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"Well, did you ever?" commented Sister Poteet, generally.
"Hardly ever," laughed the widow, good-naturedly, "and I don't want to lose the chance. You know Deacon Hawkins isn't asking somebody every day to go sleighing with him. I told him I'd go if he would bring me around here to let you know what had become of me, and so he did. Now, good-by, and I'll be sure to be present at the next meeting. I have to hurry because he'll get fidgety."
The widow ran away like a lively schoolgirl. All the sisters watched her get into the sleigh with the deacon, and resumed the previous discussion with greatly increased interest.
But little recked the widow and less recked the deacon. He had bought a new horse and he wanted the widow's opinion of it, for the Widow Stimson was a competent judge of fine horseflesh. If Deacon Hawkins had one insatiable ambition it was to own a horse which could fling its heels in the face of the best that Squire Hopkins drove. In his early manhood the deacon was no deacon by a great deal. But as the years gathered in behind him he put off most of the frivolities of youth and held now only to the one of driving a fast horse. No other man in the county drove anything faster except Squire Hopkins, and him the deacon had not been able to throw the dust over. The deacon would get good ones, but somehow never could he find one that the squire didn't get a better. The squire had also in the early days beaten the deacon in the race for a certain pretty girl he dreamed about. But the girl and the squire had lived happily ever after and the deacon, being a philosopher, might have forgotten the squire's superiority had it been manifested in this one regard only. But in horses, too--that graveled the deacon.
"How much did you give for him?" was the widow's first query, after they had reached a stretch of road that was good going and the deacon had let him out for a length or two.
"Well, what do you suppose? You're a judge."
"More than I would give, I'll bet a cookie."
"Not if you was as anxious as I am to show Hopkins that he can't drive by everything on the pike."
"I thought you loved a good horse because he was a good horse," said the widow, rather disapprovingly.
"I do, but I could love him a good deal harder if he would stay in front of Hopkins's best."
"Does he know you've got this one?"
"Yes, and he's been blowing round town that he is waiting to pick me up on the road some day and make my five hundred dollars look like a pewter quarter."
"So you gave five hundred dollars for him, did you?" laughed the widow.
"Is it too much?"
"Um-er," hesitated the widow, glancing along the graceful lines of the powerful trotter, "I suppose not if you can beat the squire."
"Right you are," crowed the deacon, "and I'll show him a thing or two in getting over the ground," he added with swelling pride.
"Well, I hope he won't be out looking for you today, with me in your sleigh," said the widow, almost apprehensively, "because, you know, deacon, I have always wanted you to beat Squire Hopkins."
The deacon looked at her sharply. There was a softness in her tones that appealed to him, even if she had not expressed such agreeable sentiments. Just what the deacon might have said or done after the impulse had been set going must remain unknown, for at the crucial moment a sound of militant bells, bells of defiance, jangled up behind them, disturbing their personal absorption, and they looked around simultaneously. Behind the bells was the squire in his sleigh drawn by his fastest stepper, and he was alone, as the deacon was not. The widow weighed one hundred and sixty pounds, net--which is weighting a horse in a race rather more than the law allows.
But the deacon never thought of that. Forgetting everything except his cherished ambition, he braced himself for the contest, took a twist hold on the lines, sent a sharp, quick call to his horse, and let him out for all that was in him. The squire followed suit and the deacon.
The road was wide and the snow was worn down smooth. The track couldn't have been in better condition. The Hopkins colors were not five rods behind the Hawkins colors as they got away. For half a mile it was nip and tuck, the deacon encouraging his horse and the widow encouraging the deacon, and then the squire began creeping up. The deacon's horse was a good one, but he was not accustomed to hauling freight in a race. A half-mile of it was as much as he could stand, and he weakened under the strain.
Not handicapped, the squire's horse forged ahead, and as his nose pushed up to the dashboard of the deacon's sleigh, that good man groaned in agonized disappointment and bitterness of spirit. The widow was mad all over that Squire Hopkins should take such a mean advantage of his rival. Why didn't he wait till another time when the deacon was alone, as he was? If she had her way she never would, speak to Squire Hopkins again, nor to his wife, either. But her resentment was not helping the deacon's horse to win.
Slowly the squire pulled closer to the front; the deacon's horse, realizing what it meant to his master and to him, spurted bravely, but, struggle as gamely as he might, the odds were too many for him, and he dropped to the rear. The squire shouted in triumph as he drew past the deacon, and the dejected Hawkins shrivelled into a heap on the seat, with only his hands sufficiently alive to hold the lines. He had been beaten again, humiliated before a woman, and that, too, with the best horse that he could hope to put against the ever-conquering squire. Here sank his fondest hopes, here ended his ambition. From this on he would drive a mule or an automobile. The fruit of his desire had turned to ashes in his mouth.
