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A 'bottle of gin, please,' she said, and put the money on the counter and returned to her lodging almost mad with jealousy and rage and thirst for revenge. 'No, she wouldn't drink any more, for if she were to drink any more she'd not be able to have it out with d.i.c.k, and this time she would have it out with him and no mistake. If he were to kill her it didn't matter; but she would have it out with him.' As she sat by the table waiting hour after hour for him to return, her whole mind was expressed by the words--'I'll have it out with him'--and she didn't weary of repeating them, for it seemed to her that they kept her resolution from dying: what she feared most was that his presence might quell her resolution. To have it out with him as she was minded, she mustn't be drunk, nor yet too sober.
He might bring home a friend with him, but that wouldn't stay her hand.
Montgomery too had deceived her. d.i.c.k was rehearsing his opera; he had written music for that Mrs. Forest, and this was the end of their friends.h.i.+p.
Many hours went by, but they didn't seem long, pa.s.sion gave her patience.
At last a sound of footsteps caused her to start to her feet. It was d.i.c.k.
'This is going to be an all-night affair,' he said to himself as soon as he crossed the threshold. 'I hope you didn't wait supper for me?' His manner was most conciliatory, and perhaps it was that conciliatory manner that inflamed her.
'Business, I suppose; I know d.a.m.ned well what your business was: I know all about it, you and your woman, Mrs. Forest; the theatre she's taken for you; where you are rehearsing Montgomery's opera. You cannot deny it,' she cried. 'Mrs. Forest is her name,' and reading in his face certain signs of his culpability her anger increased, her teeth were set and her eyes glared.
d.i.c.k feared she was going mad, and with an instinctive movement he put out his arms to restrain her.
'Don't touch me! don't touch me!' she screamed, and struck at him with clenched fists, and then feeling that her blows were but puny she went for him like a bird of prey, all her fingers distended.
'Take that, and that, and that, you beast! Oh, you beast! you beast! you beast!'
Her shrieks rang through the house as she pursued him round the furniture; he retreating like a lumbering bull striving to escape from her claws.
'How do you like that?' she cried, as she tore at him with her nails again.
'That will teach you to go messing about after other women. I'll settle you before I've done with you.'
Chairs were thrown down, the coal-scuttle was upset, and at last, as d.i.c.k tried to get out of the room, Kate stumbled against a rosewood cabinet, sending one of the green vases with its gla.s.s shade cras.h.i.+ng to the ground, summoning the landlady.
d.i.c.k spoke about his wife having had a fit.
'Fit or no fit, I hope you'll leave my house to-morrow.'
'Meanwhile,' d.i.c.k answered, 'will you leave my room?' and he shut the door in the face of the indignant householder.
Kate, who had now recovered herself a little, poured out a large gla.s.s of raw gin, and to her surprise d.i.c.k made no attempt to prevent her drinking it.
'As soon as she drinks herself helpless the better,' he thought, as he went into the bedroom to attend to his wounds. The scratches she had given him before their marriage were nothing to these. One side of his nose was well-nigh ripped open, and there were two big, deep gashes running right across his face, from the cheek-bone to his ear. It was very lucky, he thought, she hadn't had his eye out, and it might be as well to go round to the apothecary's and get some vaseline, some antiseptic treatment, for nails are poisonous, he added, and his eyes going round the room caught sight of his clothes in disorder. 'Ah! she has been at my clothes,' and he took up the cla.s.sical cartoons and his letters and put them away into his pocket, and went into the sitting room, and tried to explain to his wife that he was going out to see if he could get something from the apothecary to heal the wounds she had given him.
Kate did not answer. 'She's dead drunk,' he said, and it seemed to him that he couldn't do better than to undress her and put her into bed, and when he had done this he lay down upon a sofa hoping that he would wake first, and be able to get out of the house without disturbing her, leaving word with the landlady that he would come back as soon as his rehearsal was over, and make arrangements to leave her house since she didn't wish them to stay any longer. He fell asleep thinking that he might find his landlady in a different mood, and might persuade her in the morning to allow them to stay on. The vase, of course, should be paid for. There was a kindly look in her pleasant country face when she wasn't angry; his torn face might win her pity, and not wis.h.i.+ng to increase his troubles, she would probably allow them to stay on; if she didn't he would have to find another lodging that very afternoon, which would be unfortunate, for his engagements were many.
