The Unknown Life of Jesus Christ Part 3

The Tchampas, or nomads, who const.i.tute the other part of Ladak's population, are rougher, and much poorer than the settled population.

They are, for the most part, hunters, who completely neglect agriculture. Although they profess the Buddhistic religion, they never frequent the cloisters unless in want of meal, which they obtain in exchange for their venison. They mostly camp in tents on the summits of the mountains, where the cold is very great. While the properly called Ladakians are peaceable, very desirous of learning, of an incarnated laziness, and are never known to tell untruth; the Tchampas, on the contrary, are very irascible, extremely lively, great liars and profess a great disdain for the convents.

Among them lives the small population of Khombas, wanderers from the vicinity of Lha.s.sa, who lead the miserable existence of a troupe of begging gipsies on the highways. Incapable of any work whatever, speaking a language not spoken in the country where they beg for their subsistence, they are the objects of general contempt, and are only tolerated out of pity for their deplorable condition, when hunger drives their mendicant bands to seek alms in the villages.

Polyandry, which is universally prevalent here, of course interested my curiosity. This inst.i.tution is, by the way, not the outcome of Buddha's doctrines. Polyandry existed long before the advent of Buddha. It a.s.sumed considerable proportions in India, where it const.i.tuted one of the most effective means for checking the growth of a population which tends to constant increase, an economic danger which is even yet combatted by the abominable custom of killing newborn female children, which causes terrible ravages in the child-life of India. The efforts made by the English in their enactments against the suppression of the future mothers have proved futile and fruitless. Manu himself established polyandry as a law, and Buddhist preachers, who had renounced Brahminism and preached the use of opium, imported this custom into Ceylon, Thibet, Corea, and the country of the Moguls. For a long time suppressed in China, polyandry, which flourishes in Thibet and Ceylon, is also met with among the Kalmonks, between Todas in Southern India, and Nairs on the coast of Malabar. Traces of this strange const.i.tution of the family are also to be found with the Tasmanians and the Irquois Indians in North America.

Polyandry, by the way, has even flourished in Europe, if we may believe Caesar, who, in his _De Bello Gallico_, book V., page 17, writes: "_Uxores habent deni duodenique inter se communes, et maxime fratres c.u.m fratribus et parentes c.u.m liberis._"

In view of all this it is impossible to hold any religion responsible for the existence of the inst.i.tution of polyandry. In Thibet it can be explained by motives of an economical nature; the small quant.i.ty of arable land falling to the share of each inhabitant. In order to support the 1,500,000 inhabitants distributed in Thibet, upon a surface of 1,200,000 square kilometres, the Buddhists were forced to adopt polyandry. Moreover, each family is bound to enter one of its members in a religious order. The firstborn is consecrated to a gonpa, which is inevitably found upon an elevation, at the entrance of every village.

As soon as the child attains the age of eighteen years, he is entrusted to the caravans which pa.s.s Lha.s.sa, where he remains from eight to fifteen years as a novice, in one of the gonpas which are near the city.

There he learns to read and write, is taught the religious rites and studies the sacred parchments written in the Pali language--which formerly used to be the language of the country of Maguada, where, according to tradition, Buddha was born.

The oldest brother remaining in a family chooses a wife, who becomes common to his brothers. The choice of the bride and the nuptial ceremonies are most rudimentary. When a wife and her husband have decided upon the marriage of a son, the brother who possesses the right of choice, pays a visit to a neighboring family in which there is a marriageable daughter.

The first and second visits are spent in more or less indifferent conversations, blended with frequent libations of tchang, and on the third visit only does the young man declare his intention to take a wife. Upon this the girl is formally introduced to him. She is generally not unknown to the wooer, as, in Ladak, women never veil their faces.

A girl cannot be married without her consent. When the young man is accepted, he takes his bride to his house, and she becomes his wife and also the wife of all his brothers. A family which has an only son sends him to a woman who has no more than two or three husbands, and he offers himself to her as a fourth husband. Such an offer is seldom declined, and the young man settles in the new family.

The newly married remain with the parents of the husbands, until the young wife bears her first child. The day after that event, the grandparents of the infant make over the bulk of their fortune to the new family, and, abandoning the old home to them, seek other shelter.

