Chance Part 19

Surely Fyne had not impressed him. That he was an impressionable man I could not doubt. The presence of the girl there on the pavement before me proved this up to the hilt--and, well, yes, touchingly enough.

It so happened that in their wanderings to and fro our glances met.

They met and remained in contact more familiar than a hand-clasp, more communicative, more expressive. There was something comic too in the whole situation, in the poor girl and myself waiting together on the broad pavement at a corner public-house for the issue of Fyne's ridiculous mission. But the comic when it is human becomes quickly painful. Yes, she was infinitely anxious. And I was asking myself whether this poignant tension of her suspense depended--to put it plainly--on hunger or love.

The answer would have been of some interest to Captain Anthony. For my part, in the presence of a young girl I always become convinced that the dreams of sentiment--like the consoling mysteries of Faith--are invincible; that it is never never reason which governs men and women.

Yet what sentiment could there have been on her part? I remembered her tone only a moment since when she said: "That evening Captain Anthony arrived at the cottage." And considering, too, what the arrival of Captain Anthony meant in this connection, I wondered at the calmness with which she could mention that fact. He arrived at the cottage. In the evening. I knew that late train. He probably walked from the station. The evening would be well advanced. I could almost see a dark indistinct figure opening the wicket gate of the garden. Where was she?

Did she see him enter? Was she somewhere near by and did she hear without the slightest premonition his chance and fateful footsteps on the flagged path leading to the cottage door? In the shadow of the night made more cruelly sombre for her by the very shadow of death he must have appeared too strange, too remote, too unknown to impress himself on her thought as a living force--such a force as a man can bring to bear on a woman's destiny.

She glanced towards the hotel door again; I followed suit and then our eyes met once more, this time intentionally. A tentative, uncertain intimacy was springing up between us two. She said simply: "You are waiting for Mr Fyne to come out; are you?"

I admitted to her that I was waiting to see Mr Fyne come out. That was all. I had nothing to say to him.

"I have said yesterday all I had to say to him," I added meaningly. "I have said it to them both, in fact. I have also heard all they had to say."

"About me?" she murmured.

"Yes. The conversation was about you."

"I wonder if they told you everything."

If she wondered I could do nothing else but wonder too. But I did not tell her that. I only smiled. The material point was that Captain Anthony should be told everything. But as to that I was very certain that the good sister would see to it. Was there anything more to disclose--some other misery, some other deception of which that girl had been a victim? It seemed hardly probable. It was not even easy to imagine. What struck me most was her--I suppose I must call it-- composure. One could not tell whether she understood what she had done.

One wondered. She was not so much unreadable as blank; and I did not know whether to admire her for it or dismiss her from my thoughts as a pa.s.sive b.u.t.t of ferocious misfortune.

Looking back at the occasion when we first got on speaking terms on the road by the quarry, I had to admit that she presented some points of a problematic appearance. I don't know why I imagined Captain Anthony as the sort of man who would not be likely to take the initiative; not perhaps from indifference but from that peculiar timidity before women which often enough is found in conjunction with chivalrous instincts, with a great need for affection and great stability of feelings. Such men are easily moved. At the least encouragement they go forward with the eagerness, with the recklessness of starvation. This accounted for the suddenness of the affair. No! With all her inexperience this girl could not have found any great difficulty in her conquering enterprise.

She must have begun it. And yet there she was, patient, almost unmoved, almost pitiful, waiting outside like a beggar, without a right to anything but compa.s.sion, for a promised dole.

Every moment people were pa.s.sing close by us, singly, in two and threes; the inhabitants of that end of the town where life goes on unadorned by grace or splendour; they pa.s.sed us in their shabby garments, with sallow faces, haggard, anxious or weary, or simply without expression, in an unsmiling sombre stream not made up of lives but of mere unconsidered existences whose joys, struggles, thoughts, sorrows and their very hopes were miserable, glamourless, and of no account in the world. And when one thought of their reality to themselves one's heart became oppressed.

But of all the individuals who pa.s.sed by none appeared to me for the moment so pathetic in unconscious patience as the girl standing before me; none more difficult to understand. It is perhaps because I was thinking of things which I could not ask her about.

