El Dorado, an adventure of the Scarlet Pimpernel Part 11

"Yesterday I was not alone with you. How could I say what lay next my heart, when indifferent ears could catch the words that were meant only for you?"

"Ah, monsieur, do they teach you in England how to make pretty speeches?"

"No, mademoiselle, that is an instinct that comes into birth by the fire of a woman's eyes."

Mademoiselle Lange was sitting upon a small sofa of antique design, with cus.h.i.+ons covered in faded silks heaped round her pretty head. Armand thought that she looked like that carved cameo which his sister Marguerite possessed.

He himself sat on a low chair at some distance from her. He had brought her a large bunch of early violets, for he knew that she was fond of flowers, and these lay upon her lap, against the opalescent grey of her gown.

She seemed a little nervous and agitated, his obvious admiration bringing a ready blush to her cheeks.

The room itself appeared to Armand to be a perfect frame for the charming picture which she presented. The furniture in it was small and old; tiny tables of antique Vernis-Martin, softly faded tapestries, a pale-toned Aubusson carpet. Everything mellow and in a measure pathetic.

Mademoiselle Lange, who was an orphan, lived alone under the duennas.h.i.+p of a middle-aged relative, a penniless hanger-on of the successful young actress, who acted as her chaperone, housekeeper, and maid, and kept unseemly or over-bold gallants at bay.

She told Armand all about her early life, her childhood in the backshop of Maitre Meziere, the jeweller, who was a relative of her mother's; of her desire for an artistic career, her struggles with the middle-cla.s.s prejudices of her relations, her bold defiance of them, and final independence.

She made no secret of her humble origin, her want of education in those days; on the contrary, she was proud of what she had accomplished for herself. She was only twenty years of age, and already held a leading place in the artistic world of Paris.

Armand listened to her chatter, interested in everything she said, questioning her with sympathy and discretion. She asked him a good deal about himself, and about his beautiful sister Marguerite, who, of course, had been the most brilliant star in that most brilliant constellation, the Comedie Francaise. She had never seen Marguerite St.

Just act, but, of course, Paris still rang with her praises, and all art-lovers regretted that she should have married and left them to mourn for her.

Thus the conversation drifted naturally back to England. Mademoiselle professed a vast interest in the citizen's country of adoption.

"I had always," she said, "thought it an ugly country, with the noise and bustle of industrial life going on everywhere, and smoke and fog to cover the landscape and to stunt the trees."

"Then, in future, mademoiselle," he replied, "must you think of it as one carpeted with verdure, where in the spring the orchard trees covered with delicate blossom would speak to you of fairyland, where the dewy gra.s.s stretches its velvety surface in the shadow of ancient monumental oaks, and ivy-covered towers rear their stately crowns to the sky."

"And the Scarlet Pimpernel? Tell me about him, monsieur."

"Ah, mademoiselle, what can I tell you that you do not already know? The Scarlet Pimpernel is a man who has devoted his entire existence to the benefit of suffering mankind. He has but one thought, and that is for those who need him; he hears but one sound the cry of the oppressed."

"But they do say, monsieur, that philanthropy plays but a sorry part in your hero's schemes. They aver that he looks on his own efforts and the adventures through which he goes only in the light of sport."

"Like all Englishmen, mademoiselle, the Scarlet Pimpernel is a little ashamed of sentiment. He would deny its very existence with his lips, even whilst his n.o.ble heart brimmed over with it. Sport? Well! mayhap the sporting instinct is as keen as that of charity--the race for lives, the tussle for the rescue of human creatures, the throwing of a life on the hazard of a die."

"They fear him in France, monsieur. He has saved so many whose death had been decreed by the Committee of Public Safety."

"Please G.o.d, he will save many yet."

"Ah, monsieur, the poor little boy in the Temple prison!"

"He has your sympathy, mademoiselle?"

"Of every right-minded woman in France, monsieur. Oh!" she added with a pretty gesture of enthusiasm, clasping her hands together, and looking at Armand with large eyes filled with tears, "if your n.o.ble Scarlet Pimpernel will do aught to save that poor innocent lamb, I would indeed bless him in my heart, and help him with all my humble might if I could."

"May G.o.d's saints bless you for those words, mademoiselle," he said, whilst, carried away by her beauty, her charm, her perfect femininity, he stooped towards her until his knee touched the carpet at her feet. "I had begun to lose my belief in my poor misguided country, to think all men in France vile, and all women base. I could thank you on my knees for your sweet words of sympathy, for the expression of tender motherliness that came into your eyes when you spoke of the poor forsaken Dauphin in the Temple."

She did not restrain her tears; with her they came very easily, just as with a child, and as they gathered in her eyes and rolled down her fresh cheeks they in no way marred the charm of her face. One hand lay in her lap fingering a diminutive bit of cambric, which from time to time she pressed to her eyes. The other she had almost unconsciously yielded to Armand.

