The God of Love Part 3

At this Messer Guido laughed joyously. "Heaven, friend," he cried, "what better recommendation could a man have to one that writes verses?"

"Is there one in Florence," Dante asked, "that could not say as much?"

Then, as if to break away from bandying of compliments, he asked: "But what were the rumors you spoke of?"

"Why," replied Guido, looking at him in some wonder, "here was the daintiest festal ever devised: delicate youths and exquisite maidens footing it to pipe and cymbal as blithely as if they would never grow old."

Dante shook his head a little. "I did not mark them."

As for me, I marvelled, and I cried, "A beatific disposition that can sleep in such a din."

But Dante reproved me with that gravity he always showed when there was any matter of truth to be considered. "I did not sleep," he a.s.serted. "I read."

"What, in Heaven's name," asked Guido, "did you read, that could shut your ears to such a din?"

Dante lifted up toward him the ma.n.u.script he had newly bought. "The love-tale of Knight Lancelot and Queen Guinevere. The fellow that wrote it discourses nothing but marvels."

Now I was curious, for I love all strange tales, and I questioned him: "What marvels?"

Dante answered me smiling, and his face was always very sweet when he smiled. "Why, the rogue will have it that when such a cavalier as Lancelot tumbles into love he becomes a very ecstatic, and sees the world as it never is, was, or shall be. The sun is no more than his lady's looking-gla.s.s, and the moon and stars her candles to light her to bed. You are a lover, Messer Guido. Do you think thus of your lady?"

Messer Guido answered emphatically, for he was indeed deep in love with a lady well worth the loving. "Very surely and so will you when the fever wrings you."

Dante turned to me, still with that same luminous smile on his face.

"And you, Lappo?"

Now, it was then and ever my creed that it is a man's best business to be in love as much and as often as he can, and I answered him according to my fancy. "I should scorn myself if I did not overtop every conceited fancy that lover has ever sighed or sung for his lady."

Dante still smiled, but there was now a little scorn in his smile that nettled me. "It is strange," he said. And then made a feint of returning to his book, saying, "Well, I will read in my book again if you are no wiser."

But Guido laid his hand upon the pages and protested. "Plague on your reading, brother; you read too much. You are young to be so studious of pothooks and hangers. The Book of Life is a brave book for a youth to read in."

And here I put in my word. "And the two best chapters, by your leave, are those that treat of Squire Bacchus and Dame Venus."

"You are a pretty ribald," Dante said to me, mockingly. "Leave me to my ease. Let our star wheel where it pleases; I cannot guide the chariot of the sun. Let me bask in its bounty, warm my hands at it, eat the fruit it ripens, and drink the wine it kindles. I am content. Florence is the fairest city in the world. I shall be happy to grow old in Florence, studiously, peacefully, pleasantly, dreaming my dreams."

Guido protested against his placidity. "What a slugabed spirit! Rings there no alarum in your blood?"

Dante said nothing, but looked at me, and I supported Guido's theme.

"There are ladies in Florence as lovely as the city's lilies. I would rather lie in white arms than dream dreams."

Dante shook his head, and he fluttered the pages of his book as he answered us slowly: "Restless, feverish t.i.tans, forever challenging the great G.o.ds of Love and War. Give me the dappled shade of a green garden, the sable shadows quivering on a ground of gold, a book of verse by me to play with when I would be busy, and a swarm of sweet rhythms like colored b.u.t.terflies floating about my drowsy senses. What to me are wars and rumors of wars in that delicious ease? What to me are the white b.r.e.a.s.t.s of the fair Florentines?"

Guido and I looked at each other in wonder, and then Guido asked again, "Tell me, comrade, have you ever been in love?"

Now, when Guido asked him that question, I expected to hear from Dante a mocking answer, but instead, to my surprise, he sat quite still for a little while, almost like a man in a trance, with his hands clasped about his knees, and it seemed to me as if he were seeing, as indeed he was seeing, things that we who were with him did not see and could not see. After a while he spoke in a soft voice, and for the most part his words came sharp and clear, like the words of a man that speaks in a dream.

"Once, when I was still a child, I saw a child's face, a girl's face; it lives in my memory as the face of an angel. It was a sunny morning, a May morning, such a morning as this, one of those days that always make one think of roses. I had a rose in my hand, and I was smelling at it--and then I saw the child. She was younger than I--and I was very young."

Now, although I am a liberal lover of women, I have, I thank Heaven, such a nature that any talk of love pleases me and interests me, and I can listen to any lover with content. But this talk of children only tickled me, and I turned to my comrade Guido, that was known to be a very devoted swain to his lady, and that served her in song and honor with all fidelity, and pointed Dante out to him now, as if laughing at the radiant gaze on his face. "Look at the early lover, Guido," I said, and laughed; but Messer Guido would not humor me by laughing too, and he told me later that he never found a love-tale a thing to laugh at.

Dante seemed neither to heed nor to be vexed at my mirth. "Laugh if you like," he said, good-humoredly, "but I learned what love might mean then, as I peeped over the red breast of the rose at the little maiden.

She was younger than I was; she had hair like woven sunlight, and her wide eyes seemed to me bright with a better blue than heaven's. Oh, if I had all the words in the world at my order, I could not truly tell you all I thought then of that little child."

Guido said very gravely, "A boy may have great thoughts." And he said no more, but looked steadfastly upon the rapt countenance of Dante.

Now by this time I was all afire with curiosity, for this strange talk stirred me to wonder, and I entreated Messer Dante very zealously to tell me who this child was. Dante went on as if he had not heard my question, telling his tale in a measured voice. "She looked at me and she looked at my red rose, and I felt suddenly as if that rose were the most precious gift in the world, a gift for a G.o.d, and that I should give it to her. I held out my hand to her with the rose in it, and she took the flower, and her fingers touched my fingers as she took it. They still thrill with the memory."

