spread out before him, and the monarch, exulting in health, strength, and the splendors of his exalted position, felt his bosom swell with emotions of pride and happiness: Presently he noticed the towers of a church in the distance, above the treetops.

"What building is that?" he asked. "May it please your Majesty, that is the Church of St. Denis, where your royal ancestors have been buried for many generations." The answer did not "please his Royal Majesty." There, then, was the place where he too was to lie and moulder in the dust.

He turned, sick at heart, from the window, and was uneasy until he had built him another palace, from which he could never be appalled by that fatal prospect.

Something like the experience of Louis the Fourteenth was that of the owner of

THE TERRIBLE CLOCK.

I give the story as transcribed from the original ma.n.u.script:--

The clock was bequeathed to me by an old friend who had recently died.

His mind had been a good deal disordered in the later period of his life. This clock, I am told; seemed to have a strange fascination for him. His eyes were fastened on it during the last hours of his life. He died just at midnight. The clock struck twelve, the nurse told me, as he drew his last breath, and then, without any known cause, stopped, with both hands upon the hour.

It is a complex and costly piece of mechanism. The escapement is in front, so that every tooth is seen as it frees itself. It shows the phases of the moon, the month of the year, the day of the month, and the day of the week, as well as the hour and minute of the day.

I had not owned it a week before I began to perceive the same kind of fascination as that which its former owner had experienced. This gradually grew upon me, and presently led to trains of thought which became at first unwelcome, then worrying, and at last unendurable.

I began by taking offence at the moon. I did not like to see that "something large and smooth and round," so like the skull which little Peterkin picked up on the field of Blenheim. "How many times," I kept saying to myself, "is that wicked old moon coming up to stare at me?" I could not stand it. I stopped a part of the machinery, and the moon went into permanent eclipse. By and by the sounds of the infernal machine began to trouble and pursue me. They talked to me; more and more their language became that of articulately speaking men. They twitted me with the rapid flight of time. They hurried me, as if I had not a moment to lose. Quick! Quick! Quick! as each tooth released itself from the escapement. And as I looked and listened there could not be any mistake about it. I heard Quick! Quick! Quick! as plainly, at least, as I ever heard a word from the phonograph. I stood watching the dial one day,--it was near one o'clock,--and a strange attraction held me fastened to the spot. Presently something appeared to trip or stumble inside of the infernal mechanism. I waited for the sound I knew was to follow. How nervous I got! It seemed to me that it would never strike. At last the minute-hand reached the highest point of the dial. Then there was a little stir among the works, as there is in a congregation as it rises to receive the benediction. It was no form of blessing which rung out those deep, almost sepulchral tones. But the word they uttered could not be mistaken. I can hear its prolonged, solemn vibrations as if I were standing before the clock at this moment.

Gone! Yes, I said to myself, gone,--its record made up to be opened in eternity.

I stood still, staring vaguely at the dial as in a trance. And as the next hour creeps stealthily up, it starts all at once, and cries aloud, Gone!--Gone! The sun sinks lower, the hour-hand creeps downward with it, until I hear the thrice-repeated monosyllable, Gone!--Gone!--Gone! Soon through the darkening hours, until at the dead of night the long roll is called, and with the last Gone! the latest of the long procession that filled the day follows its ghostly companions into the stillness and darkness of the past.

I silenced the striking part of the works. Still, the escapement kept repeating, Quick! Quick! Quick! Still the long minute-hand, like the dart in the grasp of Death, as we see it in Roubiliac's monument to Mrs.

Nightingale, among the tombs of Westminster Abbey, stretched itself out, ready to transfix each hour as it pa.s.sed, and make it my last. I sat by the clock to watch the leap from one day of the week to the next. Then would come, in natural order, the long stride from one month to the following one.

I could endure it no longer. "Take that clock away!" I said. They took it away. They took me away, too,--they thought I needed country air. The sounds and motions still pursued me in imagination. I was very nervous when I came here. The walks are pleasant, but the walls seem to me unnecessarily high. The boarders are numerous; a little miscellaneous, I think. But we have the Queen, and the President of the United States, and several other distinguished persons, if we may trust what they tell about themselves.

After we had listened to Number Five's story, I was requested to read a couple of verses written by me when the guest of my friends, whose name is hinted by the t.i.tle prefixed to my lines.

LA MAISON D'OR.

BAR HARBOR.

From this fair home behold on either side The restful mountains or the restless sea: So the warm sheltering walls of life divide Time and its tides from still eternity.

Look on the waves: their stormy voices teach That not on earth may toil and struggle cease.

Look on the mountains: better far than speech Their silent promise of eternal peace.

VIII.

I had intended to devote this particular report to an account of my replies to certain questions which have been addressed to me,--questions which I have a right to suppose interest the public, and which, therefore, I was justified in bringing before The Teacups, and presenting to the readers of these articles.

Some may care for one of these questions, and some for another. A good many young people think nothing about life as it presents itself in the far horizon, bounded by the snowy ridges of threescore and the dim peaks beyond that remote barrier. Again, there are numbers of persons who know nothing at all about the Jews; while, on the other hand, there are those who can, or think they can, detect the Israelitish blood in many of their acquaintances who believe themselves of the purest j.a.phetic origin, and are full of prejudices about the Semitic race.

I do not mean to be cheated out of my intentions. I propose to answer my questioners on the two points just referred to, but I find myself so much interested in the personal affairs of The Teacups that I must deal with them before attacking those less exciting subjects. There is no use, let me say here, in addressing to me letters marked "personal,"

"private," "confidential," and so forth, asking me how I came to know what happened in certain conversations of which I shall give a partial account. If there is a very sensitive phonograph lying about here and there in unsuspected corners, that might account for some part of my revelations. If Delilah, whose hearing is of almost supernatural delicacy, reports to me what she overhears, it might explain a part of the mystery. I do not want to accuse Delilah, but a young person who a.s.sures me she can hear my watch ticking in my pocket, when I am in the next room, might undoubtedly tell many secrets, if so disposed. Number Five is pretty nearly omniscient, and she and I are on the best terms with each other. These are all the hints I shall give you at present.

The Teacups of whom the least has been heard at our table are the Tutor and the Musician. The Tutor is a modest young man, kept down a little, I think, by the presence of older persons, like the Professor and myself.