In fact we had nothing to say to each other; but we two, strangers as we really were to each other, had dealt with the most intimate and final of subjects, the subject of death. It had created a sort of bond between, us. It made our silence weighty and uneasy. I ought to have left her there and then; but, as I think I've told you before, the fact of having shouted her away from the edge of a precipice seemed somehow to have engaged my responsibility as to this other leap. And so we had still an intimate subject between us to lend more weight and more uneasiness to our silence. The subject of marriage. I use the word not so much in reference to the ceremony itself (I had no doubt of this, Captain Anthony being a decent fellow) or in view of the social inst.i.tution in general, as to which I have no opinion, but in regard to the human relation. The first two views are not particularly interesting. The ceremony, I suppose, is adequate; the inst.i.tution, I dare say, is useful or it would not have endured. But the human relation thus recognised is a mysterious thing in its origins, character and consequences.

Unfortunately you can't b.u.t.tonhole familiarly a young girl as you would a young fellow. I don't think that even another woman could really do it. She would not be trusted. There is not between women that fund of at least conditional loyalty which men may depend on in their dealings with each other. I believe that any woman would rather trust a man.

The difficulty in such a delicate case was how to get on terms.

So we held our peace in the odious uproar of that wide roadway thronged with heavy carts. Great vans carrying enormous piled-up loads advanced swaying like mountains. It was as if the whole world existed only for selling and buying and those who had nothing to do with the movement of merchandise were of no account.

"You must be tired," I said. One had to say something if only to a.s.sert oneself against that wearisome, pa.s.sionless and crus.h.i.+ng uproar. She raised her eyes for a moment. No, she was not. Not very. She had not walked all the way. She came by train as far as Whitechapel Station and had only walked from there.

She had had an ugly pilgrimage; but whether of love or of necessity who could tell? And that precisely was what I should have liked to get at.

This was not however a question to be asked point-blank, and I could not think of any effective circ.u.mlocution. It occurred to me too that she might conceivably know nothing of it herself--I mean by reflection.

That young woman had been obviously considering death. She had gone the length of forming some conception of it. But as to its companion fatality--love, she, I was certain, had never reflected upon its meaning.

With that man in the hotel, whom I did not know, and this girl standing before me in the street I felt that it was an exceptional case. He had broken away from his surroundings; she stood outside the pale. One aspect of conventions which people who declaim against them lose sight of is that conventions make both joy and suffering easier to bear in a becoming manner. But those two were outside all conventions. They would be as untrammelled in a sense as the first man and the first woman. The trouble was that I could not imagine anything about Flora de Barral and the brother of Mrs Fyne. Or, if you like, I could imagine _anything_ which comes practically to the same thing. Darkness and chaos are first cousins. I should have liked to ask the girl for a word which would give my imagination its line. But how was one to venture so far? I can be rough sometimes but I am not naturally impertinent. I would have liked to ask her for instance: "Do you know what you have done with yourself?" A question like that. Anyhow it was time for one of us to say something. A question it must be. And the question I asked was: "So he's going to show you the s.h.i.+p?"

She seemed glad I had spoken at last and glad of the opportunity to speak herself.

"Yes. He said he would--this morning. Did you say you did not know Captain Anthony?"

"No. I don't know him. Is he anything like his sister?"

She looked startled and murmured "Sister!" in a puzzled tone which astonished me. "Oh! Mrs Fyne," she exclaimed, recollecting herself, and avoiding my eyes while I looked at her curiously.

What an extraordinary detachment! And all the time the stream of shabby people was hastening by us, with the continuous dreary shuffling of weary footsteps on the flagstones. The suns.h.i.+ne falling on the grime of surfaces, on the poverty of tones and forms seemed of an inferior quality, its joy faded, its brilliance tarnished and dusty. I had to raise my voice in the dull vibrating noise of the roadway.

"You don't mean to say you have forgotten the connection?"

She cried readily enough: "I wasn't thinking." And then, while I wondered what could have been the images occupying her brain at this time, she asked me: "You didn't see my letter to Mrs Fyne--did you?"

"No. I didn't," I shouted. Just then the racket was distracting, a pair-horse trolly lightly loaded with loose rods of iron pa.s.sing slowly very near us. "I wasn't trusted so far." And remembering Mrs Fyne's hints that the girl was unbalanced, I added: "Was it an unreserved confession you wrote?"

