The Essential Ellison Part 84

Why, at your past, Marty, babe. Your swingin' past in good old we're-honoring-Marty-Field Lainesville.

Is that the axe, sweetie? Is that why you keep swingin'?

Shut up. Let me alone. It's a gig, that's all, just another gig. It's a booking. I'm in. I'm out. I take their lousy honor and blow the scene. There's no social signif here. I'm a sickie because it's a buck. That's it. I'm whole; I'm not a weirdie, that's just my bit. It goes over.

Sure, Marty. Sure, babe. I understand perfectly.

What'd you call me?

Not a thing, swinger. Not a mumblin' thing.

You'd d.a.m.ned well better not call me yellow, either.

Cool it, chickie. No one's asking you to cop out. The whole world loves Marty Field. He's a swinger. He's a funny man. He was a funny kid, maybe too, but now he's a funny man. Go on, sweetie, there they are, waiting behind the hurricane fence, waiting to greet the conquering hero. Go on, Attila, say something funny for the people.

The banner was raised by two children, then, and Marty Field's face broke into its calculated good humor at the sight of WELCOME HOME MARTY FIELDPRIDE OF LAINESVILLE!!!!.

It wasn't such a long ride, but then it never had been. Thirty-one miles, past the fair grounds, past the Colony Lumber Company where he had played so long before. Remembering the condemned pond so deep behind the Colony Lumber Company; remembering his birthday, when he had thought there would be no party, and he had stayed all day, miserable and wasting time, only to go home and see the remains of the surprise party, held without him. Remembering the tears for something lost, and never to be regained.

Past Lathrop Grade School, where he had broken one of the ornamental lamps over the door. Past Harmon Drive, where he had lived. Down Mentor Avenue, and after a time, into the center of town. The square, and around the square, past what was once the Lyric Theater, now metamorphosed into an office building. Remembering the tiny theater, and its ridiculous banner beneath the marquee: Lake County's Most Intimate Theater. Remembering how you had to sit in your neighbor's lap, the theatre was so small. Intimate, indeed. Remembering.

Then the hotel, and was.h.i.+ng up, and a fresh white s.h.i.+rt with b.u.t.ton-down collar, and your Continental suit, so they could stare and say, "He really knows how to dress in style, don't he?"

All that, all so fast, one bit after another. Too many memories, too many attempts to unravel the truth about what really happened. Was it a happy childhood? Was it the way they say it was, and the way you'd like to remember it?

Or was it something else? Something that has made you the man you are...that man who climbs into the spotlight every day of his life, takes a scissors and cuts up his fellow man. Which way was it, Marty? Come on, stop stalling.

An honor banquet, and Lord! they never had food like that in Lainesville before. No pasty dry sliver of white chicken meat for Marty Field, no indeed not! The best of the best for the man who outTrendexed Bonanza. And after the meal, a fast tour of the town-kept open, center-stripe on Main Street left rolled out after eight o' clock-just to stir that faulty, foggy memory.

A dance at the Moose lodge...

A late night pizza...

A lot of autographs...

Too many handshakes...

Then let's get some sleep, don't forget the big dedication of the plaque tomorrow, over at the high school, that's a h.e.l.luvan honor, doncha know.

Sleep. You call that a sleep?

"Ladies and gentlemen," the princ.i.p.al began, "humor is a very delicate thing." He was a big, florid man; his job had been secure for fifteen years, with the exception of the time Champion Junior High had been condemned, torn down and joined with the new senior high. Then they had tried to drag in a man from East Cleveland, but the princ.i.p.al had called on his brother-in-law, whose influence in local politics was considerable. And abruptly, the man from East Cleveland had found his record wanting. The princ.i.p.al was a big, florid, well-fed and secure man.

"And like all delicate things," he went on, "it takes a special sort of green thumb to make it flower. Such a green thumb is possessed by the man I'm privileged to introduce this afternoon.

"I recall the first time I ever saw Marty Field," he pontificated, drawing thumbs down into vest pockets. "I was princ.i.p.al of the old Champion Junior High, and one September morning as I left my office, I saw a thin, small boy hurrying late to cla.s.s. Well, sir, I said to myself..."

Marty Field closed off reception. There it was. Again. The small, short, sickly bit again. Yeah, you were so right, Princ.i.p.al. I was small and miserable thin, and that was part of it. But only part. That was the part where I couldn't keep up. But that isn't where it began. It went back much farther.

