The Golden Age Of Science Fiction Vol I Part 76

The Reverend Elijah Cook was sitting with an expression of strong distrust on his face. Preaching much had brought home certain truths to him very vividly, and he always suspected rhetoric. "Are those things figures of speech," he asked; "or am I to take them as precise statements? Do you speak of travelling through time in the same way as one might speak of Omnipotence making His pathway on the storm, or do you -- a -- mean what you say?"

Dr. Nebogipfel smiled quietly. "Come and look at these diagrams," he said, and then with elaborate simplicity he commenced to explain again to the clergyman the new quadridimensional geometry. Insensibly Cook's aversion pa.s.sed away, and seeming impossibility grew possible, now that such tangible things as diagrams and models could be brought forward in evidence. Presently he found himself asking questions, and his interest grew deeper and deeper as Nebogipfel slowly and with precise clearness unfolded the beautiful order of his strange invention. The moments slipped away unchecked, as the Doctor pa.s.sed on to the narrative of his research, and it was with a start of surprise that the clergyman noticed the deep blue of the dying twilight through the open doorway.

"The voyage," said Nebogipfel concluding his history, "will be full of undreamt-of dangers -- already in one brief essay I have stood in the very jaws of death -- but it is also full of the divines' promise of undreamt-of joy. Will you come? Will you walk among the people of the Golden Years? . . ."

But the mention of death by the philosopher had brought flooding back to the mind of Cook, all the horrible sensations of that first apparition.

"Dr. Nebogipfel . . . one question?" He hesitated. "On your hands . . . Was it blood?"

Nebogipfel's countenance fell. He spoke slowly.

"When I had stopped my machine, I found myself in this room as it used to be. Hark!"

"It is the wind in the trees towards Rwstog."

"It sounded like the voices of a mult.i.tude of people singing . . . when I had stopped I found myself in this room as it used to be. An old man, a young man, and a lad were sitting at a table -- reading some book together. I stood behind them unsuspected. 'Evil spirits a.s.sailed him,' read the old man; 'but it is written, "to him that overcometh shall be given life eternal". They came as entreating friends, but he endured through all their snares. They came as princ.i.p.alities and powers, but he defied them in the name of the King of Kings. Once even it is told that in his study, while he was translating the New Testament into German, the Evil One himself appeared before him. . .' Just then the lad glanced timorously round, and with a fearful wail fainted away . . .

"The others sprang at me... It was a fearful grapple... The old man clung to my throat, screaming 'Man or Devil, I defy thee . . .'

"I could not help it. We rolled together on the floor . . . the knife his trembling son had dropped came to my hand . . . Hark!"

He paused and listened, but Cook remained staring at him in the same horror-stricken att.i.tude he had a.s.sumed when the memory of the blood-stained hands had rushed back over his mind.

"Do you hear what they are crying? Hark!"

Burn the warlock! Burn the murderer!

"Do you hear? There is no time to be lost."

Slay the murderer of cripples. Kill the devil's claw!

"Come! Come!"

Cook, with a convulsive effort, made a gesture of repugnance and strode to the doorway. A crowd of black figures roaring towards him in the red torchlight made him recoil. He shut the door and faced Nebogipfel.

The thin lips of the Doctor curled with a contemptuous sneer. "They will kill you if you stay," he said; and seizing his unresisting vistor by the wrist, he forced him towards the glittering machine. Cook sat down and covered his face with his hands.

In another moment the door was flung open, and old Pritchard stood blinking on the threshold.

A pause. A hoa.r.s.e shout changing suddenly into a sharp shrill shriek.

A thunderous roar like the bursting forth of a great fountain of water.

The voyage of the Chronic Argonauts had begun.

Contents

THE COSMIC EXPRESS.