She did not answer me for a time, and as I waited I thought that there's nothing like a confession to make one look mad; and that of all confessions a written one is the most detrimental all round. Never confess! Never, never! An untimely joke is a source of bitter regret always. Sometimes it may ruin a man; not because it is a joke, but because it is untimely. And a confession of whatever sort is always untimely. The only thing which makes it supportable for a while is curiosity. You smile? Ah, but it is so, or else people would be sent to the rightabout at the second sentence. How many sympathetic souls can you reckon on in the world? One in ten, one in a hundred--in a thousand--in ten thousand? Ah! What a sell these confessions are!

What a horrible sell! You seek sympathy, and all you get is the most evanescent sense of relief--if you get that much. For a confession, whatever it may be, stirs the secret depths of the hearer's character.

Often depths that he himself is but dimly aware of. And so the righteous triumph secretly, the lucky are amused, the strong are disgusted, the weak either upset or irritated with you according to the measure of their sincerity with themselves. And all of them in their hearts brand you for either mad or impudent...

I had seldom seen Marlow so vehement, so pessimistic, so earnestly cynical before. I cut his declamation short by asking what answer Flora de Barral had given to his question. "Did the poor girl admit firing off her confidences at Mrs Fyne--eight pages of close writing--that sort of thing?"

Marlow shook his head.

She did not tell me. I accepted her silence, as a kind of answer and remarked that it would have been better if she had simply announced the fact to Mrs Fyne at the cottage. "Why didn't you do it?" I asked point-blank.

She said: "I am not a very plucky girl." She looked up at me and added meaningly: "And _you_ know it. And you know why."

I must remark that she seemed to have become very subdued since our first meeting at the quarry. Almost a different person from the defiant, angry and despairing girl with quivering lips and resentful glances.

"I thought it was very sensible of you to get away from that sheer drop," I said.

She looked up with something of that old expression.

"That's not what I mean. I see you will have it that you saved my life.

Nothing of the kind. I was concerned for that vile little beast of a dog. No! It was the idea of--of doing away with myself which was cowardly. That's what I meant by saying I am not a very plucky girl."

"Oh!" I retorted airily. "That little dog. He isn't really a bad little dog." But she lowered her eyelids and went on:

"I was so miserable that I could think only of myself. This was mean.

It was cruel too. And besides I had _not_ given it up--not then."

Marlow changed his tone.

"I don't know much of the psychology of self-destruction. It's a sort of subject one has few opportunities to study closely. I knew a man once who came to my rooms one evening, and while smoking a cigar confessed to me moodily that he was trying to discover some graceful way of retiring out of Existence. I didn't study his case, but I had a glimpse of him the other day at a cricket match, with some women, having a good time. That seems a fairly reasonable att.i.tude. Considered as a sin, it is a case for repentance before the throne of a merciful G.o.d.

But I imagine that Flora de Barral's religion under the care of the distinguished governess could have been nothing but outward formality.

Remorse in the sense of gnawing shame and unavailing regret is only understandable to me when some wrong had been done to a fellow-creature.

But why she, that girl who existed on sufferance, so to speak--why she should writhe inwardly with remorse because she had once thought of getting rid of a life which was nothing in every respect but a curse-- that I could not understand. I thought it was very likely some obscure influence of common forms of speech, some traditional or inherited feeling--a vague notion that suicide is a legal crime; words of old moralists and preachers which remain in the air and help to form all the authorised moral conventions. Yes, I was surprised at her remorse. But lowering her glance unexpectedly till her dark eyelashes seemed to rest against her white cheeks she presented a perfectly demure aspect. It was so attractive that I could not help a faint smile. That Flora de Barral should ever, in any aspect, have the power to evoke a smile was the very last thing I should have believed. She went on after a slight hesitation:--

"One day I started for there, for that place."

Look at the influence of a mere play of physiognomy! If you remember what we were talking about you will hardly believe that I caught myself grinning down at that demure little girl. I must say too that I felt more friendly to her at the moment than ever before.

"Oh, you did? To take that jump? You are a determined young person.