But no. What of the widow? She realized, if the deacon did not, that she, not the squire's horse, had beaten the deacon's, and she was ready to make what atonement she could. As the squire pa.s.sed ahead of the deacon she was stirred by a n.o.ble resolve. A deep bed of drifted snow lay close by the side of the road not far in front. It was soft and safe and she smiled as she looked at it as though waiting for her.
Without a hint of her purpose, or a sign to disturb the deacon in his final throes, she rose as the sleigh ran near its edge, and with a spring which had many a time sent her lightly from the ground to the bare back of a horse in the meadow, she cleared the robes and lit plump in the drift. The deacon's horse knew before the deacon did that something had happened in his favor, and was quick to respond. With his first jump of relief the deacon suddenly revived, his hopes came fast again, his blood retingled, he gathered himself, and, cracking his lines, he shot forward, and three minutes later he had pa.s.sed the squire as though he were hitched to the fence. For a quarter of a mile the squire made heroic efforts to recover his vanished prestige, but effort was useless, and finally concluding that he was practically left standing, he veered off from the main road down a farm lane to find some spot in which to hide the humiliation of his defeat. The deacon, still going at a clipping gait, had one eye over his shoulder as wary drivers always have on such occasions, and when he saw the squire was off the track he slowed down and jogged along with the apparent intention of continuing indefinitely. Presently an idea struck him, and he looked around for the widow. She was not where he had seen her last. Where was she? In the enthusiasm of victory he had forgotten her. He was so dejected at the moment she had leaped that he did not realize what she had done, and two minutes later he was so elated that, shame on him! he did not care. With her, all was lost; without her, all was won, and the deacon's greatest ambition was to win. But now, with victory perched on his horse-collar, success his at last, he thought of the widow, and he did care. He cared so much that he almost threw his horse off his feet by the abrupt turn he gave him, and back down the pike he flew as if a legion of squires were after him.
He did not know what injury she might have sustained; She might have been seriously hurt, if not actually killed. And why? Simply to make it possible for him to win. The deacon s.h.i.+vered as he thought of it, and urged his horse to greater speed. The squire, down the lane, saw him whizzing along and accepted it profanely as an exhibition for his especial benefit. The deacon now had forgotten the squire as he had only so shortly before forgotten the widow. Two hundred yards from the drift into which she had jumped there was a turn in the road, where some trees shut off the sight, and the deacon's anxiety increased momentarily until he reached this point. From here he could see ahead, and down there in the middle of the road stood the widow waving her shawl as a banner of triumph, though she could only guess at results.
The deacon came on with a rush, and pulled up alongside of her in a condition of nervousness he didn't think possible to him.
"Hooray! hooray!" shouted the widow, tossing her shawl into the air.
"You beat him. I know you did. Didn't you? I saw you pulling ahead at the turn yonder. Where is he and his old plug?"
"Oh, bother take him and his horse and the race and everything. Are you hurt?" gasped the deacon, jumping out, but mindful to keep the lines in his hand. "Are you hurt?" he repeated, anxiously, though she looked anything but a hurt woman.
"If I am," she chirped, cheerily, "I'm not hurt half as bad as I would have been if the squire had beat you, deacon. Now don't you worry about me. Let's hurry back to town so the squire won't get another chance, with no place for me to jump."
And the deacon? Well, well, with the lines in the crook of his elbow the deacon held out his arms to the widow and----. The sisters at the next meeting of the Sewing Society were unanimously of the opinion that any woman who would risk her life like that for a husband was mighty anxious.
GIDEON
By Wells Hastings (1878- )
[From _The Century Magazine_, April, 1914; copyright, 1914, by The Century Co.; republished by the author's permission.]
"An' de next' frawg dat houn' pup seen, he pa.s.s him by wide."
The house, which had hung upon every word, roared with laughter, and shook with a storming volley of applause. Gideon bowed to right and to left, low, grinning, a.s.sured comedy obeisances; but as the laughter and applause grew he shook his head, and signaled quietly for the drop. He had answered many encores, and he was an instinctive artist.
It was part of the fuel of his vanity that his audience had never yet had enough of him. Dramatic judgment, as well as dramatic sense of delivery, was native to him, qualities which the shrewd Felix Stuhk, his manager and exultant discoverer, recognized and wisely trusted in.
Off stage Gideon was watched over like a child and a delicate investment, but once behind the footlights he was allowed to go his own triumphant gait.
It was small wonder that Stuhk deemed himself one of the cleverest managers in the business; that his narrow, blue-shaven face was continually chiseled in smiles of complacent self-congratulation. He was rapidly becoming rich, and there were bright prospects of even greater triumphs, with proportionately greater reward. He had made Gideon a national character, a headliner, a star of the first magnitude in the firmament of the vaudeville theater, and all in six short months. Or, at any rate, he had helped to make him all this; he had booked him well and given him his opportunity. To be sure, Gideon had done the rest; Stuhk was as ready as any one to do credit to Gideon's ability. Still, after all, he, Stuhk, was the discoverer, the theatrical Columbus who had had the courage and the vision.