Sometimes marriages are contracted between youth who have not reached a marriageable age, but in such event, the married couple are made to live apart, until they have attained and even pa.s.sed the age required. An unmarried girl who becomes _enceinte_, far from being exposed to the scorn of every one, is shown the highest respect; for she is demonstrated fruitful, and men eagerly seek her in marriage. A wife has the unquestioned right of having an unlimited number of husbands and lovers. If she likes a young man, she takes him home, announces that he has been chosen by her as a "jingtuh" (a lover), and endows him with all the personal rights of a husband, which situation is accepted by her temporarily supplanted husbands with a certain philosophic pleasure, which is the more p.r.o.nounced if their wife has proved sterile during the three first years of her marriage.

They certainly have here not even a vague idea of jealousy. The Thibetan's blood is too cold to know love, which, for him, would be almost an anachronism; if indeed he were not conscious that the sentiment of the entire community would be against him, as a flagrant violator of popular usage and established rights, in restraining the freedom of the women. The selfish enjoyment of love would be, in their eyes, an unjustifiable luxury.

In case of a husband's absence, his place may be offered to a bachelor or a widower. The latter are here in the minority, since the wife generally survives her feeble husbands. Sometimes a Buddhist traveller, whom his affairs bring to the village, is chosen for this office. A husband who travels, or seeks for work in the neighboring country, at every stop takes advantage of his co-religionists' hospitality, who offer him their own wives. The husbands of a sterile woman exert themselves to find opportunities for hospitality, which may happily eventuate in a change in her condition, that they may be made happy fathers.

The wife enjoys the general esteem, is ever of a cheerful disposition, takes part in everything that is going on, goes and comes without any restriction, anywhere and everywhere she pleases, with the exception of the princ.i.p.al prayer-room of the monastery, entrance into which is formally prohibited to her.

Children know only their mother, and do not feel the least affection for their fathers, for the simple reason that they have so many. Without approving polyandry, I could not well blame Thibet for this inst.i.tution, since without it, the population would prodigiously increase. Famine and misery would fall upon the whole nation, with all the sinister _sequellae_ of murder and theft, crimes so far absolutely unknown in the whole country.

_A Festival in a Gonpa_

Leh, the capital of Ladak, is a little town of 5,000 inhabitants, who live in white, two-story houses, upon two or three streets, princ.i.p.ally.

In its centre is the square of the bazaar, where the merchants of India, China, Turkestan, Kachmyr and Thibet, come to exchange their products for the Thibetan gold. Here the natives provide themselves with cloths for themselves and their monks, and various objects of real necessity.

An old uninhabited palace rises upon a hill which dominates the town.

Fronting the central square is a vast building, two stories in height, the residence of the governor of Ladak, the Vizier Souradjbal--a very amiable and universally popular Pendjaban, who has received in London the degree of Doctor of Philosophy.

To entertain me, during my sojourn in Leh, the governor arranged, on the bazaar square, a game of polo--the national sport of the Thibetans, which the English have adopted and introduced into Europe. In the evening, after the game, the people executed dances and played games before the governor's residence. Large bonfires illuminated the scene, lighting up the throng of inhabitants, who formed a great circle about the performers. The latter, in considerable numbers, disguised as animals, devils and sorcerers, jumped and contorted themselves in rhythmic dances timed to the measure of the monotonous and unpleasing music made by two long trumpets and a drum.

The infernal racket and shouting of the crowd wearied me. The performance ended with some graceful dances by Thibetan women, who spun upon their heels, swaying to and fro, and, in pa.s.sing before the spectators in the windows of the residence, greeted us by the clas.h.i.+ng together of the copper and ivory bracelets on their crossed wrists.

The next day, at an early hour, I repaired to the great Himis convent, which, a little distance from Leh, is elevated upon the top of a great rock, on a picturesque site, commanding the valley of the Indies. It is one of the princ.i.p.al monasteries of the country, and is maintained by the gifts of the people and the subsidies it receives from Lha.s.sa. On the road leading to it, beyond the bridge crossing the Indus, and in the vicinity of the villages lining the way, one finds heaps of stones bearing engraved inscriptions, such as have already been described, and _t'horthenes_. At these places, our guides were very careful to turn to the right. I wished to turn my horse to the left, but the Ladakians made him go back and led him by his halter to the right, explaining to me that such was their established usage. I found it impossible to learn the origin or reason of this custom.