By JACK WILLIAMSON

Mr. Eric Stokes-Harding tumbled out of the rumpled bed-clothing, a striking slender figure in purple-striped pajamas. He smiled fondly across to the other of the twin beds, where Nada, his pretty bride, lay quiet beneath light silk covers. With a groan, he stood up and began a series of fantastic bending exercises. But after a few half-hearted movements, he gave it up, and walked through an open door into a small bright room, its walls covered with bookcases and also with scientific appliances that would have been strange to the man of four or five centuries before, when the Age of Aviation was beginning.

Yawning, Mr. Eric Stokes-Harding stood before the great open window, staring out. Below him was a wide, park-like s.p.a.ce, green with emerald lawns, and bright with flowering plants. Two hundred yards across it rose an immense pyramidal building--an artistic structure, gleaming with white marble and bright metal, striped with the verdure of terraced roof-gardens, its slender peak rising to help support the gray, steel-ribbed gla.s.s roof above. Beyond, the park stretched away in illimitable vistas, broken with the graceful columned buildings that held up the great gla.s.s roof.

Above the gla.s.s, over this New York of 2432 A. D., a freezing blizzard was sweeping. But small concern was that to the lightly clad man at the window, who was inhaling deeply the fragrant air from the plants below--air kept, winter and summer, exactly at 20 C.

With another yawn, Mr. Eric Stokes-Harding turned back to the room, which was bright with the rich golden light that poured in from the suspended globes of the cold ato-light that illuminated the snow-covered city. With a distasteful grimace, he seated himself before a broad, paper-littered desk, sat a few minutes leaning back, with his hands clasped behind his head. At last he straightened reluctantly, slid a small typewriter out of its drawer, and began pecking at it impatiently.

For Mr. Eric Stokes-Harding was an author. There was a whole shelf of his books on the wall, in bright jackets, red and blue and green, that brought a thrill of pleasure to the young novelist's heart when he looked up from his clattering machine.

He wrote "thrilling action romances," as his enthusiastic publishers and television directors said, "of ages past, when men were men. Red-blooded heroes responding vigorously to the stirring pa.s.sions of primordial life!"

He was impartial as to the source of his thrills--provided they were distant enough from modern civilization. His hero was likely to be an ape-man roaring through the jungle, with a b.l.o.o.d.y rock in one hand and a beautiful girl in the other. Or a cowboy, "hard-riding, hard-shooting," the vanis.h.i.+ng hero of the ancient ranches. Or a man marooned with a lovely woman on a desert South Sea island. His heroes were invariably strong, fearless, resourceful fellows, who could handle a club on equal terms with a cave-man, or call science to aid them in defending a beautiful mate from the terrors of a desolate wilderness.

And a hundred million read Eric's novels, and watched the dramatization of them on the television screens. They thrilled at the simple, romantic lives his heroes led, paid him handsome royalties, and subconsciously shared his opinion that civilization had taken all the best from the life of man.

Eric had settled down to the artistic satisfaction of describing the sensuous delight of his hero in the roasted marrow-bones of a dead mammoth, when the pretty woman in the other room stirred, and presently came tripping into the study, gay and vivacious, and--as her husband of a few months most justly thought--altogether beautiful in a bright silk dressing gown.

Recklessly, he slammed the machine back into its place, and resolved to forget that his next "red-blooded action thriller" was due in the publisher's office at the end of the month. He sprang up to kiss his wife, held her embraced for a long happy moment. And then they went hand in hand, to the side of the room and punched a series of b.u.t.tons on a panel--a simple way of ordering breakfast sent up the automatic shaft from the kitchens below.

Nada Stokes-Harding was also an author. She wrote poems--"back to nature stuff"--simple lyrics of the sea, of sunsets, of bird songs, of bright flowers and warm winds, of thrilling communion with Nature, and growing things. Men read her poems and called her a genius. Even though the whole world had grown up into a city, the birds were extinct, there were no wild flowers, and no one had time to bother about sunsets.

"Eric, darling," she said, "isn't it terrible to be cooped up here in this little flat, away from the things we both love?"

"Yes, dear. Civilization has ruined the world. If we could only have lived a thousand years ago, when life was simple and natural, when men hunted and killed their meat, instead of drinking synthetic stuff, when men still had the joys of conflict, instead of living under gla.s.s, like hot-house flowers."