The scent of the violets filled the room. It seemed to emanate from her, a fitting attribute of her young, wholly unsophisticated girlhood. The citizen was goodly to look at; he was kneeling at her feet, and his lips were pressed against her hand.

Armand was young and he was an idealist. I do not for a moment imagine that just at this moment he was deeply in love. The stronger feeling had not yet risen up in him; it came later when tragedy encompa.s.sed him and brought pa.s.sion to sudden maturity. Just now he was merely yielding himself up to the intoxicating moment, with all the abandonment, all the enthusiasm of the Latin race. There was no reason why he should not bend the knee before this exquisite little cameo, that by its very presence was giving him an hour of perfect pleasure and of aesthetic joy.

Outside the world continued its hideous, relentless way; men butchered one another, fought and hated. Here in this small old-world salon, with its faded satins and bits of ivory-tinted lace, the outer universe had never really penetrated. It was a tiny world--quite apart from the rest of mankind, perfectly peaceful and absolutely beautiful.

If Armand had been allowed to depart from here now, without having been the cause as well as the chief actor in the events that followed, no doubt that Mademoiselle Lange would always have remained a charming memory with him, an exquisite bouquet of violets pressed reverently between the leaves of a favourite book of poems, and the scent of spring flowers would in after years have ever brought her dainty picture to his mind.

He was murmuring pretty words of endearment; carried away by emotion, his arm stole round her waist; he felt that if another tear came like a dewdrop rolling down her cheek he must kiss it away at its very source.

Pa.s.sion was not sweeping them off their feet--not yet, for they were very young, and life had not as yet presented to them its most unsolvable problem.

But they yielded to one another, to the springtime of their life, calling for Love, which would come presently hand in hand with his grim attendant, Sorrow.

Even as Armand's glowing face was at last lifted up to hers asking with mute lips for that first kiss which she already was prepared to give, there came the loud noise of men's heavy footsteps tramping up the old oak stairs, then some shouting, a woman's cry, and the next moment Madame Belhomme, trembling, wide-eyed, and in obvious terror, came rus.h.i.+ng into the room.

"Jeanne! Jeanne! My child! It is awful! It is awful! Mon Dieu--mon Dieu!

What is to become of us?"

She was moaning and lamenting even as she ran in, and now she threw her ap.r.o.n over her face and sank into a chair, continuing her moaning and her lamentations.

Neither Mademoiselle nor Armand had stirred. They remained like graven images, he on one knee, she with large eyes fixed upon his face. They had neither of them looked on the old woman; they seemed even now unconscious of her presence. But their ears had caught the sound of that measured tramp of feet up the stairs of the old house, and the halt upon the landing; they had heard the brief words of command:

"Open, in the name of the people!"

They knew quite well what it all meant; they had not wandered so far in the realms of romance that reality--the grim, horrible reality of the moment--had not the power to bring them back to earth.

That peremptory call to open in the name of the people was the prologue these days to a drama which had but two concluding acts: arrest, which was a certainty; the guillotine, which was more than probable. Jeanne and Armand, these two young people who but a moment ago had tentatively lifted the veil of life, looked straight into each other's eyes and saw the hand of death interposed between them: they looked straight into each other's eyes and knew that nothing but the hand of death would part them now. Love had come with its attendant, Sorrow; but he had come with no uncertain footsteps. Jeanne looked on the man before her, and he bent his head to imprint a glowing kiss upon her hand.

"Aunt Marie!"

It was Jeanne Lange who spoke, but her voice was no longer that of an irresponsible child; it was firm, steady and hard. Though she spoke to the old woman, she did not look at her; her luminous brown eyes rested on the bowed head of Armand St. Just.

"Aunt Marie!" she repeated more peremptorily, for the old woman, with her ap.r.o.n over her head, was still moaning, and unconscious of all save an overmastering fear.

"Open, in the name of the people!" came in a loud harsh voice once more from the other side of the front door.

"Aunt Marie, as you value your life and mine, pull yourself together,"

said Jeanne firmly.

"What shall we do? Oh! what shall we do?" moaned Madame Belhomme. But she had dragged the ap.r.o.n away from her face, and was looking with some puzzlement at meek, gentle little Jeanne, who had suddenly become so strange, so dictatorial, all unlike her habitual somewhat diffident self.

"You need not have the slightest fear, Aunt Marie, if you will only do as I tell you," resumed Jeanne quietly; "if you give way to fear, we are all of us undone. As you value your life and mine," she now repeated authoritatively, "pull yourself together, and do as I tell you."

The girl's firmness, her perfect quietude had the desired effect. Madame Belhomme, though still shaken up with sobs of terror, made a great effort to master herself; she stood up, smoothed down her ap.r.o.n, pa.s.sed her hand over her ruffled hair, and said in a quaking voice:

"What do you think we had better do?"

"Go quietly to the door and open it."