Above the gonpa rises a battlemented tower, visible from a great distance. We climbed, on foot, to the level on which the edifice stands and found ourselves confronted by a large door, painted in brilliant colors, the portal of a vast two-story building enclosing a court paved with little pebbles. To the right, in one of the angles of the court, is another huge painted door, adorned with big copper rings. It is the entrance to the princ.i.p.al temple, which is decorated with paintings of the princ.i.p.al G.o.ds, and contains a great statue of Buddha and a mult.i.tude of sacred statuettes. To the left, upon a verandah, was placed an immense prayer-cylinder. All the lamas of the convent, with their chief, stood about it, when we entered the court. Below the verandah were musicians, holding long trumpets and drums.

At the right of the court were a number of doors, leading to the rooms of the lamas; all decorated with sacred paintings and provided with little prayer-barrels fancifully surmounted by black and white tridents, from the points of which floated ribbons bearing inscriptions--doubtless prayers. In the centre of the court were raised two tall masts, from the tops of which dangled tails of yaks, and long paper streamers floated, covered with religious inscriptions. All along the walls were numerous prayer-barrels, adorned with ribbons.

A profound silence reigned among the many spectators present. All awaited anxiously the commencement of a religious "mystery," which was about to be presented. We took up a position near the verandah. Almost immediately, the musicians drew from their long trumpets soft and monotonous tones, marking the time by measured beats upon an odd-looking drum, broad and shallow, upreared upon a stick planted in the ground. At the first sounds of the strange music, in which joined the voices of the lamas in a melancholy chant, the doors along the wall opened simultaneously, giving entrance to about twenty masked persons, disguised as animals, birds, devils and imaginary monsters. On their b.r.e.a.s.t.s they bore representations of fantastic dragons, demons and skulls, embroidered with Chinese silk of various colors. From the conical hats they wore, depended to their b.r.e.a.s.t.s long multicolored ribbons, covered with inscriptions. Their masks were white death's-heads. Slowly they marched about the masts, stretching out their arms from time to time and flouris.h.i.+ng with their left hands spoon-shaped objects, the bowl portions of which were said to be fragments of human crania, with ribbons attached, having affixed to their ends human hair, which, I was a.s.sured, had been taken from scalped enemies. Their promenade, in gradually narrowing circles about the masts, soon became merely a confused jostling of each other; when the rolling of the drum grew more accentuated, the performers for an instant stopped, then started again, swinging above their heads yellow sticks, ribbon-decked, which with their right hands they brandished in menacing att.i.tudes.

After making a salute to the chief lama, they approached the door leading to the temple, which at this instant opened, and from it another band came forth, whose heads were covered by copper masks. Their dresses were of rich materials, embroidered in various bright colors. In one hand each of them carried a small tambourine and with the other he agitated a little bell. From the rim of each tambourine depended a metallic ball, so placed that the least movement of the hand brought it in contact with the resonant tympanum, which caused a strange, continuous undercurrent of pulsating sound. There new performers circled several times about the court, marking the time of their dancing steps by measured thumpings of the tambourines. At the completion of each turn, they made a deafening noise with their instruments. Finally, they ran to the temple door and ranged themselves upon the steps before it.

For a moment, there was silence. Then we saw emerge from the temple a third band of performers. Their enormous masks represented different deities, and each bore upon its forehead "the third eye." At their head marched Thlogan-Poudma-Jungnas (literally "he who was born in the lotus flower"). Another richly dressed mask marched beside him, carrying a yellow parasol covered with symbolic designs. His suite was composed of G.o.ds, in magnificent costumes; Dorje-Trolong and Sangspa-Kourpo (_i.e._, Brahma himself), and others. These masks, as a lama sitting near me explained to us, represented six cla.s.ses of beings subject to the metamorphoses; the G.o.ds, the demiG.o.ds, men, animals, spirits and demons.

On each side of these personages, who advanced gravely, marched other masks, costumed in silks of brilliant hues and wearing on their heads golden crowns, fas.h.i.+oned with six lotus-like flowers on each, surmounted by a tall dart in the centre. Each of these masks carried a drum.