As it was he'd have to hasten to keep an appointment which he had made with Mrs. Forest in the National Gallery. 'She really will have to make some alterations in her second act,' he said, going to the gla.s.s. Kate had clawed him with a vengeance, and he'd have to tell Laura how he came by his torn face; and after some consideration it seemed to him that it would be well to admit that he had received these wounds in a conflict with a wife who was, unfortunately, given to drink. It was on these thoughts he fell asleep, and overslept himself, he feared, but Kate was still asleep, and without awakening her he stole downstairs to visit the landlady in her parlour, but hearing his step she bounced out of the room with a view, no doubt, to repeating the warning she had given him overnight, but the sight of his torn face brought pity into hers, and she said:
'Oh, Mr. Lennox, I'm so sorry for you.'
A little sympathetic conversation followed; and d.i.c.k went off to meet Laura, whom he recognized in the woman who leaned over the railings between the pillars, seemingly attracted by the view across Trafalgar Square. She still wore her green silk dress, the one which he had first seen her in on the pier at Hastings, and the long draggled feather boa.
'She doesn't spend money on dress,' he thought as he lifted his hat with not quite the same ceremonious gesture as usual, for he didn't wish to exhibit his scars yet.
'So here you are, d.i.c.k, and I waiting for you on the steps of this gallery, glorious with all the imaginations of the heroes.'
'She hasn't seen the scratches yet,' he said to himself, and turned from the light instinctively, preferring that she should make the discovery indoors, rather than out of doors. His wounds would appear less in the gallery than in the open air. 'Why didn't she take a little more trouble with her make-up?' he asked himself, and then reproved himself for describing it as a make-up. 'She's not made up,' he said to himself, 'she's painted,' and he wondered how it was that she could plaster her dark skin so flagrantly with carmine, and put her eyebrows so high up in the forehead. 'Yet the face,' he said, 'is a finely moulded one, and compelling when she forgets her cosmetics,' and while d.i.c.k regretted that she didn't show more skill with these, he heard her telling him that she would prefer to stop and talk with him in the gallery devoted to the Italian pictures than elsewhere; 'the sublime conceptions of Raphael raise me above myself.'
And then, as if afraid that her words would seem vainglorious to d.i.c.k, she said: 'You're always in the same mood, never rising above yourself or sinking below yourself, finding it difficult to understand the pain that those who live mostly in the spiritual plane experience lest they fall into a lower plane. Not that I regard you, d.i.c.k, as a lower plane, but your plane is not mine, and that is why you're so necessary to me, and why, perhaps, I'm so necessary to you, or would be if I'm not. Come, let us sit here in front of the Raphael and talk, since we must, of comic opera. It's a pity we're not talking of the _Parcoe_ who have been in my mind all the morning,' and she began to recite some verses that she had written.
But, interrupting herself suddenly, she cried: 'd.i.c.k, who has been scratching you? How did your face get torn like that--who's been scratching you?' and d.i.c.k answered:
'My wife.'
'Your wife? But you never told me that you were married.'
'If I'd told you I was married I would have had to tell you that my wife is a drunkard and is rapidly drinking herself to death, a thing that no man likes to speak about.'
'My poor friend, I didn't mean to reprove you. How did all this come about?'
It wouldn't do to admit that Kate had discovered Laura's letters and poems in his pockets, and so he told the story of a former experience with his wife, and had barely finished it when Laura begged of him to tell her how he had met his wife. And when he had told her the story, to which she listened solemnly, she answered, and there was the same gravity in her voice as in her face: 'All this comes, my dear d.i.c.k, of lewdness.'
'But, Laura, I was faithful to my wife.'
'But she was the wife of another man,' Laura replied, 'not that that is an insuperable barrier, but you brought, I fear, lewdness into your conjugal life, and lewdness is fatal to happiness whether it be indulged within or outside the bonds of wedlock. I'm sorry,' she said, 'that you had to leave Yarmouth before my lecture on the chast.i.ty of the marriage state.'
'It wouldn't have mattered,' d.i.c.k replied, 'for my wife had taken to drink long before we met at Hastings.' An answer that darkened Laura's face despite all the paint she wore, and encouraged d.i.c.k to ask her if she had never felt the thorns of pa.s.sion p.r.i.c.k her when she ran away from her convent school.
She seemed uncertain what answer she should return, but only for a moment; and recovering herself quickly she maintained that it wasn't pa.s.sion, which is but another name for lewdness, but imagination that had prompted this elopement, and that if she had gone to Bulgaria it was to seek there a n.o.bler life than the one she had left behind.
'It was the immortal that drew me,' she said.
'Even so,' d.i.c.k answered, 'the mortal seems necessary for the immortal, and to provide him with a habitation a woman must give herself to a man.'
'That,' she replied, 'is one of the penalties entailed by our first parents upon women, but one that is entailed upon a condition that you have not respected, but which I have striven always to respect myself. It would be impossible for me to give myself to a man unless I thought I was going to bear him a child.'