A now-hallowed attack of tonsilitis had driven him to Florida, where presently Gideon had been employed to beguile his convalescence, and guide him over the intricate shallows of that long lagoon known as the Indian River in search of various fish. On days when fish had been reluctant Gideon had been lured into conversation, and gradually into narrative and the relation of what had appeared to Gideon as humorous and entertaining; and finally Felix, the vague idea growing big within him, had one day persuaded his boatman to dance upon the boards of a long pier where they had made fast for lunch. There, with all the sudden glory of crystallization, the vague idea took definite form and became the great inspiration of Stuhk's career.
Gideon had grown to be to vaudeville much what _Uncle Remus_ is to literature: there was virtue in his very simplicity. His artistry itself was native and natural. He loved a good story, and he told it from his own sense of the gleeful morsel upon his tongue as no training could have made him. He always enjoyed his story and himself in the telling. Tales never lost their savor, no matter how often repeated; age was powerless to dim the humor of the thing, and as he had shouted and gurgled and laughed over the fun of things when all alone, or holding forth among the men and women and little children of his color, so he shouted and gurgled and broke from sonorous chuckles to musical, falsetto mirth when he fronted the sweeping tiers of faces across the intoxicating glare of the footlights. He had that rare power of transmitting something of his own enjoyments. When Gideon was on the stage, Stuhk used to enjoy peeping out at the intent, smiling faces of the audience, where men and women and children, hardened theater-goers and folk fresh from the country, sat with moving lips and faces lit with an eager interest and sympathy for the black man strutting in loose-footed vivacity before them.
"He's simply unique," he boasted to wondering local managers--"unique, and it took me to find him. There he was, a little black gold-mine, and all of 'em pa.s.sed him by until I came. Some eye? What? I guess you'll admit you have to hand it some to your Uncle Felix. If that c.o.o.n's health holds out, we'll have all the money there is in the mint."
That was Felix's real anxiety--"If his health holds out." Gideon's health was watched over as if he had been an ailing prince. His bubbling vivacity was the foundation upon which his charm and his success were built. Stuhk became a sort of vicarious neurotic, eternally searching for symptoms in his protege; Gideon's tongue, Gideon's liver, Gideon's heart were matters to him of an unfailing and anxious interest. And of late--of course it might be imagination --Gideon had shown a little physical falling off. He ate a bit less, he had begun to move in a restless way, and, worst of all, he laughed less frequently.
As a matter of fact, there was ground for Stuhk's apprehension. It was not all a matter of managerial imagination: Gideon was less himself.
Physically there was nothing the matter with him; he could have pa.s.sed his rigid insurance scrutiny as easily as he had done months before, when his life and health had been insured for a sum that made good copy for his press-agent. He was sound in every organ, but there was something lacking in general tone. Gideon felt it himself, and was certain that a "misery," that embracing indisposition of his race, was creeping upon him. He had been fed well, too well; he was growing rich, too rich; he had all the praise, all the flattery that his enormous appet.i.te for approval desired, and too much of it. White men sought him out and made much of him; white women talked to him about his career; and wherever he went, women of color--black girls, brown girls, yellow girls--wrote him of their admiration, whispered, when he would listen, of their pa.s.sion and hero-wors.h.i.+p. "City n.i.g.g.e.rs" bowed down before him; the high gallery was always packed with them.
Musk-scented notes scrawled upon barbaric, "high-toned" stationery poured in upon him. Even a few white women, to his horror and embarra.s.sment, had written him of love, letters which he straightway destroyed. His sense of his position was strong in him; he was proud of it. There might be "folks outer their haids," but he had the sense to remember. For months he had lived in a heaven of gratified vanity, but at last his appet.i.te had begun to falter. He was sated; his soul longed to wipe a spiritual mouth on the back of a spiritual hand, and have done. His face, now that the curtain was down and he was leaving the stage, was doleful, almost sullen.
Stuhk met him anxiously in the wings, and walked with him to his dressing-room. He felt suddenly very weary of Stuhk.
"Nothing the matter, Gideon, is there? Not feeling sick or anything?"
"No, Misteh Stuhk; no, seh. Jes don' feel extry pert, that's all."
"But what is it--anything bothering you?"
Gideon sat gloomily before his mirror.
"Misteh Stuhk," he said at last, "I been steddyin' it oveh, and I about come to the delusion that I needs a good po'k-chop. Seems foolish, I know, but it do' seem as if a good po'k-chop, fried jes right, would he'p consid'able to disumpate this misery feelin' that's crawlin' and creepin' round my sperit."
Stuhk laughed.