Go back, then, Marty Field. For the first time since they contacted you about the honors Lainesville wanted to bestow on you, go back and conjure it up as it really was.

Tell it true, Marty. No gags, no punch lines, no shticks...just the way it was.

All things are as they were then, except...

YOU ARE THERE...

Your name is Morrie Feldman. Your father's name is Lew Feldman, your mother is Sarah Feldman. You are the only Jew on your street, the only Jewish kid in your grade school. There are seven Jewish families in town. You go to Lathrop Grade School and you are a little kid. At recess time they get you out on the ball diamond, and one of them picks a fight with you. Usually it's Jack Wheeldon, whose head is square and whose hair is cut in a butch, and whose father is a somethingorother at the Diamond Alkali plant. Jack Wheeldon is big and laughs like a jacka.s.s, and you don't like him because he looks with a terrible strangeness out of his cruel eyes.

You stand there while Jack Wheeldon calls you a dirty kike, and your mother is a dirty kike and you pee your pants because all kikes do that, don't they, you frigging little kike? And when you swing, and hit him on the side of the head, the circle of kids magically grows about you, and while you're locked in an adolescent grapple with Jack Wheeldon (who is all the things in this life that you despise because they are bigger than you and slower-witted and frightening), someone kicks you from behind. Hard. At the base of your spine. With a Thorn McAn shoe. And then you can't help it and you start to cry.

You fall down, and they begin kicking you. They all kick you very hard, and you aren't old enough or smart enough to pull your arms and legs around you. So after a while everything goes sandy and fuzzy and you know you are unconscious. There's a special sort of pleasure in that, because that's what happens to the good guys in the movies on Sat.u.r.day afternoons, when they're being attacked by the bad guys. And after a while Miss Dexter with the pointy nose, from the fifth grade upstairs, comes out on the playground, and sees what is happening, and goes back inside to tell someone else. Then, later, nice Miss O'Hara, from the third grade, who likes you, comes running out, and lifts you in her arms and tenderly carries you inside.

The first thing you hear when you wake up is one of the kids saying "...dirty Jewish elephant." And you wonder with childish logic why he calls you an elephant. You don't have a long trunk. That is the first time they let you know you have a shonikker apple between your eyes and your mouth.

Your name is Morrie Feldman, and you live at 89 Harmon Drive. You have been away at camp all summer, and now you are back, and your father is telling you that your dog Puddles was ga.s.sed while you were away. Mrs. Shanks, next door, called the pound while your father and mother were in Cleveland for the afternoon, and had them take Puddles down and gas him. Your father tells you he is sorry, and doesn't know why Mrs. Shanks would do such a thing, but you run out of the house and hide under the side porch all day and cry, anyhow. Later, you steal Mrs. Shanks's rug-beater from her garage. You bury it very deep in the soft, amber dirt behind the garage.

Your name is Morrie Feldman, and you are in junior high school. You hear something heavy hit the front of your house late one night, and then something else, and then a half-eaten grapefruit comes cras.h.i.+ng through your front window, and out on the lawn-here in Ohio, and who'd ever think it-you see a huge cross burning. The next day you learn about the Anti-Defamation League. You don't tell anyone that you saw Mr. Evan Dennis from Dennis's Florists, with soot on his face and hands, running down the street to a car with its headlights out.

The name is the same, and it's later, and somehow you have a girl named Peggy Mantle, who has blonde hair and blue eyes and Anglo-Saxon features, and you love her very much. Until you catch her doing things she never did with you. She's doing them in the bushes behind her house after the Halloween party. She's doing them with Leon Potter, from across the street, whose mother always slams the door when you come on the porch. You don't say anything. You can't. You're afraid.

You've been afraid for a long time now. When you were smaller, once in a while you could beat Jack Wheeldon, or convince Leon that he should play with you. But they've continued to get bigger, and you've stayed small and frail, and they can beat you with their fists.

So you've learned to cut them up with your tongue.

You've learned how to tear them and shred them and slice them with your mouth. That's how it started. That's where it came from. That's why you leave town in a fruit truck, and go to Buffalo, and from there New York. That's why you go to a plastic surgeon when you've saved the money, and have your nose molded to look like another nose... Leon Potter's nose, or as close to it as the surgeon's samples came, but you don't realize that till much later.

That's why you decide to change your name.

Your name is not Morrie Feldman.

Your name is Marty Field.

You're a funny, funny man.

"...and so it is my extreme pleasure to introduce the boy we watched grow into a national celebrity...Marty Field!"