These disguises made three turns about the masts, to the sound of a noisy and incoherent music, and then seated themselves on the ground, around Thlogan-Pondma-Jungnas, a G.o.d with three eyes, who gravely introduced two fingers into his mouth and emitted a shrill whistle. At this signal, young men dressed in warrior costumes--with ribbon-decked bells dangling about their legs--came with measured steps from the temple. Their heads were covered by enormous green masks, from which floated triangular red flags, and they, too, carried tambourines. Making a diabolical din, they whirled and danced about the G.o.ds seated on the ground. Two big fellows accompanying them, who were dressed in tight clown costumes, executed all kinds of grotesque contortions and acrobatic feats, by which they won plaudits and shouts of laughter from the spectators.

Another group of disguises--of which the princ.i.p.al features were red mitres and yellow pantaloons--came out of the temple, with bells and tambourines in their hands, and seated themselves opposite the G.o.ds, as representatives of the highest powers next to divinity. Lastly there entered upon the scene a lot of red and brown masks, with a "third eye"

painted on their b.r.e.a.s.t.s. With those who had preceded them, they formed two long lines of dancers, who to the thrumming of their many tambourines, the measured music of the trumpets and drums, and the jingling of a myriad of bells, performed a dance, approaching and receding from each other, whirling in circles, forming by twos in a column and breaking from that formation to make new combinations, pausing occasionally to make reverent obeisance before the G.o.ds.

After a time this spectacular excitement--the noisy monotony of which began to weary me--calmed down a little; G.o.ds, demiG.o.ds, kings, men and spirits got up, and followed by all the other maskers, directed themselves toward the temple door, whence issued at once, meeting them, a lot of men admirably disguised as skeletons. All those sorties were calculated and prearranged, and every one of them had its particular significance. The _cortege_ of dancers gave way to the skeletons, who advanced with measured steps, in silence, to the masts, where they stopped and made a concerted clicking with pieces of wood hanging at their sides, simulating perfectly the rattling of dry bones and gnas.h.i.+ng of teeth. Twice they went in a circle around the masts, marching in time to low taps on the drums, and then joined in a lugubrious religious chant. Having once more made the concerted rattling of their artificial bones and jaws, they executed some contortions painful to witness and together stopped.

Then they seized upon an image of the Enemy of Man--made of some sort of brittle paste--which had been placed at the foot of one of the masts.

This they broke in pieces and scattered, and the oldest men among the spectators, rising from their places, picked up the fragments which they handed to the skeletons--an action supposed to signify that they would soon be ready to join the bony crew in the cemetery.

The chief lama, approaching me, tendered an invitation to accompany him to the princ.i.p.al terrace and partake of the festal "tchang"; which I accepted with pleasure, for my head was dizzy from the long spectacle.

We crossed the court and climbed a staircase--obstructed with prayer-wheels, as usual--pa.s.sed two rooms where there were many images of G.o.ds, and came out upon the terrace, where I seated myself upon a bench opposite the venerable lama, whose eyes sparkled with spirit.

Three lamas brought pitchers of tchang, which they poured into small copper cups, that were offered first to the chief lama, then to me and my servants.

"Did you enjoy our little festival?" the lama asked me.

"I found it very enjoyable and am still impressed by the spectacle I have witnessed. But, to tell the truth, I never suspected for a moment that Buddhism, in these religious ceremonies, could display such a visible, not to say noisy, exterior form."

"There is no religion, the ceremonies of which are not surrounded with more theatrical forms," the lama answered. "This is a ritualistic phase which does not by any means violate the fundamental principles of Buddhism. It is a practical means for maintaining in the ignorant ma.s.s obedience to and love for the one Creator, just as a child is beguiled by toys to do the will of its parents. The ignorant ma.s.s is the child of The Father."

"But what is the meaning," I said to him, "of all those masks, costumes, bells, dances, and, generally, of this entire performance, which seems to be executed after a prescribed programme?"

"We have many similar festivals in the year," answered the lama, "and we arrange particular ones to represent 'mysteries,' susceptible of pantomimic presentation, in which each actor is allowed considerable lat.i.tude of action, in the movements and jests he likes, conforming, nevertheless, to the circ.u.mstances and to the leading idea. Our mysteries are simply pantomimes calculated to show the veneration offered to the G.o.ds, which veneration sustains and cheers the soul of man, who is p.r.o.ne to anxious contemplation of inevitable death and the life to come. The actors receive the dresses from the cloister and they play according to general indications, which leave them much liberty of individual action. The general effect produced is, no doubt, very beautiful, but it is a matter for the spectators themselves to divine the signification of one or another action. You, too, have recourse sometimes to similar devices, which, however, do not in the least violate the principle of monotheism."