As I have but just recorded, to my shame, I took all this story of our friend's in a spirit of mockery. "O father Socrates," I cried, "listen to the philosopher!" And then, because I was still burning with desire for more knowledge in this strange business, I repeated my question.

"Who was she?"

And this time Dante heeded me and answered me. "I do not know. I never saw her again."

Guido's amazement at this answer found speech. "You never saw her again?" he questioned. "A girl in Florence?"

And indeed it was a strange thing for our city, where one sees every one every day.

But Dante nodded. "It is strange, but so it is. I never saw her again.

That is nine years ago now."

Guido's eyes were filled with a tender pity. Never before saw I true lover so moved by a profession of true love. "Are you sure you ever really saw her?" he questioned, somewhat sadly. "Are you sure that you did not dream this wonder?"

Dante showed no anger at this doubt, though indeed at other times he was quick enough to take offence if he found just cause. But I guessed then what I know since, that he found this matter at once so simple and so sacred that nothing any man could say concerning it could in any way vex him. So he answered very mildly, "Sometimes I almost doubt, but the scent of a red rose on a May morning always brings her back to me."

Now I grieve to record it, but the silly spirit of mockery within me had so far infected my wits that I cried out in pretended astonishment, "O marvellous fancy that can so enn.o.ble a neighbor's brat!" The which was very false and foolish of me, for I know well enough now, and knew very well then, that love, while it lasts, can enn.o.ble any child, maid, or matron. Lord, the numbers of girls I have likened to Diana that were no such matter, and the plump maids I have appraised as Venus, though, indeed, they would have shown something clumsy if one had caught them rising from the sea! But, as I say, Dante never heeded my jeers, and sat there very quiet and silent, very much as if he had forgotten our existence, and was thinking only of that gracious child he spoke of. And I, my laughter being somewhat abashed by his gravity, and the edge of my jest being blunted by his indifference, as well as by the reproof on Guido's face, stood there awkwardly, not knowing whether to abide with him or leave him, when there came, to break my embarra.s.sment, the presence of a mighty fair lady.

III

VITTORIA

The lady that now came toward us over the little bridge was one whose acquaintance I could claim, and whose beauty I admired very greatly.

Madonna Vittoria Crescimbeni was a very fair lady that was generous of her favors to those that were wealthy, and even to those that were not, if they happened to take her fancy, as indeed I am pleased to recall.

She lived on the other side of Arno, in a gracious dwelling that had been built for her by a great lord that had given her everything, except his name, while he lived, and had died and left her a fortune. For all that, she was a light child; she carried herself with much show of discretion, and was only to be come at warily, as it were, and with circ.u.mspection; and because of her abundance she was at no man's beck and call, and could choose and refuse as it liked her. She was made something full of figure, with a face like an ancient statue, which was the less to be wondered at because her mother was a Greek; but her hair, of which she had a mighty quant.i.ty, was of that tawny red tincture that is familiar to those that woo Venetian women. As for her mouth, it was like flame, and her eyes were flames too, though of another hue, having a greenish light in them that could delight or frighten as she pleased.

She went her ways in great state, having two small knavish blackamoor pages in gold tissue at her heels, and a little ways off she was followed by a brace of well-armed serving-rascals.

For my own part, I was mightily pleased to see her, for though she was, in the native ways of affairs, somewhat out of my star, still, as I said, she was to show later that she had an eye for a pretty fellow and owned a spirit above mere dross. I say no more. She seemed content enough to see me, but still more content to see Messer Guido. This was an experience in the ways of ladies with which those that walked with Messer Guido were familiar. Every woman that saw him admired him highly.

So Vittoria smiled a little on me and a great deal on Messer Guido; and as for Dante, she glanced at him slightly and gave him little heed, for his habit was modest and his looks were not of a kind at once to tickle the fancy of such as she. Yet Dante looked at her curiously, though without ostentation, as one whose way it is instinctively to observe all men and all women with an exceeding keenness and clearness of vision.

Messer Guido greeted Madonna Vittoria very courteously, as was ever his way with women. Were they fair or plain-favored, chaste or gay, he was ever their very gentle servant. And by this time Vittoria, being very close to us, paused and gave us the greeting of the day; and her pages came to a halt behind her, and her men-at-arms stood at ease a little s.p.a.ce away.

The beautiful lady looked at us with a kind of wonder and a kind of mockery in her dark eyes. And when she spoke to us her voice was marvellously soft with a rich softness that made me, being then of a very sensual disposition, think instantly of old wine and ripe fruit, and darkened alcoves, and the wayward complaining of lutes. Indeed, wherever Monna Vittoria went she seemed to carry with her an atmosphere of subtle seclusion, of a cloistered lusciousness, of dim, green, guarded gardens, where the sighs of love's novices are stifled by the drip of stealthy fountains and the babble of fantastic birds. I suppose it was no more than my fancy, or a trick of my memory confusing later things with earlier, that makes me now, as I write, seem to recall what seemed like a smile on the face of the pagan effigy of Love as Madonna Vittoria swam into her company, as if the Greekish image recognized in the woman a creature of the early days when cunning fingers fas.h.i.+oned him. For, indeed, Vittoria was not modern in the sense that we Florentines are modern. She derived from a world long dead and buried.

Heavens, how Messer Alcibiades would have admired her!

"Good-morrow, gentle gentles," she began, in that caressing voice, "why are you absent from the sacrifice?"

Guido looked for the instant perplexed by the woman's words, and he moved a little nearer to her. As for Dante, he seemed to have forgotten us all, even to have forgotten his book, and though he had risen when Monna Vittoria approached, he had by this time sunk onto the stone seat again, and seemed drowned in a brown study.