The auditorium caught up the frantic applause and flung it back and forth between the walls. The tumult was like nothing else Marty Field had ever heard. It caught in his eyes and ears and mouth like a great tidal wave, and drenched him with adoration. He rose and walked to the princ.i.p.al, extending his hand automatically, receiving the embossed bronze plaque and the handshake simultaneously.

Then the wave subsided, leaving him washed up on the sh.o.r.e of expectancy, a sea of eyes beyond, waiting to bathe him in love and fame once more.

Fritz, it's cold; throw another Jew on the fire.

"Th-thank you...thank you very much..."

Tell them. Tell them, Morrie Feldman. Tell them what it was like. Tell them you know them for what they are. Make them realize that you've never forgotten. Show them the never-healed wounds; open the sores for them. Let them taste the filth of their own natures. Don't let them get away with it. That's why you came, isn't it? That was why the conquering hero returned! Don't let them lie to their children about all the good times, the fine times, the wonderful wonderful Marty Field they all loved and helped and admired. Don't let them spew their subtle poisons into their children while using you as an example of what a good you-know-what is like.

Let them wallow in their own sc.u.m, Marty Field.

So Abie says, "Business is business."

"...I don't know quite what to say..."

Don't let him Jew-you-down...

"...after all these years, to return home to such a warm and sincere..."

Kike!

"...I want you to know I'll always cherish this handsome bronze..."

Yid!

"...means more to me than all the awards I'll ever..."

Dirty little Christ-killer!

"...so thank you very much, again."

You walk off the stage, Marty Field. You hold your thirty pieces of silver (or is that one piece of bronze?) and you leave the high school, and get in the car that will take you back to the airport, and the world that loves you. You had your chance, and you didn't take it. Of course you didn't, Marty. Because you're a coward. Strike your blow for truth and freedom? Hardly. It's your life, and you handle it for the guffaw, for the belly-buster, for the big exit.

But that's okay. Don't let it hack you, kid. And stop crying; you're not ent.i.tled to those tears. They belong to other people. You can have the dough, but leave the tears. Stick with the sick shticks, buddy-boy.

Want a tag line? Want a punch line? How's this: Have you seen the Do-It-Yourself Easter Kit? Two boards, three nails and a Jew.

Author signifies audience reaction of laughter, applause, and sounds of scissors.Yeah, you're a scream, Marty.

One Life, Furnished In Early Poverty And so it was-strangely, strangely-that I found myself standing in the backyard of the house I had lived in when I was seven years old. At thirteen minutes till midnight on no special magical winter's night, in a town that had held me only till I was physically able to run away. In Ohio, in winter, near midnight--certain I could go back.

Back to a time when what was now...was then.

Not truly knowing why I even wanted to go back. But certain that I could. Without magic, without science, without alchemy, without supernatural a.s.sistance; just go back. Because I had to, I needed to...go back.

Back; thirty-five years and more. To find myself at the age of seven, before any of it had begun; before any of the directions had been taken; to find out what turning point in my life it had been that had wrenched me from the course all little boys took to adulthood; that had set me on the road of loneliness and success ending here, back where I'd begun, in a backyard at now-twelve minutes to midnight.

At forty-two I had come to that point in my life toward which I'd struggled since I'd been a child: a place of security, importance, recognition. The only one from this town who had made it. The ones who had had the most promise in school were now milkmen, used car salesmen, married to fat, stupid dead women who had, themselves, been girls of exceeding promise in high school. They had been trapped in this little Ohio town, never to break free. To die there, unknown. I had broken free, had done all the wonderful things I'd said I would do.

Why should it all depress me now?

Perhaps it was because Christmas was nearing and I was alone, with bad marriages and lost friends.h.i.+ps behind me.

I walked out of the studio, away from the wet-ink-new fifty thousand dollar contract, got in my car and drove to International Airport. It was a straight line made up of in-flight meals and jet airliners and rental cars and hastily-purchased winter clothing. A straight line to a backyard I had not seen in over thirty years.

I had to find the dragoon to go back.

Crossing the rime-frosted gra.s.s that crackled like cellophane, I walked under the shadow of the lightning-blasted pear tree. I had climbed in that tree endlessly when I was seven years old.

In summer, its branches hung far over and sc.r.a.ped the roof of the garage. I could s.h.i.+nny out across the limb and drop onto the garage roof. I had once pushed Johnny Mummy off that garage roof...not out of meanness, but simply because I had jumped from it many times and I could not understand anyone's not finding it a wonderful thing to do. He had sprained his ankle, and his father, a fireman, had come looking for me. I'd hidden on the garage roof.