"If we could only go somewhere--"

"There isn't anywhere to go. I write about the West, Africa, South Sea Islands. But they were all filled up two hundred years ago. Pleasure resorts, sanatoriums, cities, factories."

"If only we lived on Venus! I was listening to a lecture on the television, last night. The speaker said that the Planet Venus is younger than the Earth, that it has not cooled so much. It has a thick, cloudy atmosphere, and low, rainy forests. There's simple, elemental life there--like Earth had before civilization ruined it."

"Yes, Kinsley, with his new infra-red ray telescope, that penetrates the cloud layers of the planet, proved that Venus rotates in about the same period as Earth; and it must be much like Earth was a million years ago."

"Eric, I wonder if we could go there! It would be so thrilling to begin life like the characters in your stories, to get away from this hateful civilization, and live natural lives. Maybe a rocket--"

The young author's eyes were glowing. He skipped across the floor, seized Nada, kissed her ecstatically. "Splendid! Think of hunting in the virgin forest, and bringing the game home to you! But I'm afraid there is no way.--Wait! The Cosmic Express."

"The Cosmic Express?"

"A new invention. Just perfected a few weeks ago, I understand. By Ludwig Von der Valls, the German physicist."

"I've quit bothering about science. It has ruined nature, filled the world with silly, artificial people, doing silly, artificial things."

"But this is quite remarkable, dear. A new way to travel--by ether!"

"By ether!"

"Yes. You know of course that energy and matter are interchangeable terms; both are simply etheric vibration, of different sorts."

"Of course. That's elementary." She smiled proudly. "I can give you examples, even of the change. The disintegration of the radium atom, making helium and lead and energy. And Millikan's old proof that his Cosmic Ray is generated when particles of electricity are united to form an atom."

"Fine! I thought you said you weren't a scientist." He glowed with pride. "But the method, in the new Cosmic Express, is simply to convert the matter to be carried into power, send it out as a radiant beam and focus the beam to convert it back into atoms at the destination."

"But the amount of energy must be terrific--"

"It is. You know short waves carry more energy than long ones. The Express Ray is an electromagnetic vibration of frequency far higher than that of even the Cosmic Ray, and correspondingly more powerful and more penetrating."

The girl frowned, running slim fingers through golden-brown hair. "But I don't see how they get any recognizable object, not even how they get the radiation turned back into matter."

"The beam is focused, just like the light that pa.s.ses through a camera lens. The photographic lens, using light rays, picks up a picture and reproduces it again on the plate--just the same as the Express Ray picks up an object and sets it down on the other side of the world.

"An a.n.a.logy from television might help. You know that by means of the scanning disc, the picture is transformed into mere rapid fluctuations in the brightness of a beam of light. In a parallel manner, the focal plane of the Express Ray moves slowly through the object, progressively, dissolving layers of the thickness of a single atom, which are accurately reproduced at the other focus of the instrument--which might be in Venus!

"But the a.n.a.logy of the lens is the better of the two. For no receiving instrument is required, as in television. The object is built up of an infinite series of plane layers, at the focus of the ray, no matter where that may be. Such a thing would be impossible with radio apparatus because even with the best beam transmission, all but a tiny fraction of the power is lost, and power is required to rebuild the atoms. Do you understand, dear?"

"Not altogether. But I should worry! Here comes breakfast. Let me b.u.t.ter your toast."

A bell had rung at the shaft. She ran to it, and returned with a great silver tray, laden with dainty dishes, which she set on a little side table. They sat down opposite each other, and ate, getting as much satisfaction from contemplation of each other's faces as from the excellent food. When they had finished, she carried the tray to the shaft, slid it in a slot, and touched a b.u.t.ton--thus disposing of the culinary cares of the morning.

She ran back to Eric, who was once more staring distastefully at his typewriter.

