Applied Design for Printers - LightNovelsOnl.com
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The Principles of Design. By Ernest Allen Batchelder. Inland Printer Company, Chicago.
Design in Theory and Practice. By Ernest Allen Batchelder.
MacMillan Company, New York.
A Manual of Historic Ornament. By Richard Glazier. B. T. Batsford, 94 High Holburn, London.
Line and Form. By Walter Crane. G. Bell and Sons, London.
The Bases of Design. By Walter Crane. G. Bell and Sons, London.
A History of Ornament. By A. D. F. Hamlin. Century Company, New York.
Ornament and Its Application. By Lewis F. Day. Scribner's, New York.
Nature in Ornament. By Lewis F. Day. B. T. Batsford, 94 High Holburn, London.
REVIEW QUESTIONS
SUGGESTIONS TO STUDENTS AND INSTRUCTORS
The following questions, based on the contents of this pamphlet, are intended to serve (1) as a guide to the study of the text, (2) as an aid to the student in putting the information contained into definite statements without actually memorizing the text, (3) as a means of securing from the student a reproduction of the information in his own words.
A careful following of the questions by the reader will insure full acquaintance with every part of the text, avoiding the accidental omission of what might be of value. These primers are so condensed that nothing should be omitted.
In teaching from these books it is very important that these questions and such others as may occur to the teacher should be made the basis of frequent written work, and of final examinations.
The importance of written work cannot be overstated. It not only a.s.sures knowledge of material but the power to express that knowledge correctly and in good form.
QUESTIONS
1. What purpose in the works of mankind is served by design?
2. In what manner does design influence man's handiwork?
3. What is design?
4. What is "a design"?
5. What is the difference between beauty and fitness to purpose?
6. What are the elements of design?
7. What relations.h.i.+p has a printer to a sculptor, an architect, a painter, a decorative designer?
8. How does the printed page limit its design?
9. What is the difference between a printed picture and a printed design based upon that picture?
10. Why are pictures unsuitable to decorate a printed page?
11. What are the materials of design?
12. a.n.a.lyze a well-designed typographical ornament into the materials which compose it.
13. When the materials of design are put to use, what conditions must be satisfied in their arrangement?
14. What is harmony?
15. What is balance?
16. What is proportion?
17. What is rhythm?
18. How may the foregoing qualities be demonstrated?
19. What shapes should be used in combination?
20. What further relations.h.i.+p should they have?
21. On a type page 20 picas wide by 30 picas deep would a panel 18 picas wide by 8 picas deep be proper? What, if anything, would be preferable?
22. Would a rule line 6 points wide be suitable to surround a ma.s.s of 18 point Caslon old style caps? Why?
23. If the printed page is to be other than black and white, what further consideration of harmony is involved?
24. What must we consider in related areas with respect to their size or measure?
25. What relations.h.i.+p of sizes is often most interesting?
26. Place a single line on a cover page in a desirable position.
27. Is the eye always to be trusted in the judgment of s.p.a.ce relations.h.i.+ps?
28. Should mathematical measurements or the effect upon the eye be the guiding factor in arrangement? Why?
29. What is the effect of the surrounding edge or border upon the ma.s.ses of a design?
30. How should the ma.s.ses in a design be arranged with respect to the surrounding edge?
31. What mathematical principles influence this arrangement?
32. How is equality in the halves of a printed page sometimes desirable and sometimes not?