It was on d.i.c.k's lips to remind Laura that a woman can always think she is going to bear a child, but he refrained, it seeming to him that his purpose would be better served by allowing Laura to justify herself as she pleased, and he waited for an opportunity to speak to her about the alteration which he deemed altogether necessary in the second act. But Laura was away on her favourite theme, and in the end he had recourse to his watch.
'My dear Laura, I'm due at rehearsal in ten minutes from now.'
'Well, let's go,' she cried.
'But, my dear, this is what I've come to tell you. The second act,'--and he explained the difficulty which would have to be removed. 'Now, like a dear, good girl, will you go home and do this and bring it down to the theatre to-morrow morning at eleven so that we may have an opportunity of going through it together before rehearsal?'
In the meantime, Kate lay on her bed, helpless as ever, just as d.i.c.k had left her; and it was not until he had given his preliminary instructions to the ballet-girls, and Montgomery had struck the first notes of his opening chorus, that a ray of consciousness pierced through the heavy, drunken stupor that pressed upon her brain. With vague movements of hands, she endeavoured to fasten the front of her dress, and with a groan rolled herself out of the light; but her efforts to fall back into insensibility were unavailing, and like the dawn that slips and swells through the veils of night, a pale waste of consciousness forced itself upon her. First came the curtains of the bed, then the bare blankness of the wall, and then the great throbbing pain that lay like a lump of lead just above her forehead.
Her mouth was clammy as if it were filled with glue, her limbs weak as if they had been beaten to a pulp by violent blows. She was all pain, but, worse still, a black horror of her life crushed and terrified her, until she buried her face in the pillow and wept and moaned for mercy. But to remain in bed was impossible. The pallor of the place was intolerable, and sliding her legs over the side she stood, scarcely able to keep her feet.
The room swam as if in a mist; she held her head with clasped hands; the top of it seemed to be lifting off, and it was with much difficulty that she staggered as far as the chest of drawers, where she remained for some minutes trying to recover herself, thinking of what had happened overnight.
She had been drunk, she knew that, but where was d.i.c.k? Where had he gone?
What had she said to him? All mental effort was agony; but she had to think, and straining at the threads of memory, she strove to follow one to the end. But it was no use, it soon became hopelessly entangled, and with a low cry she moaned, 'Oh, my poor head! my poor head! I cannot, cannot remember.' But the question: what has become of d.i.c.k? still continued to torture her, till, raising her face suddenly from her arm, she hitched up her falling skirts, and seeing at that moment the bottle on the table, she went into the sitting-room and poured herself out a little, which she mixed with water.
'Just a drop,' she murmured to herself, 'to pull me together. It was his fault; until he put me in a pa.s.sion I was all right.'
Spreading and definite thoughts began to emerge, and for a long time she sat moodily thinking over her wrongs, and as her thoughts wavered they grew softer and more argumentative. She considered the question from all sides, and, reasoning with herself, was disposed to conclude that it was not all her fault. If she did drink, it was jealousy that drove her to it. Why wasn't he faithful to her who had given up everything for him? Why did he want to be always running after a lot of other women? Where was he now, she'd like to know? As this question appeared in the lens of her thought, she raised her head, and although boozed the memory of Mrs. Forest's letters filled her mind.
'Oh yes, that's where he's gone to, is it?' she murmured to herself. 'So he's down with his poetess at the Opera Comique, rehearsing Montgomery's opera.'
A determination to follow him slowly formed itself in her mind, and she managed to map out the course that she would have to pursue. It seemed to her that she was beset with difficulties. To begin with, she did not know where the theatre was, and she could not conceal from herself the fact that she was scarcely in a fit state to take a long walk through the London streets. The spirit drunk on an empty stomach had gone to her head; she reeled a little when she walked; and her own incapacity to act maddened her. Oh, good heavens! how her head was splitting! What would she not give to be all right just for a couple of hours, just long enough to go and tell that beast of a husband of hers what a pig he was, and let the whole theatre know how he was treating his wife. It was he who drove her to drink. Yes, she would go and do this. It was true her head seemed as if it were going to roll off her shoulders, but a good sponging would do it good, and then a bottle or two of soda would put her quite straight--so straight that n.o.body would know she had touched a drop.
It took Kate about half an hour to drench herself in a basin, and regardless of her dress, she let her hair lie dripping on her shoulders.
The landlady brought her up the soda-water, and seeing what a state her lodger was in, she placed it on the table without a word, without even referring to the notice to quit she had given overnight; and steadying her voice as best she could, Kate asked her to call a cab.
'Hansom, or four-wheeler?'