"Pardon me," I remarked, "but this mult.i.tude of idols with which your gonpas abound, is a flagrant violation of that principle."

"As I have told you," replied the lama to my interruption, "man will always be in childhood. He sees and feels the grandeur of nature and understands everything presented to his senses, but he neither sees nor divines the Great Soul which created and animates all things. Man has always sought for tangible things. It was not possible for him to believe long in that which escaped his material senses. He has racked his brain for any means for contemplating the Creator; has endeavored to enter into direct relations with him who has done him so much good, and also, as he erroneously believes, so much evil. For this reason he began to adore every phase of nature from which he received benefits. We see a striking example of this in the ancient Egyptians, who adored animals, trees, stones, the winds and the rain. Other peoples, who were more sunk in ignorance, seeing that the results of the wind were not always beneficent, and that the rain did not inevitably bring good harvests, and that the animals were not willingly subservient to man, began to seek for direct intermediaries between themselves and the great mysterious and unfathomable power of the Creator. Therefore they made for themselves idols, which they regarded as indifferent to things concerning them, but to whose interposition in their behalf, they might always recur. From remotest antiquity to our own days, man was ever inclined only to tangible realities.

"While seeking a route to lead their feet to the Creator, the a.s.syrians turned their eyes toward the stars, which they contemplated without the power of attaining them. The Guebers have conserved the same belief to our days. In their nullity and spiritual blindness, men are incapable of conceiving the invisible spiritual bond which unites them to the great Divinity, and this explains why they have always sought for palpable things, which were in the domain of the senses, and by doing which they minimized the divine principle. Nevertheless, they have dared to attribute to their visible and man-made images a divine and eternal existence. We can see the same fact in Brahminism, where man, given to his inclination for exterior forms, has created, little by little, and not all at once, an army of G.o.ds and demiG.o.ds. The Israelites may be said to have demonstrated, in the most flagrant way, the love of man for everything which is concrete. In spite of a series of striking miracles accomplished by the great Creator, who is the same for all the peoples, the Jewish people could not help making a G.o.d of metal in the very minute when their prophet Mossa spoke to them of the Creator! Buddhism has pa.s.sed through the same modifications. Our great reformer, Sakya-Muni, inspired by the Supreme Judge, understood truly the one and indivisible Brahma, and forbade his disciples attempting to manufacture images in imaginary semblance of him. He had openly broken from the polytheistic Brahmins, and appreciated the purity, oneness and immortality of Brahma. The success he achieved by his teachings in making disciples among the people, brought upon him persecution by the Brahmins, who, in the creation of new G.o.ds, had found a source of personal revenue, and who, contrary to the law of G.o.d, treated the people in a despotic manner. Our first sacred teachers, to whom we give the name of buddhas--which means, learned men or saints--because the great Creator has incarnated in them, settled in different countries of the globe. As their teachings attacked especially the tyranny of the Brahmins and the misuse they made of the idea of G.o.d--of which they indeed made a veritable business--almost all the Buddhistic converts, they who followed the doctrines of those great teachers, were among the common people of China and India. Among those teachers, particular reverence is felt for the Buddha, Sakya-Muni, known in China also under the name of Fo, who lived three thousand years ago, and whose teachings brought all China back into the path of the true G.o.d; and the Buddha, Gautama, who lived two thousand five hundred years ago, and converted almost half the Hindus to the knowledge of the impersonal, indivisible and only G.o.d, besides whom there is none.

"Buddhism is divided into many sects which, by the way, differ only in certain religious ceremonies, the basis of the doctrine being everywhere the same. The Thibetan Buddhists, who are called 'lamaists,' separated themselves from the Fo-ists fifteen hundred years ago. Until that time we had formed part of the wors.h.i.+ppers of the Buddha, Fo-Sakya-Muni, who was the first to collect all the laws compiled by the various buddhas preceding him, when the great schism took place in the bosom of Brahmanism. Later on, a Khoutoukhte-Mongol translated into Chinese the books of the great Buddha, for which the Emperor of China rewarded him by bestowing upon him the t.i.tle of 'G-Chi--'Preceptor of the King!'

After his death, this t.i.tle was given to the Dalai-Lama of Thibet. Since that epoch, all the t.i.tularies of this position have borne the t.i.tle of Go-Chi. Our religion is called the Lamaic one--from the word 'lama,'