"Oh, darling! I'm thrilled to death about the Cosmic Express! If we could go to Venus, to a new life on a new world, and get away from all this hateful conventional society--"

"We can go to their office--it's only five minutes. The chap that operates the machine for the company is a pal of mine. He's not supposed to take pa.s.sengers except between the offices they have scattered about the world. But I know his weak point--"

Eric laughed, fumbled with a hidden spring under his desk. A small polished object, gleaming silvery, slid down into his hand.

"Old friends.h.i.+p, plus this, would make him--like spinach."

Five minutes later Mr. Eric Stokes-Harding and his pretty wife were in street clothes, light silk tunics of loose, flowing lines--little clothing being required in the artificially warmed city. They entered an elevator and dropped thirty stories to the ground floor of the great building.

There they entered a cylindrical car, with rows of seats down the sides. Not greatly different from an ancient subway car, except that it was air-tight, and was hurled by magnetic attraction and repulsion through a tube exhausted of air, at a speed that would have made an old subway rider gasp with amazement.

In five more minutes their car had whipped up to the base of another building, in the business section, where there was no room for parks between the mighty structures that held the unbroken gla.s.s roofs two hundred stories above the concrete pavement.

An elevator brought them up a hundred and fifty stories. Eric led Nada down a long, carpeted corridor to a wide gla.s.s door, which bore the words: COSMIC EXPRESS.

stenciled in gold capitals across it.

As they approached, a lean man, carrying a black bag, darted out of an elevator shaft opposite the door, ran across the corridor, and entered. They pushed in after him.

They were in a little room, cut in two by a high bra.s.s grill. In front of it was a long bench against the wall, that reminded one of the waiting room in an old railroad depot. In the grill was a little window, with a lazy, brown-eyed youth leaning on the shelf behind it. Beyond him was a great, glittering piece of mechanism, half hidden by the bra.s.s. A little door gave access to the machine from the s.p.a.ce before the grill.

The thin man in black, whom Eric now recognized as a prominent French heart-specialist, was dancing before the window, waving his bag frantically, raving at the sleepy boy.

"Queek! I have tell you zee truth! I have zee most urgent necessity to go queekly. A patient I have in Paree, zat ees in zee most creetical condition!"

"Hold your horses just a minute, Mister. We got a client in the machine now. Russian diplomat from Moscow to Rio de Janeiro.... Two hundred seventy dollars and eighty cents, please.... Your turn next. Remember this is just an experimental service. Regular installations all over the world in a year.... Ready now. Come on in."

The youth took the money, pressed a b.u.t.ton. The door sprang open in the grill, and the frantic physician leaped through it.

"Lie down on the crystal, face up," the young man ordered. "Hands at your sides, don't breathe. Ready!"

He manipulated his dials and switches, and pressed another b.u.t.ton.

"Why, h.e.l.lo, Eric, old man!" he cried. "That's the lady you were telling me about? Congratulations!" A bell jangled before him on the panel. "Just a minute. I've got a call."

He punched the board again. Little bulbs lit and glowed for a second. The youth turned toward the half-hidden machine, spoke courteously.

"All right, madam. Walk out. Hope you found the transit pleasant."

"But my Violet! My precious Violet!" a shrill female voice came from the machine. "Sir, what have you done with my darling Violet?"

"I'm sure I don't know, madam. You lost it off your hat?"

"None of your impertinence, sir! I want my dog."

"Ah, a dog. Must have jumped off the crystal. You can have him sent on for three hundred and--"

"Young man, if any harm comes to my Violet--I'll--I'll--I'll appeal to the Society for the Prevention of Cruelty to Animals!"

"Very good, madam. We appreciate your patronage."

The door flew open again. A very fat woman, puffing angrily, face highly colored, clothing s.h.i.+mmering with artificial gems, waddled pompously out of the door through which the frantic French doctor had so recently vanished. She rolled heavily across the room, and out into the corridor. Shrill words floated back: "I'm going to see my lawyer! My precious Violet--"

The sallow youth winked. "And now what can I do for you, Eric?"