I walked around the side of the garage, and there was the barely-visible path. To one side of the path I had always buried my toy soldiers. For no other reason than to bury them, know I had a secret place, and later dig them up again, as if finding treasure.

(It came to me that even now, as an adult, I did the same thing. Dining in a j.a.panese restaurant, I would hide small pieces of pakkai or pineapple or teriyaki in my rice bowl, and pretend to be delighted when, later in the meal, my chopsticks encountered the tiny treasures down in among the rice grains.) I knew the spot, of course. I got down on my hands and knees and began digging with the silver pen-knife on my watch chain. It had been my father's pen-knife-almost the only thing he had left me when he'd died.

The ground was hard, but I dug with enthusiasm, and the moon gave me more than enough light. Down and down I dug, knowing eventually I would come to the dragoon.

He was there. The bright paint rusted off his body, the saber corroded and reduced to a stub. Lying there in the grave I had dug for him thirty-five years before. I scooped the little metal soldier out of the ground, and cleaned him off as best I could with my paisley dress handkerchief. He was faceless now and as sad as I felt.

I hunkered there, under the moon, and waited for midnight, only a minute away, knowing it was all going to come right for me. After so terribly long.

The house behind me was silent and dark. I had no idea who lived there now. It would have been unpleasant if the strangers who now lived here had been unable to sleep, and rising to get a gla.s.s of water, had idly looked into the backyard. Their backyard. I had played here, and built a world for myself here, from dreams and loneliness. Using talismans of comic books and radio programs and matinee movies, and potent charms like the sad little dragoon in my hand.

My wrist.w.a.tch said midnight, one hand laid straight on top of the other.

The moon faded. Slowly, it went gray and shadowy, till the glow was gone, and then even the gray after-image was gone.

The wind rose. Slowly, it came from somewhere far away and built around me. I stood up, pulling the collar of my topcoat around my neck. The wind was neither warm nor cold, yet it rushed, without even ruffling my hair. I was not afraid.

The ground was settled. Slowly, it lowered me the tiniest fractions of inches. But steadily, as though the layers of tomorrows that had been built up, were vanis.h.i.+ng.

My thoughts were of myself: I'm coming to save you. I'm coming, Gus. You won't hurt any more...you'll never have hurt.

The moon came back. It had been full; now it was new. The wind died. It had carried me where I'd needed to go. The ground settled. The years had been peeled off.

I was alone in the backyard of the house at 89 Harmon Drive. The snow was deeper. It was a different house, though it was the same. It was not recently painted. The Depression had not been long ago; money was still tight. It wasn't weather-beaten, but in a year or two my father would have it painted. Light yellow.

There was a sumac tree growing below the window of the dinette. It was nourished by lima beans and soup and cabbage.

"You'll just sit there until you finish every drop of your dinner. We're not wasting food. There are children starving in Russia."

I put the dragoon in my topcoat pocket. He had worked more than hard enough. I walked around the side of the house. I smiled as I saw again the wooden milk box by the side door. In the morning, very early, the milkman would put three quarts of milk there, but before anyone could bring them in, this very cold winter morning in December, the cream would push its way up and the little cardboard cap would be an inch above the mouth of the bottle.

The gravel talked beneath my feet. The street was quiet and cold. I stood in the front yard, beside the big oak tree, and looked up and down.

It was the same. It was as though I'd never been away. I started to cry. h.e.l.lo.

Gus was on one of the swings in the playground. I stood outside the fence of Lathrop Grade School and watched him standing on the seat, gripping the ropes, pumping his little legs. He was smaller than I'd remembered him. He wasn't smiling as he tried to swing higher. It was serious to him.

Standing outside the hurricane fence, watching Gus, I was happy. I scratched at a rash on my right wrist, and smoked a cigarette, and was happy.

I didn't see them until they were out of the shadows of the bushes, almost upon him.

One of them rushed up and grabbed Gus's leg, and tried to pull him off the seat, just as he reached the bottom of his swing. Gus managed to hold on, but the chain-ropes twisted crazily and when it went back up it hit the metal leg of the framework.

Gus fell, rolled face-down in the dust of the playground, and tried to sit up. The boys pushed through between the swings, avoiding the one that clanged back and forth.

Gus managed to get up, and the boys formed a circle around him. Then Jack Wheeldon stepped out and faced him. I remembered Jack Wheeldon.